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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53B3D9 it is the complementary color #AC4C26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53B3D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53B3D9 shade: #58B3D4, #69C5E7, #7AD7FA, #8BE9FF and #9CFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53B3D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53B3D9 shade: #53B3D9, #42A1C6, #318FB3, #207DA0 and #0F6B8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53B3D9 shade: #53B3D9, #538FD9, #536BD9, #5F53D9 and #8453D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53B3D9 shade: #53B3D9, #538FD9, #536BD9 and #5353D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53B3D9 shade matches the following richer shades: #53B3D9, #42BAEA and #31C2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53B3D9 shade: #53B3D9, #64ACC8, #75A4B7, #869DA6 and #979695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53B3D9 shade: #53D9B7, #53D7D9, #53B3D9, #538FD9 and #536CD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53B3D9 shade: #278BB3, #31A4D1, #53B3D9, #75C2E0 and #97D1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53B3D9 shade: #53B3D9, #9453D9 and #D9C953

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53B3D9 shade: #53B3D9, #D953B3 and #B3D953

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53B3D9 shade: #53B3D9, #9453D9, #D97953 and #98D953

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53B3D9 shade: #53B3D9, #BC53D9, #D97953 and #70D953

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

Complementary color

CMYK 0 / 56 / 78 / 33

HEX #AC4C26

RGB 172 76 38

HSL 17.01, 0.64%, 0.41%

LAB 44.35, 37.02, 40.45

 

CMYK 58 / 16 / 0 / 17

HEX #58B3D4

RGB 88 179 212

HSL 195.97, 0.59%, 0.59%

LAB 68.8, -17.58, -24.86

 

CMYK 55 / 15 / 0 / 9

HEX #69C5E7

RGB 105 197 231

HSL 196.19, 0.72%, 0.66%

LAB 75.27, -18.03, -25.25

 

CMYK 51 / 14 / 0 / 2

HEX #7AD7FA

RGB 122 215 250

HSL 196.41, 0.93%, 0.73%

LAB 81.64, -18.37, -25.63

 

CMYK 45 / 9 / 0 / 0

HEX #8BE9FF

RGB 139 233 255

HSL 191.38, 1%, 0.77%

LAB 87.48, -22.33, -19.35

 

CMYK 39 / 2 / 0 / 0

HEX #9CFBFF

RGB 156 251 255

HSL 182.42, 1%, 0.81%

LAB 93.14, -27.08, -10.79

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 67 / 19 / 0 / 22

HEX #42A1C6

RGB 66 161 198

HSL 196.82, 0.54%, 0.52%

LAB 62.27, -16.25, -27.2

 

CMYK 73 / 20 / 0 / 30

HEX #318FB3

RGB 49 143 179

HSL 196.62, 0.57%, 0.45%

LAB 55.64, -15.27, -26.75

 

CMYK 80 / 22 / 0 / 37

HEX #207DA0

RGB 32 125 160

HSL 196.41, 0.67%, 0.38%

LAB 48.9, -13.97, -26.25

 

CMYK 89 / 24 / 0 / 45

HEX #0F6B8D

RGB 15 107 141

HSL 196.19, 0.81%, 0.31%

LAB 42.06, -12.18, -25.67

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 62 / 34 / 0 / 15

HEX #538FD9

RGB 83 143 217

HSL 213.13, 0.64%, 0.59%

LAB 58.5, 3.08, -43.66

 

CMYK 62 / 51 / 0 / 15

HEX #536BD9

RGB 83 107 217

HSL 229.25, 0.64%, 0.59%

LAB 48.72, 24.99, -59.27

 

CMYK 56 / 62 / 0 / 15

HEX #5F53D9

RGB 95 83 217

HSL 245.37, 0.64%, 0.59%

LAB 43.7, 41.74, -67.36

 

CMYK 39 / 62 / 0 / 15

HEX #8453D9

RGB 132 83 217

HSL 261.94, 0.64%, 0.59%

LAB 47.11, 48.91, -61.67

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 62 / 34 / 0 / 15

HEX #538FD9

RGB 83 143 217

HSL 213.13, 0.64%, 0.59%

LAB 58.5, 3.08, -43.66

 

CMYK 62 / 51 / 0 / 15

HEX #536BD9

RGB 83 107 217

HSL 229.25, 0.64%, 0.59%

LAB 48.72, 24.99, -59.27

 

CMYK 62 / 62 / 0 / 15

HEX #5353D9

RGB 83 83 217

HSL 240, 0.64%, 0.59%

LAB 42.82, 39.78, -68.83

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 72 / 21 / 0 / 8

HEX #42BAEA

RGB 66 186 234

HSL 197.14, 0.8%, 0.59%

LAB 71.02, -17.88, -33.51

 

CMYK 80 / 23 / 0 / 2

HEX #31C2FB

RGB 49 194 251

HSL 196.93, 0.96%, 0.59%

LAB 73.68, -18.29, -38.61

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 50 / 14 / 0 / 22

HEX #64ACC8

RGB 100 172 200

HSL 196.8, 0.48%, 0.59%

LAB 66.81, -14.89, -21.24

 

CMYK 36 / 10 / 0 / 28

HEX #75A4B7

RGB 117 164 183

HSL 197.27, 0.31%, 0.59%

LAB 64.77, -10.9, -14.82

 

CMYK 19 / 5 / 0 / 35

HEX #869DA6

RGB 134 157 166

HSL 196.88, 0.15%, 0.59%

LAB 63.29, -6.04, -7.39

 

CMYK 0 / 1 / 1 / 41

HEX #979695

RGB 151 150 149

HSL 30, 0.01%, 0.59%

LAB 62.14, 0.18, 0.65

 

CMYK 62 / 0 / 16 / 15

HEX #53D9B7

RGB 83 217 183

HSL 164.78, 0.64%, 0.59%

LAB 78.97, -44.53, 5.98

 

CMYK 62 / 1 / 0 / 15

HEX #53D7D9

RGB 83 215 217

HSL 180.9, 0.64%, 0.59%

LAB 79.3, -34.86, -11.71

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 62 / 34 / 0 / 15

HEX #538FD9

RGB 83 143 217

HSL 213.13, 0.64%, 0.59%

LAB 58.5, 3.08, -43.66

 

CMYK 62 / 50 / 0 / 15

HEX #536CD9

RGB 83 108 217

HSL 228.81, 0.64%, 0.59%

LAB 48.98, 24.37, -58.85

 

CMYK 78 / 22 / 0 / 30

HEX #278BB3

RGB 39 139 179

HSL 197.14, 0.64%, 0.43%

LAB 54.19, -14.31, -29.02

 

CMYK 77 / 22 / 0 / 18

HEX #31A4D1

RGB 49 164 209

HSL 196.88, 0.63%, 0.51%

LAB 63.18, -16.52, -31.96

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 48 / 13 / 0 / 12

HEX #75C2E0

RGB 117 194 224

HSL 196.82, 0.63%, 0.67%

LAB 74.67, -15.85, -22.35

 

CMYK 35 / 10 / 0 / 9

HEX #97D1E8

RGB 151 209 232

HSL 197.04, 0.64%, 0.75%

LAB 80.74, -13.02, -17.28

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 32 / 62 / 0 / 15

HEX #9453D9

RGB 148 83 217

HSL 269.1, 0.64%, 0.59%

LAB 48.87, 52.39, -58.73

 

CMYK 0 / 7 / 62 / 15

HEX #D9C953

RGB 217 201 83

HSL 52.84, 0.64%, 0.59%

LAB 80.26, -8.46, 59.29

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 0 / 62 / 18 / 15

HEX #D953B3

RGB 217 83 179

HSL 317.01, 0.64%, 0.59%

LAB 56.28, 62.66, -24.59

 

CMYK 18 / 0 / 62 / 15

HEX #B3D953

RGB 179 217 83

HSL 77.01, 0.64%, 0.59%

LAB 81.75, -31.73, 60.08

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 32 / 62 / 0 / 15

HEX #9453D9

RGB 148 83 217

HSL 269.1, 0.64%, 0.59%

LAB 48.87, 52.39, -58.73

 

CMYK 0 / 44 / 62 / 15

HEX #D97953

RGB 217 121 83

HSL 17.01, 0.64%, 0.59%

LAB 60.83, 33.98, 37

 

CMYK 30 / 0 / 62 / 15

HEX #98D953

RGB 152 217 83

HSL 89.1, 0.64%, 0.59%

LAB 80.14, -41.82, 57.85

 

CMYK 62 / 18 / 0 / 15

HEX #53B3D9

RGB 83 179 217

HSL 197.01, 0.64%, 0.59%

LAB 68.82, -16.98, -27.6

 

CMYK 13 / 62 / 0 / 15

HEX #BC53D9

RGB 188 83 217

HSL 287.01, 0.64%, 0.59%

LAB 53.91, 61.63, -50.39

 

CMYK 0 / 44 / 62 / 15

HEX #D97953

RGB 217 121 83

HSL 17.01, 0.64%, 0.59%

LAB 60.83, 33.98, 37

 

CMYK 48 / 0 / 62 / 15

HEX #70D953

RGB 112 217 83

HSL 107.01, 0.64%, 0.59%

LAB 78.28, -54.77, 55.28

 

Description

Color code: HEX #53B3D9 | qconv.com Color code: HEX #53B3D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 179 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 179 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 18 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 18% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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