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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53A9CF it is the complementary color #AC5630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53A9CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53A9CF shade: #58A9CA, #69BBDD, #7ACDF0, #8BDFFF and #9CF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53A9CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53A9CF shade: #53A9CF, #4297BC, #3185A9, #207396 and #0F6183

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53A9CF shade: #53A9CE, #5387CE, #5366CE, #6253CE and #8353CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53A9CF shade: #53A9CE, #5387CE, #5366CE and #5353CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53A9CF shade matches the following richer shades: #53A9CE, #42AFE0 and #30B6F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53A9CF shade: #53A9CE, #65A2BD, #779BAB, #899499 and #9A8D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53A9CF shade: #53CEB2, #53CACE, #53A9CE, #5389CE and #5368CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53A9CF shade: #2D7EA2, #3697C2, #53A9CE, #74B9D7 and #94C9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53A9CF shade: #53A9CF, #9153CE and #CEC253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53A9CF shade: #53A9CF, #CE53A9 and #A9CE53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53A9CF shade: #53A9CF, #9153CE, #CE7853 and #91CE53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53A9CF shade: #53A9CF, #B653CE, #CE7853 and #6CCE53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 18 / 0 / 19

HEX #53A9CF

RGB 83 169 207

HSL 198.39, 0.56%, 0.57%

LAB 65.53, -14.75, -27.14

 

Complementary color

CMYK 0 / 50 / 72 / 33

HEX #AC5630

RGB 172 86 48

HSL 18.39, 0.56%, 0.43%

LAB 46.5, 32.28, 37.52

 

CMYK 56 / 16 / 0 / 21

HEX #58A9CA

RGB 88 169 202

HSL 197.37, 0.52%, 0.57%

LAB 65.53, -15.29, -24.36

 

CMYK 52 / 15 / 0 / 13

HEX #69BBDD

RGB 105 187 221

HSL 197.59, 0.63%, 0.64%

LAB 72.07, -15.7, -24.72

 

CMYK 49 / 15 / 0 / 6

HEX #7ACDF0

RGB 122 205 240

HSL 197.8, 0.8%, 0.71%

LAB 78.52, -16.01, -25.07

 

CMYK 45 / 13 / 0 / 0

HEX #8BDFFF

RGB 139 223 255

HSL 196.55, 1%, 0.77%

LAB 84.73, -17.32, -23.5

 

CMYK 39 / 5 / 0 / 0

HEX #9CF1FF

RGB 156 241 255

HSL 188.48, 1%, 0.81%

LAB 90.41, -22.23, -14.86

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CF

RGB 83 169 207

HSL 198.39, 0.56%, 0.57%

LAB 65.53, -14.75, -27.14

 

CMYK 65 / 20 / 0 / 26

HEX #4297BC

RGB 66 151 188

HSL 198.2, 0.48%, 0.5%

LAB 58.9, -14.05, -26.78

 

CMYK 71 / 21 / 0 / 34

HEX #3185A9

RGB 49 133 169

HSL 198, 0.55%, 0.43%

LAB 52.17, -13.13, -26.38

 

CMYK 79 / 23 / 0 / 41

HEX #207396

RGB 32 115 150

HSL 197.8, 0.65%, 0.36%

LAB 45.32, -11.87, -25.94

 

CMYK 89 / 26 / 0 / 49

HEX #0F6183

RGB 15 97 131

HSL 197.59, 0.79%, 0.29%

LAB 38.36, -10.1, -25.4

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CE

RGB 83 169 206

HSL 198.05, 0.56%, 0.57%

LAB 65.49, -15.05, -26.65

 

CMYK 60 / 34 / 0 / 19

HEX #5387CE

RGB 83 135 206

HSL 214.63, 0.56%, 0.57%

LAB 55.71, 4.16, -41.89

 

CMYK 60 / 50 / 0 / 19

HEX #5366CE

RGB 83 102 206

HSL 230.73, 0.56%, 0.57%

LAB 46.71, 24.4, -56.23

 

CMYK 52 / 60 / 0 / 19

HEX #6253CE

RGB 98 83 206

HSL 247.32, 0.56%, 0.57%

LAB 43.12, 38.9, -61.97

 

CMYK 36 / 60 / 0 / 19

HEX #8353CE

RGB 131 83 206

HSL 263.41, 0.56%, 0.57%

LAB 46.27, 45.84, -56.73

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CE

RGB 83 169 206

HSL 198.05, 0.56%, 0.57%

LAB 65.49, -15.05, -26.65

 

CMYK 60 / 34 / 0 / 19

HEX #5387CE

RGB 83 135 206

HSL 214.63, 0.56%, 0.57%

LAB 55.71, 4.16, -41.89

 

CMYK 60 / 50 / 0 / 19

HEX #5366CE

RGB 83 102 206

HSL 230.73, 0.56%, 0.57%

LAB 46.71, 24.4, -56.23

 

CMYK 60 / 60 / 0 / 19

HEX #5353CE

RGB 83 83 206

HSL 240, 0.56%, 0.57%

LAB 41.97, 36.19, -63.89

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CE

RGB 83 169 206

HSL 198.05, 0.56%, 0.57%

LAB 65.49, -15.05, -26.65

 

CMYK 71 / 22 / 0 / 12

HEX #42AFE0

RGB 66 175 224

HSL 198.61, 0.72%, 0.57%

LAB 67.43, -15.31, -33.62

 

CMYK 80 / 25 / 0 / 5

HEX #30B6F2

RGB 48 182 242

HSL 198.56, 0.88%, 0.57%

LAB 69.82, -15.07, -39.75

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CE

RGB 83 169 206

HSL 198.05, 0.56%, 0.57%

LAB 65.49, -15.05, -26.65

 

CMYK 47 / 14 / 0 / 26

HEX #65A2BD

RGB 101 162 189

HSL 198.41, 0.4%, 0.57%

LAB 63.57, -12.41, -20.06

 

CMYK 30 / 9 / 0 / 33

HEX #779BAB

RGB 119 155 171

HSL 198.46, 0.24%, 0.57%

LAB 61.92, -8.47, -12.36

 

CMYK 10 / 3 / 0 / 40

HEX #899499

RGB 137 148 153

HSL 198.75, 0.07%, 0.57%

LAB 60.6, -2.9, -4

 

CMYK 0 / 8 / 12 / 40

HEX #9A8D87

RGB 154 141 135

HSL 18.95, 0.09%, 0.57%

LAB 59.59, 3.78, 4.94

 

CMYK 60 / 0 / 14 / 19

HEX #53CEB2

RGB 83 206 178

HSL 166.34, 0.56%, 0.57%

LAB 75.57, -40.91, 3.75

 

CMYK 60 / 2 / 0 / 19

HEX #53CACE

RGB 83 202 206

HSL 181.95, 0.56%, 0.57%

LAB 75.16, -31.75, -11.98

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CE

RGB 83 169 206

HSL 198.05, 0.56%, 0.57%

LAB 65.49, -15.05, -26.65

 

CMYK 60 / 33 / 0 / 19

HEX #5389CE

RGB 83 137 206

HSL 213.66, 0.56%, 0.57%

LAB 56.27, 2.98, -40.99

 

CMYK 60 / 50 / 0 / 19

HEX #5368CE

RGB 83 104 206

HSL 229.76, 0.56%, 0.57%

LAB 47.23, 23.15, -55.39

 

CMYK 72 / 22 / 0 / 36

HEX #2D7EA2

RGB 45 126 162

HSL 198.46, 0.57%, 0.41%

LAB 49.6, -12.18, -26.31

 

CMYK 72 / 22 / 0 / 24

HEX #3697C2

RGB 54 151 194

HSL 198.43, 0.56%, 0.49%

LAB 58.8, -13.91, -30.35

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CE

RGB 83 169 206

HSL 198.05, 0.56%, 0.57%

LAB 65.49, -15.05, -26.65

 

CMYK 46 / 14 / 0 / 16

HEX #74B9D7

RGB 116 185 215

HSL 198.18, 0.55%, 0.65%

LAB 71.77, -13.84, -21.87

 

CMYK 34 / 10 / 0 / 12

HEX #94C9E0

RGB 148 201 224

HSL 198.16, 0.55%, 0.73%

LAB 78.14, -11.65, -16.94

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CF

RGB 83 169 207

HSL 198.39, 0.56%, 0.57%

LAB 65.53, -14.75, -27.14

 

CMYK 30 / 60 / 0 / 19

HEX #9153CE

RGB 145 83 206

HSL 270.24, 0.56%, 0.57%

LAB 47.83, 49.07, -54.13

 

CMYK 0 / 6 / 60 / 19

HEX #CEC253

RGB 206 194 83

HSL 54.15, 0.56%, 0.57%

LAB 77.48, -9.49, 55.97

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CF

RGB 83 169 207

HSL 198.39, 0.56%, 0.57%

LAB 65.53, -14.75, -27.14

 

CMYK 0 / 60 / 18 / 19

HEX #CE53A9

RGB 206 83 169

HSL 318.05, 0.56%, 0.57%

LAB 54.21, 58.15, -22.11

 

CMYK 18 / 0 / 60 / 19

HEX #A9CE53

RGB 169 206 83

HSL 78.05, 0.56%, 0.57%

LAB 77.99, -30.47, 55.77

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CF

RGB 83 169 207

HSL 198.39, 0.56%, 0.57%

LAB 65.53, -14.75, -27.14

 

CMYK 30 / 60 / 0 / 19

HEX #9153CE

RGB 145 83 206

HSL 270.24, 0.56%, 0.57%

LAB 47.83, 49.07, -54.13

 

CMYK 0 / 42 / 60 / 19

HEX #CE7853

RGB 206 120 83

HSL 18.05, 0.56%, 0.57%

LAB 59.14, 30.12, 34.6

 

CMYK 30 / 0 / 60 / 19

HEX #91CE53

RGB 145 206 83

HSL 89.76, 0.56%, 0.57%

LAB 76.55, -39.49, 53.75

 

CMYK 60 / 18 / 0 / 19

HEX #53A9CF

RGB 83 169 207

HSL 198.39, 0.56%, 0.57%

LAB 65.53, -14.75, -27.14

 

CMYK 12 / 60 / 0 / 19

HEX #B653CE

RGB 182 83 206

HSL 288.29, 0.56%, 0.57%

LAB 52.5, 58.04, -46.42

 

CMYK 0 / 42 / 60 / 19

HEX #CE7853

RGB 206 120 83

HSL 18.05, 0.56%, 0.57%

LAB 59.14, 30.12, 34.6

 

CMYK 48 / 0 / 60 / 19

HEX #6CCE53

RGB 108 206 83

HSL 107.8, 0.56%, 0.57%

LAB 74.8, -51.63, 51.3

 

Description

Color code: HEX #53A9CF | qconv.com Color code: HEX #53A9CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 169 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 169 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 18 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 18% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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