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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FFF5E it is the complementary color #B000A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FFF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FFF5E shade: #54FF59, #65FF6C, #76FF7F, #87FF92 and #98FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FFF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FFF5E shade: #4FFF5E, #3EED4B, #2DDB38, #1CC925 and #0BB712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FFF5E shade: #4CFF5B, #6DFF4C, #9DFF4C, #CDFF4C and #FDFF4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FFF5E shade: #4CFF5B, #4CFF8B, #4CFFBB, #4CFFEC and #4CE1FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FFF5E shade matches the following richer shades: #4CFF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FFF5E shade: #4CFF5B, #5AF067, #69E273, #77D37F and #86C58B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FFF5E shade: #9CFF4C, #6DFF4C, #4CFF5B, #4CFF8A and #4CFFBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FFF5E shade: #00F815, #23FF35, #4CFF5B, #75FF81 and #9FFFA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FFF5E shade: #4FFF5E, #4CCCFF and #FF4C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FFF5E shade: #4FFF5E, #5B4CFF and #FF5B4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FFF5E shade: #4FFF5E, #4CCCFF, #FF4CF0 and #FF7F4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FFF5E shade: #4FFF5E, #4C96FF, #FF4CF0 and #FFB44C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 63 / 0

HEX #4FFF5E

RGB 79 255 94

HSL 125.11, 1%, 0.65%

LAB 88.92, -74.43, 62.28

 

Complementary color

CMYK 0 / 100 / 9 / 31

HEX #B000A1

RGB 176 0 161

HSL 305.11, 1%, 0.35%

LAB 40.9, 72.24, -38.52

 

CMYK 67 / 0 / 65 / 0

HEX #54FF59

RGB 84 255 89

HSL 121.75, 1%, 0.66%

LAB 88.98, -74.05, 64.38

 

CMYK 60 / 0 / 58 / 0

HEX #65FF6C

RGB 101 255 108

HSL 122.73, 1%, 0.7%

LAB 89.57, -68.72, 57.26

 

CMYK 54 / 0 / 50 / 0

HEX #76FF7F

RGB 118 255 127

HSL 123.94, 1%, 0.73%

LAB 90.28, -62.53, 49.66

 

CMYK 47 / 0 / 43 / 0

HEX #87FF92

RGB 135 255 146

HSL 125.5, 1%, 0.76%

LAB 91.12, -55.58, 41.8

 

CMYK 40 / 0 / 35 / 0

HEX #98FFA5

RGB 152 255 165

HSL 127.57, 1%, 0.8%

LAB 92.09, -48, 33.85

 

CMYK 69 / 0 / 63 / 0

HEX #4FFF5E

RGB 79 255 94

HSL 125.11, 1%, 0.65%

LAB 88.92, -74.43, 62.28

 

CMYK 74 / 0 / 68 / 7

HEX #3EED4B

RGB 62 237 75

HSL 124.46, 0.83%, 0.59%

LAB 82.97, -73.25, 63.2

 

CMYK 79 / 0 / 74 / 14

HEX #2DDB38

RGB 45 219 56

HSL 123.79, 0.71%, 0.52%

LAB 76.98, -71.6, 63.76

 

CMYK 86 / 0 / 82 / 21

HEX #1CC925

RGB 28 201 37

HSL 123.12, 0.76%, 0.45%

LAB 70.98, -69.31, 63.68

 

CMYK 94 / 0 / 90 / 28

HEX #0BB712

RGB 11 183 18

HSL 122.44, 0.89%, 0.38%

LAB 64.95, -66.21, 62.51

 

CMYK 70 / 0 / 64 / 0

HEX #4CFF5B

RGB 76 255 91

HSL 125.03, 1%, 0.65%

LAB 88.83, -75.22, 63.38

 

CMYK 57 / 0 / 70 / 0

HEX #6DFF4C

RGB 109 255 76

HSL 108.94, 1%, 0.65%

LAB 89.53, -69.93, 70.02

 

CMYK 38 / 0 / 70 / 0

HEX #9DFF4C

RGB 157 255 76

HSL 92.85, 1%, 0.65%

LAB 91.33, -56.41, 72.43

 

CMYK 20 / 0 / 70 / 0

HEX #CDFF4C

RGB 205 255 76

HSL 76.76, 1%, 0.65%

LAB 93.89, -39.48, 75.84

 

CMYK 1 / 0 / 70 / 0

HEX #FDFF4C

RGB 253 255 76

HSL 60.67, 1%, 0.65%

LAB 97.2, -20.66, 80.19

 

CMYK 70 / 0 / 64 / 0

HEX #4CFF5B

RGB 76 255 91

HSL 125.03, 1%, 0.65%

LAB 88.83, -75.22, 63.38

 

CMYK 70 / 0 / 45 / 0

HEX #4CFF8B

RGB 76 255 139

HSL 141.12, 1%, 0.65%

LAB 89.36, -69.09, 42.59

 

CMYK 70 / 0 / 27 / 0

HEX #4CFFBB

RGB 76 255 187

HSL 157.21, 1%, 0.65%

LAB 90.16, -60.21, 19.71

 

CMYK 70 / 0 / 7 / 0

HEX #4CFFEC

RGB 76 255 236

HSL 173.63, 1%, 0.65%

LAB 91.29, -48.63, -3.96

 

CMYK 70 / 12 / 0 / 0

HEX #4CE1FF

RGB 76 225 255

HSL 190.06, 1%, 0.65%

LAB 83.24, -29.69, -25.97

 

CMYK 70 / 0 / 64 / 0

HEX #4CFF5B

RGB 76 255 91

HSL 125.03, 1%, 0.65%

LAB 88.83, -75.22, 63.38

 

CMYK 70 / 0 / 64 / 0

HEX #4CFF5B

RGB 76 255 91

HSL 125.03, 1%, 0.65%

LAB 88.83, -75.22, 63.38

 

CMYK 63 / 0 / 57 / 6

HEX #5AF067

RGB 90 240 103

HSL 125.2, 0.83%, 0.65%

LAB 84.73, -66.39, 53.74

 

CMYK 54 / 0 / 49 / 11

HEX #69E273

RGB 105 226 115

HSL 124.96, 0.68%, 0.65%

LAB 81.09, -56.34, 43.9

 

CMYK 44 / 0 / 40 / 17

HEX #77D37F

RGB 119 211 127

HSL 125.22, 0.51%, 0.65%

LAB 77.31, -44.71, 33.25

 

CMYK 32 / 0 / 29 / 23

HEX #86C58B

RGB 134 197 139

HSL 124.76, 0.35%, 0.65%

LAB 74.1, -31.85, 22.86

 

CMYK 39 / 0 / 70 / 0

HEX #9CFF4C

RGB 156 255 76

HSL 93.18, 1%, 0.65%

LAB 91.28, -56.73, 72.37

 

CMYK 57 / 0 / 70 / 0

HEX #6DFF4C

RGB 109 255 76

HSL 108.94, 1%, 0.65%

LAB 89.53, -69.93, 70.02

 

CMYK 70 / 0 / 64 / 0

HEX #4CFF5B

RGB 76 255 91

HSL 125.03, 1%, 0.65%

LAB 88.83, -75.22, 63.38

 

CMYK 70 / 0 / 46 / 0

HEX #4CFF8A

RGB 76 255 138

HSL 140.78, 1%, 0.65%

LAB 89.34, -69.25, 43.05

 

CMYK 70 / 0 / 27 / 0

HEX #4CFFBA

RGB 76 255 186

HSL 156.87, 1%, 0.65%

LAB 90.14, -60.42, 20.19

 

CMYK 100 / 0 / 92 / 3

HEX #00F815

RGB 0 248 21

HSL 125.08, 1%, 0.49%

LAB 85.6, -84.03, 79.54

 

CMYK 86 / 0 / 79 / 0

HEX #23FF35

RGB 35 255 53

HSL 124.91, 1%, 0.57%

LAB 88.03, -83.02, 75.31

 

CMYK 70 / 0 / 64 / 0

HEX #4CFF5B

RGB 76 255 91

HSL 125.03, 1%, 0.65%

LAB 88.83, -75.22, 63.38

 

CMYK 54 / 0 / 49 / 0

HEX #75FF81

RGB 117 255 129

HSL 125.22, 1%, 0.73%

LAB 90.27, -62.51, 48.71

 

CMYK 38 / 0 / 35 / 0

HEX #9FFFA7

RGB 159 255 167

HSL 125, 1%, 0.81%

LAB 92.43, -45.66, 33.36

 

CMYK 69 / 0 / 63 / 0

HEX #4FFF5E

RGB 79 255 94

HSL 125.11, 1%, 0.65%

LAB 88.92, -74.43, 62.28

 

CMYK 70 / 20 / 0 / 0

HEX #4CCCFF

RGB 76 204 255

HSL 197.09, 1%, 0.65%

LAB 77.25, -19.21, -35.17

 

CMYK 0 / 70 / 48 / 0

HEX #FF4C85

RGB 255 76 133

HSL 340.89, 1%, 0.65%

LAB 60, 70.75, 8.43

 

CMYK 69 / 0 / 63 / 0

HEX #4FFF5E

RGB 79 255 94

HSL 125.11, 1%, 0.65%

LAB 88.92, -74.43, 62.28

 

CMYK 64 / 70 / 0 / 0

HEX #5B4CFF

RGB 91 76 255

HSL 245.03, 1%, 0.65%

LAB 45.1, 56.78, -86.51

 

CMYK 0 / 64 / 70 / 0

HEX #FF5B4C

RGB 255 91 76

HSL 5.03, 1%, 0.65%

LAB 61.01, 61.42, 42.41

 

CMYK 69 / 0 / 63 / 0

HEX #4FFF5E

RGB 79 255 94

HSL 125.11, 1%, 0.65%

LAB 88.92, -74.43, 62.28

 

CMYK 70 / 20 / 0 / 0

HEX #4CCCFF

RGB 76 204 255

HSL 197.09, 1%, 0.65%

LAB 77.25, -19.21, -35.17

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CF0

RGB 255 76 240

HSL 305.03, 1%, 0.65%

LAB 63.93, 83.31, -46.78

 

CMYK 0 / 50 / 70 / 0

HEX #FF7F4C

RGB 255 127 76

HSL 17.09, 1%, 0.65%

LAB 67.25, 45.16, 49.46

 

CMYK 69 / 0 / 63 / 0

HEX #4FFF5E

RGB 79 255 94

HSL 125.11, 1%, 0.65%

LAB 88.92, -74.43, 62.28

 

CMYK 70 / 41 / 0 / 0

HEX #4C96FF

RGB 76 150 255

HSL 215.2, 1%, 0.65%

LAB 62.14, 10.79, -58.91

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CF0

RGB 255 76 240

HSL 305.03, 1%, 0.65%

LAB 63.93, 83.31, -46.78

 

CMYK 0 / 29 / 70 / 0

HEX #FFB44C

RGB 255 180 76

HSL 34.86, 1%, 0.65%

LAB 78.71, 17.97, 61.77

 

Description

Color code: HEX #4FFF5E | qconv.com Color code: HEX #4FFF5E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 255 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 255 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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