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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FFC90 it is the complementary color #B0036F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FFC90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FFC90 shade: #54FC8B, #65FF9E, #76FFB1, #87FFC4 and #98FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FFC90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FFC90 shade: #4FFC90, #3EEA7D, #2DD86A, #1CC657 and #0BB444

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FFC90 shade: #4FFC90, #4FFC61, #6BFC4F, #9AFC4F and #C8FC4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FFC90 shade: #4FFC90, #4FFCBE, #4FFCED, #4FDCFC and #4FADFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FFC90 shade matches the following richer shades: #4FFC90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FFC90 shade: #4FFC90, #5DED93, #6CDF97, #7AD19A and #88C29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FFC90 shade: #6CFC4F, #4FFC60, #4FFC8E, #4FFCBC and #4FFCEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FFC90 shade: #03F55E, #26FB76, #4FFC90, #77FCA9 and #A0FDC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FFC90 shade: #4FFC90, #4F9AFC and #FC4F54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FFC90 shade: #4FFC90, #8E4FFC and #FC8E4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FFC90 shade: #4FFC90, #4F9AFC, #FC4FBC and #FCB14F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FFC90 shade: #4FFC90, #4F66FC, #FC4FBC and #FCE54F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

Complementary color

CMYK 0 / 98 / 37 / 31

HEX #B0036F

RGB 176 3 111

HSL 322.54, 0.97%, 0.35%

LAB 38.63, 65.88, -11.26

 

CMYK 67 / 0 / 45 / 1

HEX #54FC8B

RGB 84 252 139

HSL 139.64, 0.97%, 0.66%

LAB 88.62, -66.75, 41.69

 

CMYK 60 / 0 / 38 / 0

HEX #65FF9E

RGB 101 255 158

HSL 142.21, 1%, 0.7%

LAB 90.21, -61.57, 34.51

 

CMYK 54 / 0 / 31 / 0

HEX #76FFB1

RGB 118 255 177

HSL 145.84, 1%, 0.73%

LAB 91.03, -54.59, 26.16

 

CMYK 47 / 0 / 23 / 0

HEX #87FFC4

RGB 135 255 196

HSL 150.5, 1%, 0.76%

LAB 91.98, -46.97, 17.89

 

CMYK 40 / 0 / 16 / 0

HEX #98FFD7

RGB 152 255 215

HSL 156.7, 1%, 0.8%

LAB 93.06, -38.85, 9.76

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 74 / 0 / 47 / 8

HEX #3EEA7D

RGB 62 234 125

HSL 141.98, 0.8%, 0.58%

LAB 82.57, -66.1, 40.68

 

CMYK 79 / 0 / 51 / 15

HEX #2DD86A

RGB 45 216 106

HSL 141.4, 0.69%, 0.51%

LAB 76.5, -65.08, 42.24

 

CMYK 86 / 0 / 56 / 22

HEX #1CC657

RGB 28 198 87

HSL 140.82, 0.75%, 0.44%

LAB 70.4, -63.61, 43.84

 

CMYK 94 / 0 / 62 / 29

HEX #0BB444

RGB 11 180 68

HSL 140.24, 0.88%, 0.37%

LAB 64.27, -61.52, 45.41

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 69 / 0 / 62 / 1

HEX #4FFC61

RGB 79 252 97

HSL 126.24, 0.97%, 0.65%

LAB 88.04, -73.15, 60.07

 

CMYK 58 / 0 / 69 / 1

HEX #6BFC4F

RGB 107 252 79

HSL 110.29, 0.97%, 0.65%

LAB 88.6, -69.15, 67.95

 

CMYK 39 / 0 / 69 / 1

HEX #9AFC4F

RGB 154 252 79

HSL 93.99, 0.97%, 0.65%

LAB 90.35, -55.98, 70.32

 

CMYK 21 / 0 / 69 / 1

HEX #C8FC4F

RGB 200 252 79

HSL 78.03, 0.97%, 0.65%

LAB 92.78, -39.86, 73.58

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 69 / 0 / 25 / 1

HEX #4FFCBE

RGB 79 252 190

HSL 158.5, 0.97%, 0.65%

LAB 89.39, -57.97, 17.11

 

CMYK 69 / 0 / 6 / 1

HEX #4FFCED

RGB 79 252 237

HSL 174.8, 0.97%, 0.65%

LAB 90.5, -46.7, -5.62

 

CMYK 69 / 13 / 0 / 1

HEX #4FDCFC

RGB 79 220 252

HSL 191.1, 0.97%, 0.65%

LAB 81.77, -27.76, -26.61

 

CMYK 69 / 31 / 0 / 1

HEX #4FADFC

RGB 79 173 252

HSL 207.4, 0.97%, 0.65%

LAB 68.44, -3.1, -47.28

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 61 / 0 / 38 / 7

HEX #5DED93

RGB 93 237 147

HSL 142.5, 0.8%, 0.65%

LAB 84.48, -58.23, 32.39

 

CMYK 52 / 0 / 32 / 13

HEX #6CDF97

RGB 108 223 151

HSL 142.43, 0.64%, 0.65%

LAB 80.85, -48.6, 25.55

 

CMYK 42 / 0 / 26 / 18

HEX #7AD19A

RGB 122 209 154

HSL 142.07, 0.49%, 0.65%

LAB 77.32, -38.3, 19.24

 

CMYK 30 / 0 / 19 / 24

HEX #88C29E

RGB 136 194 158

HSL 142.76, 0.32%, 0.65%

LAB 73.73, -26.3, 12.18

 

CMYK 57 / 0 / 69 / 1

HEX #6CFC4F

RGB 108 252 79

HSL 109.94, 0.97%, 0.65%

LAB 88.63, -68.91, 67.99

 

CMYK 69 / 0 / 62 / 1

HEX #4FFC60

RGB 79 252 96

HSL 125.9, 0.97%, 0.65%

LAB 88.03, -73.25, 60.47

 

CMYK 69 / 0 / 44 / 1

HEX #4FFC8E

RGB 79 252 142

HSL 141.85, 0.97%, 0.65%

LAB 88.56, -67.1, 40.13

 

CMYK 69 / 0 / 25 / 1

HEX #4FFCBC

RGB 79 252 188

HSL 157.8, 0.97%, 0.65%

LAB 89.35, -58.4, 18.08

 

CMYK 69 / 0 / 7 / 1

HEX #4FFCEB

RGB 79 252 235

HSL 174.1, 0.97%, 0.65%

LAB 90.45, -47.22, -4.66

 

CMYK 99 / 0 / 62 / 4

HEX #03F55E

RGB 3 245 94

HSL 142.56, 0.98%, 0.49%

LAB 85.06, -78.23, 57.74

 

CMYK 85 / 0 / 53 / 2

HEX #26FB76

RGB 38 251 118

HSL 142.54, 0.96%, 0.57%

LAB 87.35, -75.29, 49.87

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 53 / 0 / 33 / 1

HEX #77FCA9

RGB 119 252 169

HSL 142.56, 0.96%, 0.73%

LAB 90.05, -54.61, 28.88

 

CMYK 37 / 0 / 23 / 1

HEX #A0FDC3

RGB 160 253 195

HSL 142.58, 0.96%, 0.81%

LAB 92.43, -39.7, 19.18

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 69 / 39 / 0 / 1

HEX #4F9AFC

RGB 79 154 252

HSL 213.99, 0.97%, 0.65%

LAB 63.18, 7.81, -55.62

 

CMYK 0 / 69 / 67 / 1

HEX #FC4F54

RGB 252 79 84

HSL 358.27, 0.97%, 0.65%

LAB 58.91, 65.49, 35.34

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 44 / 69 / 0 / 1

HEX #8E4FFC

RGB 142 79 252

HSL 261.85, 0.97%, 0.65%

LAB 49.94, 61.86, -76.73

 

CMYK 0 / 44 / 69 / 1

HEX #FC8E4F

RGB 252 142 79

HSL 21.85, 0.97%, 0.65%

LAB 69.9, 36.65, 50.81

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 69 / 39 / 0 / 1

HEX #4F9AFC

RGB 79 154 252

HSL 213.99, 0.97%, 0.65%

LAB 63.18, 7.81, -55.62

 

CMYK 0 / 69 / 25 / 1

HEX #FC4FBC

RGB 252 79 188

HSL 322.2, 0.97%, 0.65%

LAB 61.58, 74.57, -21.16

 

CMYK 0 / 30 / 69 / 1

HEX #FCB14F

RGB 252 177 79

HSL 33.99, 0.97%, 0.65%

LAB 77.7, 18.45, 59.3

 

CMYK 69 / 0 / 43 / 1

HEX #4FFC90

RGB 79 252 144

HSL 142.54, 0.97%, 0.65%

LAB 88.59, -66.77, 39.19

 

CMYK 69 / 60 / 0 / 1

HEX #4F66FC

RGB 79 102 252

HSL 232.02, 0.97%, 0.65%

LAB 49.73, 39.36, -77.29

 

CMYK 0 / 69 / 25 / 1

HEX #FC4FBC

RGB 252 79 188

HSL 322.2, 0.97%, 0.65%

LAB 61.58, 74.57, -21.16

 

CMYK 0 / 9 / 69 / 1

HEX #FCE54F

RGB 252 229 79

HSL 52.02, 0.97%, 0.65%

LAB 90.46, -8.26, 72.48

 

Description

Color code: HEX #4FFC90 | qconv.com Color code: HEX #4FFC90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 252 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 252 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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