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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FEFE4 it is the complementary color #B0101B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FEFE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FEFE4 shade: #54EFDF, #65FFF2, #76FFFF, #87FFFF and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FEFE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FEFE4 shade: #4FEFE4, #3EDDD1, #2DCBBE, #1CB9AB and #0BA798

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FEFE4 shade: #4DEEE3, #4DEEB8, #4DEE8C, #4DEE61 and #65EE4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FEFE4 shade: #4DEEE3, #4DCEEE, #4DA2EE, #4D77EE and #4D4DEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FEFE4 shade matches the following richer shades: #4DEEE3 and #3DFEF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FEFE4 shade: #4DEEE3, #5DDED5, #6DCFC8, #7CBFBA and #8CAFAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FEFE4 shade: #4DEE8B, #4DEEB6, #4DEEE1, #4DD1EE and #4DA6EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FEFE4 shade: #13D5C8, #27EBDD, #4DEEE3, #73F2E9 and #99F5EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FEFE4 shade: #4FEFE4, #604DEE and #EEA04D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FEFE4 shade: #4FEFE4, #E14DEE and #EEE14D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FEFE4 shade: #4FEFE4, #604DEE, #EE4D5B and #DBEE4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FEFE4 shade: #4FEFE4, #904DEE, #EE4D5B and #ABEE4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 5 / 6

HEX #4FEFE4

RGB 79 239 228

HSL 175.88, 0.83%, 0.62%

LAB 86.5, -43.39, -6.83

 

Complementary color

CMYK 0 / 91 / 85 / 31

HEX #B0101B

RGB 176 16 27

HSL 355.88, 0.83%, 0.38%

LAB 37.26, 59.08, 39.58

 

CMYK 65 / 0 / 7 / 6

HEX #54EFDF

RGB 84 239 223

HSL 173.81, 0.83%, 0.63%

LAB 86.48, -43.98, -4.23

 

CMYK 60 / 0 / 5 / 0

HEX #65FFF2

RGB 101 255 242

HSL 174.94, 1%, 0.7%

LAB 92, -43.48, -5.95

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 67 / 0 / 5 / 6

HEX #4FEFE4

RGB 79 239 228

HSL 175.88, 0.83%, 0.62%

LAB 86.5, -43.39, -6.83

 

CMYK 72 / 0 / 5 / 13

HEX #3EDDD1

RGB 62 221 209

HSL 175.47, 0.7%, 0.55%

LAB 80.37, -42.73, -5.89

 

CMYK 78 / 0 / 6 / 20

HEX #2DCBBE

RGB 45 203 190

HSL 175.06, 0.64%, 0.49%

LAB 74.18, -41.85, -4.86

 

CMYK 85 / 0 / 8 / 27

HEX #1CB9AB

RGB 28 185 171

HSL 174.65, 0.74%, 0.42%

LAB 67.94, -40.67, -3.72

 

CMYK 93 / 0 / 9 / 35

HEX #0BA798

RGB 11 167 152

HSL 174.23, 0.88%, 0.35%

LAB 61.63, -39.1, -2.44

 

CMYK 68 / 0 / 5 / 7

HEX #4DEEE3

RGB 77 238 227

HSL 175.9, 0.83%, 0.62%

LAB 86.14, -43.48, -6.85

 

CMYK 68 / 0 / 23 / 7

HEX #4DEEB8

RGB 77 238 184

HSL 159.88, 0.83%, 0.62%

LAB 85.09, -54.04, 14.16

 

CMYK 68 / 0 / 41 / 7

HEX #4DEE8C

RGB 77 238 140

HSL 143.48, 0.83%, 0.62%

LAB 84.29, -62.74, 35.57

 

CMYK 68 / 0 / 59 / 7

HEX #4DEE61

RGB 77 238 97

HSL 127.45, 0.83%, 0.62%

LAB 83.75, -68.9, 55.17

 

CMYK 58 / 0 / 68 / 7

HEX #65EE4D

RGB 101 238 77

HSL 111.06, 0.83%, 0.62%

LAB 84.2, -65.89, 64.03

 

CMYK 68 / 0 / 5 / 7

HEX #4DEEE3

RGB 77 238 227

HSL 175.9, 0.83%, 0.62%

LAB 86.14, -43.48, -6.85

 

CMYK 68 / 13 / 0 / 7

HEX #4DCEEE

RGB 77 206 238

HSL 191.93, 0.83%, 0.62%

LAB 77.22, -25.35, -26.12

 

CMYK 68 / 32 / 0 / 7

HEX #4DA2EE

RGB 77 162 238

HSL 208.32, 0.83%, 0.62%

LAB 64.64, -1.88, -45.64

 

CMYK 68 / 50 / 0 / 7

HEX #4D77EE

RGB 77 119 238

HSL 224.35, 0.83%, 0.62%

LAB 52.89, 23.81, -64.37

 

CMYK 68 / 68 / 0 / 7

HEX #4D4DEE

RGB 77 77 238

HSL 240, 0.83%, 0.62%

LAB 42.85, 49.31, -80.71

 

CMYK 68 / 0 / 5 / 7

HEX #4DEEE3

RGB 77 238 227

HSL 175.9, 0.83%, 0.62%

LAB 86.14, -43.48, -6.85

 

CMYK 76 / 0 / 5 / 0

HEX #3DFEF1

RGB 61 254 241

HSL 175.96, 0.99%, 0.62%

LAB 90.88, -48.53, -7.17

 

CMYK 68 / 0 / 5 / 7

HEX #4DEEE3

RGB 77 238 227

HSL 175.9, 0.83%, 0.62%

LAB 86.14, -43.48, -6.85

 

CMYK 58 / 0 / 4 / 13

HEX #5DDED5

RGB 93 222 213

HSL 175.81, 0.66%, 0.62%

LAB 81.5, -37.46, -6.28

 

CMYK 47 / 0 / 3 / 19

HEX #6DCFC8

RGB 109 207 200

HSL 175.71, 0.51%, 0.62%

LAB 77.31, -30.51, -5.45

 

CMYK 35 / 0 / 3 / 25

HEX #7CBFBA

RGB 124 191 186

HSL 175.52, 0.34%, 0.62%

LAB 72.95, -22.3, -4.23

 

CMYK 20 / 0 / 1 / 31

HEX #8CAFAD

RGB 140 175 173

HSL 176.57, 0.18%, 0.62%

LAB 68.93, -12.25, -2.91

 

CMYK 68 / 0 / 42 / 7

HEX #4DEE8B

RGB 77 238 139

HSL 143.11, 0.83%, 0.62%

LAB 84.27, -62.91, 36.04

 

CMYK 68 / 0 / 24 / 7

HEX #4DEEB6

RGB 77 238 182

HSL 159.13, 0.83%, 0.62%

LAB 85.05, -54.48, 15.14

 

CMYK 68 / 0 / 5 / 7

HEX #4DEEE1

RGB 77 238 225

HSL 175.16, 0.83%, 0.62%

LAB 86.09, -44.01, -5.88

 

CMYK 68 / 12 / 0 / 7

HEX #4DD1EE

RGB 77 209 238

HSL 190.81, 0.83%, 0.62%

LAB 78.08, -26.84, -24.8

 

CMYK 68 / 30 / 0 / 7

HEX #4DA6EE

RGB 77 166 238

HSL 206.83, 0.83%, 0.62%

LAB 65.77, -4.14, -43.87

 

CMYK 91 / 0 / 6 / 16

HEX #13D5C8

RGB 19 213 200

HSL 175.98, 0.84%, 0.45%

LAB 77.22, -45.18, -5.8

 

CMYK 83 / 0 / 6 / 8

HEX #27EBDD

RGB 39 235 221

HSL 175.71, 0.83%, 0.54%

LAB 84.52, -47.67, -6.16

 

CMYK 68 / 0 / 5 / 7

HEX #4DEEE3

RGB 77 238 227

HSL 175.9, 0.83%, 0.62%

LAB 86.14, -43.48, -6.85

 

CMYK 52 / 0 / 4 / 5

HEX #73F2E9

RGB 115 242 233

HSL 175.75, 0.83%, 0.7%

LAB 88.46, -37.36, -6.45

 

CMYK 38 / 0 / 2 / 4

HEX #99F5EF

RGB 153 245 239

HSL 176.09, 0.82%, 0.78%

LAB 90.92, -28.71, -5.78

 

CMYK 67 / 0 / 5 / 6

HEX #4FEFE4

RGB 79 239 228

HSL 175.88, 0.83%, 0.62%

LAB 86.5, -43.39, -6.83

 

CMYK 60 / 68 / 0 / 7

HEX #604DEE

RGB 96 77 238

HSL 247.08, 0.83%, 0.62%

LAB 44.19, 51.75, -78.47

 

CMYK 0 / 33 / 68 / 7

HEX #EEA04D

RGB 238 160 77

HSL 30.93, 0.83%, 0.62%

LAB 72.13, 21.51, 53.74

 

CMYK 67 / 0 / 5 / 6

HEX #4FEFE4

RGB 79 239 228

HSL 175.88, 0.83%, 0.62%

LAB 86.5, -43.39, -6.83

 

CMYK 5 / 68 / 0 / 7

HEX #E14DEE

RGB 225 77 238

HSL 295.16, 0.83%, 0.62%

LAB 59.42, 76.19, -53.1

 

CMYK 0 / 5 / 68 / 7

HEX #EEE14D

RGB 238 225 77

HSL 55.16, 0.83%, 0.62%

LAB 88.24, -12.15, 70.61

 

CMYK 67 / 0 / 5 / 6

HEX #4FEFE4

RGB 79 239 228

HSL 175.88, 0.83%, 0.62%

LAB 86.5, -43.39, -6.83

 

CMYK 60 / 68 / 0 / 7

HEX #604DEE

RGB 96 77 238

HSL 247.08, 0.83%, 0.62%

LAB 44.19, 51.75, -78.47

 

CMYK 0 / 68 / 62 / 7

HEX #EE4D5B

RGB 238 77 91

HSL 354.78, 0.83%, 0.62%

LAB 56.33, 62.32, 27.56

 

CMYK 8 / 0 / 68 / 7

HEX #DBEE4D

RGB 219 238 77

HSL 67.08, 0.83%, 0.62%

LAB 90.2, -26.19, 72.11

 

CMYK 67 / 0 / 5 / 6

HEX #4FEFE4

RGB 79 239 228

HSL 175.88, 0.83%, 0.62%

LAB 86.5, -43.39, -6.83

 

CMYK 39 / 68 / 0 / 7

HEX #904DEE

RGB 144 77 238

HSL 264.97, 0.83%, 0.62%

LAB 48.77, 59.67, -70.79

 

CMYK 0 / 68 / 62 / 7

HEX #EE4D5B

RGB 238 77 91

HSL 354.78, 0.83%, 0.62%

LAB 56.33, 62.32, 27.56

 

CMYK 28 / 0 / 68 / 7

HEX #ABEE4D

RGB 171 238 77

HSL 84.97, 0.83%, 0.62%

LAB 87.16, -44.55, 68.04

 

Description

Color code: HEX #4FEFE4 | qconv.com Color code: HEX #4FEFE4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 239 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 239 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 5 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 5% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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