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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FEE43 it is the complementary color #B011BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FEE43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FEE43 shade: #54EE3E, #65FF51, #76FF64, #87FF77 and #98FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FEE43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FEE43 shade: #4FEE43, #3EDC30, #2DCA1D, #1CB80A and #0BA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FEE43 shade: #50ED44, #7DED44, #ABED44, #D9ED44 and #EDD444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FEE43 shade: #50ED44, #44ED66, #44ED93, #44EDC1 and #44ECED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FEE43 shade matches the following richer shades: #50ED44 and #42FE33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FEE43 shade: #50ED44, #5EDD54, #6CCC65, #7ABC75 and #88AB86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FEE43 shade: #ACED44, #7FED44, #52ED44, #44ED63 and #44ED90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FEE43 shade: #20CC12, #2CEA1E, #50ED44, #73F16A and #96F48F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FEE43 shade: #4FEE43, #44D9ED and #ED4496

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FEE43 shade: #4FEE43, #4452ED and #ED4452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FEE43 shade: #4FEE43, #44D9ED, #DF44ED and #ED5844

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FEE43 shade: #4FEE43, #44A7ED, #DF44ED and #ED8A44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 72 / 7

HEX #4FEE43

RGB 79 238 67

HSL 115.79, 0.83%, 0.6%

LAB 83.56, -71.38, 66.82

 

Complementary color

CMYK 6 / 91 / 0 / 26

HEX #B011BC

RGB 176 17 188

HSL 295.79, 0.83%, 0.4%

LAB 43.16, 74.44, -50.96

 

CMYK 65 / 0 / 74 / 7

HEX #54EE3E

RGB 84 238 62

HSL 112.5, 0.84%, 0.59%

LAB 83.64, -70.77, 68.64

 

CMYK 60 / 0 / 68 / 0

HEX #65FF51

RGB 101 255 81

HSL 113.1, 1%, 0.66%

LAB 89.34, -71.36, 67.94

 

CMYK 54 / 0 / 61 / 0

HEX #76FF64

RGB 118 255 100

HSL 113.03, 1%, 0.7%

LAB 89.99, -65.65, 61.3

 

CMYK 47 / 0 / 53 / 0

HEX #87FF77

RGB 135 255 119

HSL 112.94, 1%, 0.73%

LAB 90.78, -59.12, 54.08

 

CMYK 40 / 0 / 46 / 0

HEX #98FF8A

RGB 152 255 138

HSL 112.82, 1%, 0.77%

LAB 91.7, -51.91, 46.52

 

CMYK 67 / 0 / 72 / 7

HEX #4FEE43

RGB 79 238 67

HSL 115.79, 0.83%, 0.6%

LAB 83.56, -71.38, 66.82

 

CMYK 72 / 0 / 78 / 14

HEX #3EDC30

RGB 62 220 48

HSL 115.12, 0.71%, 0.53%

LAB 77.53, -70.02, 66.91

 

CMYK 78 / 0 / 86 / 21

HEX #2DCA1D

RGB 45 202 29

HSL 114.45, 0.75%, 0.45%

LAB 71.48, -68.11, 66.16

 

CMYK 85 / 0 / 95 / 28

HEX #1CB80A

RGB 28 184 10

HSL 113.79, 0.9%, 0.38%

LAB 65.4, -65.46, 64.13

 

CMYK 93 / 0 / 100 / 35

HEX #0BA600

RGB 11 166 0

HSL 116.02, 1%, 0.33%

LAB 59.29, -61.9, 60.4

 

CMYK 66 / 0 / 71 / 7

HEX #50ED44

RGB 80 237 68

HSL 115.74, 0.82%, 0.6%

LAB 83.28, -70.79, 66.2

 

CMYK 47 / 0 / 71 / 7

HEX #7DED44

RGB 125 237 68

HSL 99.76, 0.82%, 0.6%

LAB 84.66, -59.86, 68.05

 

CMYK 28 / 0 / 71 / 7

HEX #ABED44

RGB 171 237 68

HSL 83.43, 0.82%, 0.6%

LAB 86.82, -44.69, 70.92

 

CMYK 8 / 0 / 71 / 7

HEX #D9ED44

RGB 217 237 68

HSL 67.1, 0.82%, 0.6%

LAB 89.74, -26.98, 74.76

 

CMYK 0 / 11 / 71 / 7

HEX #EDD444

RGB 237 212 68

HSL 51.12, 0.82%, 0.6%

LAB 84.75, -6.5, 70.46

 

CMYK 66 / 0 / 71 / 7

HEX #50ED44

RGB 80 237 68

HSL 115.74, 0.82%, 0.6%

LAB 83.28, -70.79, 66.2

 

CMYK 71 / 0 / 57 / 7

HEX #44ED66

RGB 68 237 102

HSL 132.07, 0.82%, 0.6%

LAB 83.31, -69.47, 52.4

 

CMYK 71 / 0 / 38 / 7

HEX #44ED93

RGB 68 237 147

HSL 148.05, 0.82%, 0.6%

LAB 83.92, -62.54, 31.53

 

CMYK 71 / 0 / 19 / 7

HEX #44EDC1

RGB 68 237 193

HSL 164.38, 0.82%, 0.6%

LAB 84.82, -52.83, 9.04

 

CMYK 71 / 0 / 0 / 7

HEX #44ECED

RGB 68 236 237

HSL 180.36, 0.82%, 0.6%

LAB 85.67, -41, -12.82

 

CMYK 66 / 0 / 71 / 7

HEX #50ED44

RGB 80 237 68

HSL 115.74, 0.82%, 0.6%

LAB 83.28, -70.79, 66.2

 

CMYK 74 / 0 / 80 / 0

HEX #42FE33

RGB 66 254 51

HSL 115.57, 0.99%, 0.6%

LAB 88.1, -79.46, 76.04

 

CMYK 66 / 0 / 71 / 7

HEX #50ED44

RGB 80 237 68

HSL 115.74, 0.82%, 0.6%

LAB 83.28, -70.79, 66.2

 

CMYK 57 / 0 / 62 / 13

HEX #5EDD54

RGB 94 221 84

HSL 115.62, 0.67%, 0.6%

LAB 78.89, -60.9, 55.35

 

CMYK 47 / 0 / 50 / 20

HEX #6CCC65

RGB 108 204 101

HSL 115.92, 0.5%, 0.6%

LAB 74.39, -48.7, 42.43

 

CMYK 35 / 0 / 38 / 26

HEX #7ABC75

RGB 122 188 117

HSL 115.77, 0.35%, 0.6%

LAB 70.45, -35.16, 29.46

 

CMYK 20 / 0 / 22 / 33

HEX #88AB86

RGB 136 171 134

HSL 116.76, 0.18%, 0.6%

LAB 66.58, -19.28, 15.22

 

CMYK 27 / 0 / 71 / 7

HEX #ACED44

RGB 172 237 68

HSL 83.08, 0.82%, 0.6%

LAB 86.88, -44.32, 70.99

 

CMYK 46 / 0 / 71 / 7

HEX #7FED44

RGB 127 237 68

HSL 99.05, 0.82%, 0.6%

LAB 84.74, -59.28, 68.15

 

CMYK 65 / 0 / 71 / 7

HEX #52ED44

RGB 82 237 68

HSL 115.03, 0.82%, 0.6%

LAB 83.33, -70.41, 66.26

 

CMYK 71 / 0 / 58 / 7

HEX #44ED63

RGB 68 237 99

HSL 131.01, 0.82%, 0.6%

LAB 83.28, -69.84, 53.7

 

CMYK 71 / 0 / 39 / 7

HEX #44ED90

RGB 68 237 144

HSL 146.98, 0.82%, 0.6%

LAB 83.87, -63.08, 32.98

 

CMYK 84 / 0 / 91 / 20

HEX #20CC12

RGB 32 204 18

HSL 115.48, 0.84%, 0.44%

LAB 71.92, -70.58, 68.52

 

CMYK 81 / 0 / 87 / 8

HEX #2CEA1E

RGB 44 234 30

HSL 115.88, 0.83%, 0.52%

LAB 81.55, -77.44, 74.79

 

CMYK 66 / 0 / 71 / 7

HEX #50ED44

RGB 80 237 68

HSL 115.74, 0.82%, 0.6%

LAB 83.28, -70.79, 66.2

 

CMYK 52 / 0 / 56 / 5

HEX #73F16A

RGB 115 241 106

HSL 116, 0.83%, 0.68%

LAB 85.8, -60.63, 53.85

 

CMYK 39 / 0 / 41 / 4

HEX #96F48F

RGB 150 244 143

HSL 115.84, 0.82%, 0.76%

LAB 88.53, -47.23, 40.05

 

CMYK 67 / 0 / 72 / 7

HEX #4FEE43

RGB 79 238 67

HSL 115.79, 0.83%, 0.6%

LAB 83.56, -71.38, 66.82

 

CMYK 71 / 8 / 0 / 7

HEX #44D9ED

RGB 68 217 237

HSL 187.1, 0.82%, 0.6%

LAB 80.16, -32.2, -21.12

 

CMYK 0 / 71 / 37 / 7

HEX #ED4496

RGB 237 68 150

HSL 330.89, 0.82%, 0.6%

LAB 56.43, 70.15, -7.14

 

CMYK 67 / 0 / 72 / 7

HEX #4FEE43

RGB 79 238 67

HSL 115.79, 0.83%, 0.6%

LAB 83.56, -71.38, 66.82

 

CMYK 71 / 65 / 0 / 7

HEX #4452ED

RGB 68 82 237

HSL 235.03, 0.82%, 0.6%

LAB 43.33, 45.04, -79.39

 

CMYK 0 / 71 / 65 / 7

HEX #ED4452

RGB 237 68 82

HSL 355.03, 0.82%, 0.6%

LAB 54.81, 64.78, 30.83

 

CMYK 67 / 0 / 72 / 7

HEX #4FEE43

RGB 79 238 67

HSL 115.79, 0.83%, 0.6%

LAB 83.56, -71.38, 66.82

 

CMYK 71 / 8 / 0 / 7

HEX #44D9ED

RGB 68 217 237

HSL 187.1, 0.82%, 0.6%

LAB 80.16, -32.2, -21.12

 

CMYK 6 / 71 / 0 / 7

HEX #DF44ED

RGB 223 68 237

HSL 295.03, 0.82%, 0.6%

LAB 57.98, 78.71, -54.86

 

CMYK 0 / 63 / 71 / 7

HEX #ED5844

RGB 237 88 68

HSL 7.1, 0.82%, 0.6%

LAB 57.46, 56.34, 41.89

 

CMYK 67 / 0 / 72 / 7

HEX #4FEE43

RGB 79 238 67

HSL 115.79, 0.83%, 0.6%

LAB 83.56, -71.38, 66.82

 

CMYK 71 / 30 / 0 / 7

HEX #44A7ED

RGB 68 167 237

HSL 204.85, 0.82%, 0.6%

LAB 65.73, -6.33, -43.39

 

CMYK 6 / 71 / 0 / 7

HEX #DF44ED

RGB 223 68 237

HSL 295.03, 0.82%, 0.6%

LAB 57.98, 78.71, -54.86

 

CMYK 0 / 42 / 71 / 7

HEX #ED8A44

RGB 237 138 68

HSL 24.85, 0.82%, 0.6%

LAB 66.97, 32.21, 52.35

 

Description

Color code: HEX #4FEE43 | qconv.com Color code: HEX #4FEE43 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 238 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 238 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 72 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 72% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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