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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FE564 it is the complementary color #B01A9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FE564. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FE564 shade: #54E55F, #65F772, #76FF85, #87FF98 and #98FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FE564. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FE564 shade: #4FE564, #3ED351, #2DC13E, #1CAF2B and #0B9D18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FE564 shade: #4DE462, #61E44D, #89E44D, #B2E44D and #DBE44D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FE564 shade: #4DE462, #4DE48B, #4DE4B4, #4DE4DC and #4DC3E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FE564 shade matches the following richer shades: #4DE462 and #3DF456

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FE564 shade: #4DE462, #5ED36E, #6EC37A, #7FB286 and #8FA292

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FE564 shade: #89E44D, #61E44D, #4DE461, #4DE489 and #4DE4B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FE564 shade: #1DC234, #29DF43, #4DE462, #71E982 and #95EFA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FE564 shade: #4FE564, #4DB2E4 and #E44D75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FE564 shade: #4FE564, #614DE4 and #E4614D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FE564 shade: #4FE564, #4DB2E4, #E44DD0 and #E47F4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FE564 shade: #4FE564, #4D84E4, #E44DD0 and #E4AD4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 56 / 10

HEX #4FE564

RGB 79 229 100

HSL 128.4, 0.74%, 0.6%

LAB 81.08, -65.12, 50.73

 

Complementary color

CMYK 0 / 85 / 12 / 31

HEX #B01A9B

RGB 176 26 155

HSL 308.4, 0.74%, 0.4%

LAB 41.74, 67.96, -33.57

 

CMYK 63 / 0 / 59 / 10

HEX #54E55F

RGB 84 229 95

HSL 124.55, 0.74%, 0.61%

LAB 81.15, -64.73, 53.09

 

CMYK 59 / 0 / 54 / 3

HEX #65F772

RGB 101 247 114

HSL 125.34, 0.9%, 0.68%

LAB 87.24, -65.19, 51.84

 

CMYK 54 / 0 / 48 / 0

HEX #76FF85

RGB 118 255 133

HSL 126.57, 1%, 0.73%

LAB 90.35, -61.72, 46.93

 

CMYK 47 / 0 / 40 / 0

HEX #87FF98

RGB 135 255 152

HSL 128.5, 1%, 0.76%

LAB 91.21, -54.69, 38.98

 

CMYK 40 / 0 / 33 / 0

HEX #98FFAB

RGB 152 255 171

HSL 131.07, 1%, 0.8%

LAB 92.19, -47.03, 30.98

 

CMYK 66 / 0 / 56 / 10

HEX #4FE564

RGB 79 229 100

HSL 128.4, 0.74%, 0.6%

LAB 81.08, -65.12, 50.73

 

CMYK 71 / 0 / 62 / 17

HEX #3ED351

RGB 62 211 81

HSL 127.65, 0.63%, 0.54%

LAB 74.96, -64.32, 51.99

 

CMYK 77 / 0 / 68 / 24

HEX #2DC13E

RGB 45 193 62

HSL 126.89, 0.62%, 0.47%

LAB 68.78, -63.07, 53.07

 

CMYK 84 / 0 / 75 / 31

HEX #1CAF2B

RGB 28 175 43

HSL 126.12, 0.72%, 0.4%

LAB 62.58, -61.21, 53.75

 

CMYK 93 / 0 / 85 / 38

HEX #0B9D18

RGB 11 157 24

HSL 125.34, 0.87%, 0.33%

LAB 56.34, -58.49, 53.61

 

CMYK 66 / 0 / 57 / 11

HEX #4DE462

RGB 77 228 98

HSL 128.34, 0.74%, 0.6%

LAB 80.71, -65.4, 51.19

 

CMYK 57 / 0 / 66 / 11

HEX #61E44D

RGB 97 228 77

HSL 112.05, 0.74%, 0.6%

LAB 81.05, -63.34, 60.63

 

CMYK 40 / 0 / 66 / 11

HEX #89E44D

RGB 137 228 77

HSL 96.16, 0.74%, 0.6%

LAB 82.56, -52.03, 62.7

 

CMYK 22 / 0 / 66 / 11

HEX #B2E44D

RGB 178 228 77

HSL 79.87, 0.74%, 0.6%

LAB 84.73, -37.57, 65.65

 

CMYK 4 / 0 / 66 / 11

HEX #DBE44D

RGB 219 228 77

HSL 63.58, 0.74%, 0.6%

LAB 87.53, -21.41, 69.4

 

CMYK 66 / 0 / 57 / 11

HEX #4DE462

RGB 77 228 98

HSL 128.34, 0.74%, 0.6%

LAB 80.71, -65.4, 51.19

 

CMYK 66 / 0 / 39 / 11

HEX #4DE48B

RGB 77 228 139

HSL 144.64, 0.74%, 0.6%

LAB 81.25, -59.23, 32.08

 

CMYK 66 / 0 / 21 / 11

HEX #4DE4B4

RGB 77 228 180

HSL 160.93, 0.74%, 0.6%

LAB 82.03, -50.88, 11.92

 

CMYK 66 / 0 / 4 / 11

HEX #4DE4DC

RGB 77 228 220

HSL 176.82, 0.74%, 0.6%

LAB 83.04, -40.91, -7.75

 

CMYK 66 / 14 / 0 / 11

HEX #4DC3E4

RGB 77 195 228

HSL 193.11, 0.74%, 0.6%

LAB 73.68, -22.86, -26.14

 

CMYK 66 / 0 / 57 / 11

HEX #4DE462

RGB 77 228 98

HSL 128.34, 0.74%, 0.6%

LAB 80.71, -65.4, 51.19

 

CMYK 75 / 0 / 65 / 4

HEX #3DF456

RGB 61 244 86

HSL 128.2, 0.89%, 0.6%

LAB 85.18, -74.52, 61.3

 

CMYK 66 / 0 / 57 / 11

HEX #4DE462

RGB 77 228 98

HSL 128.34, 0.74%, 0.6%

LAB 80.71, -65.4, 51.19

 

CMYK 55 / 0 / 48 / 17

HEX #5ED36E

RGB 94 211 110

HSL 128.21, 0.57%, 0.6%

LAB 76.13, -53.95, 40.07

 

CMYK 44 / 0 / 37 / 24

HEX #6EC37A

RGB 110 195 122

HSL 128.47, 0.41%, 0.6%

LAB 72.06, -41.2, 28.87

 

CMYK 29 / 0 / 25 / 30

HEX #7FB286

RGB 127 178 134

HSL 128.24, 0.25%, 0.6%

LAB 68.08, -25.88, 17.21

 

CMYK 12 / 0 / 10 / 36

HEX #8FA292

RGB 143 162 146

HSL 129.47, 0.09%, 0.6%

LAB 64.77, -9.85, 6.06

 

CMYK 40 / 0 / 66 / 11

HEX #89E44D

RGB 137 228 77

HSL 96.16, 0.74%, 0.6%

LAB 82.56, -52.03, 62.7

 

CMYK 57 / 0 / 66 / 11

HEX #61E44D

RGB 97 228 77

HSL 112.05, 0.74%, 0.6%

LAB 81.05, -63.34, 60.63

 

CMYK 66 / 0 / 57 / 11

HEX #4DE461

RGB 77 228 97

HSL 127.95, 0.74%, 0.6%

LAB 80.7, -65.52, 51.62

 

CMYK 66 / 0 / 40 / 11

HEX #4DE489

RGB 77 228 137

HSL 143.84, 0.74%, 0.6%

LAB 81.22, -59.58, 33.05

 

CMYK 66 / 0 / 22 / 11

HEX #4DE4B2

RGB 77 228 178

HSL 160.13, 0.74%, 0.6%

LAB 81.99, -51.33, 12.91

 

CMYK 85 / 0 / 73 / 24

HEX #1DC234

RGB 29 194 52

HSL 128.36, 0.74%, 0.44%

LAB 68.82, -66.14, 56.86

 

CMYK 82 / 0 / 70 / 13

HEX #29DF43

RGB 41 223 67

HSL 128.57, 0.74%, 0.52%

LAB 78.26, -72.35, 61.15

 

CMYK 66 / 0 / 57 / 11

HEX #4DE462

RGB 77 228 98

HSL 128.34, 0.74%, 0.6%

LAB 80.71, -65.4, 51.19

 

CMYK 52 / 0 / 44 / 9

HEX #71E982

RGB 113 233 130

HSL 128.5, 0.73%, 0.68%

LAB 83.65, -54.91, 39.89

 

CMYK 38 / 0 / 33 / 6

HEX #95EFA1

RGB 149 239 161

HSL 128, 0.74%, 0.76%

LAB 87.34, -42.62, 29.47

 

CMYK 66 / 0 / 56 / 10

HEX #4FE564

RGB 79 229 100

HSL 128.4, 0.74%, 0.6%

LAB 81.08, -65.12, 50.73

 

CMYK 66 / 22 / 0 / 11

HEX #4DB2E4

RGB 77 178 228

HSL 199.87, 0.74%, 0.6%

LAB 68.77, -14, -33.71

 

CMYK 0 / 66 / 49 / 11

HEX #E44D75

RGB 228 77 117

HSL 344.11, 0.74%, 0.6%

LAB 55.16, 61.16, 10.36

 

CMYK 66 / 0 / 56 / 10

HEX #4FE564

RGB 79 229 100

HSL 128.4, 0.74%, 0.6%

LAB 81.08, -65.12, 50.73

 

CMYK 57 / 66 / 0 / 11

HEX #614DE4

RGB 97 77 228

HSL 247.95, 0.74%, 0.6%

LAB 43.43, 48.88, -74.04

 

CMYK 0 / 57 / 66 / 11

HEX #E4614D

RGB 228 97 77

HSL 7.95, 0.74%, 0.6%

LAB 57.64, 49.68, 36.79

 

CMYK 66 / 0 / 56 / 10

HEX #4FE564

RGB 79 229 100

HSL 128.4, 0.74%, 0.6%

LAB 81.08, -65.12, 50.73

 

CMYK 66 / 22 / 0 / 11

HEX #4DB2E4

RGB 77 178 228

HSL 199.87, 0.74%, 0.6%

LAB 68.77, -14, -33.71

 

CMYK 0 / 66 / 9 / 11

HEX #E44DD0

RGB 228 77 208

HSL 307.95, 0.74%, 0.6%

LAB 58.37, 72.09, -37.84

 

CMYK 0 / 44 / 66 / 11

HEX #E47F4D

RGB 228 127 77

HSL 19.87, 0.74%, 0.6%

LAB 63.51, 34.82, 43.72

 

CMYK 66 / 0 / 56 / 10

HEX #4FE564

RGB 79 229 100

HSL 128.4, 0.74%, 0.6%

LAB 81.08, -65.12, 50.73

 

CMYK 66 / 42 / 0 / 11

HEX #4D84E4

RGB 77 132 228

HSL 218.15, 0.74%, 0.6%

LAB 55.77, 12.36, -54.17

 

CMYK 0 / 66 / 9 / 11

HEX #E44DD0

RGB 228 77 208

HSL 307.95, 0.74%, 0.6%

LAB 58.37, 72.09, -37.84

 

CMYK 0 / 24 / 66 / 11

HEX #E4AD4D

RGB 228 173 77

HSL 38.15, 0.74%, 0.6%

LAB 74.14, 10.42, 55.6

 

Description

Color code: HEX #4FE564 | qconv.com Color code: HEX #4FE564 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 229 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 229 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 56 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 56% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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