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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FDADD it is the complementary color #B02522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FDADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FDADD shade: #54DAD8, #65ECEB, #76FEFE, #87FFFF and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FDADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FDADD shade: #4FDADD, #3EC8CA, #2DB6B7, #1CA4A4 and #0B9291

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FDADD shade: #4FDADD, #4FB4DD, #4F8DDD, #4F67DD and #5D4FDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FDADD shade: #4FDADD, #4FB4DD, #4F8DDD, #4F67DD and #4F4FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FDADD shade matches the following richer shades: #4FDADD and #3EEAEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FDADD shade: #4FDADD, #60CACC, #71BABB, #82A9AA and #939999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FDADD shade: #4FDD94, #4FDDB9, #4FDBDD, #4FB5DD and #4F8FDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FDADD shade: #22B4B7, #2CD3D6, #4FDADD, #72E1E4 and #94E8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FDADD shade: #4FDADD, #6E4FDD and #DDA74F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FDADD shade: #4FDADD, #DD4FDB and #DBDD4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FDADD shade: #4FDADD, #6E4FDD, #DD514F and #BEDD4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FDADD shade: #4FDADD, #984FDD, #DD514F and #94DD4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

Complementary color

CMYK 0 / 79 / 81 / 31

HEX #B02522

RGB 176 37 34

HSL 1.27, 0.68%, 0.41%

LAB 39.02, 54.47, 37.42

 

CMYK 61 / 0 / 1 / 15

HEX #54DAD8

RGB 84 218 216

HSL 179.1, 0.64%, 0.59%

LAB 80.17, -36.37, -9.87

 

CMYK 57 / 0 / 0 / 7

HEX #65ECEB

RGB 101 236 235

HSL 179.56, 0.78%, 0.66%

LAB 86.38, -36.72, -10.63

 

CMYK 54 / 0 / 0 / 0

HEX #76FEFE

RGB 118 254 254

HSL 180, 0.99%, 0.73%

LAB 92.53, -36.97, -11.33

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 69 / 1 / 0 / 21

HEX #3EC8CA

RGB 62 200 202

HSL 180.86, 0.57%, 0.52%

LAB 73.93, -35.15, -11.71

 

CMYK 75 / 1 / 0 / 28

HEX #2DB6B7

RGB 45 182 183

HSL 180.43, 0.61%, 0.45%

LAB 67.6, -34.29, -10.81

 

CMYK 83 / 0 / 0 / 36

HEX #1CA4A4

RGB 28 164 164

HSL 180, 0.71%, 0.38%

LAB 61.2, -33.13, -9.82

 

CMYK 92 / 0 / 1 / 43

HEX #0B9291

RGB 11 146 145

HSL 179.56, 0.86%, 0.31%

LAB 54.73, -31.55, -8.68

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 64 / 19 / 0 / 13

HEX #4FB4DD

RGB 79 180 221

HSL 197.32, 0.68%, 0.59%

LAB 69.13, -16.96, -29.32

 

CMYK 64 / 36 / 0 / 13

HEX #4F8DDD

RGB 79 141 221

HSL 213.8, 0.68%, 0.59%

LAB 57.97, 4.89, -46.75

 

CMYK 64 / 53 / 0 / 13

HEX #4F67DD

RGB 79 103 221

HSL 229.86, 0.68%, 0.59%

LAB 47.73, 28.17, -63.14

 

CMYK 58 / 64 / 0 / 13

HEX #5D4FDD

RGB 93 79 221

HSL 245.92, 0.68%, 0.59%

LAB 42.97, 44.98, -70.83

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 64 / 19 / 0 / 13

HEX #4FB4DD

RGB 79 180 221

HSL 197.32, 0.68%, 0.59%

LAB 69.13, -16.96, -29.32

 

CMYK 64 / 36 / 0 / 13

HEX #4F8DDD

RGB 79 141 221

HSL 213.8, 0.68%, 0.59%

LAB 57.97, 4.89, -46.75

 

CMYK 64 / 53 / 0 / 13

HEX #4F67DD

RGB 79 103 221

HSL 229.86, 0.68%, 0.59%

LAB 47.73, 28.17, -63.14

 

CMYK 64 / 64 / 0 / 13

HEX #4F4FDD

RGB 79 79 221

HSL 240, 0.68%, 0.59%

LAB 41.96, 42.89, -72.52

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 74 / 2 / 0 / 7

HEX #3EEAEE

RGB 62 234 238

HSL 181.36, 0.84%, 0.59%

LAB 85.02, -40.48, -14.34

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 53 / 1 / 0 / 20

HEX #60CACC

RGB 96 202 204

HSL 181.11, 0.51%, 0.59%

LAB 75.51, -29.85, -10.34

 

CMYK 40 / 1 / 0 / 27

HEX #71BABB

RGB 113 186 187

HSL 180.81, 0.35%, 0.59%

LAB 71.02, -22.47, -7.69

 

CMYK 24 / 1 / 0 / 33

HEX #82A9AA

RGB 130 169 170

HSL 181.5, 0.19%, 0.59%

LAB 66.54, -12.9, -4.84

 

CMYK 4 / 0 / 0 / 40

HEX #939999

RGB 147 153 153

HSL 180, 0.03%, 0.59%

LAB 62.75, -2.15, -0.76

 

CMYK 64 / 0 / 33 / 13

HEX #4FDD94

RGB 79 221 148

HSL 149.15, 0.68%, 0.59%

LAB 79.34, -54.52, 24.91

 

CMYK 64 / 0 / 16 / 13

HEX #4FDDB9

RGB 79 221 185

HSL 164.79, 0.68%, 0.59%

LAB 80.11, -46.45, 6.54

 

CMYK 64 / 1 / 0 / 13

HEX #4FDBDD

RGB 79 219 221

HSL 180.85, 0.68%, 0.59%

LAB 80.49, -36.24, -12.08

 

CMYK 64 / 18 / 0 / 13

HEX #4FB5DD

RGB 79 181 221

HSL 196.9, 0.68%, 0.59%

LAB 69.42, -17.48, -28.87

 

CMYK 64 / 35 / 0 / 13

HEX #4F8FDD

RGB 79 143 221

HSL 212.96, 0.68%, 0.59%

LAB 58.53, 3.71, -45.86

 

CMYK 81 / 2 / 0 / 28

HEX #22B4B7

RGB 34 180 183

HSL 181.21, 0.69%, 0.43%

LAB 66.83, -34.41, -11.99

 

CMYK 79 / 1 / 0 / 16

HEX #2CD3D6

RGB 44 211 214

HSL 181.06, 0.67%, 0.51%

LAB 77.27, -38.69, -13.22

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 50 / 1 / 0 / 11

HEX #72E1E4

RGB 114 225 228

HSL 181.58, 0.68%, 0.67%

LAB 83.46, -30.89, -11.25

 

CMYK 37 / 1 / 0 / 8

HEX #94E8EA

RGB 148 232 234

HSL 181.4, 0.67%, 0.75%

LAB 86.97, -24.88, -9.04

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 50 / 64 / 0 / 13

HEX #6E4FDD

RGB 110 79 221

HSL 253.1, 0.68%, 0.59%

LAB 44.42, 47.87, -68.42

 

CMYK 0 / 24 / 64 / 13

HEX #DDA74F

RGB 221 167 79

HSL 37.18, 0.68%, 0.59%

LAB 71.94, 10.77, 52.06

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 0 / 64 / 1 / 13

HEX #DD4FDB

RGB 221 79 219

HSL 300.85, 0.68%, 0.59%

LAB 58.11, 71.41, -44.55

 

CMYK 1 / 0 / 64 / 13

HEX #DBDD4F

RGB 219 221 79

HSL 60.85, 0.68%, 0.59%

LAB 85.67, -17.89, 66.73

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 50 / 64 / 0 / 13

HEX #6E4FDD

RGB 110 79 221

HSL 253.1, 0.68%, 0.59%

LAB 44.42, 47.87, -68.42

 

CMYK 0 / 63 / 64 / 13

HEX #DD514F

RGB 221 81 79

HSL 0.85, 0.68%, 0.59%

LAB 53.84, 54.51, 30.75

 

CMYK 14 / 0 / 64 / 13

HEX #BEDD4F

RGB 190 221 79

HSL 73.1, 0.68%, 0.59%

LAB 83.56, -29.58, 63.87

 

CMYK 64 / 1 / 0 / 13

HEX #4FDADD

RGB 79 218 221

HSL 181.27, 0.68%, 0.59%

LAB 80.19, -35.78, -12.51

 

CMYK 31 / 64 / 0 / 13

HEX #984FDD

RGB 152 79 221

HSL 270.85, 0.68%, 0.59%

LAB 48.87, 56.21, -60.99

 

CMYK 0 / 63 / 64 / 13

HEX #DD514F

RGB 221 81 79

HSL 0.85, 0.68%, 0.59%

LAB 53.84, 54.51, 30.75

 

CMYK 33 / 0 / 64 / 13

HEX #94DD4F

RGB 148 221 79

HSL 90.85, 0.68%, 0.59%

LAB 81.06, -45.28, 60.45

 

Description

Color code: HEX #4FDADD | qconv.com Color code: HEX #4FDADD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 218 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 218 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 1 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 1% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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