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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FC123 it is the complementary color #B03EDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FC123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FC123 shade: #54C11E, #65D331, #76E544, #87F757 and #98FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FC123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FC123 shade: #4FC123, #3EAF10, #2D9D00, #1C8B00 and #0B7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FC123 shade: #4FC123, #7AC123, #A5C123, #C1B423 and #C18923

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FC123 shade: #4FC123, #24C123, #23C14C, #23C177 and #23C1A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FC123 shade matches the following richer shades: #4FC123 and #47D411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FC123 shade: #4FC123, #57AF36, #609C48, #688A5B and #70776D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FC123 shade: #A4C123, #7AC123, #50C123, #26C123 and #23C14B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FC123 shade: #337C16, #419F1D, #4FC123, #62D934 and #7DE057

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FC123 shade: #4FC123, #23C1B4 and #C1238F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FC123 shade: #4FC123, #2350C1 and #C12350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FC123 shade: #4FC123, #23C1B4, #9523C1 and #C12330

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FC123 shade: #4FC123, #239FC1, #9523C1 and #C14523

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

Complementary color

CMYK 20 / 72 / 0 / 14

HEX #B03EDC

RGB 176 62 220

HSL 283.29, 0.69%, 0.55%

LAB 49.3, 68.31, -59.56

 

CMYK 56 / 0 / 84 / 24

HEX #54C11E

RGB 84 193 30

HSL 100.12, 0.73%, 0.44%

LAB 69.55, -57.37, 64.58

 

CMYK 52 / 0 / 77 / 17

HEX #65D331

RGB 101 211 49

HSL 100.74, 0.65%, 0.51%

LAB 75.81, -58.29, 65.33

 

CMYK 48 / 0 / 70 / 10

HEX #76E544

RGB 118 229 68

HSL 101.37, 0.76%, 0.58%

LAB 82.01, -58.89, 65.26

 

CMYK 45 / 0 / 65 / 3

HEX #87F757

RGB 135 247 87

HSL 102, 0.91%, 0.65%

LAB 88.14, -59.27, 64.71

 

CMYK 40 / 0 / 58 / 0

HEX #98FF6A

RGB 152 255 106

HSL 101.48, 1%, 0.71%

LAB 91.34, -55.55, 60.63

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 65 / 0 / 91 / 31

HEX #3EAF10

RGB 62 175 16

HSL 102.64, 0.83%, 0.37%

LAB 63.11, -57.04, 61.6

 

CMYK 71 / 0 / 100 / 38

HEX #2D9D00

RGB 45 157 0

HSL 102.8, 1%, 0.31%

LAB 56.75, -55.06, 58.57

 

CMYK 80 / 0 / 100 / 45

HEX #1C8B00

RGB 28 139 0

HSL 107.91, 1%, 0.27%

LAB 50.35, -52.24, 53.32

 

CMYK 91 / 0 / 100 / 53

HEX #0B7900

RGB 11 121 0

HSL 114.55, 1%, 0.24%

LAB 43.87, -48.71, 48.05

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 37 / 0 / 82 / 24

HEX #7AC123

RGB 122 193 35

HSL 86.96, 0.69%, 0.45%

LAB 71.15, -45.33, 65.35

 

CMYK 15 / 0 / 82 / 24

HEX #A5C123

RGB 165 193 35

HSL 70.63, 0.69%, 0.45%

LAB 73.71, -28.69, 68.6

 

CMYK 0 / 7 / 82 / 24

HEX #C1B423

RGB 193 180 35

HSL 55.06, 0.69%, 0.45%

LAB 72.3, -10.26, 68.23

 

CMYK 0 / 29 / 82 / 24

HEX #C18923

RGB 193 137 35

HSL 38.73, 0.69%, 0.45%

LAB 61.09, 12.78, 58.5

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 81 / 0 / 82 / 24

HEX #24C123

RGB 36 193 35

HSL 119.62, 0.69%, 0.45%

LAB 68.49, -66.27, 61.94

 

CMYK 82 / 0 / 61 / 24

HEX #23C14C

RGB 35 193 76

HSL 135.57, 0.69%, 0.45%

LAB 68.77, -62.77, 47.02

 

CMYK 82 / 0 / 38 / 24

HEX #23C177

RGB 35 193 119

HSL 151.9, 0.69%, 0.45%

LAB 69.35, -55.88, 26.47

 

CMYK 82 / 0 / 16 / 24

HEX #23C1A2

RGB 35 193 162

HSL 168.23, 0.69%, 0.45%

LAB 70.25, -46.01, 4.6

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 67 / 0 / 92 / 17

HEX #47D411

RGB 71 212 17

HSL 103.38, 0.85%, 0.45%

LAB 75.12, -67.17, 71.62

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 50 / 0 / 69 / 31

HEX #57AF36

RGB 87 175 54

HSL 103.64, 0.53%, 0.45%

LAB 64.12, -48.33, 51.67

 

CMYK 38 / 0 / 54 / 39

HEX #609C48

RGB 96 156 72

HSL 102.86, 0.37%, 0.45%

LAB 58.73, -35.59, 37.57

 

CMYK 25 / 0 / 34 / 46

HEX #688A5B

RGB 104 138 91

HSL 103.4, 0.21%, 0.45%

LAB 53.89, -21.3, 21.42

 

CMYK 6 / 0 / 8 / 53

HEX #70776D

RGB 112 119 109

HSL 102, 0.04%, 0.45%

LAB 49.18, -4.66, 4.59

 

CMYK 15 / 0 / 82 / 24

HEX #A4C123

RGB 164 193 35

HSL 71.01, 0.69%, 0.45%

LAB 73.65, -29.1, 68.52

 

CMYK 37 / 0 / 82 / 24

HEX #7AC123

RGB 122 193 35

HSL 86.96, 0.69%, 0.45%

LAB 71.15, -45.33, 65.35

 

CMYK 59 / 0 / 82 / 24

HEX #50C123

RGB 80 193 35

HSL 102.91, 0.69%, 0.45%

LAB 69.45, -58.17, 63.17

 

CMYK 80 / 0 / 82 / 24

HEX #26C123

RGB 38 193 35

HSL 118.86, 0.69%, 0.45%

LAB 68.51, -66.04, 61.98

 

CMYK 82 / 0 / 61 / 24

HEX #23C14B

RGB 35 193 75

HSL 135.19, 0.69%, 0.45%

LAB 68.76, -62.89, 47.45

 

CMYK 59 / 0 / 82 / 51

HEX #337C16

RGB 51 124 22

HSL 102.94, 0.7%, 0.29%

LAB 45.88, -41.22, 44.78

 

CMYK 59 / 0 / 82 / 38

HEX #419F1D

RGB 65 159 29

HSL 103.38, 0.69%, 0.37%

LAB 58.05, -50.17, 54.17

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 55 / 0 / 76 / 15

HEX #62D934

RGB 98 217 52

HSL 103.27, 0.68%, 0.53%

LAB 77.56, -61.08, 66.04

 

CMYK 44 / 0 / 61 / 12

HEX #7DE057

RGB 125 224 87

HSL 103.36, 0.69%, 0.61%

LAB 80.94, -53.3, 56.68

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 82 / 0 / 7 / 24

HEX #23C1B4

RGB 35 193 180

HSL 175.06, 0.69%, 0.45%

LAB 70.73, -41.13, -4.53

 

CMYK 0 / 82 / 26 / 24

HEX #C1238F

RGB 193 35 143

HSL 318.99, 0.69%, 0.45%

LAB 44.97, 68.09, -21.05

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 82 / 59 / 0 / 24

HEX #2350C1

RGB 35 80 193

HSL 222.91, 0.69%, 0.45%

LAB 37.74, 27.2, -63.35

 

CMYK 0 / 82 / 59 / 24

HEX #C12350

RGB 193 35 80

HSL 342.91, 0.69%, 0.45%

LAB 42.94, 62.15, 14.97

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 82 / 0 / 7 / 24

HEX #23C1B4

RGB 35 193 180

HSL 175.06, 0.69%, 0.45%

LAB 70.73, -41.13, -4.53

 

CMYK 23 / 82 / 0 / 24

HEX #9523C1

RGB 149 35 193

HSL 283.29, 0.69%, 0.45%

LAB 40.31, 67.12, -58.7

 

CMYK 0 / 82 / 75 / 24

HEX #C12330

RGB 193 35 48

HSL 355.06, 0.69%, 0.45%

LAB 42.39, 60.47, 33.97

 

CMYK 59 / 0 / 82 / 24

HEX #4FC123

RGB 79 193 35

HSL 103.29, 0.69%, 0.45%

LAB 69.42, -58.42, 63.14

 

CMYK 82 / 18 / 0 / 24

HEX #239FC1

RGB 35 159 193

HSL 192.91, 0.69%, 0.45%

LAB 60.79, -20.68, -26.75

 

CMYK 23 / 82 / 0 / 24

HEX #9523C1

RGB 149 35 193

HSL 283.29, 0.69%, 0.45%

LAB 40.31, 67.12, -58.7

 

CMYK 0 / 64 / 82 / 24

HEX #C14523

RGB 193 69 35

HSL 12.91, 0.69%, 0.45%

LAB 46.6, 48.06, 45.35

 

Description

Color code: HEX #4FC123 | qconv.com Color code: HEX #4FC123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 193 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 193 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 82 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 82% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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