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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FB739 it is the complementary color #B048C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FB739. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FB739 shade: #54B734, #65C947, #76DB5A, #87ED6D and #98FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FB739. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FB739 shade: #4FB739, #3EA526, #2D9313, #1C8100 and #0B6F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FB739 shade: #4EB738, #70B738, #93B738, #B5B738 and #B79738

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FB739 shade: #4EB738, #38B744, #38B766, #38B788 and #38B7AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FB739 shade matches the following richer shades: #4EB738, #41CA24 and #35DE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FB739 shade: #4EB738, #5BA34B, #67905F, #747D72 and #806985

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FB739 shade: #93B738, #71B738, #4FB738, #38B742 and #38B764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FB739 shade: #337824, #41972E, #4EB738, #64C94F and #80D26F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FB739 shade: #4FB739, #38B5B7 and #B73882

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FB739 shade: #4FB739, #384FB7 and #B7384F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FB739 shade: #4FB739, #38B5B7, #A038B7 and #B73A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FB739 shade: #4FB739, #388FB7, #A038B7 and #B76038

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 69 / 28

HEX #4FB739

RGB 79 183 57

HSL 109.52, 0.53%, 0.47%

LAB 66.39, -53.34, 52.77

 

Complementary color

CMYK 11 / 64 / 0 / 22

HEX #B048C6

RGB 176 72 198

HSL 289.52, 0.53%, 0.53%

LAB 49.43, 59.99, -46.75

 

CMYK 54 / 0 / 72 / 28

HEX #54B734

RGB 84 183 52

HSL 105.34, 0.56%, 0.46%

LAB 66.52, -52.42, 54.9

 

CMYK 50 / 0 / 65 / 21

HEX #65C947

RGB 101 201 71

HSL 106.15, 0.55%, 0.53%

LAB 72.89, -52.88, 54.27

 

CMYK 46 / 0 / 59 / 14

HEX #76DB5A

RGB 118 219 90

HSL 106.98, 0.64%, 0.61%

LAB 79.19, -53.11, 53.32

 

CMYK 43 / 0 / 54 / 7

HEX #87ED6D

RGB 135 237 109

HSL 107.81, 0.78%, 0.68%

LAB 85.41, -53.19, 52.22

 

CMYK 40 / 0 / 50 / 0

HEX #98FF80

RGB 152 255 128

HSL 108.66, 1%, 0.75%

LAB 91.57, -53.16, 51.07

 

CMYK 57 / 0 / 69 / 28

HEX #4FB739

RGB 79 183 57

HSL 109.52, 0.53%, 0.47%

LAB 66.39, -53.34, 52.77

 

CMYK 62 / 0 / 77 / 35

HEX #3EA526

RGB 62 165 38

HSL 108.66, 0.63%, 0.4%

LAB 59.96, -52.52, 53.11

 

CMYK 69 / 0 / 87 / 42

HEX #2D9313

RGB 45 147 19

HSL 107.81, 0.77%, 0.33%

LAB 53.46, -51.16, 52.47

 

CMYK 78 / 0 / 100 / 49

HEX #1C8100

RGB 28 129 0

HSL 106.98, 1%, 0.25%

LAB 46.91, -49.06, 50.58

 

CMYK 90 / 0 / 100 / 56

HEX #0B6F00

RGB 11 111 0

HSL 114.05, 1%, 0.22%

LAB 40.31, -45.62, 45.2

 

CMYK 57 / 0 / 69 / 28

HEX #4EB738

RGB 78 183 56

HSL 109.61, 0.53%, 0.47%

LAB 66.35, -53.68, 53.11

 

CMYK 39 / 0 / 69 / 28

HEX #70B738

RGB 112 183 56

HSL 93.54, 0.53%, 0.47%

LAB 67.72, -43.41, 54.98

 

CMYK 20 / 0 / 69 / 28

HEX #93B738

RGB 147 183 56

HSL 77.01, 0.53%, 0.47%

LAB 69.72, -30.27, 57.66

 

CMYK 1 / 0 / 69 / 28

HEX #B5B738

RGB 181 183 56

HSL 60.94, 0.53%, 0.47%

LAB 72.21, -16.12, 60.98

 

CMYK 0 / 17 / 69 / 28

HEX #B79738

RGB 183 151 56

HSL 44.88, 0.53%, 0.47%

LAB 63.74, 1.6, 52.48

 

CMYK 57 / 0 / 69 / 28

HEX #4EB738

RGB 78 183 56

HSL 109.61, 0.53%, 0.47%

LAB 66.35, -53.68, 53.11

 

CMYK 69 / 0 / 63 / 28

HEX #38B744

RGB 56 183 68

HSL 125.67, 0.53%, 0.47%

LAB 65.85, -57.35, 47.36

 

CMYK 69 / 0 / 44 / 28

HEX #38B766

RGB 56 183 102

HSL 141.73, 0.53%, 0.47%

LAB 66.26, -52.5, 31.36

 

CMYK 69 / 0 / 26 / 28

HEX #38B788

RGB 56 183 136

HSL 157.8, 0.53%, 0.47%

LAB 66.89, -45.67, 14.05

 

CMYK 69 / 0 / 7 / 28

HEX #38B7AB

RGB 56 183 171

HSL 174.33, 0.53%, 0.47%

LAB 67.76, -36.82, -3.93

 

CMYK 57 / 0 / 69 / 28

HEX #4EB738

RGB 78 183 56

HSL 109.61, 0.53%, 0.47%

LAB 66.35, -53.68, 53.11

 

CMYK 68 / 0 / 82 / 21

HEX #41CA24

RGB 65 202 36

HSL 109.52, 0.7%, 0.47%

LAB 71.89, -64.48, 65

 

CMYK 76 / 0 / 92 / 13

HEX #35DE11

RGB 53 222 17

HSL 109.46, 0.86%, 0.47%

LAB 77.9, -73.27, 73.79

 

CMYK 57 / 0 / 69 / 28

HEX #4EB738

RGB 78 183 56

HSL 109.61, 0.53%, 0.47%

LAB 66.35, -53.68, 53.11

 

CMYK 44 / 0 / 54 / 36

HEX #5BA34B

RGB 91 163 75

HSL 109.09, 0.37%, 0.47%

LAB 60.72, -39.96, 38.41

 

CMYK 28 / 0 / 34 / 44

HEX #67905F

RGB 103 144 95

HSL 110.2, 0.21%, 0.47%

LAB 55.74, -24.07, 21.65

 

CMYK 7 / 0 / 9 / 51

HEX #747D72

RGB 116 125 114

HSL 109.09, 0.05%, 0.47%

LAB 51.38, -5.57, 4.85

 

CMYK 4 / 21 / 0 / 48

HEX #806985

RGB 128 105 133

HSL 289.29, 0.12%, 0.47%

LAB 47.48, 14.52, -12.03

 

CMYK 20 / 0 / 69 / 28

HEX #93B738

RGB 147 183 56

HSL 77.01, 0.53%, 0.47%

LAB 69.72, -30.27, 57.66

 

CMYK 38 / 0 / 69 / 28

HEX #71B738

RGB 113 183 56

HSL 93.07, 0.53%, 0.47%

LAB 67.77, -43.06, 55.04

 

CMYK 57 / 0 / 69 / 28

HEX #4FB738

RGB 79 183 56

HSL 109.13, 0.53%, 0.47%

LAB 66.38, -53.42, 53.16

 

CMYK 69 / 0 / 64 / 28

HEX #38B742

RGB 56 183 66

HSL 124.72, 0.53%, 0.47%

LAB 65.83, -57.57, 48.22

 

CMYK 69 / 0 / 45 / 28

HEX #38B764

RGB 56 183 100

HSL 140.79, 0.53%, 0.47%

LAB 66.23, -52.84, 32.36

 

CMYK 58 / 0 / 70 / 53

HEX #337824

RGB 51 120 36

HSL 109.29, 0.54%, 0.31%

LAB 44.61, -38.53, 38.13

 

CMYK 57 / 0 / 70 / 41

HEX #41972E

RGB 65 151 46

HSL 109.14, 0.53%, 0.39%

LAB 55.54, -45.94, 45.63

 

CMYK 57 / 0 / 69 / 28

HEX #4EB738

RGB 78 183 56

HSL 109.61, 0.53%, 0.47%

LAB 66.35, -53.68, 53.11

 

CMYK 50 / 0 / 61 / 21

HEX #64C94F

RGB 100 201 79

HSL 109.67, 0.53%, 0.55%

LAB 72.92, -52.37, 50.86

 

CMYK 39 / 0 / 47 / 18

HEX #80D26F

RGB 128 210 111

HSL 109.7, 0.52%, 0.63%

LAB 77.18, -43.87, 41.18

 

CMYK 57 / 0 / 69 / 28

HEX #4FB739

RGB 79 183 57

HSL 109.52, 0.53%, 0.47%

LAB 66.39, -53.34, 52.77

 

CMYK 69 / 1 / 0 / 28

HEX #38B5B7

RGB 56 181 183

HSL 180.94, 0.53%, 0.47%

LAB 67.51, -32.47, -10.93

 

CMYK 0 / 69 / 29 / 28

HEX #B73882

RGB 183 56 130

HSL 325.04, 0.53%, 0.47%

LAB 44.95, 57.52, -13.33

 

CMYK 57 / 0 / 69 / 28

HEX #4FB739

RGB 79 183 57

HSL 109.52, 0.53%, 0.47%

LAB 66.39, -53.34, 52.77

 

CMYK 69 / 57 / 0 / 28

HEX #384FB7

RGB 56 79 183

HSL 229.13, 0.53%, 0.47%

LAB 37.57, 26.52, -57.72

 

CMYK 0 / 69 / 57 / 28

HEX #B7384F

RGB 183 56 79

HSL 349.13, 0.53%, 0.47%

LAB 43.45, 52.39, 15.97

 

CMYK 57 / 0 / 69 / 28

HEX #4FB739

RGB 79 183 57

HSL 109.52, 0.53%, 0.47%

LAB 66.39, -53.34, 52.77

 

CMYK 69 / 1 / 0 / 28

HEX #38B5B7

RGB 56 181 183

HSL 180.94, 0.53%, 0.47%

LAB 67.51, -32.47, -10.93

 

CMYK 13 / 69 / 0 / 28

HEX #A038B7

RGB 160 56 183

HSL 289.13, 0.53%, 0.47%

LAB 43.83, 60.14, -47.09

 

CMYK 0 / 68 / 69 / 28

HEX #B73A38

RGB 183 58 56

HSL 0.94, 0.53%, 0.47%

LAB 43.33, 50.13, 29.84

 

CMYK 57 / 0 / 69 / 28

HEX #4FB739

RGB 79 183 57

HSL 109.52, 0.53%, 0.47%

LAB 66.39, -53.34, 52.77

 

CMYK 69 / 22 / 0 / 28

HEX #388FB7

RGB 56 143 183

HSL 198.9, 0.53%, 0.47%

LAB 55.99, -12.91, -28.47

 

CMYK 13 / 69 / 0 / 28

HEX #A038B7

RGB 160 56 183

HSL 289.13, 0.53%, 0.47%

LAB 43.83, 60.14, -47.09

 

CMYK 0 / 48 / 69 / 28

HEX #B76038

RGB 183 96 56

HSL 18.9, 0.53%, 0.47%

LAB 50.36, 31.87, 38.02

 

Description

Color code: HEX #4FB739 | qconv.com Color code: HEX #4FB739 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 183 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 183 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 69 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 69% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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