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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F8DB9 it is the complementary color #B07246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F8DB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F8DB9 shade: #548DB4, #659FC7, #76B1DA, #87C3ED and #98D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F8DB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F8DB9 shade: #4F8DB9, #3E7BA6, #2D6993, #1C5780 and #0B456D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F8DB9 shade: #4F8DB9, #4F71B9, #4F54B9, #674FB9 and #834FB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F8DB9 shade: #4F8DB9, #4F71B9, #4F54B9 and #4F4FB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F8DB9 shade matches the following richer shades: #4F8DB9, #3C90CD, #2894E0 and #1497F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F8DB9 shade: #4F8DB9, #638AA5, #778691, #8B837D and #9F806A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F8DB9 shade: #4FB9AB, #4FABB9, #4F8FB9, #4F73B9 and #4F56B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F8DB9 shade: #346282, #3F78A0, #4F8DB9, #6DA0C4 and #8AB3D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F8DB9 shade: #4F8DB9, #8F4FB9 and #B9B94F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F8DB9 shade: #4F8DB9, #B94F8F and #8FB94F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F8DB9 shade: #4F8DB9, #8F4FB9, #B97A4F and #7AB94F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F8DB9 shade: #4F8DB9, #AE4FB9, #B97A4F and #5AB94F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

Complementary color

CMYK 0 / 35 / 60 / 31

HEX #B07246

RGB 176 114 70

HSL 24.91, 0.43%, 0.48%

LAB 53.71, 19.98, 34.17

 

CMYK 53 / 22 / 0 / 29

HEX #548DB4

RGB 84 141 180

HSL 204.38, 0.39%, 0.52%

LAB 56.32, -7.44, -26.17

 

CMYK 49 / 20 / 0 / 22

HEX #659FC7

RGB 101 159 199

HSL 204.49, 0.47%, 0.59%

LAB 63.08, -7.89, -26.4

 

CMYK 46 / 19 / 0 / 15

HEX #76B1DA

RGB 118 177 218

HSL 204.6, 0.57%, 0.66%

LAB 69.72, -8.24, -26.63

 

CMYK 43 / 18 / 0 / 7

HEX #87C3ED

RGB 135 195 237

HSL 204.71, 0.74%, 0.73%

LAB 76.25, -8.53, -26.87

 

CMYK 40 / 16 / 0 / 0

HEX #98D5FF

RGB 152 213 255

HSL 204.47, 1%, 0.8%

LAB 82.64, -9.03, -26.64

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 63 / 26 / 0 / 35

HEX #3E7BA6

RGB 62 123 166

HSL 204.81, 0.46%, 0.45%

LAB 49.43, -6.21, -28.86

 

CMYK 69 / 29 / 0 / 42

HEX #2D6993

RGB 45 105 147

HSL 204.71, 0.53%, 0.38%

LAB 42.41, -5.19, -28.66

 

CMYK 78 / 32 / 0 / 50

HEX #1C5780

RGB 28 87 128

HSL 204.6, 0.64%, 0.31%

LAB 35.25, -3.76, -28.43

 

CMYK 90 / 37 / 0 / 57

HEX #0B456D

RGB 11 69 109

HSL 204.49, 0.82%, 0.24%

LAB 27.93, -1.68, -28.13

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 57 / 39 / 0 / 27

HEX #4F71B9

RGB 79 113 185

HSL 220.75, 0.43%, 0.52%

LAB 48.23, 9.68, -41.72

 

CMYK 57 / 55 / 0 / 27

HEX #4F54B9

RGB 79 84 185

HSL 237.17, 0.43%, 0.52%

LAB 40.42, 27.92, -54.22

 

CMYK 44 / 57 / 0 / 27

HEX #674FB9

RGB 103 79 185

HSL 253.58, 0.43%, 0.52%

LAB 41.18, 36.05, -52.89

 

CMYK 29 / 57 / 0 / 27

HEX #834FB9

RGB 131 79 185

HSL 269.43, 0.43%, 0.52%

LAB 44.12, 42.72, -48.02

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 57 / 39 / 0 / 27

HEX #4F71B9

RGB 79 113 185

HSL 220.75, 0.43%, 0.52%

LAB 48.23, 9.68, -41.72

 

CMYK 57 / 55 / 0 / 27

HEX #4F54B9

RGB 79 84 185

HSL 237.17, 0.43%, 0.52%

LAB 40.42, 27.92, -54.22

 

CMYK 57 / 57 / 0 / 27

HEX #4F4FB9

RGB 79 79 185

HSL 240, 0.43%, 0.52%

LAB 39.17, 31.06, -56.24

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 71 / 30 / 0 / 20

HEX #3C90CD

RGB 60 144 205

HSL 205.24, 0.59%, 0.52%

LAB 57.38, -5.37, -38.75

 

CMYK 82 / 34 / 0 / 12

HEX #2894E0

RGB 40 148 224

HSL 204.78, 0.75%, 0.52%

LAB 58.99, -3.2, -46.89

 

CMYK 92 / 38 / 0 / 4

HEX #1497F4

RGB 20 151 244

HSL 204.91, 0.91%, 0.52%

LAB 60.62, 1.19, -55.38

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 40 / 16 / 0 / 35

HEX #638AA5

RGB 99 138 165

HSL 204.55, 0.27%, 0.52%

LAB 55.63, -6.36, -18.58

 

CMYK 18 / 8 / 0 / 43

HEX #778691

RGB 119 134 145

HSL 205.38, 0.11%, 0.52%

LAB 55.09, -2.98, -7.73

 

CMYK 0 / 6 / 10 / 45

HEX #8B837D

RGB 139 131 125

HSL 25.71, 0.06%, 0.52%

LAB 55.28, 1.9, 4.31

 

CMYK 0 / 19 / 33 / 38

HEX #9F806A

RGB 159 128 106

HSL 24.91, 0.22%, 0.52%

LAB 55.94, 8.65, 16.46

 

CMYK 57 / 0 / 8 / 27

HEX #4FB9AB

RGB 79 185 171

HSL 172.08, 0.43%, 0.52%

LAB 68.97, -33.85, -2.08

 

CMYK 57 / 8 / 0 / 27

HEX #4FABB9

RGB 79 171 185

HSL 187.92, 0.43%, 0.52%

LAB 65.19, -23.14, -15.45

 

CMYK 57 / 23 / 0 / 27

HEX #4F8FB9

RGB 79 143 185

HSL 203.77, 0.43%, 0.52%

LAB 56.89, -8.1, -28.15

 

CMYK 57 / 38 / 0 / 27

HEX #4F73B9

RGB 79 115 185

HSL 219.62, 0.43%, 0.52%

LAB 48.79, 8.45, -40.83

 

CMYK 57 / 54 / 0 / 27

HEX #4F56B9

RGB 79 86 185

HSL 236.04, 0.43%, 0.52%

LAB 40.93, 26.66, -53.4

 

CMYK 60 / 25 / 0 / 49

HEX #346282

RGB 52 98 130

HSL 204.62, 0.43%, 0.36%

LAB 39.71, -5.57, -22.61

 

CMYK 61 / 25 / 0 / 37

HEX #3F78A0

RGB 63 120 160

HSL 204.74, 0.43%, 0.44%

LAB 48.3, -6.26, -27.12

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 44 / 18 / 0 / 23

HEX #6DA0C4

RGB 109 160 196

HSL 204.83, 0.42%, 0.6%

LAB 63.65, -7.35, -23.81

 

CMYK 34 / 14 / 0 / 18

HEX #8AB3D0

RGB 138 179 208

HSL 204.86, 0.43%, 0.68%

LAB 71.01, -6.73, -19.09

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 23 / 57 / 0 / 27

HEX #8F4FB9

RGB 143 79 185

HSL 276.23, 0.43%, 0.52%

LAB 45.54, 45.76, -45.65

 

CMYK 0 / 0 / 57 / 27

HEX #B9B94F

RGB 185 185 79

HSL 60, 0.43%, 0.52%

LAB 73.27, -13.98, 52.61

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 0 / 57 / 23 / 27

HEX #B94F8F

RGB 185 79 143

HSL 323.77, 0.43%, 0.52%

LAB 49.36, 50.01, -14.45

 

CMYK 23 / 0 / 57 / 27

HEX #8FB94F

RGB 143 185 79

HSL 83.77, 0.43%, 0.52%

LAB 70.25, -30.99, 48.37

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 23 / 57 / 0 / 27

HEX #8F4FB9

RGB 143 79 185

HSL 276.23, 0.43%, 0.52%

LAB 45.54, 45.76, -45.65

 

CMYK 0 / 34 / 57 / 27

HEX #B97A4F

RGB 185 122 79

HSL 24.34, 0.43%, 0.52%

LAB 56.88, 20.06, 33.39

 

CMYK 34 / 0 / 57 / 27

HEX #7AB94F

RGB 122 185 79

HSL 95.66, 0.43%, 0.52%

LAB 69.04, -38.74, 46.67

 

CMYK 57 / 24 / 0 / 27

HEX #4F8DB9

RGB 79 141 185

HSL 204.91, 0.43%, 0.52%

LAB 56.3, -6.97, -29.06

 

CMYK 6 / 57 / 0 / 27

HEX #AE4FB9

RGB 174 79 185

HSL 293.77, 0.43%, 0.52%

LAB 49.61, 53.84, -38.95

 

CMYK 0 / 34 / 57 / 27

HEX #B97A4F

RGB 185 122 79

HSL 24.34, 0.43%, 0.52%

LAB 56.88, 20.06, 33.39

 

CMYK 51 / 0 / 57 / 27

HEX #5AB94F

RGB 90 185 79

HSL 113.77, 0.43%, 0.52%

LAB 67.6, -48.88, 44.63

 

Description

Color code: HEX #4F8DB9 | qconv.com Color code: HEX #4F8DB9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 141 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 141 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 24 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 24% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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