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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F869B it is the complementary color #B07964. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F869B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F869B shade: #548696, #6598A9, #76AABC, #87BCCF and #98CEE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F869B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F869B shade: #4F869B, #3E7488, #2D6275, #1C5062 and #0B3E4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F869B shade: #4F869A, #4F719A, #4F5D9A, #564F9A and #6A4F9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F869B shade: #4F869A, #4F719A, #4F5D9A and #4F4F9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F869B shade matches the following richer shades: #4F869A, #3C8EAD, #2997C0, #169FD3 and #03A8E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F869B shade: #4F869A, #627D87, #757574, #886C61 and #9B644E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F869B shade: #4F9A86, #4F9A9A, #4F869A, #4F729A and #4F5E9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F869B shade: #335664, #416E7F, #4F869A, #649AAF and #7FACBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F869B shade: #4F869B, #724F9A and #9A904F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F869B shade: #4F869B, #9A4F86 and #869A4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F869B shade: #4F869B, #724F9A, #9A634F and #779A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F869B shade: #4F869B, #894F9A, #9A634F and #619A4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 14 / 0 / 39

HEX #4F869B

RGB 79 134 155

HSL 196.58, 0.32%, 0.46%

LAB 53.04, -12.22, -16.86

 

Complementary color

CMYK 0 / 31 / 43 / 31

HEX #B07964

RGB 176 121 100

HSL 16.58, 0.32%, 0.54%

LAB 55.91, 18.89, 20.17

 

CMYK 44 / 11 / 0 / 41

HEX #548696

RGB 84 134 150

HSL 194.55, 0.28%, 0.46%

LAB 53.1, -12.39, -13.84

 

CMYK 40 / 10 / 0 / 34

HEX #6598A9

RGB 101 152 169

HSL 195, 0.28%, 0.53%

LAB 59.97, -12.49, -14.27

 

CMYK 37 / 10 / 0 / 26

HEX #76AABC

RGB 118 170 188

HSL 195.43, 0.34%, 0.6%

LAB 66.7, -12.56, -14.69

 

CMYK 35 / 9 / 0 / 19

HEX #87BCCF

RGB 135 188 207

HSL 195.83, 0.43%, 0.67%

LAB 73.3, -12.62, -15.1

 

CMYK 33 / 9 / 0 / 11

HEX #98CEE2

RGB 152 206 226

HSL 196.22, 0.56%, 0.74%

LAB 79.79, -12.66, -15.51

 

CMYK 49 / 14 / 0 / 39

HEX #4F869B

RGB 79 134 155

HSL 196.58, 0.32%, 0.46%

LAB 53.04, -12.22, -16.86

 

CMYK 54 / 15 / 0 / 47

HEX #3E7488

RGB 62 116 136

HSL 196.22, 0.37%, 0.39%

LAB 46.03, -11.92, -16.45

 

CMYK 62 / 16 / 0 / 54

HEX #2D6275

RGB 45 98 117

HSL 195.83, 0.44%, 0.32%

LAB 38.86, -11.47, -16.02

 

CMYK 71 / 18 / 0 / 62

HEX #1C5062

RGB 28 80 98

HSL 195.43, 0.56%, 0.25%

LAB 31.5, -10.74, -15.53

 

CMYK 86 / 22 / 0 / 69

HEX #0B3E4F

RGB 11 62 79

HSL 195, 0.76%, 0.18%

LAB 23.94, -9.49, -14.95

 

CMYK 49 / 13 / 0 / 40

HEX #4F869A

RGB 79 134 154

HSL 196, 0.32%, 0.46%

LAB 53, -12.52, -16.33

 

CMYK 49 / 27 / 0 / 40

HEX #4F719A

RGB 79 113 154

HSL 212.8, 0.32%, 0.46%

LAB 46.72, -0.36, -25.98

 

CMYK 49 / 40 / 0 / 40

HEX #4F5D9A

RGB 79 93 154

HSL 228.8, 0.32%, 0.46%

LAB 40.94, 12.02, -35.04

 

CMYK 44 / 49 / 0 / 40

HEX #564F9A

RGB 86 79 154

HSL 245.6, 0.32%, 0.46%

LAB 37.67, 22.71, -40.2

 

CMYK 31 / 49 / 0 / 40

HEX #6A4F9A

RGB 106 79 154

HSL 261.6, 0.32%, 0.46%

LAB 39.56, 28.12, -37.07

 

CMYK 49 / 13 / 0 / 40

HEX #4F869A

RGB 79 134 154

HSL 196, 0.32%, 0.46%

LAB 53, -12.52, -16.33

 

CMYK 49 / 27 / 0 / 40

HEX #4F719A

RGB 79 113 154

HSL 212.8, 0.32%, 0.46%

LAB 46.72, -0.36, -25.98

 

CMYK 49 / 40 / 0 / 40

HEX #4F5D9A

RGB 79 93 154

HSL 228.8, 0.32%, 0.46%

LAB 40.94, 12.02, -35.04

 

CMYK 49 / 49 / 0 / 40

HEX #4F4F9A

RGB 79 79 154

HSL 240, 0.32%, 0.46%

LAB 37.09, 20.96, -41.15

 

CMYK 49 / 13 / 0 / 40

HEX #4F869A

RGB 79 134 154

HSL 196, 0.32%, 0.46%

LAB 53, -12.52, -16.33

 

CMYK 65 / 18 / 0 / 32

HEX #3C8EAD

RGB 60 142 173

HSL 196.46, 0.48%, 0.46%

LAB 55.4, -15.02, -23.66

 

CMYK 79 / 21 / 0 / 25

HEX #2997C0

RGB 41 151 192

HSL 196.29, 0.65%, 0.46%

LAB 58.42, -16.17, -29.83

 

CMYK 90 / 25 / 0 / 17

HEX #169FD3

RGB 22 159 211

HSL 196.51, 0.81%, 0.46%

LAB 61.37, -15.33, -35.92

 

CMYK 99 / 27 / 0 / 10

HEX #03A8E6

RGB 3 168 230

HSL 196.39, 0.97%, 0.46%

LAB 64.75, -14.11, -41.15

 

CMYK 49 / 13 / 0 / 40

HEX #4F869A

RGB 79 134 154

HSL 196, 0.32%, 0.46%

LAB 53, -12.52, -16.33

 

CMYK 27 / 7 / 0 / 47

HEX #627D87

RGB 98 125 135

HSL 196.22, 0.16%, 0.46%

LAB 50.7, -7.22, -8.61

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 0 / 21 / 29 / 47

HEX #886C61

RGB 136 108 97

HSL 16.92, 0.17%, 0.46%

LAB 48.04, 9.37, 10.37

 

CMYK 0 / 35 / 50 / 39

HEX #9B644E

RGB 155 100 78

HSL 17.14, 0.33%, 0.46%

LAB 47.79, 19.67, 21.62

 

CMYK 49 / 0 / 13 / 40

HEX #4F9A86

RGB 79 154 134

HSL 164, 0.32%, 0.46%

LAB 58.5, -28.36, 3.33

 

CMYK 49 / 0 / 0 / 40

HEX #4F9A9A

RGB 79 154 154

HSL 180, 0.32%, 0.46%

LAB 59.07, -23.19, -7.2

 

CMYK 49 / 13 / 0 / 40

HEX #4F869A

RGB 79 134 154

HSL 196, 0.32%, 0.46%

LAB 53, -12.52, -16.33

 

CMYK 49 / 26 / 0 / 40

HEX #4F729A

RGB 79 114 154

HSL 212, 0.32%, 0.46%

LAB 47.01, -0.96, -25.52

 

CMYK 49 / 39 / 0 / 40

HEX #4F5E9A

RGB 79 94 154

HSL 228, 0.32%, 0.46%

LAB 41.22, 11.38, -34.6

 

CMYK 49 / 14 / 0 / 61

HEX #335664

RGB 51 86 100

HSL 197.14, 0.32%, 0.3%

LAB 34.56, -8.41, -12.03

 

CMYK 49 / 13 / 0 / 50

HEX #416E7F

RGB 65 110 127

HSL 196.45, 0.32%, 0.38%

LAB 43.96, -10.51, -14.22

 

CMYK 49 / 13 / 0 / 40

HEX #4F869A

RGB 79 134 154

HSL 196, 0.32%, 0.46%

LAB 53, -12.52, -16.33

 

CMYK 43 / 12 / 0 / 31

HEX #649AAF

RGB 100 154 175

HSL 196.8, 0.32%, 0.54%

LAB 60.71, -12.21, -16.55

 

CMYK 33 / 9 / 0 / 26

HEX #7FACBD

RGB 127 172 189

HSL 196.45, 0.32%, 0.62%

LAB 67.79, -10.86, -13.54

 

CMYK 49 / 14 / 0 / 39

HEX #4F869B

RGB 79 134 155

HSL 196.58, 0.32%, 0.46%

LAB 53.04, -12.22, -16.86

 

CMYK 26 / 49 / 0 / 40

HEX #724F9A

RGB 114 79 154

HSL 268, 0.32%, 0.46%

LAB 40.41, 30.41, -35.67

 

CMYK 0 / 6 / 49 / 40

HEX #9A904F

RGB 154 144 79

HSL 52, 0.32%, 0.46%

LAB 59.33, -5.56, 35.66

 

CMYK 49 / 14 / 0 / 39

HEX #4F869B

RGB 79 134 155

HSL 196.58, 0.32%, 0.46%

LAB 53.04, -12.22, -16.86

 

CMYK 0 / 49 / 13 / 40

HEX #9A4F86

RGB 154 79 134

HSL 316, 0.32%, 0.46%

LAB 44.49, 38.74, -16.87

 

CMYK 13 / 0 / 49 / 40

HEX #869A4F

RGB 134 154 79

HSL 76, 0.32%, 0.46%

LAB 60.56, -19.31, 36.79

 

CMYK 49 / 14 / 0 / 39

HEX #4F869B

RGB 79 134 155

HSL 196.58, 0.32%, 0.46%

LAB 53.04, -12.22, -16.86

 

CMYK 26 / 49 / 0 / 40

HEX #724F9A

RGB 114 79 154

HSL 268, 0.32%, 0.46%

LAB 40.41, 30.41, -35.67

 

CMYK 0 / 36 / 49 / 40

HEX #9A634F

RGB 154 99 79

HSL 16, 0.32%, 0.46%

LAB 47.44, 19.92, 20.54

 

CMYK 23 / 0 / 49 / 40

HEX #779A4F

RGB 119 154 79

HSL 88, 0.32%, 0.46%

LAB 59.52, -25.32, 35.29

 

CMYK 49 / 14 / 0 / 39

HEX #4F869B

RGB 79 134 155

HSL 196.58, 0.32%, 0.46%

LAB 53.04, -12.22, -16.86

 

CMYK 11 / 49 / 0 / 40

HEX #894F9A

RGB 137 79 154

HSL 286.4, 0.32%, 0.46%

LAB 43.13, 37.21, -31.21

 

CMYK 0 / 36 / 49 / 40

HEX #9A634F

RGB 154 99 79

HSL 16, 0.32%, 0.46%

LAB 47.44, 19.92, 20.54

 

CMYK 37 / 0 / 49 / 40

HEX #619A4F

RGB 97 154 79

HSL 105.6, 0.32%, 0.46%

LAB 58.24, -33.43, 33.43

 

Description

Color code: HEX #4F869B | qconv.com Color code: HEX #4F869B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 134 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 134 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 14 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 14% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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