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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F76BA it is the complementary color #B08945. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F76BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F76BA shade: #5476B5, #6588C8, #769ADB, #87ACEE and #98BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F76BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F76BA shade: #4F76BA, #3E64A7, #2D5294, #1C4081 and #0B2E6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F76BA shade: #4E76BA, #4E58BA, #614EBA, #7E4EBA and #9B4EBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F76BA shade: #4E76BA, #4E58BA and #4E4EBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F76BA shade matches the following richer shades: #4E76BA, #3A70CE, #276BE2 and #1365F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F76BA shade: #4E76BA, #627BA6, #768092, #8A867F and #9D8B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F76BA shade: #4EAFBA, #4E92BA, #4E76BA, #4E59BA and #604EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F76BA shade: #335083, #3E62A1, #4E76BA, #6C8DC6 and #8AA4D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F76BA shade: #4F76BA, #A84EBA and #A1BA4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F76BA shade: #4F76BA, #BA4E76 and #76BA4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F76BA shade: #4F76BA, #A84EBA, #BA924E and #60BA4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F76BA shade: #4F76BA, #BA4EAC, #BA924E and #4EBA5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 37 / 0 / 27

HEX #4F76BA

RGB 79 118 186

HSL 218.13, 0.44%, 0.52%

LAB 49.69, 6.94, -39.98

 

Complementary color

CMYK 0 / 22 / 61 / 31

HEX #B08945

RGB 176 137 69

HSL 38.13, 0.44%, 0.48%

LAB 59.48, 7.04, 41.51

 

CMYK 54 / 35 / 0 / 29

HEX #5476B5

RGB 84 118 181

HSL 218.97, 0.4%, 0.52%

LAB 49.71, 6.4, -37.05

 

CMYK 50 / 32 / 0 / 22

HEX #6588C8

RGB 101 136 200

HSL 218.79, 0.47%, 0.59%

LAB 56.63, 5.57, -36.98

 

CMYK 46 / 30 / 0 / 14

HEX #769ADB

RGB 118 154 219

HSL 218.61, 0.58%, 0.66%

LAB 63.41, 4.89, -36.96

 

CMYK 43 / 28 / 0 / 7

HEX #87ACEE

RGB 135 172 238

HSL 218.45, 0.75%, 0.73%

LAB 70.06, 4.31, -36.97

 

CMYK 40 / 25 / 0 / 0

HEX #98BEFF

RGB 152 190 255

HSL 217.86, 1%, 0.8%

LAB 76.51, 3.29, -36.06

 

CMYK 58 / 37 / 0 / 27

HEX #4F76BA

RGB 79 118 186

HSL 218.13, 0.44%, 0.52%

LAB 49.69, 6.94, -39.98

 

CMYK 63 / 40 / 0 / 35

HEX #3E64A7

RGB 62 100 167

HSL 218.29, 0.46%, 0.45%

LAB 42.66, 8.17, -40.1

 

CMYK 70 / 45 / 0 / 42

HEX #2D5294

RGB 45 82 148

HSL 218.45, 0.53%, 0.38%

LAB 35.46, 9.78, -40.26

 

CMYK 78 / 50 / 0 / 49

HEX #1C4081

RGB 28 64 129

HSL 218.61, 0.64%, 0.31%

LAB 28.11, 11.95, -40.41

 

CMYK 90 / 58 / 0 / 57

HEX #0B2E6E

RGB 11 46 110

HSL 218.79, 0.82%, 0.24%

LAB 20.64, 14.97, -40.47

 

CMYK 58 / 37 / 0 / 27

HEX #4E76BA

RGB 78 118 186

HSL 217.78, 0.44%, 0.52%

LAB 49.64, 6.73, -40.06

 

CMYK 58 / 53 / 0 / 27

HEX #4E58BA

RGB 78 88 186

HSL 234.44, 0.44%, 0.52%

LAB 41.44, 25.53, -53.15

 

CMYK 48 / 58 / 0 / 27

HEX #614EBA

RGB 97 78 186

HSL 250.56, 0.44%, 0.52%

LAB 40.47, 35.62, -54.66

 

CMYK 32 / 58 / 0 / 27

HEX #7E4EBA

RGB 126 78 186

HSL 266.67, 0.44%, 0.52%

LAB 43.4, 42.29, -49.78

 

CMYK 17 / 58 / 0 / 27

HEX #9B4EBA

RGB 155 78 186

HSL 282.78, 0.44%, 0.52%

LAB 46.93, 49.58, -43.95

 

CMYK 58 / 37 / 0 / 27

HEX #4E76BA

RGB 78 118 186

HSL 217.78, 0.44%, 0.52%

LAB 49.64, 6.73, -40.06

 

CMYK 58 / 53 / 0 / 27

HEX #4E58BA

RGB 78 88 186

HSL 234.44, 0.44%, 0.52%

LAB 41.44, 25.53, -53.15

 

CMYK 58 / 58 / 0 / 27

HEX #4E4EBA

RGB 78 78 186

HSL 240, 0.44%, 0.52%

LAB 38.92, 31.83, -57.23

 

CMYK 58 / 37 / 0 / 27

HEX #4E76BA

RGB 78 118 186

HSL 217.78, 0.44%, 0.52%

LAB 49.64, 6.73, -40.06

 

CMYK 72 / 46 / 0 / 19

HEX #3A70CE

RGB 58 112 206

HSL 218.11, 0.6%, 0.52%

LAB 48.19, 14.02, -53.91

 

CMYK 83 / 53 / 0 / 11

HEX #276BE2

RGB 39 107 226

HSL 218.18, 0.76%, 0.52%

LAB 47.54, 22.61, -66.35

 

CMYK 92 / 59 / 0 / 4

HEX #1365F5

RGB 19 101 245

HSL 218.23, 0.92%, 0.52%

LAB 47.02, 32.54, -77.88

 

CMYK 58 / 37 / 0 / 27

HEX #4E76BA

RGB 78 118 186

HSL 217.78, 0.44%, 0.52%

LAB 49.64, 6.73, -40.06

 

CMYK 41 / 26 / 0 / 35

HEX #627BA6

RGB 98 123 166

HSL 217.94, 0.28%, 0.52%

LAB 51.29, 2.35, -25.83

 

CMYK 19 / 12 / 0 / 43

HEX #768092

RGB 118 128 146

HSL 218.57, 0.11%, 0.52%

LAB 53.35, 0.35, -10.93

 

CMYK 0 / 3 / 8 / 46

HEX #8A867F

RGB 138 134 127

HSL 38.18, 0.04%, 0.52%

LAB 56.07, 0.18, 4.29

 

CMYK 0 / 11 / 32 / 38

HEX #9D8B6B

RGB 157 139 107

HSL 38.4, 0.2%, 0.52%

LAB 58.69, 1.76, 19.62

 

CMYK 58 / 6 / 0 / 27

HEX #4EAFBA

RGB 78 175 186

HSL 186.11, 0.44%, 0.52%

LAB 66.39, -25.07, -14.21

 

CMYK 58 / 22 / 0 / 27

HEX #4E92BA

RGB 78 146 186

HSL 202.22, 0.44%, 0.52%

LAB 57.77, -9.68, -27.36

 

CMYK 58 / 37 / 0 / 27

HEX #4E76BA

RGB 78 118 186

HSL 217.78, 0.44%, 0.52%

LAB 49.64, 6.73, -40.06

 

CMYK 58 / 52 / 0 / 27

HEX #4E59BA

RGB 78 89 186

HSL 233.89, 0.44%, 0.52%

LAB 41.7, 24.9, -52.74

 

CMYK 48 / 58 / 0 / 27

HEX #604EBA

RGB 96 78 186

HSL 250, 0.44%, 0.52%

LAB 40.38, 35.41, -54.8

 

CMYK 61 / 39 / 0 / 49

HEX #335083

RGB 51 80 131

HSL 218.25, 0.44%, 0.36%

LAB 34.15, 5.94, -31.94

 

CMYK 61 / 39 / 0 / 37

HEX #3E62A1

RGB 62 98 161

HSL 218.18, 0.44%, 0.44%

LAB 41.74, 7.32, -38

 

CMYK 58 / 37 / 0 / 27

HEX #4E76BA

RGB 78 118 186

HSL 217.78, 0.44%, 0.52%

LAB 49.64, 6.73, -40.06

 

CMYK 45 / 29 / 0 / 22

HEX #6C8DC6

RGB 108 141 198

HSL 218, 0.44%, 0.6%

LAB 58.33, 3.76, -33.16

 

CMYK 34 / 22 / 0 / 18

HEX #8AA4D1

RGB 138 164 209

HSL 218.03, 0.44%, 0.68%

LAB 66.94, 1.77, -25.84

 

CMYK 58 / 37 / 0 / 27

HEX #4F76BA

RGB 79 118 186

HSL 218.13, 0.44%, 0.52%

LAB 49.69, 6.94, -39.98

 

CMYK 10 / 58 / 0 / 27

HEX #A84EBA

RGB 168 78 186

HSL 290, 0.44%, 0.52%

LAB 48.66, 52.94, -41.09

 

CMYK 13 / 0 / 58 / 27

HEX #A1BA4E

RGB 161 186 78

HSL 73.89, 0.44%, 0.52%

LAB 71.72, -24.46, 50.82

 

CMYK 58 / 37 / 0 / 27

HEX #4F76BA

RGB 79 118 186

HSL 218.13, 0.44%, 0.52%

LAB 49.69, 6.94, -39.98

 

CMYK 0 / 58 / 37 / 27

HEX #BA4E76

RGB 186 78 118

HSL 337.78, 0.44%, 0.52%

LAB 48.51, 47.54, -0.69

 

CMYK 37 / 0 / 58 / 27

HEX #76BA4E

RGB 118 186 78

HSL 97.78, 0.44%, 0.52%

LAB 69.13, -40.67, 47.18

 

CMYK 58 / 37 / 0 / 27

HEX #4F76BA

RGB 79 118 186

HSL 218.13, 0.44%, 0.52%

LAB 49.69, 6.94, -39.98

 

CMYK 10 / 58 / 0 / 27

HEX #A84EBA

RGB 168 78 186

HSL 290, 0.44%, 0.52%

LAB 48.66, 52.94, -41.09

 

CMYK 0 / 22 / 58 / 27

HEX #BA924E

RGB 186 146 78

HSL 37.78, 0.44%, 0.52%

LAB 62.97, 7.11, 41.3

 

CMYK 48 / 0 / 58 / 27

HEX #60BA4E

RGB 96 186 78

HSL 110, 0.44%, 0.52%

LAB 68.13, -47.69, 45.78

 

CMYK 58 / 37 / 0 / 27

HEX #4F76BA

RGB 79 118 186

HSL 218.13, 0.44%, 0.52%

LAB 49.69, 6.94, -39.98

 

CMYK 0 / 58 / 8 / 27

HEX #BA4EAC

RGB 186 78 172

HSL 307.78, 0.44%, 0.52%

LAB 50.53, 55.25, -29.8

 

CMYK 0 / 22 / 58 / 27

HEX #BA924E

RGB 186 146 78

HSL 37.78, 0.44%, 0.52%

LAB 62.97, 7.11, 41.3

 

CMYK 58 / 0 / 50 / 27

HEX #4EBA5D

RGB 78 186 93

HSL 128.33, 0.44%, 0.52%

LAB 67.67, -50.54, 37.84

 

Description

Color code: HEX #4F76BA | qconv.com Color code: HEX #4F76BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 118 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 118 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 37 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 37% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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