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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F3F86 it is the complementary color #B0C079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F3F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F3F86 shade: #543F81, #655194, #7663A7, #8775BA and #9887CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F3F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F3F86 shade: #4F3F86, #3E2D73, #2D1B60, #1C094D and #0B003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F3F86 shade: #4F3F87, #633F87, #763F87, #873F84 and #873F71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F3F86 shade: #4F3F87 and #3F3F87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F3F86 shade matches the following richer shades: #4F3F87, #462F97, #3E1FA7 and #350FB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F3F86 shade: #4F3F87, #584F77, #615F67, #6A6F56 and #738046

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F3F86 shade: #3F5687, #3F4387, #4F3F87, #623F87 and #753F87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F3F86 shade: #2E254F, #3F326B, #4F3F87, #604CA3 and #7663B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F3F86 shade: #4F3F86, #873F69 and #4C873F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F3F86 shade: #4F3F86, #874F3F and #3F874F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F3F86 shade: #4F3F86, #873F69, #77873F and #3F875D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F3F86 shade: #4F3F86, #873F53, #77873F and #3F8772

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 53 / 0 / 47

HEX #4F3F86

RGB 79 63 134

HSL 253.52, 0.36%, 0.39%

LAB 31.67, 24.98, -37.62

 

Complementary color

CMYK 8 / 0 / 37 / 25

HEX #B0C079

RGB 176 192 121

HSL 73.52, 0.36%, 0.61%

LAB 75.02, -16.99, 33.98

 

CMYK 35 / 51 / 0 / 49

HEX #543F81

RGB 84 63 129

HSL 259.09, 0.34%, 0.38%

LAB 31.86, 24.88, -34.17

 

CMYK 32 / 45 / 0 / 42

HEX #655194

RGB 101 81 148

HSL 257.91, 0.29%, 0.45%

LAB 39.22, 23.83, -34.03

 

CMYK 29 / 41 / 0 / 35

HEX #7663A7

RGB 118 99 167

HSL 256.76, 0.28%, 0.52%

LAB 46.4, 22.92, -33.92

 

CMYK 27 / 37 / 0 / 27

HEX #8775BA

RGB 135 117 186

HSL 255.65, 0.33%, 0.59%

LAB 53.4, 22.12, -33.87

 

CMYK 26 / 34 / 0 / 20

HEX #9887CD

RGB 152 135 205

HSL 254.57, 0.41%, 0.67%

LAB 60.26, 21.41, -33.86

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F86

RGB 79 63 134

HSL 253.52, 0.36%, 0.39%

LAB 31.67, 24.98, -37.62

 

CMYK 46 / 61 / 0 / 55

HEX #3E2D73

RGB 62 45 115

HSL 254.57, 0.44%, 0.31%

LAB 24.12, 26.35, -37.88

 

CMYK 53 / 72 / 0 / 62

HEX #2D1B60

RGB 45 27 96

HSL 255.65, 0.56%, 0.24%

LAB 16.44, 27.88, -38.06

 

CMYK 64 / 88 / 0 / 70

HEX #1C094D

RGB 28 9 77

HSL 256.76, 0.79%, 0.17%

LAB 8.81, 29.15, -37.76

 

CMYK 81 / 100 / 0 / 77

HEX #0B003A

RGB 11 0 58

HSL 251.38, 1%, 0.11%

LAB 3.4, 22.22, -33.19

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F87

RGB 79 63 135

HSL 253.33, 0.36%, 0.39%

LAB 31.73, 25.28, -38.14

 

CMYK 27 / 53 / 0 / 47

HEX #633F87

RGB 99 63 135

HSL 270, 0.36%, 0.39%

LAB 33.89, 30.77, -34.56

 

CMYK 13 / 53 / 0 / 47

HEX #763F87

RGB 118 63 135

HSL 285.83, 0.36%, 0.39%

LAB 36.28, 36.3, -30.62

 

CMYK 0 / 53 / 2 / 47

HEX #873F84

RGB 135 63 132

HSL 302.5, 0.36%, 0.39%

LAB 38.5, 40.78, -25.13

 

CMYK 0 / 53 / 16 / 47

HEX #873F71

RGB 135 63 113

HSL 318.33, 0.36%, 0.39%

LAB 37.66, 37.4, -14.66

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F87

RGB 79 63 135

HSL 253.33, 0.36%, 0.39%

LAB 31.73, 25.28, -38.14

 

CMYK 53 / 53 / 0 / 47

HEX #3F3F87

RGB 63 63 135

HSL 240, 0.36%, 0.39%

LAB 30.31, 21.35, -40.5

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F87

RGB 79 63 135

HSL 253.33, 0.36%, 0.39%

LAB 31.73, 25.28, -38.14

 

CMYK 54 / 69 / 0 / 41

HEX #462F97

RGB 70 47 151

HSL 253.27, 0.53%, 0.39%

LAB 28.3, 38.03, -53.58

 

CMYK 63 / 81 / 0 / 35

HEX #3E1FA7

RGB 62 31 167

HSL 253.68, 0.69%, 0.39%

LAB 26.14, 50.01, -66.89

 

CMYK 71 / 92 / 0 / 28

HEX #350FB7

RGB 53 15 183

HSL 253.57, 0.85%, 0.39%

LAB 25.31, 59.43, -77.89

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F87

RGB 79 63 135

HSL 253.33, 0.36%, 0.39%

LAB 31.73, 25.28, -38.14

 

CMYK 26 / 34 / 0 / 53

HEX #584F77

RGB 88 79 119

HSL 253.5, 0.2%, 0.39%

LAB 35.98, 13.16, -21.46

 

CMYK 6 / 8 / 0 / 60

HEX #615F67

RGB 97 95 103

HSL 255, 0.04%, 0.39%

LAB 40.74, 2.5, -4.27

 

CMYK 5 / 0 / 23 / 56

HEX #6A6F56

RGB 106 111 86

HSL 72, 0.13%, 0.39%

LAB 45.78, -6.65, 13.31

 

CMYK 10 / 0 / 45 / 50

HEX #738046

RGB 115 128 70

HSL 73.45, 0.29%, 0.39%

LAB 51.3, -14.6, 29.8

 

CMYK 53 / 36 / 0 / 47

HEX #3F5687

RGB 63 86 135

HSL 220.83, 0.36%, 0.39%

LAB 36.86, 6.23, -30.07

 

CMYK 53 / 50 / 0 / 47

HEX #3F4387

RGB 63 67 135

HSL 236.67, 0.36%, 0.39%

LAB 31.39, 18.7, -38.75

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F87

RGB 79 63 135

HSL 253.33, 0.36%, 0.39%

LAB 31.73, 25.28, -38.14

 

CMYK 27 / 53 / 0 / 47

HEX #623F87

RGB 98 63 135

HSL 269.17, 0.36%, 0.39%

LAB 33.78, 30.49, -34.75

 

CMYK 13 / 53 / 0 / 47

HEX #753F87

RGB 117 63 135

HSL 285, 0.36%, 0.39%

LAB 36.15, 36.01, -30.84

 

CMYK 42 / 53 / 0 / 69

HEX #2E254F

RGB 46 37 79

HSL 252.86, 0.36%, 0.23%

LAB 17.78, 15.86, -24.49

 

CMYK 41 / 53 / 0 / 58

HEX #3F326B

RGB 63 50 107

HSL 253.68, 0.36%, 0.31%

LAB 24.95, 20.84, -31.41

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F87

RGB 79 63 135

HSL 253.33, 0.36%, 0.39%

LAB 31.73, 25.28, -38.14

 

CMYK 41 / 53 / 0 / 36

HEX #604CA3

RGB 96 76 163

HSL 253.79, 0.36%, 0.47%

LAB 38.38, 29.8, -44.42

 

CMYK 35 / 45 / 0 / 29

HEX #7663B5

RGB 118 99 181

HSL 253.9, 0.36%, 0.55%

LAB 47.12, 26.67, -40.98

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F86

RGB 79 63 134

HSL 253.52, 0.36%, 0.39%

LAB 31.67, 24.98, -37.62

 

CMYK 0 / 53 / 22 / 47

HEX #873F69

RGB 135 63 105

HSL 325, 0.36%, 0.39%

LAB 37.35, 36.11, -10.13

 

CMYK 44 / 0 / 53 / 47

HEX #4C873F

RGB 76 135 63

HSL 109.17, 0.36%, 0.39%

LAB 50.95, -34.02, 32.53

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F86

RGB 79 63 134

HSL 253.52, 0.36%, 0.39%

LAB 31.67, 24.98, -37.62

 

CMYK 0 / 41 / 53 / 47

HEX #874F3F

RGB 135 79 63

HSL 13.33, 0.36%, 0.39%

LAB 39.75, 21.75, 19.49

 

CMYK 53 / 0 / 41 / 47

HEX #3F874F

RGB 63 135 79

HSL 133.33, 0.36%, 0.39%

LAB 50.63, -35.49, 23.41

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F86

RGB 79 63 134

HSL 253.52, 0.36%, 0.39%

LAB 31.67, 24.98, -37.62

 

CMYK 0 / 53 / 22 / 47

HEX #873F69

RGB 135 63 105

HSL 325, 0.36%, 0.39%

LAB 37.35, 36.11, -10.13

 

CMYK 12 / 0 / 53 / 47

HEX #77873F

RGB 119 135 63

HSL 73.33, 0.36%, 0.39%

LAB 53.61, -17.4, 36.36

 

CMYK 53 / 0 / 31 / 47

HEX #3F875D

RGB 63 135 93

HSL 145, 0.36%, 0.39%

LAB 50.89, -32.78, 15.88

 

CMYK 41 / 53 / 0 / 47

HEX #4F3F86

RGB 79 63 134

HSL 253.52, 0.36%, 0.39%

LAB 31.67, 24.98, -37.62

 

CMYK 0 / 53 / 39 / 47

HEX #873F53

RGB 135 63 83

HSL 343.33, 0.36%, 0.39%

LAB 36.61, 33, 2.69

 

CMYK 12 / 0 / 53 / 47

HEX #77873F

RGB 119 135 63

HSL 73.33, 0.36%, 0.39%

LAB 53.61, -17.4, 36.36

 

CMYK 53 / 0 / 16 / 47

HEX #3F8772

RGB 63 135 114

HSL 162.5, 0.36%, 0.39%

LAB 51.38, -27.95, 4.46

 

Description

Color code: HEX #4F3F86 | qconv.com Color code: HEX #4F3F86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 63 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 63 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 53 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 53% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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