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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F3F45 it is the complementary color #B0C0BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F3F45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F3F45 shade: #543F40, #655153, #766366, #877579 and #98878C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F3F45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F3F45 shade: #4F3F45, #3E2D32, #2D1B1F, #1C090C and #0B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F3F45 shade: #4F3F45, #4F3F41 and #4F3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F3F45 shade: #4F3F45, #4F3F49, #4F3F4D, #4C3F4F and #483F4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F3F45 shade matches the following richer shades: #4F3F45, #5A3342, #66283F, #711C3C and #7D1139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F3F45 shade: #4F3F45, #434B48, #38564B, #2C624E and #216D50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F3F45 shade: #4F3F4D, #4F3F49, #4F3F45, #4F3F41 and #4F413F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F3F45 shade: #211A1D, #382D31, #4F3F45, #665159 and #7D646D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F3F45 shade: #4F3F45, #4F4C3F and #3F4B4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F3F45 shade: #4F3F45, #454F3F and #3F454F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F3F45 shade: #4F3F45, #4F4C3F, #3F4F49 and #3F424F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F3F45 shade: #4F3F45, #4D4F3F, #3F4F49 and #413F4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

Complementary color

CMYK 8 / 0 / 3 / 25

HEX #B0C0BA

RGB 176 192 186

HSL 157.5, 0.11%, 0.72%

LAB 76.36, -6.63, 1.13

 

CMYK 0 / 25 / 24 / 67

HEX #543F40

RGB 84 63 64

HSL 357.14, 0.14%, 0.29%

LAB 28.93, 9.33, 2.92

 

CMYK 0 / 20 / 18 / 60

HEX #655153

RGB 101 81 83

HSL 354, 0.11%, 0.36%

LAB 36.51, 8.68, 1.97

 

CMYK 0 / 16 / 14 / 54

HEX #766366

RGB 118 99 102

HSL 350.53, 0.09%, 0.43%

LAB 43.85, 8.15, 1.14

 

CMYK 0 / 13 / 10 / 47

HEX #877579

RGB 135 117 121

HSL 346.67, 0.07%, 0.49%

LAB 50.98, 7.7, 0.37

 

CMYK 0 / 11 / 8 / 40

HEX #98878C

RGB 152 135 140

HSL 342.35, 0.08%, 0.56%

LAB 57.94, 7.31, -0.34

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 0 / 27 / 19 / 76

HEX #3E2D32

RGB 62 45 50

HSL 342.35, 0.16%, 0.21%

LAB 20.56, 8.76, -0.17

 

CMYK 0 / 40 / 31 / 82

HEX #2D1B1F

RGB 45 27 31

HSL 346.67, 0.25%, 0.14%

LAB 12.23, 9.64, 0.9

 

CMYK 0 / 68 / 57 / 89

HEX #1C090C

RGB 28 9 12

HSL 350.53, 0.51%, 0.07%

LAB 4.23, 8.08, 1.52

 

CMYK 0 / 100 / 100 / 96

HEX #0B0000

RGB 11 0 0

HSL 0, 1%, 0.02%

LAB 0.64, 2.88, 1.02

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 0 / 20 / 18 / 69

HEX #4F3F41

RGB 79 63 65

HSL 352.5, 0.11%, 0.28%

LAB 28.38, 7.32, 1.4

 

CMYK 0 / 20 / 20 / 69

HEX #4F3F3F

RGB 79 63 63

HSL 0, 0.11%, 0.28%

LAB 28.32, 6.94, 2.62

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 0 / 20 / 8 / 69

HEX #4F3F49

RGB 79 63 73

HSL 322.5, 0.11%, 0.28%

LAB 28.64, 8.92, -3.45

 

CMYK 0 / 20 / 3 / 69

HEX #4F3F4D

RGB 79 63 77

HSL 307.5, 0.11%, 0.28%

LAB 28.78, 9.77, -5.85

 

CMYK 4 / 20 / 0 / 69

HEX #4C3F4F

RGB 76 63 79

HSL 288.75, 0.11%, 0.28%

LAB 28.53, 9.01, -7.56

 

CMYK 9 / 20 / 0 / 69

HEX #483F4F

RGB 72 63 79

HSL 273.75, 0.11%, 0.28%

LAB 28.11, 7.42, -8.24

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 0 / 43 / 27 / 65

HEX #5A3342

RGB 90 51 66

HSL 336.92, 0.28%, 0.28%

LAB 26.55, 19.85, -1.77

 

CMYK 0 / 61 / 38 / 60

HEX #66283F

RGB 102 40 63

HSL 337.74, 0.44%, 0.28%

LAB 25.87, 30.47, -0.54

 

CMYK 0 / 75 / 47 / 56

HEX #711C3C

RGB 113 28 60

HSL 337.41, 0.6%, 0.28%

LAB 25.77, 39.47, 1.59

 

CMYK 0 / 86 / 54 / 51

HEX #7D1139

RGB 125 17 57

HSL 337.78, 0.76%, 0.28%

LAB 26.89, 46.3, 5.58

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 11 / 0 / 4 / 71

HEX #434B48

RGB 67 75 72

HSL 157.5, 0.06%, 0.28%

LAB 31.1, -3.92, 0.68

 

CMYK 35 / 0 / 13 / 66

HEX #38564B

RGB 56 86 75

HSL 158, 0.21%, 0.28%

LAB 33.99, -13.9, 2.87

 

CMYK 55 / 0 / 20 / 62

HEX #2C624E

RGB 44 98 78

HSL 157.78, 0.38%, 0.28%

LAB 37.52, -23.31, 5.98

 

CMYK 70 / 0 / 27 / 57

HEX #216D50

RGB 33 109 80

HSL 157.11, 0.54%, 0.28%

LAB 40.96, -30.64, 9.57

 

CMYK 0 / 20 / 3 / 69

HEX #4F3F4D

RGB 79 63 77

HSL 307.5, 0.11%, 0.28%

LAB 28.78, 9.77, -5.85

 

CMYK 0 / 20 / 8 / 69

HEX #4F3F49

RGB 79 63 73

HSL 322.5, 0.11%, 0.28%

LAB 28.64, 8.92, -3.45

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 0 / 20 / 18 / 69

HEX #4F3F41

RGB 79 63 65

HSL 352.5, 0.11%, 0.28%

LAB 28.38, 7.32, 1.4

 

CMYK 0 / 18 / 20 / 69

HEX #4F413F

RGB 79 65 63

HSL 7.5, 0.11%, 0.28%

LAB 28.91, 5.66, 3.47

 

CMYK 0 / 21 / 12 / 87

HEX #211A1D

RGB 33 26 29

HSL 334.29, 0.12%, 0.12%

LAB 10.19, 4.13, -0.79

 

CMYK 0 / 20 / 13 / 78

HEX #382D31

RGB 56 45 49

HSL 338.18, 0.11%, 0.2%

LAB 19.8, 5.85, -0.69

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 0 / 21 / 13 / 60

HEX #665159

RGB 102 81 89

HSL 337.14, 0.11%, 0.36%

LAB 36.8, 10.21, -1.35

 

CMYK 0 / 20 / 13 / 51

HEX #7D646D

RGB 125 100 109

HSL 338.4, 0.11%, 0.44%

LAB 45.05, 11.62, -1.26

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 0 / 4 / 20 / 69

HEX #4F4C3F

RGB 79 76 63

HSL 48.75, 0.11%, 0.28%

LAB 32.24, -1.3, 8.19

 

CMYK 20 / 5 / 0 / 69

HEX #3F4B4F

RGB 63 75 79

HSL 195, 0.11%, 0.28%

LAB 31, -3.77, -3.98

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 13 / 0 / 20 / 69

HEX #454F3F

RGB 69 79 63

HSL 97.5, 0.11%, 0.28%

LAB 32.29, -7.46, 8.14

 

CMYK 20 / 13 / 0 / 69

HEX #3F454F

RGB 63 69 79

HSL 217.5, 0.11%, 0.28%

LAB 29.1, 0.03, -6.83

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 0 / 4 / 20 / 69

HEX #4F4C3F

RGB 79 76 63

HSL 48.75, 0.11%, 0.28%

LAB 32.24, -1.3, 8.19

 

CMYK 20 / 0 / 8 / 69

HEX #3F4F49

RGB 63 79 73

HSL 157.5, 0.11%, 0.28%

LAB 32.1, -7.71, 1.46

 

CMYK 20 / 16 / 0 / 69

HEX #3F424F

RGB 63 66 79

HSL 228.75, 0.11%, 0.28%

LAB 28.16, 1.98, -8.24

 

CMYK 0 / 20 / 13 / 69

HEX #4F3F45

RGB 79 63 69

HSL 337.5, 0.11%, 0.28%

LAB 28.5, 8.1, -1.03

 

CMYK 3 / 0 / 20 / 69

HEX #4D4F3F

RGB 77 79 63

HSL 67.5, 0.11%, 0.28%

LAB 32.98, -4.03, 9.2

 

CMYK 20 / 0 / 8 / 69

HEX #3F4F49

RGB 63 79 73

HSL 157.5, 0.11%, 0.28%

LAB 32.1, -7.71, 1.46

 

CMYK 18 / 20 / 0 / 69

HEX #413F4F

RGB 65 63 79

HSL 247.5, 0.11%, 0.28%

LAB 27.42, 4.7, -9.35

 

Description

Color code: HEX #4F3F45 | qconv.com Color code: HEX #4F3F45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 63 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 63 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 13 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 13% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - ••• D3 Graphics ••• ...
Link: http://d3graphics.co.uk

57% - Sturmsounds-Electro
Link: http://sturmsounds-electro.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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