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Color name
HEX #4F3399

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F3399 it is the complementary color #B0CC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F3399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F3399 shade: #543394, #6545A7, #7657BA, #8769CD and #987BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F3399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F3399 shade: #4F3399, #3E2186, #2D0F73, #1C0060 and #0B004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F3399 shade: #4E3399, #6A3399, #863399, #993390 and #993374

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F3399 shade: #4E3399, #333399 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F3399 shade matches the following richer shades: #4E3399, #4722A9, #4011BA and #3801CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F3399 shade: #4E3399, #564388, #5D5477, #656467 and #6C7556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F3399 shade: #334E99, #333399, #4E3399, #693399 and #843399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F3399 shade: #2F1E5B, #3F287A, #4E3399, #5E3DB7 and #7657C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F3399 shade: #4F3399, #993369 and #409933

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F3399 shade: #4F3399, #994E33 and #33994E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F3399 shade: #4F3399, #993369, #7D9933 and #339962

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F3399 shade: #4F3399, #99334A, #7D9933 and #339981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 67 / 0 / 40

HEX #4F3399

RGB 79 51 153

HSL 256.47, 0.5%, 0.4%

LAB 30.23, 38.01, -51.62

 

Complementary color

CMYK 14 / 0 / 50 / 20

HEX #B0CC66

RGB 176 204 102

HSL 76.47, 0.5%, 0.6%

LAB 78.1, -25.06, 47.3

 

CMYK 43 / 66 / 0 / 42

HEX #543394

RGB 84 51 148

HSL 260.41, 0.49%, 0.39%

LAB 30.38, 37.59, -48.29

 

CMYK 40 / 59 / 0 / 35

HEX #6545A7

RGB 101 69 167

HSL 259.59, 0.42%, 0.46%

LAB 37.5, 36.36, -48.18

 

CMYK 37 / 53 / 0 / 27

HEX #7657BA

RGB 118 87 186

HSL 258.79, 0.42%, 0.54%

LAB 44.54, 35.18, -48.01

 

CMYK 34 / 49 / 0 / 20

HEX #8769CD

RGB 135 105 205

HSL 258, 0.5%, 0.61%

LAB 51.45, 34.09, -47.83

 

CMYK 32 / 45 / 0 / 12

HEX #987BE0

RGB 152 123 224

HSL 257.23, 0.62%, 0.68%

LAB 58.25, 33.1, -47.68

 

CMYK 48 / 67 / 0 / 40

HEX #4F3399

RGB 79 51 153

HSL 256.47, 0.5%, 0.4%

LAB 30.23, 38.01, -51.62

 

CMYK 54 / 75 / 0 / 47

HEX #3E2186

RGB 62 33 134

HSL 257.23, 0.6%, 0.33%

LAB 23.11, 39.32, -51.56

 

CMYK 61 / 87 / 0 / 55

HEX #2D0F73

RGB 45 15 115

HSL 258, 0.77%, 0.25%

LAB 16.19, 40.06, -50.92

 

CMYK 71 / 100 / 0 / 62

HEX #1C0060

RGB 28 0 96

HSL 257.5, 1%, 0.19%

LAB 9.73, 39.56, -49.18

 

CMYK 86 / 100 / 0 / 70

HEX #0B004D

RGB 11 0 77

HSL 248.57, 1%, 0.15%

LAB 5.48, 32.19, -43.31

 

CMYK 49 / 67 / 0 / 40

HEX #4E3399

RGB 78 51 153

HSL 255.88, 0.5%, 0.4%

LAB 30.13, 37.82, -51.79

 

CMYK 31 / 67 / 0 / 40

HEX #6A3399

RGB 106 51 153

HSL 272.35, 0.5%, 0.4%

LAB 33.42, 43.8, -46.3

 

CMYK 12 / 67 / 0 / 40

HEX #863399

RGB 134 51 153

HSL 288.82, 0.5%, 0.4%

LAB 37.36, 50.39, -39.75

 

CMYK 0 / 67 / 6 / 40

HEX #993390

RGB 153 51 144

HSL 305.29, 0.5%, 0.4%

LAB 39.84, 53.48, -30.18

 

CMYK 0 / 67 / 24 / 40

HEX #993374

RGB 153 51 116

HSL 321.76, 0.5%, 0.4%

LAB 38.55, 49.16, -14.91

 

CMYK 49 / 67 / 0 / 40

HEX #4E3399

RGB 78 51 153

HSL 255.88, 0.5%, 0.4%

LAB 30.13, 37.82, -51.79

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 49 / 67 / 0 / 40

HEX #4E3399

RGB 78 51 153

HSL 255.88, 0.5%, 0.4%

LAB 30.13, 37.82, -51.79

 

CMYK 58 / 80 / 0 / 34

HEX #4722A9

RGB 71 34 169

HSL 256.44, 0.67%, 0.4%

LAB 27.7, 50.24, -65.49

 

CMYK 66 / 91 / 0 / 27

HEX #4011BA

RGB 64 17 186

HSL 256.69, 0.83%, 0.4%

LAB 26.84, 60.32, -77.12

 

CMYK 72 / 100 / 0 / 21

HEX #3801CA

RGB 56 1 202

HSL 256.42, 0.99%, 0.4%

LAB 27.09, 67.18, -86.15

 

CMYK 49 / 67 / 0 / 40

HEX #4E3399

RGB 78 51 153

HSL 255.88, 0.5%, 0.4%

LAB 30.13, 37.82, -51.79

 

CMYK 37 / 51 / 0 / 47

HEX #564388

RGB 86 67 136

HSL 256.52, 0.34%, 0.4%

LAB 33.5, 24.93, -35.89

 

CMYK 22 / 29 / 0 / 53

HEX #5D5477

RGB 93 84 119

HSL 255.43, 0.17%, 0.4%

LAB 37.84, 11.69, -18.54

 

CMYK 2 / 3 / 0 / 60

HEX #656467

RGB 101 100 103

HSL 260, 0.01%, 0.4%

LAB 42.55, 1.02, -1.56

 

CMYK 8 / 0 / 26 / 54

HEX #6C7556

RGB 108 117 86

HSL 77.42, 0.15%, 0.4%

LAB 47.73, -9.23, 16.02

 

CMYK 67 / 49 / 0 / 40

HEX #334E99

RGB 51 78 153

HSL 224.12, 0.5%, 0.4%

LAB 34.91, 15.34, -44.15

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 49 / 67 / 0 / 40

HEX #4E3399

RGB 78 51 153

HSL 255.88, 0.5%, 0.4%

LAB 30.13, 37.82, -51.79

 

CMYK 31 / 67 / 0 / 40

HEX #693399

RGB 105 51 153

HSL 271.76, 0.5%, 0.4%

LAB 33.29, 43.57, -46.52

 

CMYK 14 / 67 / 0 / 40

HEX #843399

RGB 132 51 153

HSL 287.65, 0.5%, 0.4%

LAB 37.07, 49.91, -40.25

 

CMYK 48 / 67 / 0 / 64

HEX #2F1E5B

RGB 47 30 91

HSL 256.72, 0.5%, 0.24%

LAB 16.93, 24.79, -33.91

 

CMYK 48 / 67 / 0 / 52

HEX #3F287A

RGB 63 40 122

HSL 256.83, 0.51%, 0.32%

LAB 23.6, 31.88, -43.18

 

CMYK 49 / 67 / 0 / 40

HEX #4E3399

RGB 78 51 153

HSL 255.88, 0.5%, 0.4%

LAB 30.13, 37.82, -51.79

 

CMYK 49 / 67 / 0 / 28

HEX #5E3DB7

RGB 94 61 183

HSL 256.23, 0.5%, 0.48%

LAB 36.24, 44, -59.76

 

CMYK 41 / 56 / 0 / 22

HEX #7657C7

RGB 118 87 199

HSL 256.61, 0.5%, 0.56%

LAB 45.35, 38.74, -54.25

 

CMYK 48 / 67 / 0 / 40

HEX #4F3399

RGB 79 51 153

HSL 256.47, 0.5%, 0.4%

LAB 30.23, 38.01, -51.62

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 58 / 0 / 67 / 40

HEX #409933

RGB 64 153 51

HSL 112.35, 0.5%, 0.4%

LAB 56.2, -46.5, 44.2

 

CMYK 48 / 67 / 0 / 40

HEX #4F3399

RGB 79 51 153

HSL 256.47, 0.5%, 0.4%

LAB 30.23, 38.01, -51.62

 

CMYK 0 / 49 / 67 / 40

HEX #994E33

RGB 153 78 51

HSL 15.88, 0.5%, 0.4%

LAB 41.94, 28.96, 29.89

 

CMYK 67 / 0 / 49 / 40

HEX #33994E

RGB 51 153 78

HSL 135.88, 0.5%, 0.4%

LAB 56.12, -46, 30.92

 

CMYK 48 / 67 / 0 / 40

HEX #4F3399

RGB 79 51 153

HSL 256.47, 0.5%, 0.4%

LAB 30.23, 38.01, -51.62

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 18 / 0 / 67 / 40

HEX #7D9933

RGB 125 153 51

HSL 76.47, 0.5%, 0.4%

LAB 59.33, -25.09, 48.48

 

CMYK 67 / 0 / 36 / 40

HEX #339962

RGB 51 153 98

HSL 147.65, 0.5%, 0.4%

LAB 56.45, -42.34, 20.56

 

CMYK 48 / 67 / 0 / 40

HEX #4F3399

RGB 79 51 153

HSL 256.47, 0.5%, 0.4%

LAB 30.23, 38.01, -51.62

 

CMYK 0 / 67 / 52 / 40

HEX #99334A

RGB 153 51 74

HSL 346.47, 0.5%, 0.4%

LAB 37.18, 44.29, 9.64

 

CMYK 18 / 0 / 67 / 40

HEX #7D9933

RGB 125 153 51

HSL 76.47, 0.5%, 0.4%

LAB 59.33, -25.09, 48.48

 

CMYK 67 / 0 / 16 / 40

HEX #339981

RGB 51 153 129

HSL 165.88, 0.5%, 0.4%

LAB 57.14, -35.13, 4.09

 

Description

Color code: HEX #4F3399 | qconv.com Color code: HEX #4F3399 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 51 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 51 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 67 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 67% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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