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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F3983 it is the complementary color #B0C67C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F3983. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F3983 shade: #54397E, #654B91, #765DA4, #876FB7 and #9881CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F3983. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F3983 shade: #4F3983, #3E2770, #2D155D, #1C034A and #0B0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F3983 shade: #4F3983, #633983, #773983, #83397B and #833967

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F3983 shade: #4F3983, #3B3983 and #393983

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F3983 shade matches the following richer shades: #4F3983, #492A92, #431BA1 and #3C0BB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F3983 shade: #4F3983, #554873, #5B5864, #616755 and #687646

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F3983 shade: #394B83, #3A3983, #4E3983, #623983 and #753983

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F3983 shade: #2C2049, #3E2C66, #4F3983, #60469F and #7459B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F3983 shade: #4F3983, #83395F and #428339

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F3983 shade: #4F3983, #834E39 and #39834E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F3983 shade: #4F3983, #83395F, #6E8339 and #39835D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F3983 shade: #4F3983, #833949, #6E8339 and #398373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

Complementary color

CMYK 11 / 0 / 37 / 22

HEX #B0C67C

RGB 176 198 124

HSL 77.84, 0.39%, 0.63%

LAB 76.72, -19.63, 34.64

 

CMYK 33 / 55 / 0 / 51

HEX #54397E

RGB 84 57 126

HSL 263.48, 0.38%, 0.36%

LAB 30.2, 27.79, -34.96

 

CMYK 30 / 48 / 0 / 43

HEX #654B91

RGB 101 75 145

HSL 262.29, 0.32%, 0.43%

LAB 37.56, 26.71, -34.84

 

CMYK 28 / 43 / 0 / 36

HEX #765DA4

RGB 118 93 164

HSL 261.13, 0.28%, 0.5%

LAB 44.75, 25.76, -34.76

 

CMYK 26 / 39 / 0 / 28

HEX #876FB7

RGB 135 111 183

HSL 260, 0.33%, 0.58%

LAB 51.77, 24.9, -34.71

 

CMYK 25 / 36 / 0 / 21

HEX #9881CA

RGB 152 129 202

HSL 258.9, 0.41%, 0.65%

LAB 58.64, 24.14, -34.7

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 45 / 65 / 0 / 56

HEX #3E2770

RGB 62 39 112

HSL 258.9, 0.48%, 0.3%

LAB 22.46, 29.2, -38.64

 

CMYK 52 / 77 / 0 / 64

HEX #2D155D

RGB 45 21 93

HSL 260, 0.63%, 0.22%

LAB 14.87, 30.49, -38.62

 

CMYK 62 / 96 / 0 / 71

HEX #1C034A

RGB 28 3 74

HSL 261.13, 0.92%, 0.15%

LAB 7.28, 31.6, -38.19

 

CMYK 80 / 100 / 0 / 78

HEX #0B0037

RGB 11 0 55

HSL 252, 1%, 0.11%

LAB 3.13, 20.39, -31.43

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 24 / 56 / 0 / 49

HEX #633983

RGB 99 57 131

HSL 274.05, 0.39%, 0.37%

LAB 32.3, 33.29, -34.62

 

CMYK 9 / 56 / 0 / 49

HEX #773983

RGB 119 57 131

HSL 290.27, 0.39%, 0.37%

LAB 34.98, 38.99, -30.2

 

CMYK 0 / 56 / 6 / 49

HEX #83397B

RGB 131 57 123

HSL 306.49, 0.39%, 0.37%

LAB 36.33, 40.97, -22.99

 

CMYK 0 / 56 / 21 / 49

HEX #833967

RGB 131 57 103

HSL 322.7, 0.39%, 0.37%

LAB 35.46, 37.58, -11.78

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 55 / 56 / 0 / 49

HEX #3B3983

RGB 59 57 131

HSL 241.62, 0.39%, 0.37%

LAB 28.1, 23.06, -41.58

 

CMYK 56 / 56 / 0 / 49

HEX #393983

RGB 57 57 131

HSL 240, 0.39%, 0.37%

LAB 27.94, 22.63, -41.85

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 50 / 71 / 0 / 43

HEX #492A92

RGB 73 42 146

HSL 257.88, 0.55%, 0.37%

LAB 27.15, 39.89, -52.37

 

CMYK 58 / 83 / 0 / 37

HEX #431BA1

RGB 67 27 161

HSL 257.91, 0.71%, 0.37%

LAB 25.41, 50.56, -64.44

 

CMYK 66 / 94 / 0 / 31

HEX #3C0BB0

RGB 60 11 176

HSL 257.82, 0.88%, 0.37%

LAB 24.75, 58.98, -74.63

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 26 / 37 / 0 / 55

HEX #554873

RGB 85 72 115

HSL 258.14, 0.23%, 0.37%

LAB 33.57, 15.56, -22.74

 

CMYK 9 / 12 / 0 / 61

HEX #5B5864

RGB 91 88 100

HSL 255, 0.06%, 0.37%

LAB 38.06, 3.83, -6.46

 

CMYK 6 / 0 / 17 / 60

HEX #616755

RGB 97 103 85

HSL 80, 0.1%, 0.37%

LAB 42.61, -5.9, 9.39

 

CMYK 12 / 0 / 41 / 54

HEX #687646

RGB 104 118 70

HSL 77.5, 0.26%, 0.37%

LAB 47.42, -13.83, 24.72

 

CMYK 56 / 43 / 0 / 49

HEX #394B83

RGB 57 75 131

HSL 225.41, 0.39%, 0.37%

LAB 33.01, 10.59, -33.73

 

CMYK 56 / 56 / 0 / 49

HEX #3A3983

RGB 58 57 131

HSL 240.81, 0.39%, 0.37%

LAB 28.02, 22.84, -41.72

 

CMYK 40 / 56 / 0 / 49

HEX #4E3983

RGB 78 57 131

HSL 257.03, 0.39%, 0.37%

LAB 29.87, 27.62, -38.64

 

CMYK 25 / 56 / 0 / 49

HEX #623983

RGB 98 57 131

HSL 273.24, 0.39%, 0.37%

LAB 32.17, 33.01, -34.83

 

CMYK 11 / 56 / 0 / 49

HEX #753983

RGB 117 57 131

HSL 288.65, 0.39%, 0.37%

LAB 34.7, 38.41, -30.67

 

CMYK 40 / 56 / 0 / 71

HEX #2C2049

RGB 44 32 73

HSL 257.56, 0.39%, 0.21%

LAB 15.75, 16.81, -23.65

 

CMYK 39 / 57 / 0 / 60

HEX #3E2C66

RGB 62 44 102

HSL 258.62, 0.4%, 0.29%

LAB 22.95, 22.97, -31.39

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 40 / 56 / 0 / 38

HEX #60469F

RGB 96 70 159

HSL 257.53, 0.39%, 0.45%

LAB 36.69, 32.3, -44.73

 

CMYK 36 / 51 / 0 / 29

HEX #7459B6

RGB 116 89 182

HSL 257.42, 0.39%, 0.53%

LAB 44.57, 32.4, -45.63

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 0 / 56 / 27 / 49

HEX #83395F

RGB 131 57 95

HSL 329.19, 0.39%, 0.37%

LAB 35.16, 36.37, -7.16

 

CMYK 50 / 0 / 56 / 49

HEX #428339

RGB 66 131 57

HSL 112.7, 0.39%, 0.37%

LAB 49.11, -36.25, 33.31

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 0 / 40 / 56 / 49

HEX #834E39

RGB 131 78 57

HSL 17.03, 0.39%, 0.37%

LAB 38.85, 20.04, 21.84

 

CMYK 56 / 0 / 40 / 49

HEX #39834E

RGB 57 131 78

HSL 137.03, 0.39%, 0.37%

LAB 49.07, -35.51, 21.88

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 0 / 56 / 27 / 49

HEX #83395F

RGB 131 57 95

HSL 329.19, 0.39%, 0.37%

LAB 35.16, 36.37, -7.16

 

CMYK 16 / 0 / 56 / 49

HEX #6E8339

RGB 110 131 57

HSL 77.03, 0.39%, 0.37%

LAB 51.66, -19.73, 36.93

 

CMYK 56 / 0 / 29 / 49

HEX #39835D

RGB 57 131 93

HSL 149.19, 0.39%, 0.37%

LAB 49.37, -32.46, 13.74

 

CMYK 40 / 56 / 0 / 49

HEX #4F3983

RGB 79 57 131

HSL 257.84, 0.39%, 0.37%

LAB 29.98, 27.88, -38.46

 

CMYK 0 / 56 / 44 / 49

HEX #833949

RGB 131 57 73

HSL 347.03, 0.39%, 0.37%

LAB 34.46, 33.5, 5.91

 

CMYK 16 / 0 / 56 / 49

HEX #6E8339

RGB 110 131 57

HSL 77.03, 0.39%, 0.37%

LAB 51.66, -19.73, 36.93

 

CMYK 56 / 0 / 12 / 49

HEX #398373

RGB 57 131 115

HSL 167.03, 0.39%, 0.37%

LAB 49.91, -27.14, 1.71

 

Description

Color code: HEX #4F3983 | qconv.com Color code: HEX #4F3983 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 57 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 57 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 56 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 56% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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