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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F18C6 it is the complementary color #B0E739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F18C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F18C6 shade: #5418C1, #652AD4, #763CE7, #874EFA and #9860FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F18C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F18C6 shade: #4F18C6, #3E06B3, #2D00A0, #1C008D and #0B007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F18C6 shade: #5018C7, #7F18C7, #AE18C7, #C718B1 and #C71882

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F18C6 shade: #5018C7, #2018C7 and #1818C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F18C6 shade matches the following richer shades: #5018C7 and #4906D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F18C6 shade: #5018C7, #562AB5, #5D3CA3, #644F91 and #6A617F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F18C6 shade: #1841C7, #1E18C7, #4D18C7, #7B18C7 and #AA18C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F18C6 shade: #320F7E, #4114A2, #5018C7, #6125E4 and #7C4AE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F18C6 shade: #4F18C6, #C71870 and #2AC718

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F18C6 shade: #4F18C6, #C74D18 and #18C74D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F18C6 shade: #4F18C6, #C71870, #93C718 and #18C770

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F18C6 shade: #4F18C6, #C7183B, #93C718 and #18C7A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 88 / 0 / 22

HEX #4F18C6

RGB 79 24 198

HSL 258.97, 0.78%, 0.44%

LAB 30.38, 62.52, -78.28

 

Complementary color

CMYK 24 / 0 / 75 / 9

HEX #B0E739

RGB 176 231 57

HSL 78.97, 0.78%, 0.56%

LAB 85.34, -40.81, 73.18

 

CMYK 56 / 88 / 0 / 24

HEX #5418C1

RGB 84 24 193

HSL 261.3, 0.78%, 0.43%

LAB 30.37, 61.69, -75.34

 

CMYK 52 / 80 / 0 / 17

HEX #652AD4

RGB 101 42 212

HSL 260.82, 0.67%, 0.5%

LAB 36.32, 62.03, -76.54

 

CMYK 49 / 74 / 0 / 9

HEX #763CE7

RGB 118 60 231

HSL 260.35, 0.78%, 0.57%

LAB 42.54, 61.54, -77.13

 

CMYK 46 / 69 / 0 / 2

HEX #874EFA

RGB 135 78 250

HSL 259.88, 0.95%, 0.64%

LAB 48.89, 60.64, -77.37

 

CMYK 40 / 62 / 0 / 0

HEX #9860FF

RGB 152 96 255

HSL 261.13, 1%, 0.69%

LAB 54.3, 55.97, -71.26

 

CMYK 60 / 88 / 0 / 22

HEX #4F18C6

RGB 79 24 198

HSL 258.97, 0.78%, 0.44%

LAB 30.38, 62.52, -78.28

 

CMYK 65 / 97 / 0 / 30

HEX #3E06B3

RGB 62 6 179

HSL 259.42, 0.94%, 0.36%

LAB 24.98, 60.88, -76.04

 

CMYK 72 / 100 / 0 / 37

HEX #2D00A0

RGB 45 0 160

HSL 256.88, 1%, 0.31%

LAB 20.42, 56.76, -72.17

 

CMYK 80 / 100 / 0 / 45

HEX #1C008D

RGB 28 0 141

HSL 251.91, 1%, 0.28%

LAB 16.36, 51.4, -67.24

 

CMYK 91 / 100 / 0 / 52

HEX #0B007A

RGB 11 0 122

HSL 245.41, 1%, 0.24%

LAB 12.46, 46.05, -61.72

 

CMYK 60 / 88 / 0 / 22

HEX #5018C7

RGB 80 24 199

HSL 259.2, 0.78%, 0.44%

LAB 30.6, 62.85, -78.5

 

CMYK 36 / 88 / 0 / 22

HEX #7F18C7

RGB 127 24 199

HSL 275.31, 0.78%, 0.44%

LAB 36.53, 67.89, -68.51

 

CMYK 13 / 88 / 0 / 22

HEX #AE18C7

RGB 174 24 199

HSL 291.43, 0.78%, 0.44%

LAB 43.91, 74.82, -56.19

 

CMYK 0 / 88 / 11 / 22

HEX #C718B1

RGB 199 24 177

HSL 307.54, 0.78%, 0.44%

LAB 46.93, 75.9, -38.23

 

CMYK 0 / 88 / 35 / 22

HEX #C71882

RGB 199 24 130

HSL 323.66, 0.78%, 0.44%

LAB 44.81, 70.22, -13.27

 

CMYK 60 / 88 / 0 / 22

HEX #5018C7

RGB 80 24 199

HSL 259.2, 0.78%, 0.44%

LAB 30.6, 62.85, -78.5

 

CMYK 84 / 88 / 0 / 22

HEX #2018C7

RGB 32 24 199

HSL 242.74, 0.78%, 0.44%

LAB 26.97, 60.13, -84.63

 

CMYK 88 / 88 / 0 / 22

HEX #1818C7

RGB 24 24 199

HSL 240, 0.78%, 0.44%

LAB 26.65, 59.91, -85.17

 

CMYK 60 / 88 / 0 / 22

HEX #5018C7

RGB 80 24 199

HSL 259.2, 0.78%, 0.44%

LAB 30.6, 62.85, -78.5

 

CMYK 66 / 97 / 0 / 15

HEX #4906D9

RGB 73 6 217

HSL 259.05, 0.95%, 0.44%

LAB 30.78, 70.59, -88.7

 

CMYK 60 / 88 / 0 / 22

HEX #5018C7

RGB 80 24 199

HSL 259.2, 0.78%, 0.44%

LAB 30.6, 62.85, -78.5

 

CMYK 52 / 77 / 0 / 29

HEX #562AB5

RGB 86 42 181

HSL 258.99, 0.62%, 0.44%

LAB 31.74, 51.88, -65.97

 

CMYK 43 / 63 / 0 / 36

HEX #5D3CA3

RGB 93 60 163

HSL 259.22, 0.46%, 0.44%

LAB 34.4, 38.64, -50.83

 

CMYK 31 / 46 / 0 / 43

HEX #644F91

RGB 100 79 145

HSL 259.09, 0.29%, 0.44%

LAB 38.46, 23.96, -33.43

 

CMYK 17 / 24 / 0 / 50

HEX #6A617F

RGB 106 97 127

HSL 258, 0.13%, 0.44%

LAB 42.98, 10.13, -15.44

 

CMYK 88 / 67 / 0 / 22

HEX #1841C7

RGB 24 65 199

HSL 225.94, 0.78%, 0.44%

LAB 34.19, 38.46, -72.69

 

CMYK 85 / 88 / 0 / 22

HEX #1E18C7

RGB 30 24 199

HSL 242.06, 0.78%, 0.44%

LAB 26.88, 60.07, -84.78

 

CMYK 61 / 88 / 0 / 22

HEX #4D18C7

RGB 77 24 199

HSL 258.17, 0.78%, 0.44%

LAB 30.29, 62.61, -79.02

 

CMYK 38 / 88 / 0 / 22

HEX #7B18C7

RGB 123 24 199

HSL 273.94, 0.78%, 0.44%

LAB 35.96, 67.38, -69.48

 

CMYK 15 / 88 / 0 / 22

HEX #AA18C7

RGB 170 24 199

HSL 290.06, 0.78%, 0.44%

LAB 43.25, 74.18, -57.3

 

CMYK 60 / 88 / 0 / 51

HEX #320F7E

RGB 50 15 126

HSL 258.92, 0.79%, 0.28%

LAB 18.04, 43.74, -54.91

 

CMYK 60 / 88 / 0 / 36

HEX #4114A2

RGB 65 20 162

HSL 259.01, 0.78%, 0.36%

LAB 24.43, 53.24, -66.68

 

CMYK 60 / 88 / 0 / 22

HEX #5018C7

RGB 80 24 199

HSL 259.2, 0.78%, 0.44%

LAB 30.6, 62.85, -78.5

 

CMYK 57 / 84 / 0 / 11

HEX #6125E4

RGB 97 37 228

HSL 258.85, 0.78%, 0.52%

LAB 36.87, 67.5, -84.85

 

CMYK 47 / 68 / 0 / 9

HEX #7C4AE8

RGB 124 74 232

HSL 258.99, 0.77%, 0.6%

LAB 45.65, 56.03, -72.6

 

CMYK 60 / 88 / 0 / 22

HEX #4F18C6

RGB 79 24 198

HSL 258.97, 0.78%, 0.44%

LAB 30.38, 62.52, -78.28

 

CMYK 0 / 88 / 44 / 22

HEX #C71870

RGB 199 24 112

HSL 329.83, 0.78%, 0.44%

LAB 44.18, 68.48, -3.1

 

CMYK 79 / 0 / 88 / 22

HEX #2AC718

RGB 42 199 24

HSL 113.83, 0.78%, 0.44%

LAB 70.46, -67.81, 66.29

 

CMYK 60 / 88 / 0 / 22

HEX #4F18C6

RGB 79 24 198

HSL 258.97, 0.78%, 0.44%

LAB 30.38, 62.52, -78.28

 

CMYK 0 / 61 / 88 / 22

HEX #C74D18

RGB 199 77 24

HSL 18.17, 0.78%, 0.44%

LAB 48.9, 46.36, 52.48

 

CMYK 88 / 0 / 61 / 22

HEX #18C74D

RGB 24 199 77

HSL 138.17, 0.78%, 0.44%

LAB 70.58, -65.54, 48.62

 

CMYK 60 / 88 / 0 / 22

HEX #4F18C6

RGB 79 24 198

HSL 258.97, 0.78%, 0.44%

LAB 30.38, 62.52, -78.28

 

CMYK 0 / 88 / 44 / 22

HEX #C71870

RGB 199 24 112

HSL 329.83, 0.78%, 0.44%

LAB 44.18, 68.48, -3.1

 

CMYK 26 / 0 / 88 / 22

HEX #93C718

RGB 147 199 24

HSL 77.83, 0.78%, 0.44%

LAB 74.26, -39, 71.03

 

CMYK 88 / 0 / 44 / 22

HEX #18C770

RGB 24 199 112

HSL 150.17, 0.78%, 0.44%

LAB 71.02, -60.25, 32.27

 

CMYK 60 / 88 / 0 / 22

HEX #4F18C6

RGB 79 24 198

HSL 258.97, 0.78%, 0.44%

LAB 30.38, 62.52, -78.28

 

CMYK 0 / 88 / 70 / 22

HEX #C7183B

RGB 199 24 59

HSL 348, 0.78%, 0.44%

LAB 42.93, 64.93, 28.27

 

CMYK 26 / 0 / 88 / 22

HEX #93C718

RGB 147 199 24

HSL 77.83, 0.78%, 0.44%

LAB 74.26, -39, 71.03

 

CMYK 88 / 0 / 18 / 22

HEX #18C7A4

RGB 24 199 164

HSL 168, 0.78%, 0.44%

LAB 72.04, -48.79, 6.08

 

Description

Color code: HEX #4F18C6 | qconv.com Color code: HEX #4F18C6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 24 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 24 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 88 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 88% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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