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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F038B it is the complementary color #B0FC74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F038B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F038B shade: #540386, #651599, #7627AC, #8739BF and #984BD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F038B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F038B shade: #4F038B, #3E0078, #2D0065, #1C0052 and #0B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F038B shade: #4F028B, #74028B, #8B027E, #8B0259 and #8B0234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F038B shade: #4F028B, #2A028B, #05028B and #02028B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F038B shade matches the following richer shades: #4F028B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F038B shade: #4F028B, #4E0E80, #4C1974, #4B2569 and #4A315D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F038B shade: #05028B, #29028B, #4E028B, #72028B and #8B0280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F038B shade: #21013B, #380263, #4F028B, #6603B4 and #7D04DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F038B shade: #4F038B, #8B0225 and #028B17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F038B shade: #4F038B, #8B4E02 and #028B4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F038B shade: #4F038B, #8B0225, #408B02 and #028B69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F038B shade: #4F038B, #8B0902, #408B02 and #02858B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 98 / 0 / 45

HEX #4F038B

RGB 79 3 139

HSL 273.53, 0.96%, 0.28%

LAB 22.27, 53.4, -55.99

 

Complementary color

CMYK 30 / 0 / 54 / 1

HEX #B0FC74

RGB 176 252 116

HSL 93.53, 0.96%, 0.72%

LAB 91.74, -45.54, 57.01

 

CMYK 37 / 98 / 0 / 47

HEX #540386

RGB 84 3 134

HSL 277.1, 0.96%, 0.27%

LAB 22.55, 52.87, -52.37

 

CMYK 34 / 86 / 0 / 40

HEX #651599

RGB 101 21 153

HSL 276.36, 0.76%, 0.34%

LAB 28.39, 55.14, -54.5

 

CMYK 31 / 77 / 0 / 33

HEX #7627AC

RGB 118 39 172

HSL 275.64, 0.63%, 0.41%

LAB 34.56, 56.07, -55.83

 

CMYK 29 / 70 / 0 / 25

HEX #8739BF

RGB 135 57 191

HSL 274.93, 0.54%, 0.49%

LAB 40.96, 56.08, -56.58

 

CMYK 28 / 64 / 0 / 18

HEX #984BD2

RGB 152 75 210

HSL 274.22, 0.6%, 0.56%

LAB 47.44, 55.61, -57.01

 

CMYK 43 / 98 / 0 / 45

HEX #4F038B

RGB 79 3 139

HSL 273.53, 0.96%, 0.28%

LAB 22.27, 53.4, -55.99

 

CMYK 48 / 100 / 0 / 53

HEX #3E0078

RGB 62 0 120

HSL 271, 1%, 0.24%

LAB 17.37, 48.11, -52.12

 

CMYK 55 / 100 / 0 / 60

HEX #2D0065

RGB 45 0 101

HSL 266.73, 1%, 0.2%

LAB 12.59, 42.01, -47.7

 

CMYK 66 / 100 / 0 / 68

HEX #1C0052

RGB 28 0 82

HSL 260.49, 1%, 0.16%

LAB 7.73, 35.79, -43

 

CMYK 83 / 100 / 0 / 75

HEX #0B003F

RGB 11 0 63

HSL 250.48, 1%, 0.12%

LAB 3.88, 25.12, -36.03

 

CMYK 43 / 99 / 0 / 45

HEX #4F028B

RGB 79 2 139

HSL 273.72, 0.97%, 0.28%

LAB 22.19, 53.63, -56.12

 

CMYK 17 / 99 / 0 / 45

HEX #74028B

RGB 116 2 139

HSL 289.93, 0.97%, 0.28%

LAB 28.43, 58.5, -45.67

 

CMYK 0 / 99 / 9 / 45

HEX #8B027E

RGB 139 2 126

HSL 305.69, 0.97%, 0.28%

LAB 31.89, 60.32, -31.75

 

CMYK 0 / 99 / 36 / 45

HEX #8B0259

RGB 139 2 89

HSL 321.9, 0.97%, 0.28%

LAB 30.04, 55.62, -10.85

 

CMYK 0 / 99 / 63 / 45

HEX #8B0234

RGB 139 2 52

HSL 338.1, 0.97%, 0.28%

LAB 28.85, 52.45, 12.15

 

CMYK 43 / 99 / 0 / 45

HEX #4F028B

RGB 79 2 139

HSL 273.72, 0.97%, 0.28%

LAB 22.19, 53.63, -56.12

 

CMYK 70 / 99 / 0 / 45

HEX #2A028B

RGB 42 2 139

HSL 257.52, 0.97%, 0.28%

LAB 17.46, 50.76, -64.11

 

CMYK 96 / 99 / 0 / 45

HEX #05028B

RGB 5 2 139

HSL 241.31, 0.97%, 0.28%

LAB 15.17, 49.76, -67.99

 

CMYK 99 / 99 / 0 / 45

HEX #02028B

RGB 2 2 139

HSL 240, 0.97%, 0.28%

LAB 15.06, 49.72, -68.17

 

CMYK 43 / 99 / 0 / 45

HEX #4F028B

RGB 79 2 139

HSL 273.72, 0.97%, 0.28%

LAB 22.19, 53.63, -56.12

 

CMYK 43 / 99 / 0 / 45

HEX #4F028B

RGB 79 2 139

HSL 273.72, 0.97%, 0.28%

LAB 22.19, 53.63, -56.12

 

CMYK 39 / 89 / 0 / 50

HEX #4E0E80

RGB 78 14 128

HSL 273.68, 0.8%, 0.28%

LAB 21.92, 48.08, -49.66

 

CMYK 34 / 78 / 0 / 55

HEX #4C1974

RGB 76 25 116

HSL 273.63, 0.65%, 0.28%

LAB 21.92, 40.83, -42.01

 

CMYK 29 / 65 / 0 / 59

HEX #4B2569

RGB 75 37 105

HSL 273.53, 0.48%, 0.28%

LAB 23.13, 31.66, -32.95

 

CMYK 20 / 47 / 0 / 64

HEX #4A315D

RGB 74 49 93

HSL 274.09, 0.31%, 0.28%

LAB 25.08, 20.87, -22.04

 

CMYK 96 / 99 / 0 / 45

HEX #05028B

RGB 5 2 139

HSL 241.31, 0.97%, 0.28%

LAB 15.17, 49.76, -67.99

 

CMYK 71 / 99 / 0 / 45

HEX #29028B

RGB 41 2 139

HSL 257.08, 0.97%, 0.28%

LAB 17.36, 50.72, -64.27

 

CMYK 44 / 99 / 0 / 45

HEX #4E028B

RGB 78 2 139

HSL 273.28, 0.97%, 0.28%

LAB 22.04, 53.53, -56.38

 

CMYK 18 / 99 / 0 / 45

HEX #72028B

RGB 114 2 139

HSL 289.05, 0.97%, 0.28%

LAB 28.07, 58.19, -46.27

 

CMYK 0 / 99 / 8 / 45

HEX #8B0280

RGB 139 2 128

HSL 304.82, 0.97%, 0.28%

LAB 32.01, 60.61, -32.81

 

CMYK 44 / 98 / 0 / 77

HEX #21013B

RGB 33 1 59

HSL 273.1, 0.97%, 0.12%

LAB 5.97, 28.67, -29.64

 

CMYK 43 / 98 / 0 / 61

HEX #380263

RGB 56 2 99

HSL 273.4, 0.96%, 0.2%

LAB 14.32, 41.85, -43.47

 

CMYK 43 / 99 / 0 / 45

HEX #4F028B

RGB 79 2 139

HSL 273.72, 0.97%, 0.28%

LAB 22.19, 53.63, -56.12

 

CMYK 43 / 98 / 0 / 29

HEX #6603B4

RGB 102 3 180

HSL 273.56, 0.97%, 0.36%

LAB 29.87, 64.74, -68.37

 

CMYK 43 / 98 / 0 / 14

HEX #7D04DC

RGB 125 4 220

HSL 273.61, 0.96%, 0.44%

LAB 37.14, 75.21, -79.7

 

CMYK 43 / 98 / 0 / 45

HEX #4F038B

RGB 79 3 139

HSL 273.53, 0.96%, 0.28%

LAB 22.27, 53.4, -55.99

 

CMYK 0 / 99 / 73 / 45

HEX #8B0225

RGB 139 2 37

HSL 344.67, 0.97%, 0.28%

LAB 28.55, 51.64, 21.82

 

CMYK 99 / 0 / 83 / 45

HEX #028B17

RGB 2 139 23

HSL 129.2, 0.97%, 0.28%

LAB 50.14, -53.78, 48.15

 

CMYK 43 / 98 / 0 / 45

HEX #4F038B

RGB 79 3 139

HSL 273.53, 0.96%, 0.28%

LAB 22.27, 53.4, -55.99

 

CMYK 0 / 44 / 99 / 45

HEX #8B4E02

RGB 139 78 2

HSL 33.28, 0.97%, 0.28%

LAB 39.48, 20.97, 48.1

 

CMYK 99 / 0 / 44 / 45

HEX #028B4E

RGB 2 139 78

HSL 153.28, 0.97%, 0.28%

LAB 50.72, -46.67, 23.85

 

CMYK 43 / 98 / 0 / 45

HEX #4F038B

RGB 79 3 139

HSL 273.53, 0.96%, 0.28%

LAB 22.27, 53.4, -55.99

 

CMYK 0 / 99 / 73 / 45

HEX #8B0225

RGB 139 2 37

HSL 344.67, 0.97%, 0.28%

LAB 28.55, 51.64, 21.82

 

CMYK 54 / 0 / 99 / 45

HEX #408B02

RGB 64 139 2

HSL 92.85, 0.97%, 0.28%

LAB 51.34, -43.96, 54.16

 

CMYK 99 / 0 / 24 / 45

HEX #028B69

RGB 2 139 105

HSL 165.11, 0.97%, 0.28%

LAB 51.26, -40.45, 9.33

 

CMYK 43 / 98 / 0 / 45

HEX #4F038B

RGB 79 3 139

HSL 273.53, 0.96%, 0.28%

LAB 22.27, 53.4, -55.99

 

CMYK 0 / 94 / 99 / 45

HEX #8B0902

RGB 139 9 2

HSL 3.07, 0.97%, 0.28%

LAB 28.61, 49.55, 40.91

 

CMYK 54 / 0 / 99 / 45

HEX #408B02

RGB 64 139 2

HSL 92.85, 0.97%, 0.28%

LAB 51.34, -43.96, 54.16

 

CMYK 99 / 4 / 0 / 45

HEX #02858B

RGB 2 133 139

HSL 182.63, 0.97%, 0.28%

LAB 50.28, -27.58, -11.9

 

Description

Color code: HEX #4F038B | qconv.com Color code: HEX #4F038B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 3 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 3 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 98 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 98% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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