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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F08CD it is the complementary color #B0F732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F08CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F08CD shade: #5408C8, #651ADB, #762CEE, #873EFF and #9850FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F08CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F08CD shade: #4F08CD, #3E00BA, #2D00A7, #1C0094 and #0B0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F08CD shade: #4F08CD, #8408CD, #B908CD, #CD08AC and #CD0877

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F08CD shade: #4F08CD, #1A08CD and #0808CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F08CD shade matches the following richer shades: #4F08CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F08CD shade: #4F08CD, #5419BC, #592BAA, #5E3C99 and #624D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F08CD shade: #082CCD, #1808CD, #4D08CD, #8208CD and #B608CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F08CD shade: #30057E, #4006A6, #4F08CD, #5F0AF4 and #7832F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F08CD shade: #4F08CD, #CD0861 and #12CD08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F08CD shade: #4F08CD, #CD4D08 and #08CD4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F08CD shade: #4F08CD, #CD0861, #88CD08 and #08CD74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F08CD shade: #4F08CD, #CD0826, #88CD08 and #08CDB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

Complementary color

CMYK 29 / 0 / 80 / 3

HEX #B0F732

RGB 176 247 50

HSL 81.62, 0.92%, 0.58%

LAB 89.85, -48, 79.31

 

CMYK 58 / 96 / 0 / 22

HEX #5408C8

RGB 84 8 200

HSL 263.75, 0.92%, 0.41%

LAB 29.98, 66.91, -80.1

 

CMYK 54 / 88 / 0 / 14

HEX #651ADB

RGB 101 26 219

HSL 263.32, 0.79%, 0.48%

LAB 35.24, 69.01, -82.36

 

CMYK 50 / 82 / 0 / 7

HEX #762CEE

RGB 118 44 238

HSL 262.89, 0.85%, 0.55%

LAB 40.94, 69.75, -83.73

 

CMYK 47 / 76 / 0 / 0

HEX #873EFF

RGB 135 62 255

HSL 262.69, 1%, 0.62%

LAB 46.73, 69.14, -83.68

 

CMYK 40 / 69 / 0 / 0

HEX #9850FF

RGB 152 80 255

HSL 264.69, 1%, 0.66%

LAB 51.42, 63.87, -75.95

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 67 / 100 / 0 / 27

HEX #3E00BA

RGB 62 0 186

HSL 260, 1%, 0.36%

LAB 25.47, 63.79, -79.4

 

CMYK 73 / 100 / 0 / 35

HEX #2D00A7

RGB 45 0 167

HSL 256.17, 1%, 0.33%

LAB 21.39, 58.49, -74.83

 

CMYK 81 / 100 / 0 / 42

HEX #1C0094

RGB 28 0 148

HSL 251.35, 1%, 0.29%

LAB 17.39, 53.2, -69.87

 

CMYK 91 / 100 / 0 / 49

HEX #0B0081

RGB 11 0 129

HSL 245.12, 1%, 0.25%

LAB 13.57, 47.91, -64.34

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 36 / 96 / 0 / 20

HEX #8408CD

RGB 132 8 205

HSL 277.77, 0.92%, 0.42%

LAB 36.91, 72.41, -71.38

 

CMYK 10 / 96 / 0 / 20

HEX #B908CD

RGB 185 8 205

HSL 293.91, 0.92%, 0.42%

LAB 45.49, 79.55, -57.03

 

CMYK 0 / 96 / 16 / 20

HEX #CD08AC

RGB 205 8 172

HSL 310.05, 0.92%, 0.42%

LAB 47.15, 78.21, -34.87

 

CMYK 0 / 96 / 42 / 20

HEX #CD0877

RGB 205 8 119

HSL 326.19, 0.92%, 0.42%

LAB 44.92, 72.44, -6.22

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 87 / 96 / 0 / 20

HEX #1A08CD

RGB 26 8 205

HSL 245.48, 0.92%, 0.42%

LAB 26.16, 65.81, -89.51

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 55 / 87 / 0 / 26

HEX #5419BC

RGB 84 25 188

HSL 261.72, 0.77%, 0.42%

LAB 29.94, 60.14, -73.1

 

CMYK 48 / 75 / 0 / 33

HEX #592BAA

RGB 89 43 170

HSL 261.73, 0.6%, 0.42%

LAB 31.24, 48.87, -60.21

 

CMYK 39 / 61 / 0 / 40

HEX #5E3C99

RGB 94 60 153

HSL 261.94, 0.44%, 0.42%

LAB 33.8, 36.06, -45.76

 

CMYK 28 / 43 / 0 / 47

HEX #624D88

RGB 98 77 136

HSL 261.36, 0.28%, 0.42%

LAB 37.27, 22.18, -29.85

 

CMYK 96 / 79 / 0 / 20

HEX #082CCD

RGB 8 44 205

HSL 229.04, 0.92%, 0.42%

LAB 30.06, 52.43, -83.02

 

CMYK 88 / 96 / 0 / 20

HEX #1808CD

RGB 24 8 205

HSL 244.87, 0.92%, 0.42%

LAB 26.09, 65.77, -89.63

 

CMYK 62 / 96 / 0 / 20

HEX #4D08CD

RGB 77 8 205

HSL 261.02, 0.92%, 0.42%

LAB 29.81, 67.64, -83.33

 

CMYK 37 / 96 / 0 / 20

HEX #8208CD

RGB 130 8 205

HSL 277.16, 0.92%, 0.42%

LAB 36.61, 72.18, -71.88

 

CMYK 11 / 96 / 0 / 20

HEX #B608CD

RGB 182 8 205

HSL 292.99, 0.92%, 0.42%

LAB 44.98, 79.09, -57.88

 

CMYK 62 / 96 / 0 / 51

HEX #30057E

RGB 48 5 126

HSL 261.32, 0.92%, 0.26%

LAB 16.72, 46.82, -57.11

 

CMYK 61 / 96 / 0 / 35

HEX #4006A6

RGB 64 6 166

HSL 261.75, 0.93%, 0.34%

LAB 23.58, 57.8, -70.52

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 61 / 96 / 0 / 4

HEX #5F0AF4

RGB 95 10 244

HSL 261.79, 0.92%, 0.5%

LAB 36.33, 77.46, -94.82

 

CMYK 51 / 80 / 0 / 4

HEX #7832F6

RGB 120 50 246

HSL 261.43, 0.92%, 0.58%

LAB 42.65, 69.75, -85.41

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 0 / 96 / 53 / 20

HEX #CD0861

RGB 205 8 97

HSL 332.89, 0.92%, 0.42%

LAB 44.26, 70.66, 6.51

 

CMYK 91 / 0 / 96 / 20

HEX #12CD08

RGB 18 205 8

HSL 116.95, 0.92%, 0.42%

LAB 72.1, -72.17, 69.84

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 0 / 62 / 96 / 20

HEX #CD4D08

RGB 205 77 8

HSL 21.02, 0.92%, 0.42%

LAB 49.86, 48.3, 58.32

 

CMYK 96 / 0 / 62 / 20

HEX #08CD4D

RGB 8 205 77

HSL 141.02, 0.92%, 0.42%

LAB 72.4, -68.22, 50.66

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 0 / 96 / 53 / 20

HEX #CD0861

RGB 205 8 97

HSL 332.89, 0.92%, 0.42%

LAB 44.26, 70.66, 6.51

 

CMYK 34 / 0 / 96 / 20

HEX #88CD08

RGB 136 205 8

HSL 81.02, 0.92%, 0.42%

LAB 75.4, -46.02, 73.87

 

CMYK 96 / 0 / 43 / 20

HEX #08CD74

RGB 8 205 116

HSL 152.89, 0.92%, 0.42%

LAB 72.88, -62.37, 32.62

 

CMYK 61 / 96 / 0 / 20

HEX #4F08CD

RGB 79 8 205

HSL 261.62, 0.92%, 0.42%

LAB 30.02, 67.76, -82.98

 

CMYK 0 / 96 / 81 / 20

HEX #CD0826

RGB 205 8 38

HSL 350.86, 0.92%, 0.42%

LAB 43.2, 67.78, 41.33

 

CMYK 34 / 0 / 96 / 20

HEX #88CD08

RGB 136 205 8

HSL 81.02, 0.92%, 0.42%

LAB 75.4, -46.02, 73.87

 

CMYK 96 / 0 / 14 / 20

HEX #08CDB0

RGB 8 205 176

HSL 171.17, 0.92%, 0.42%

LAB 74.09, -48.78, 2.54

 

Description

Color code: HEX #4F08CD | qconv.com Color code: HEX #4F08CD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 8 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 8 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 96 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 96% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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