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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F088A it is the complementary color #B0F775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F088A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F088A shade: #540885, #651A98, #762CAB, #873EBE and #9850D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F088A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F088A shade: #4F088A, #3E0077, #2D0064, #1C0051 and #0B003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F088A shade: #50088B, #73088B, #8B0880, #8B085D and #8B0839

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F088A shade: #50088B, #2C088B, #09088B and #08088B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F088A shade matches the following richer shades: #50088B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F088A shade: #50088B, #4E147F, #4D2073, #4C2C67 and #4B375B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F088A shade: #08088B, #2B088B, #4E088B, #71088B and #8B0882

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F088A shade: #23033D, #390564, #50088B, #660AB2 and #7C0CD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F088A shade: #4F088A, #8B082B and #088B19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F088A shade: #4F088A, #8B4E08 and #088B4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F088A shade: #4F088A, #8B082B, #458B08 and #088B68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F088A shade: #4F088A, #8B0C08, #458B08 and #08878B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 94 / 0 / 46

HEX #4F088A

RGB 79 8 138

HSL 272.77, 0.89%, 0.29%

LAB 22.55, 52.02, -54.91

 

Complementary color

CMYK 29 / 0 / 53 / 3

HEX #B0F775

RGB 176 247 117

HSL 92.77, 0.89%, 0.71%

LAB 90.34, -43.28, 54.91

 

CMYK 37 / 94 / 0 / 48

HEX #540885

RGB 84 8 133

HSL 276.48, 0.89%, 0.28%

LAB 22.83, 51.52, -51.28

 

CMYK 34 / 83 / 0 / 40

HEX #651A98

RGB 101 26 152

HSL 275.71, 0.71%, 0.35%

LAB 28.83, 53.37, -53.16

 

CMYK 31 / 74 / 0 / 33

HEX #762CAB

RGB 118 44 171

HSL 274.96, 0.59%, 0.42%

LAB 35.19, 53.83, -54.21

 

CMYK 29 / 67 / 0 / 25

HEX #873EBE

RGB 135 62 190

HSL 274.22, 0.51%, 0.49%

LAB 41.71, 53.56, -54.78

 

CMYK 27 / 62 / 0 / 18

HEX #9850D1

RGB 152 80 209

HSL 273.49, 0.58%, 0.57%

LAB 48.28, 52.93, -55.09

 

CMYK 43 / 94 / 0 / 46

HEX #4F088A

RGB 79 8 138

HSL 272.77, 0.89%, 0.29%

LAB 22.55, 52.02, -54.91

 

CMYK 48 / 100 / 0 / 53

HEX #3E0077

RGB 62 0 119

HSL 271.26, 1%, 0.23%

LAB 17.25, 47.88, -51.67

 

CMYK 55 / 100 / 0 / 61

HEX #2D0064

RGB 45 0 100

HSL 267, 1%, 0.2%

LAB 12.47, 41.76, -47.24

 

CMYK 65 / 100 / 0 / 68

HEX #1C0051

RGB 28 0 81

HSL 260.74, 1%, 0.16%

LAB 7.6, 35.5, -42.53

 

CMYK 82 / 100 / 0 / 76

HEX #0B003E

RGB 11 0 62

HSL 250.65, 1%, 0.12%

LAB 3.78, 24.56, -35.47

 

CMYK 42 / 94 / 0 / 45

HEX #50088B

RGB 80 8 139

HSL 272.98, 0.89%, 0.29%

LAB 22.8, 52.37, -55.11

 

CMYK 17 / 94 / 0 / 45

HEX #73088B

RGB 115 8 139

HSL 289.01, 0.89%, 0.29%

LAB 28.6, 57.32, -45.41

 

CMYK 0 / 94 / 8 / 45

HEX #8B0880

RGB 139 8 128

HSL 305.04, 0.89%, 0.29%

LAB 32.31, 59.75, -32.35

 

CMYK 0 / 94 / 33 / 45

HEX #8B085D

RGB 139 8 93

HSL 321.07, 0.89%, 0.29%

LAB 30.53, 55.14, -12.73

 

CMYK 0 / 94 / 59 / 45

HEX #8B0839

RGB 139 8 57

HSL 337.56, 0.89%, 0.29%

LAB 29.31, 51.82, 9.4

 

CMYK 42 / 94 / 0 / 45

HEX #50088B

RGB 80 8 139

HSL 272.98, 0.89%, 0.29%

LAB 22.8, 52.37, -55.11

 

CMYK 68 / 94 / 0 / 45

HEX #2C088B

RGB 44 8 139

HSL 256.49, 0.89%, 0.29%

LAB 18.25, 49.07, -62.8

 

CMYK 94 / 94 / 0 / 45

HEX #09088B

RGB 9 8 139

HSL 240.46, 0.89%, 0.29%

LAB 15.98, 47.72, -66.63

 

CMYK 94 / 94 / 0 / 45

HEX #08088B

RGB 8 8 139

HSL 240, 0.89%, 0.29%

LAB 15.95, 47.71, -66.68

 

CMYK 42 / 94 / 0 / 45

HEX #50088B

RGB 80 8 139

HSL 272.98, 0.89%, 0.29%

LAB 22.8, 52.37, -55.11

 

CMYK 42 / 94 / 0 / 45

HEX #50088B

RGB 80 8 139

HSL 272.98, 0.89%, 0.29%

LAB 22.8, 52.37, -55.11

 

CMYK 39 / 84 / 0 / 50

HEX #4E147F

RGB 78 20 127

HSL 272.52, 0.73%, 0.29%

LAB 22.49, 45.89, -48.09

 

CMYK 33 / 72 / 0 / 55

HEX #4D2073

RGB 77 32 115

HSL 272.53, 0.56%, 0.29%

LAB 23.16, 37.44, -39.34

 

CMYK 26 / 57 / 0 / 60

HEX #4C2C67

RGB 76 44 103

HSL 272.54, 0.4%, 0.29%

LAB 24.69, 27.26, -29.15

 

CMYK 18 / 40 / 0 / 64

HEX #4B375B

RGB 75 55 91

HSL 273.33, 0.25%, 0.29%

LAB 26.69, 16.8, -18.22

 

CMYK 94 / 94 / 0 / 45

HEX #08088B

RGB 8 8 139

HSL 240, 0.89%, 0.29%

LAB 15.95, 47.71, -66.68

 

CMYK 69 / 94 / 0 / 45

HEX #2B088B

RGB 43 8 139

HSL 256.03, 0.89%, 0.29%

LAB 18.15, 49.01, -62.96

 

CMYK 44 / 94 / 0 / 45

HEX #4E088B

RGB 78 8 139

HSL 272.06, 0.89%, 0.29%

LAB 22.51, 52.13, -55.62

 

CMYK 19 / 94 / 0 / 45

HEX #71088B

RGB 113 8 139

HSL 288.09, 0.89%, 0.29%

LAB 28.24, 57, -46

 

CMYK 0 / 94 / 6 / 45

HEX #8B0882

RGB 139 8 130

HSL 304.12, 0.89%, 0.29%

LAB 32.42, 60.05, -33.42

 

CMYK 43 / 95 / 0 / 76

HEX #23033D

RGB 35 3 61

HSL 273.1, 0.91%, 0.13%

LAB 6.86, 28.75, -29.63

 

CMYK 43 / 95 / 0 / 61

HEX #390564

RGB 57 5 100

HSL 272.84, 0.9%, 0.21%

LAB 14.95, 41.14, -43.09

 

CMYK 42 / 94 / 0 / 45

HEX #50088B

RGB 80 8 139

HSL 272.98, 0.89%, 0.29%

LAB 22.8, 52.37, -55.11

 

CMYK 43 / 94 / 0 / 30

HEX #660AB2

RGB 102 10 178

HSL 272.86, 0.89%, 0.37%

LAB 30.05, 63.18, -66.89

 

CMYK 43 / 94 / 0 / 15

HEX #7C0CD9

RGB 124 12 217

HSL 272.78, 0.9%, 0.45%

LAB 37.04, 73.51, -78.15

 

CMYK 43 / 94 / 0 / 46

HEX #4F088A

RGB 79 8 138

HSL 272.77, 0.89%, 0.29%

LAB 22.55, 52.02, -54.91

 

CMYK 0 / 94 / 69 / 45

HEX #8B082B

RGB 139 8 43

HSL 343.97, 0.89%, 0.29%

LAB 29, 50.96, 18.38

 

CMYK 94 / 0 / 82 / 45

HEX #088B19

RGB 8 139 25

HSL 127.79, 0.89%, 0.29%

LAB 50.2, -53.24, 47.62

 

CMYK 43 / 94 / 0 / 46

HEX #4F088A

RGB 79 8 138

HSL 272.77, 0.89%, 0.29%

LAB 22.55, 52.02, -54.91

 

CMYK 0 / 44 / 94 / 45

HEX #8B4E08

RGB 139 78 8

HSL 32.06, 0.89%, 0.29%

LAB 39.51, 21.09, 46.33

 

CMYK 94 / 0 / 44 / 45

HEX #088B4E

RGB 8 139 78

HSL 152.06, 0.89%, 0.29%

LAB 50.77, -46.3, 23.91

 

CMYK 43 / 94 / 0 / 46

HEX #4F088A

RGB 79 8 138

HSL 272.77, 0.89%, 0.29%

LAB 22.55, 52.02, -54.91

 

CMYK 0 / 94 / 69 / 45

HEX #8B082B

RGB 139 8 43

HSL 343.97, 0.89%, 0.29%

LAB 29, 50.96, 18.38

 

CMYK 50 / 0 / 94 / 45

HEX #458B08

RGB 69 139 8

HSL 92.06, 0.89%, 0.29%

LAB 51.55, -42.23, 53.34

 

CMYK 94 / 0 / 25 / 45

HEX #088B68

RGB 8 139 104

HSL 163.97, 0.89%, 0.29%

LAB 51.29, -40.37, 9.94

 

CMYK 43 / 94 / 0 / 46

HEX #4F088A

RGB 79 8 138

HSL 272.77, 0.89%, 0.29%

LAB 22.55, 52.02, -54.91

 

CMYK 0 / 91 / 94 / 45

HEX #8B0C08

RGB 139 12 8

HSL 1.83, 0.89%, 0.29%

LAB 28.82, 49.14, 38.64

 

CMYK 50 / 0 / 94 / 45

HEX #458B08

RGB 69 139 8

HSL 92.06, 0.89%, 0.29%

LAB 51.55, -42.23, 53.34

 

CMYK 94 / 3 / 0 / 45

HEX #08878B

RGB 8 135 139

HSL 181.83, 0.89%, 0.29%

LAB 50.97, -28.28, -10.85

 

Description

Color code: HEX #4F088A | qconv.com Color code: HEX #4F088A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 8 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 8 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 94 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 94% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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