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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EF2C6 it is the complementary color #B10D39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EF2C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EF2C6 shade: #53F2C1, #64FFD4, #75FFE7, #86FFFA and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EF2C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EF2C6 shade: #4EF2C6, #3DE0B3, #2CCEA0, #1BBC8D and #0AAA7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EF2C6 shade: #4FF1C6, #4FF19A, #4FF16E, #5CF14F and #87F14F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EF2C6 shade: #4FF1C6, #4FF1F1, #4FC5F1, #4F9AF1 and #4F6EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EF2C6 shade matches the following richer shades: #4FF1C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EF2C6 shade: #4FF1C6, #5EE2BF, #6ED3B8, #7DC3B1 and #8CB4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EF2C6 shade: #4FF16D, #4FF198, #4FF1C3, #4FF1EF and #4FC9F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EF2C6 shade: #10DEA6, #29EEB9, #4FF1C6, #75F4D2 and #9CF7DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EF2C6 shade: #4EF2C6, #4F5DF1 and #F1824F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EF2C6 shade: #4EF2C6, #C34FF1 and #F1C34F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EF2C6 shade: #4EF2C6, #4F5DF1, #F14F7D and #F1E44F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EF2C6 shade: #4EF2C6, #724FF1, #F14F7D and #CEF14F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 18 / 5

HEX #4EF2C6

RGB 78 242 198

HSL 163.9, 0.86%, 0.63%

LAB 86.6, -52.31, 9.01

 

Complementary color

CMYK 0 / 93 / 68 / 31

HEX #B10D39

RGB 177 13 57

HSL 343.9, 0.86%, 0.37%

LAB 37.72, 60.89, 22.04

 

CMYK 66 / 0 / 20 / 5

HEX #53F2C1

RGB 83 242 193

HSL 161.51, 0.86%, 0.64%

LAB 86.6, -52.7, 11.63

 

CMYK 61 / 0 / 17 / 0

HEX #64FFD4

RGB 100 255 212

HSL 163.35, 1%, 0.7%

LAB 91.23, -50.9, 8.44

 

CMYK 54 / 0 / 9 / 0

HEX #75FFE7

RGB 117 255 231

HSL 169.57, 1%, 0.73%

LAB 92.16, -43.3, 0.04

 

CMYK 47 / 0 / 2 / 0

HEX #86FFFA

RGB 134 255 250

HSL 177.52, 1%, 0.76%

LAB 93.23, -35.22, -8.16

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 68 / 0 / 18 / 5

HEX #4EF2C6

RGB 78 242 198

HSL 163.9, 0.86%, 0.63%

LAB 86.6, -52.31, 9.01

 

CMYK 73 / 0 / 20 / 12

HEX #3DE0B3

RGB 61 224 179

HSL 163.44, 0.72%, 0.56%

LAB 80.49, -51.77, 10.21

 

CMYK 79 / 0 / 22 / 19

HEX #2CCEA0

RGB 44 206 160

HSL 162.96, 0.65%, 0.49%

LAB 74.33, -50.99, 11.53

 

CMYK 86 / 0 / 25 / 26

HEX #1BBC8D

RGB 27 188 141

HSL 162.48, 0.75%, 0.42%

LAB 68.11, -49.88, 12.98

 

CMYK 94 / 0 / 28 / 33

HEX #0AAA7A

RGB 10 170 122

HSL 162, 0.89%, 0.35%

LAB 61.84, -48.33, 14.59

 

CMYK 67 / 0 / 18 / 5

HEX #4FF1C6

RGB 79 241 198

HSL 164.07, 0.85%, 0.63%

LAB 86.33, -51.75, 8.63

 

CMYK 67 / 0 / 36 / 5

HEX #4FF19A

RGB 79 241 154

HSL 147.78, 0.85%, 0.63%

LAB 85.46, -61.02, 30.09

 

CMYK 67 / 0 / 54 / 5

HEX #4FF16E

RGB 79 241 110

HSL 131.48, 0.85%, 0.63%

LAB 84.84, -67.96, 50.66

 

CMYK 62 / 0 / 67 / 5

HEX #5CF14F

RGB 92 241 79

HSL 115.19, 0.85%, 0.63%

LAB 84.87, -68.78, 63.9

 

CMYK 44 / 0 / 67 / 5

HEX #87F14F

RGB 135 241 79

HSL 99.26, 0.85%, 0.63%

LAB 86.32, -57.61, 65.87

 

CMYK 67 / 0 / 18 / 5

HEX #4FF1C6

RGB 79 241 198

HSL 164.07, 0.85%, 0.63%

LAB 86.33, -51.75, 8.63

 

CMYK 67 / 0 / 0 / 5

HEX #4FF1F1

RGB 79 241 241

HSL 180, 0.85%, 0.63%

LAB 87.45, -40.78, -12.24

 

CMYK 67 / 18 / 0 / 5

HEX #4FC5F1

RGB 79 197 241

HSL 196.3, 0.85%, 0.63%

LAB 74.79, -19.58, -31.45

 

CMYK 67 / 36 / 0 / 5

HEX #4F9AF1

RGB 79 154 241

HSL 212.22, 0.85%, 0.63%

LAB 62.61, 4.05, -50.48

 

CMYK 67 / 54 / 0 / 5

HEX #4F6EF1

RGB 79 110 241

HSL 228.52, 0.85%, 0.63%

LAB 50.88, 30.7, -69.29

 

CMYK 67 / 0 / 18 / 5

HEX #4FF1C6

RGB 79 241 198

HSL 164.07, 0.85%, 0.63%

LAB 86.33, -51.75, 8.63

 

CMYK 67 / 0 / 18 / 5

HEX #4FF1C6

RGB 79 241 198

HSL 164.07, 0.85%, 0.63%

LAB 86.33, -51.75, 8.63

 

CMYK 58 / 0 / 15 / 11

HEX #5EE2BF

RGB 94 226 191

HSL 164.09, 0.69%, 0.63%

LAB 82.13, -44.51, 6.32

 

CMYK 48 / 0 / 13 / 17

HEX #6ED3B8

RGB 110 211 184

HSL 163.96, 0.53%, 0.63%

LAB 78.09, -36, 4.28

 

CMYK 36 / 0 / 9 / 24

HEX #7DC3B1

RGB 125 195 177

HSL 164.57, 0.37%, 0.63%

LAB 73.91, -26.09, 2.08

 

CMYK 22 / 0 / 6 / 29

HEX #8CB4A9

RGB 140 180 169

HSL 163.5, 0.21%, 0.63%

LAB 70.23, -15.73, 1.2

 

CMYK 67 / 0 / 55 / 5

HEX #4FF16D

RGB 79 241 109

HSL 131.11, 0.85%, 0.63%

LAB 84.83, -68.09, 51.1

 

CMYK 67 / 0 / 37 / 5

HEX #4FF198

RGB 79 241 152

HSL 147.04, 0.85%, 0.63%

LAB 85.42, -61.39, 31.06

 

CMYK 67 / 0 / 19 / 5

HEX #4FF1C3

RGB 79 241 195

HSL 162.96, 0.85%, 0.63%

LAB 86.26, -52.45, 10.09

 

CMYK 67 / 0 / 1 / 5

HEX #4FF1EF

RGB 79 241 239

HSL 179.26, 0.85%, 0.63%

LAB 87.39, -41.32, -11.28

 

CMYK 67 / 17 / 0 / 5

HEX #4FC9F1

RGB 79 201 241

HSL 194.81, 0.85%, 0.63%

LAB 75.94, -21.63, -29.68

 

CMYK 93 / 0 / 25 / 13

HEX #10DEA6

RGB 16 222 166

HSL 163.69, 0.87%, 0.47%

LAB 79.1, -57.73, 15.04

 

CMYK 83 / 0 / 22 / 7

HEX #29EEB9

RGB 41 238 185

HSL 163.86, 0.85%, 0.55%

LAB 84.55, -57.93, 12.79

 

CMYK 67 / 0 / 18 / 5

HEX #4FF1C6

RGB 79 241 198

HSL 164.07, 0.85%, 0.63%

LAB 86.33, -51.75, 8.63

 

CMYK 52 / 0 / 14 / 4

HEX #75F4D2

RGB 117 244 210

HSL 163.94, 0.85%, 0.71%

LAB 88.51, -43.34, 5.64

 

CMYK 37 / 0 / 10 / 3

HEX #9CF7DF

RGB 156 247 223

HSL 164.18, 0.85%, 0.79%

LAB 91.2, -32.45, 2.96

 

CMYK 68 / 0 / 18 / 5

HEX #4EF2C6

RGB 78 242 198

HSL 163.9, 0.86%, 0.63%

LAB 86.6, -52.31, 9.01

 

CMYK 67 / 61 / 0 / 5

HEX #4F5DF1

RGB 79 93 241

HSL 234.81, 0.85%, 0.63%

LAB 46.77, 41.11, -75.98

 

CMYK 0 / 46 / 67 / 5

HEX #F1824F

RGB 241 130 79

HSL 18.89, 0.85%, 0.63%

LAB 65.93, 38.48, 45.93

 

CMYK 68 / 0 / 18 / 5

HEX #4EF2C6

RGB 78 242 198

HSL 163.9, 0.86%, 0.63%

LAB 86.6, -52.31, 9.01

 

CMYK 19 / 67 / 0 / 5

HEX #C34FF1

RGB 195 79 241

HSL 282.96, 0.85%, 0.63%

LAB 55.63, 69.59, -61.08

 

CMYK 0 / 19 / 67 / 5

HEX #F1C34F

RGB 241 195 79

HSL 42.96, 0.85%, 0.63%

LAB 80.9, 4.46, 62.34

 

CMYK 68 / 0 / 18 / 5

HEX #4EF2C6

RGB 78 242 198

HSL 163.9, 0.86%, 0.63%

LAB 86.6, -52.31, 9.01

 

CMYK 67 / 61 / 0 / 5

HEX #4F5DF1

RGB 79 93 241

HSL 234.81, 0.85%, 0.63%

LAB 46.77, 41.11, -75.98

 

CMYK 0 / 67 / 48 / 5

HEX #F14F7D

RGB 241 79 125

HSL 342.96, 0.85%, 0.63%

LAB 57.82, 64.97, 9.7

 

CMYK 0 / 5 / 67 / 5

HEX #F1E44F

RGB 241 228 79

HSL 55.19, 0.85%, 0.63%

LAB 89.28, -12.29, 70.98

 

CMYK 68 / 0 / 18 / 5

HEX #4EF2C6

RGB 78 242 198

HSL 163.9, 0.86%, 0.63%

LAB 86.6, -52.31, 9.01

 

CMYK 53 / 67 / 0 / 5

HEX #724FF1

RGB 114 79 241

HSL 252.96, 0.85%, 0.63%

LAB 46.34, 54.25, -76.58

 

CMYK 0 / 67 / 48 / 5

HEX #F14F7D

RGB 241 79 125

HSL 342.96, 0.85%, 0.63%

LAB 57.82, 64.97, 9.7

 

CMYK 15 / 0 / 67 / 5

HEX #CEF14F

RGB 206 241 79

HSL 72.96, 0.85%, 0.63%

LAB 90.14, -32.6, 71.02

 

Description

Color code: HEX #4EF2C6 | qconv.com Color code: HEX #4EF2C6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 242 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 242 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 18 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 18% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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