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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ED9C7 it is the complementary color #B12638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ED9C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ED9C7 shade: #53D9C2, #64EBD5, #75FDE8, #86FFFB and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ED9C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ED9C7 shade: #4ED9C7, #3DC7B4, #2CB5A1, #1BA38E and #0A917B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ED9C7 shade: #4ED9C7, #4ED9A1, #4ED97C, #4ED956 and #6BD94E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ED9C7 shade: #4ED9C7, #4EC5D9, #4EA0D9, #4E7AD9 and #4E55D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ED9C7 shade matches the following richer shades: #4ED9C7, #3CEAD4 and #2BFCE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ED9C7 shade: #4ED9C7, #5FC8BA, #70B6AD, #82A5A0 and #939494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ED9C7 shade: #4ED97C, #4ED9A1, #4ED9C6, #4EC6D9 and #4EA1D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ED9C7 shade: #25AF9E, #2CD1BC, #4ED9C7, #70E0D2 and #92E7DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ED9C7 shade: #4ED9C7, #574ED9 and #D98F4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ED9C7 shade: #4ED9C7, #C64ED9 and #D9C64E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ED9C7 shade: #4ED9C7, #574ED9, #D94E60 and #D0D94E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ED9C7 shade: #4ED9C7, #814ED9, #D94E60 and #A6D94E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

Complementary color

CMYK 0 / 79 / 68 / 31

HEX #B12638

RGB 177 38 56

HSL 352.23, 0.65%, 0.42%

LAB 39.61, 55.38, 25.04

 

CMYK 62 / 0 / 11 / 15

HEX #53D9C2

RGB 83 217 194

HSL 169.7, 0.64%, 0.59%

LAB 79.25, -41.83, 0.51

 

CMYK 57 / 0 / 9 / 8

HEX #64EBD5

RGB 100 235 213

HSL 170.22, 0.77%, 0.66%

LAB 85.47, -42.05, -0.41

 

CMYK 54 / 0 / 8 / 1

HEX #75FDE8

RGB 117 253 232

HSL 170.74, 0.97%, 0.73%

LAB 91.62, -42.17, -1.27

 

CMYK 47 / 0 / 2 / 0

HEX #86FFFB

RGB 134 255 251

HSL 178.02, 1%, 0.76%

LAB 93.26, -34.97, -8.64

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 69 / 0 / 10 / 22

HEX #3DC7B4

RGB 61 199 180

HSL 171.74, 0.55%, 0.51%

LAB 72.98, -40.9, -1.17

 

CMYK 76 / 0 / 11 / 29

HEX #2CB5A1

RGB 44 181 161

HSL 171.24, 0.61%, 0.44%

LAB 66.64, -40.19, -0.08

 

CMYK 83 / 0 / 13 / 36

HEX #1BA38E

RGB 27 163 142

HSL 170.74, 0.72%, 0.37%

LAB 60.23, -39.17, 1.15

 

CMYK 93 / 0 / 15 / 43

HEX #0A917B

RGB 10 145 123

HSL 170.22, 0.87%, 0.3%

LAB 53.76, -37.71, 2.54

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 64 / 0 / 26 / 15

HEX #4ED9A1

RGB 78 217 161

HSL 155.83, 0.65%, 0.58%

LAB 78.36, -50.43, 16.76

 

CMYK 64 / 0 / 43 / 15

HEX #4ED97C

RGB 78 217 124

HSL 139.86, 0.65%, 0.58%

LAB 77.7, -57.52, 35.01

 

CMYK 64 / 0 / 60 / 15

HEX #4ED956

RGB 78 217 86

HSL 123.45, 0.65%, 0.58%

LAB 77.23, -62.82, 52.5

 

CMYK 51 / 0 / 64 / 15

HEX #6BD94E

RGB 107 217 78

HSL 107.48, 0.65%, 0.58%

LAB 78.05, -56.66, 57.07

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 64 / 9 / 0 / 15

HEX #4EC5D9

RGB 78 197 217

HSL 188.63, 0.65%, 0.58%

LAB 73.91, -27.01, -19.83

 

CMYK 64 / 26 / 0 / 15

HEX #4EA0D9

RGB 78 160 217

HSL 204.6, 0.65%, 0.58%

LAB 63.15, -7.55, -36.38

 

CMYK 64 / 44 / 0 / 15

HEX #4E7AD9

RGB 78 122 217

HSL 221.01, 0.65%, 0.58%

LAB 52.45, 14.83, -53.28

 

CMYK 64 / 61 / 0 / 15

HEX #4E55D9

RGB 78 85 217

HSL 236.98, 0.65%, 0.58%

LAB 42.95, 37.81, -68.62

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 74 / 0 / 9 / 8

HEX #3CEAD4

RGB 60 234 212

HSL 172.41, 0.81%, 0.58%

LAB 84.26, -47.8, -1.77

 

CMYK 83 / 0 / 11 / 1

HEX #2BFCE1

RGB 43 252 225

HSL 172.25, 0.97%, 0.58%

LAB 89.66, -53.43, -0.69

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 53 / 0 / 7 / 22

HEX #5FC8BA

RGB 95 200 186

HSL 172, 0.49%, 0.58%

LAB 74.37, -33.78, -2.28

 

CMYK 38 / 0 / 5 / 29

HEX #70B6AD

RGB 112 182 173

HSL 172.29, 0.32%, 0.58%

LAB 69.41, -24.15, -2.38

 

CMYK 21 / 0 / 3 / 35

HEX #82A5A0

RGB 130 165 160

HSL 171.43, 0.16%, 0.58%

LAB 65.12, -13.01, -1.36

 

CMYK 1 / 0 / 0 / 42

HEX #939494

RGB 147 148 148

HSL 180, 0%, 0.58%

LAB 61.24, -0.36, -0.13

 

CMYK 64 / 0 / 43 / 15

HEX #4ED97C

RGB 78 217 124

HSL 139.86, 0.65%, 0.58%

LAB 77.7, -57.52, 35.01

 

CMYK 64 / 0 / 26 / 15

HEX #4ED9A1

RGB 78 217 161

HSL 155.83, 0.65%, 0.58%

LAB 78.36, -50.43, 16.76

 

CMYK 64 / 0 / 9 / 15

HEX #4ED9C6

RGB 78 217 198

HSL 171.8, 0.65%, 0.58%

LAB 79.23, -41.64, -1.67

 

CMYK 64 / 9 / 0 / 15

HEX #4EC6D9

RGB 78 198 217

HSL 188.2, 0.65%, 0.58%

LAB 74.2, -27.5, -19.39

 

CMYK 64 / 26 / 0 / 15

HEX #4EA1D9

RGB 78 161 217

HSL 204.17, 0.65%, 0.58%

LAB 63.44, -8.11, -35.93

 

CMYK 79 / 0 / 10 / 31

HEX #25AF9E

RGB 37 175 158

HSL 172.61, 0.65%, 0.42%

LAB 64.58, -39.11, -1.44

 

CMYK 79 / 0 / 10 / 18

HEX #2CD1BC

RGB 44 209 188

HSL 172.36, 0.65%, 0.5%

LAB 75.93, -45.11, -1.22

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 50 / 0 / 6 / 12

HEX #70E0D2

RGB 112 224 210

HSL 172.5, 0.64%, 0.66%

LAB 82.6, -35.38, -2.99

 

CMYK 37 / 0 / 5 / 9

HEX #92E7DC

RGB 146 231 220

HSL 172.24, 0.64%, 0.74%

LAB 86.22, -28.17, -2.79

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 60 / 64 / 0 / 15

HEX #574ED9

RGB 87 78 217

HSL 243.88, 0.65%, 0.58%

LAB 41.98, 43.37, -70.19

 

CMYK 0 / 34 / 64 / 15

HEX #D98F4E

RGB 217 143 78

HSL 28.06, 0.65%, 0.58%

LAB 65.71, 21.92, 45.37

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 9 / 64 / 0 / 15

HEX #C64ED9

RGB 198 78 217

HSL 291.8, 0.65%, 0.58%

LAB 54.52, 66.12, -49.33

 

CMYK 0 / 9 / 64 / 15

HEX #D9C64E

RGB 217 198 78

HSL 51.8, 0.65%, 0.58%

LAB 79.44, -7.24, 60.54

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 60 / 64 / 0 / 15

HEX #574ED9

RGB 87 78 217

HSL 243.88, 0.65%, 0.58%

LAB 41.98, 43.37, -70.19

 

CMYK 0 / 64 / 56 / 15

HEX #D94E60

RGB 217 78 96

HSL 352.23, 0.65%, 0.58%

LAB 53, 55.61, 19.57

 

CMYK 4 / 0 / 64 / 15

HEX #D0D94E

RGB 208 217 78

HSL 63.88, 0.65%, 0.58%

LAB 83.75, -20.49, 64.86

 

CMYK 64 / 0 / 8 / 15

HEX #4ED9C7

RGB 78 217 199

HSL 172.23, 0.65%, 0.58%

LAB 79.25, -41.38, -2.17

 

CMYK 41 / 64 / 0 / 15

HEX #814ED9

RGB 129 78 217

HSL 262.01, 0.65%, 0.58%

LAB 45.81, 50.95, -63.79

 

CMYK 0 / 64 / 56 / 15

HEX #D94E60

RGB 217 78 96

HSL 352.23, 0.65%, 0.58%

LAB 53, 55.61, 19.57

 

CMYK 24 / 0 / 64 / 15

HEX #A6D94E

RGB 166 217 78

HSL 82.01, 0.65%, 0.58%

LAB 80.9, -37.08, 60.98

 

Description

Color code: HEX #4ED9C7 | qconv.com Color code: HEX #4ED9C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 217 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 217 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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