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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EC582 it is the complementary color #B13A7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EC582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EC582 shade: #53C57D, #64D790, #75E9A3, #86FBB6 and #97FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EC582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EC582 shade: #4EC582, #3DB36F, #2CA15C, #1B8F49 and #0A7D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EC582 shade: #4DC582, #4DC561, #5AC54D, #7AC54D and #9AC54D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EC582 shade: #4DC582, #4DC5A2, #4DC5C2, #4DA8C5 and #4D87C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EC582 shade matches the following richer shades: #4DC582, #3AD87F, #27EB7D and #14FE7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EC582 shade: #4DC582, #60B284, #739F86, #868C89 and #99798B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EC582 shade: #59C54D, #4DC561, #4DC581, #4DC5A1 and #4DC5C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EC582 shade: #2F915A, #39B06D, #4DC582, #6DCF98 and #8CD9AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EC582 shade: #4EC582, #4D79C5 and #C5514D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EC582 shade: #4EC582, #814DC5 and #C5814D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EC582 shade: #4EC582, #4D79C5, #C54D91 and #C5994D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EC582 shade: #4EC582, #4D55C5, #C54D91 and #C5BD4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 34 / 23

HEX #4EC582

RGB 78 197 130

HSL 146.22, 0.51%, 0.54%

LAB 71.67, -48.63, 23.93

 

Complementary color

CMYK 0 / 67 / 29 / 31

HEX #B13A7D

RGB 177 58 125

HSL 326.22, 0.51%, 0.46%

LAB 44.02, 54.41, -11.78

 

CMYK 58 / 0 / 37 / 23

HEX #53C57D

RGB 83 197 125

HSL 142.11, 0.5%, 0.55%

LAB 71.73, -48.49, 26.67

 

CMYK 53 / 0 / 33 / 16

HEX #64D790

RGB 100 215 144

HSL 142.96, 0.59%, 0.62%

LAB 78.07, -48.48, 25.37

 

CMYK 50 / 0 / 30 / 9

HEX #75E9A3

RGB 117 233 163

HSL 143.79, 0.73%, 0.69%

LAB 84.33, -48.37, 24.15

 

CMYK 47 / 0 / 27 / 2

HEX #86FBB6

RGB 134 251 182

HSL 144.62, 0.94%, 0.75%

LAB 90.52, -48.2, 23.02

 

CMYK 41 / 0 / 21 / 0

HEX #97FFC9

RGB 151 255 201

HSL 148.85, 1%, 0.8%

LAB 92.71, -41.92, 16.46

 

CMYK 60 / 0 / 34 / 23

HEX #4EC582

RGB 78 197 130

HSL 146.22, 0.51%, 0.54%

LAB 71.67, -48.63, 23.93

 

CMYK 66 / 0 / 38 / 30

HEX #3DB36F

RGB 61 179 111

HSL 145.42, 0.49%, 0.47%

LAB 65.26, -48.41, 25.34

 

CMYK 73 / 0 / 43 / 37

HEX #2CA15C

RGB 44 161 92

HSL 144.62, 0.57%, 0.4%

LAB 58.79, -47.93, 26.88

 

CMYK 81 / 0 / 49 / 44

HEX #1B8F49

RGB 27 143 73

HSL 143.79, 0.68%, 0.33%

LAB 52.24, -47.01, 28.55

 

CMYK 92 / 0 / 57 / 51

HEX #0A7D36

RGB 10 125 54

HSL 142.96, 0.85%, 0.26%

LAB 45.63, -45.4, 30.34

 

CMYK 61 / 0 / 34 / 23

HEX #4DC582

RGB 77 197 130

HSL 146.5, 0.51%, 0.54%

LAB 71.64, -48.84, 23.89

 

CMYK 61 / 0 / 51 / 23

HEX #4DC561

RGB 77 197 97

HSL 130, 0.51%, 0.54%

LAB 71.13, -54.4, 40.13

 

CMYK 54 / 0 / 61 / 23

HEX #5AC54D

RGB 90 197 77

HSL 113.5, 0.51%, 0.54%

LAB 71.31, -53.77, 49.82

 

CMYK 38 / 0 / 61 / 23

HEX #7AC54D

RGB 122 197 77

HSL 97.5, 0.51%, 0.54%

LAB 72.63, -44.15, 51.66

 

CMYK 22 / 0 / 61 / 23

HEX #9AC54D

RGB 154 197 77

HSL 81.5, 0.51%, 0.54%

LAB 74.41, -32.56, 54.13

 

CMYK 61 / 0 / 34 / 23

HEX #4DC582

RGB 77 197 130

HSL 146.5, 0.51%, 0.54%

LAB 71.64, -48.84, 23.89

 

CMYK 61 / 0 / 18 / 23

HEX #4DC5A2

RGB 77 197 162

HSL 162.5, 0.51%, 0.54%

LAB 72.31, -41.92, 7.67

 

CMYK 61 / 0 / 2 / 23

HEX #4DC5C2

RGB 77 197 194

HSL 178.5, 0.51%, 0.54%

LAB 73.16, -33.72, -8.48

 

CMYK 61 / 15 / 0 / 23

HEX #4DA8C5

RGB 77 168 197

HSL 194.5, 0.51%, 0.54%

LAB 64.66, -18.4, -22.95

 

CMYK 61 / 31 / 0 / 23

HEX #4D87C5

RGB 77 135 197

HSL 211, 0.51%, 0.54%

LAB 55.01, 0.01, -37.91

 

CMYK 61 / 0 / 34 / 23

HEX #4DC582

RGB 77 197 130

HSL 146.5, 0.51%, 0.54%

LAB 71.64, -48.84, 23.89

 

CMYK 73 / 0 / 41 / 15

HEX #3AD87F

RGB 58 216 127

HSL 146.2, 0.67%, 0.54%

LAB 77.01, -59.96, 32.51

 

CMYK 83 / 0 / 47 / 8

HEX #27EB7D

RGB 39 235 125

HSL 146.33, 0.83%, 0.54%

LAB 82.56, -69.01, 40.6

 

CMYK 92 / 0 / 52 / 0

HEX #14FE7A

RGB 20 254 122

HSL 146.15, 0.99%, 0.54%

LAB 88.18, -76.73, 49.01

 

CMYK 61 / 0 / 34 / 23

HEX #4DC582

RGB 77 197 130

HSL 146.5, 0.51%, 0.54%

LAB 71.64, -48.84, 23.89

 

CMYK 46 / 0 / 26 / 30

HEX #60B284

RGB 96 178 132

HSL 146.34, 0.35%, 0.54%

LAB 66.51, -35.7, 15.9

 

CMYK 28 / 0 / 16 / 38

HEX #739F86

RGB 115 159 134

HSL 145.91, 0.19%, 0.54%

LAB 61.79, -20.3, 8.29

 

CMYK 4 / 0 / 2 / 45

HEX #868C89

RGB 134 140 137

HSL 150, 0.03%, 0.54%

LAB 57.68, -2.79, 0.83

 

CMYK 0 / 21 / 9 / 40

HEX #99798B

RGB 153 121 139

HSL 326.25, 0.14%, 0.54%

LAB 54.36, 15.53, -5.02

 

CMYK 55 / 0 / 61 / 23

HEX #59C54D

RGB 89 197 77

HSL 114, 0.51%, 0.54%

LAB 71.28, -54.03, 49.77

 

CMYK 61 / 0 / 51 / 23

HEX #4DC561

RGB 77 197 97

HSL 130, 0.51%, 0.54%

LAB 71.13, -54.4, 40.13

 

CMYK 61 / 0 / 35 / 23

HEX #4DC581

RGB 77 197 129

HSL 146, 0.51%, 0.54%

LAB 71.62, -49.03, 24.4

 

CMYK 61 / 0 / 18 / 23

HEX #4DC5A1

RGB 77 197 161

HSL 162, 0.51%, 0.54%

LAB 72.28, -42.16, 8.17

 

CMYK 61 / 0 / 2 / 23

HEX #4DC5C1

RGB 77 197 193

HSL 178, 0.51%, 0.54%

LAB 73.13, -33.99, -7.98

 

CMYK 68 / 0 / 38 / 43

HEX #2F915A

RGB 47 145 90

HSL 146.33, 0.51%, 0.38%

LAB 53.59, -41.41, 21.13

 

CMYK 68 / 0 / 38 / 31

HEX #39B06D

RGB 57 176 109

HSL 146.22, 0.51%, 0.46%

LAB 64.18, -48.35, 24.95

 

CMYK 61 / 0 / 34 / 23

HEX #4DC582

RGB 77 197 130

HSL 146.5, 0.51%, 0.54%

LAB 71.64, -48.84, 23.89

 

CMYK 47 / 0 / 27 / 19

HEX #6DCF98

RGB 109 207 152

HSL 146.33, 0.51%, 0.62%

LAB 76.16, -41.3, 18.6

 

CMYK 35 / 0 / 20 / 15

HEX #8CD9AE

RGB 140 217 174

HSL 146.49, 0.5%, 0.7%

LAB 80.88, -32.96, 13.76

 

CMYK 60 / 0 / 34 / 23

HEX #4EC582

RGB 78 197 130

HSL 146.22, 0.51%, 0.54%

LAB 71.67, -48.63, 23.93

 

CMYK 61 / 39 / 0 / 23

HEX #4D79C5

RGB 77 121 197

HSL 218, 0.51%, 0.54%

LAB 51.02, 8.41, -44.21

 

CMYK 0 / 59 / 61 / 23

HEX #C5514D

RGB 197 81 77

HSL 2, 0.51%, 0.54%

LAB 49.85, 46.1, 26.05

 

CMYK 60 / 0 / 34 / 23

HEX #4EC582

RGB 78 197 130

HSL 146.22, 0.51%, 0.54%

LAB 71.67, -48.63, 23.93

 

CMYK 35 / 61 / 0 / 23

HEX #814DC5

RGB 129 77 197

HSL 266, 0.51%, 0.54%

LAB 44.24, 46.33, -54.81

 

CMYK 0 / 35 / 61 / 23

HEX #C5814D

RGB 197 129 77

HSL 26, 0.51%, 0.54%

LAB 59.98, 21.09, 38.58

HEX #C5814D

CMYK 60 / 0 / 34 / 23

HEX #4EC582

RGB 78 197 130

HSL 146.22, 0.51%, 0.54%

LAB 71.67, -48.63, 23.93

 

CMYK 61 / 39 / 0 / 23

HEX #4D79C5

RGB 77 121 197

HSL 218, 0.51%, 0.54%

LAB 51.02, 8.41, -44.21

 

CMYK 0 / 61 / 26 / 23

HEX #C54D91

RGB 197 77 145

HSL 326, 0.51%, 0.54%

LAB 50.95, 54.84, -13.07

 

CMYK 0 / 22 / 61 / 23

HEX #C5994D

RGB 197 153 77

HSL 38, 0.51%, 0.54%

LAB 65.9, 7.95, 45.5

 

CMYK 60 / 0 / 34 / 23

HEX #4EC582

RGB 78 197 130

HSL 146.22, 0.51%, 0.54%

LAB 71.67, -48.63, 23.93

 

CMYK 61 / 57 / 0 / 23

HEX #4D55C5

RGB 77 85 197

HSL 236, 0.51%, 0.54%

LAB 41.38, 30.94, -59.66

 

CMYK 0 / 61 / 26 / 23

HEX #C54D91

RGB 197 77 145

HSL 326, 0.51%, 0.54%

LAB 50.95, 54.84, -13.07

 

CMYK 0 / 4 / 61 / 23

HEX #C5BD4D

RGB 197 189 77

HSL 56, 0.51%, 0.54%

LAB 75.33, -11.12, 56.04

 

Description

Color code: HEX #4EC582 | qconv.com Color code: HEX #4EC582 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 197 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 197 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 34 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 34% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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