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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EAB78 it is the complementary color #B15487. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EAB78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EAB78 shade: #53AB73, #64BD86, #75CF99, #86E1AC and #97F3BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EAB78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EAB78 shade: #4EAB78, #3D9965, #2C8752, #1B753F and #0A632C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EAB78 shade: #4EAB78, #4EAB5F, #56AB4E, #6FAB4E and #88AB4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EAB78 shade: #4EAB78, #4EAB91, #4EABAA, #4E93AB and #4E7AAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EAB78 shade matches the following richer shades: #4EAB78, #3ABF76, #26D374 and #12E772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EAB78 shade: #4EAB78, #62967A, #77827C, #8B6E7E and #9F5A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EAB78 shade: #56AB4E, #4EAB5F, #4EAB78, #4EAB90 and #4EABA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EAB78 shade: #347250, #418E64, #4EAB78, #69BA8D and #85C7A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EAB78 shade: #4EAB78, #4E6FAB and #AB534E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EAB78 shade: #4EAB78, #784EAB and #AB784E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EAB78 shade: #4EAB78, #4E6FAB, #AB4E81 and #AB8A4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EAB78 shade: #4EAB78, #4E53AB, #AB4E81 and #ABA64E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

Complementary color

CMYK 0 / 53 / 24 / 31

HEX #B15487

RGB 177 84 135

HSL 327.1, 0.37%, 0.51%

LAB 48.81, 43.88, -10.63

 

CMYK 51 / 0 / 33 / 33

HEX #53AB73

RGB 83 171 115

HSL 141.82, 0.35%, 0.5%

LAB 63.51, -39.37, 20.95

 

CMYK 47 / 0 / 29 / 26

HEX #64BD86

RGB 100 189 134

HSL 142.92, 0.4%, 0.57%

LAB 70.05, -39.2, 19.73

 

CMYK 43 / 0 / 26 / 19

HEX #75CF99

RGB 117 207 153

HSL 144, 0.48%, 0.64%

LAB 76.5, -38.98, 18.6

 

CMYK 40 / 0 / 24 / 12

HEX #86E1AC

RGB 134 225 172

HSL 145.05, 0.6%, 0.7%

LAB 82.86, -38.73, 17.55

 

CMYK 38 / 0 / 21 / 5

HEX #97F3BF

RGB 151 243 191

HSL 146.09, 0.79%, 0.77%

LAB 89.13, -38.48, 16.57

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 60 / 0 / 34 / 40

HEX #3D9965

RGB 61 153 101

HSL 146.09, 0.43%, 0.42%

LAB 56.8, -39.64, 19.41

 

CMYK 67 / 0 / 39 / 47

HEX #2C8752

RGB 44 135 82

HSL 145.05, 0.51%, 0.35%

LAB 50.06, -39.44, 20.88

 

CMYK 77 / 0 / 46 / 54

HEX #1B753F

RGB 27 117 63

HSL 144, 0.63%, 0.28%

LAB 43.23, -38.87, 22.52

 

CMYK 90 / 0 / 56 / 61

HEX #0A632C

RGB 10 99 44

HSL 142.92, 0.82%, 0.21%

LAB 36.31, -37.61, 24.33

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 54 / 0 / 44 / 33

HEX #4EAB5F

RGB 78 171 95

HSL 130.97, 0.37%, 0.49%

LAB 62.99, -44.21, 30.91

 

CMYK 50 / 0 / 54 / 33

HEX #56AB4E

RGB 86 171 78

HSL 114.84, 0.37%, 0.49%

LAB 63.06, -44.48, 39.69

 

CMYK 35 / 0 / 54 / 33

HEX #6FAB4E

RGB 111 171 78

HSL 98.71, 0.37%, 0.49%

LAB 64.21, -36.44, 41.34

 

CMYK 20 / 0 / 54 / 33

HEX #88AB4E

RGB 136 171 78

HSL 82.58, 0.37%, 0.49%

LAB 65.68, -27.11, 43.44

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 54 / 0 / 15 / 33

HEX #4EAB91

RGB 78 171 145

HSL 163.23, 0.37%, 0.49%

LAB 63.99, -34.04, 5.06

 

CMYK 54 / 0 / 1 / 33

HEX #4EABAA

RGB 78 171 170

HSL 179.35, 0.37%, 0.49%

LAB 64.68, -27.58, -7.87

 

CMYK 54 / 14 / 0 / 33

HEX #4E93AB

RGB 78 147 171

HSL 195.48, 0.37%, 0.49%

LAB 57.49, -14.85, -19.27

 

CMYK 54 / 29 / 0 / 33

HEX #4E7AAB

RGB 78 122 171

HSL 211.61, 0.37%, 0.49%

LAB 50.07, -0.6, -30.71

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 70 / 0 / 38 / 25

HEX #3ABF76

RGB 58 191 118

HSL 147.07, 0.53%, 0.49%

LAB 69.09, -52.3, 26.72

 

CMYK 82 / 0 / 45 / 17

HEX #26D374

RGB 38 211 116

HSL 147.05, 0.69%, 0.49%

LAB 74.99, -62.52, 35.39

 

CMYK 92 / 0 / 51 / 9

HEX #12E772

RGB 18 231 114

HSL 147.04, 0.86%, 0.49%

LAB 81.01, -70.82, 43.94

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 35 / 0 / 19 / 41

HEX #62967A

RGB 98 150 122

HSL 147.69, 0.21%, 0.49%

LAB 57.86, -23.69, 9.33

 

CMYK 8 / 0 / 5 / 49

HEX #77827C

RGB 119 130 124

HSL 147.27, 0.04%, 0.49%

LAB 53.32, -5.28, 1.85

 

CMYK 0 / 21 / 9 / 45

HEX #8B6E7E

RGB 139 110 126

HSL 326.9, 0.12%, 0.49%

LAB 49.67, 14.26, -4.46

 

CMYK 0 / 43 / 19 / 38

HEX #9F5A80

RGB 159 90 128

HSL 326.96, 0.28%, 0.49%

LAB 47.29, 33.5, -8.95

 

CMYK 50 / 0 / 54 / 33

HEX #56AB4E

RGB 86 171 78

HSL 114.84, 0.37%, 0.49%

LAB 63.06, -44.48, 39.69

 

CMYK 54 / 0 / 44 / 33

HEX #4EAB5F

RGB 78 171 95

HSL 130.97, 0.37%, 0.49%

LAB 62.99, -44.21, 30.91

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 54 / 0 / 16 / 33

HEX #4EAB90

RGB 78 171 144

HSL 162.58, 0.37%, 0.49%

LAB 63.97, -34.28, 5.58

 

CMYK 54 / 0 / 1 / 33

HEX #4EABA9

RGB 78 171 169

HSL 178.71, 0.37%, 0.49%

LAB 64.65, -27.85, -7.35

 

CMYK 54 / 0 / 30 / 55

HEX #347250

RGB 52 114 80

HSL 147.1, 0.37%, 0.33%

LAB 43.28, -28.61, 12.89

 

CMYK 54 / 0 / 30 / 44

HEX #418E64

RGB 65 142 100

HSL 147.27, 0.37%, 0.41%

LAB 53.37, -34.01, 15.32

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 44 / 0 / 24 / 27

HEX #69BA8D

RGB 105 186 141

HSL 146.67, 0.37%, 0.57%

LAB 69.5, -35.09, 15.22

 

CMYK 33 / 0 / 18 / 22

HEX #85C7A3

RGB 133 199 163

HSL 147.27, 0.37%, 0.65%

LAB 75.13, -28.66, 11.44

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 54 / 35 / 0 / 33

HEX #4E6FAB

RGB 78 111 171

HSL 218.71, 0.37%, 0.49%

LAB 46.88, 6.05, -35.71

 

CMYK 0 / 51 / 54 / 33

HEX #AB534E

RGB 171 83 78

HSL 3.23, 0.37%, 0.49%

LAB 46.17, 35.55, 19.88

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 30 / 54 / 0 / 33

HEX #784EAB

RGB 120 78 171

HSL 267.1, 0.37%, 0.49%

LAB 41.82, 36.96, -43.53

 

CMYK 0 / 30 / 54 / 33

HEX #AB784E

RGB 171 120 78

HSL 27.1, 0.37%, 0.49%

LAB 54.7, 15.13, 30.87

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 54 / 35 / 0 / 33

HEX #4E6FAB

RGB 78 111 171

HSL 218.71, 0.37%, 0.49%

LAB 46.88, 6.05, -35.71

 

CMYK 0 / 54 / 25 / 33

HEX #AB4E81

RGB 171 78 129

HSL 327.1, 0.37%, 0.49%

LAB 46.57, 44.05, -10.47

 

CMYK 0 / 19 / 54 / 33

HEX #AB8A4E

RGB 171 138 78

HSL 38.71, 0.37%, 0.49%

LAB 59.33, 5.03, 36.57

 

CMYK 54 / 0 / 30 / 33

HEX #4EAB78

RGB 78 171 120

HSL 147.1, 0.37%, 0.49%

LAB 63.43, -39.63, 18.08

 

CMYK 54 / 51 / 0 / 33

HEX #4E53AB

RGB 78 83 171

HSL 236.77, 0.37%, 0.49%

LAB 39.15, 23.71, -48.02

 

CMYK 0 / 54 / 25 / 33

HEX #AB4E81

RGB 171 78 129

HSL 327.1, 0.37%, 0.49%

LAB 46.57, 44.05, -10.47

 

CMYK 0 / 3 / 54 / 33

HEX #ABA64E

RGB 171 166 78

HSL 56.77, 0.37%, 0.49%

LAB 66.89, -10.13, 45.51

 

Description

Color code: HEX #4EAB78 | qconv.com Color code: HEX #4EAB78 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 171 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 171 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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