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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EA8C5 it is the complementary color #B1573A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EA8C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EA8C5 shade: #53A8C0, #64BAD3, #75CCE6, #86DEF9 and #97F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EA8C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EA8C5 shade: #4EA8C5, #3D96B2, #2C849F, #1B728C and #0A6079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EA8C5 shade: #4DA8C5, #4D88C5, #4D67C5, #544DC5 and #744DC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EA8C5 shade: #4DA8C5, #4D88C5, #4D67C5 and #4D4DC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EA8C5 shade matches the following richer shades: #4DA8C5, #3AB2D8, #27BBEB and #14C5FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EA8C5 shade: #4DA8C5, #609EB2, #73949F, #868B8C and #998179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EA8C5 shade: #4DC5A1, #4DC5C1, #4DA9C5, #4D89C5 and #4D69C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EA8C5 shade: #2F7991, #3993B0, #4DA8C5, #6DB7CF and #8CC6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EA8C5 shade: #4EA8C5, #814DC5 and #C5B14D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EA8C5 shade: #4EA8C5, #C54DA9 and #A9C54D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EA8C5 shade: #4EA8C5, #814DC5, #C5694D and #91C54D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EA8C5 shade: #4EA8C5, #A54DC5, #C5694D and #6DC54D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 15 / 0 / 23

HEX #4EA8C5

RGB 78 168 197

HSL 194.62, 0.51%, 0.54%

LAB 64.69, -18.21, -22.9

 

Complementary color

CMYK 0 / 51 / 67 / 31

HEX #B1573A

RGB 177 87 58

HSL 14.62, 0.51%, 0.46%

LAB 47.58, 34.33, 33.49

 

CMYK 57 / 13 / 0 / 25

HEX #53A8C0

RGB 83 168 192

HSL 193.21, 0.46%, 0.54%

LAB 64.68, -18.75, -20.11

 

CMYK 53 / 12 / 0 / 17

HEX #64BAD3

RGB 100 186 211

HSL 193.51, 0.56%, 0.61%

LAB 71.23, -19.1, -20.56

 

CMYK 49 / 11 / 0 / 10

HEX #75CCE6

RGB 117 204 230

HSL 193.81, 0.69%, 0.68%

LAB 77.69, -19.35, -20.99

 

CMYK 46 / 11 / 0 / 2

HEX #86DEF9

RGB 134 222 249

HSL 194.09, 0.91%, 0.75%

LAB 84.04, -19.55, -21.4

 

CMYK 41 / 6 / 0 / 0

HEX #97F0FF

RGB 151 240 255

HSL 188.65, 1%, 0.8%

LAB 89.91, -22.96, -15.63

 

CMYK 60 / 15 / 0 / 23

HEX #4EA8C5

RGB 78 168 197

HSL 194.62, 0.51%, 0.54%

LAB 64.69, -18.21, -22.9

 

CMYK 66 / 16 / 0 / 30

HEX #3D96B2

RGB 61 150 178

HSL 194.36, 0.49%, 0.47%

LAB 58.06, -17.57, -22.43

 

CMYK 72 / 17 / 0 / 38

HEX #2C849F

RGB 44 132 159

HSL 194.09, 0.57%, 0.4%

LAB 51.31, -16.7, -21.92

 

CMYK 81 / 19 / 0 / 45

HEX #1B728C

RGB 27 114 140

HSL 193.81, 0.68%, 0.33%

LAB 44.46, -15.47, -21.33

 

CMYK 92 / 21 / 0 / 53

HEX #0A6079

RGB 10 96 121

HSL 193.51, 0.85%, 0.26%

LAB 37.5, -13.7, -20.63

 

CMYK 61 / 15 / 0 / 23

HEX #4DA8C5

RGB 77 168 197

HSL 194.5, 0.51%, 0.54%

LAB 64.66, -18.4, -22.95

 

CMYK 61 / 31 / 0 / 23

HEX #4D88C5

RGB 77 136 197

HSL 210.5, 0.51%, 0.54%

LAB 55.3, -0.58, -37.46

 

CMYK 61 / 48 / 0 / 23

HEX #4D67C5

RGB 77 103 197

HSL 227, 0.51%, 0.54%

LAB 46.06, 19.59, -52.13

 

CMYK 57 / 61 / 0 / 23

HEX #544DC5

RGB 84 77 197

HSL 243.5, 0.51%, 0.54%

LAB 39.95, 37.11, -61.96

 

CMYK 41 / 61 / 0 / 23

HEX #744DC5

RGB 116 77 197

HSL 259.5, 0.51%, 0.54%

LAB 42.84, 43.44, -57.14

 

CMYK 61 / 15 / 0 / 23

HEX #4DA8C5

RGB 77 168 197

HSL 194.5, 0.51%, 0.54%

LAB 64.66, -18.4, -22.95

 

CMYK 61 / 31 / 0 / 23

HEX #4D88C5

RGB 77 136 197

HSL 210.5, 0.51%, 0.54%

LAB 55.3, -0.58, -37.46

 

CMYK 61 / 48 / 0 / 23

HEX #4D67C5

RGB 77 103 197

HSL 227, 0.51%, 0.54%

LAB 46.06, 19.59, -52.13

 

CMYK 61 / 61 / 0 / 23

HEX #4D4DC5

RGB 77 77 197

HSL 240, 0.51%, 0.54%

LAB 39.44, 35.91, -62.82

 

CMYK 61 / 15 / 0 / 23

HEX #4DA8C5

RGB 77 168 197

HSL 194.5, 0.51%, 0.54%

LAB 64.66, -18.4, -22.95

 

CMYK 73 / 18 / 0 / 15

HEX #3AB2D8

RGB 58 178 216

HSL 194.43, 0.67%, 0.54%

LAB 67.8, -20.54, -28.67

 

CMYK 83 / 20 / 0 / 8

HEX #27BBEB

RGB 39 187 235

HSL 194.69, 0.83%, 0.54%

LAB 70.85, -20.81, -34.36

 

CMYK 92 / 22 / 0 / 0

HEX #14C5FE

RGB 20 197 254

HSL 194.62, 0.99%, 0.54%

LAB 74.34, -20.59, -39.21

 

CMYK 61 / 15 / 0 / 23

HEX #4DA8C5

RGB 77 168 197

HSL 194.5, 0.51%, 0.54%

LAB 64.66, -18.4, -22.95

 

CMYK 46 / 11 / 0 / 30

HEX #609EB2

RGB 96 158 178

HSL 194.63, 0.35%, 0.54%

LAB 61.79, -14.56, -16.62

 

CMYK 28 / 7 / 0 / 38

HEX #73949F

RGB 115 148 159

HSL 195, 0.19%, 0.54%

LAB 59.28, -8.8, -9.55

 

CMYK 4 / 1 / 0 / 45

HEX #868B8C

RGB 134 139 140

HSL 190, 0.03%, 0.54%

LAB 57.49, -1.62, -1.18

 

CMYK 0 / 16 / 21 / 40

HEX #998179

RGB 153 129 121

HSL 15, 0.14%, 0.54%

LAB 55.94, 7.85, 7.74

 

CMYK 61 / 0 / 18 / 23

HEX #4DC5A1

RGB 77 197 161

HSL 162, 0.51%, 0.54%

LAB 72.28, -42.16, 8.17

 

CMYK 61 / 0 / 2 / 23

HEX #4DC5C1

RGB 77 197 193

HSL 178, 0.51%, 0.54%

LAB 73.13, -33.99, -7.98

 

CMYK 61 / 14 / 0 / 23

HEX #4DA9C5

RGB 77 169 197

HSL 194, 0.51%, 0.54%

LAB 64.95, -18.92, -22.5

 

CMYK 61 / 30 / 0 / 23

HEX #4D89C5

RGB 77 137 197

HSL 210, 0.51%, 0.54%

LAB 55.58, -1.17, -37.01

 

CMYK 61 / 47 / 0 / 23

HEX #4D69C5

RGB 77 105 197

HSL 226, 0.51%, 0.54%

LAB 46.59, 18.34, -51.26

 

CMYK 68 / 17 / 0 / 43

HEX #2F7991

RGB 47 121 145

HSL 194.69, 0.51%, 0.38%

LAB 47.4, -14.85, -19.74

 

CMYK 68 / 16 / 0 / 31

HEX #3993B0

RGB 57 147 176

HSL 194.62, 0.51%, 0.46%

LAB 56.95, -17.26, -23

 

CMYK 61 / 15 / 0 / 23

HEX #4DA8C5

RGB 77 168 197

HSL 194.5, 0.51%, 0.54%

LAB 64.66, -18.4, -22.95

 

CMYK 47 / 12 / 0 / 19

HEX #6DB7CF

RGB 109 183 207

HSL 194.69, 0.51%, 0.62%

LAB 70.61, -16.64, -19.29

 

CMYK 35 / 9 / 0 / 15

HEX #8CC6D9

RGB 140 198 217

HSL 194.81, 0.5%, 0.7%

LAB 76.66, -13.99, -15.43

 

CMYK 60 / 15 / 0 / 23

HEX #4EA8C5

RGB 78 168 197

HSL 194.62, 0.51%, 0.54%

LAB 64.69, -18.21, -22.9

 

CMYK 35 / 61 / 0 / 23

HEX #814DC5

RGB 129 77 197

HSL 266, 0.51%, 0.54%

LAB 44.24, 46.33, -54.81

 

CMYK 0 / 10 / 61 / 23

HEX #C5B14D

RGB 197 177 77

HSL 50, 0.51%, 0.54%

LAB 72.13, -4.9, 52.53

 

CMYK 60 / 15 / 0 / 23

HEX #4EA8C5

RGB 78 168 197

HSL 194.62, 0.51%, 0.54%

LAB 64.69, -18.21, -22.9

 

CMYK 0 / 61 / 14 / 23

HEX #C54DA9

RGB 197 77 169

HSL 314, 0.51%, 0.54%

LAB 51.89, 58.25, -25.81

 

CMYK 14 / 0 / 61 / 23

HEX #A9C54D

RGB 169 197 77

HSL 74, 0.51%, 0.54%

LAB 75.39, -26.66, 55.5

 

CMYK 60 / 15 / 0 / 23

HEX #4EA8C5

RGB 78 168 197

HSL 194.62, 0.51%, 0.54%

LAB 64.69, -18.21, -22.9

 

CMYK 35 / 61 / 0 / 23

HEX #814DC5

RGB 129 77 197

HSL 266, 0.51%, 0.54%

LAB 44.24, 46.33, -54.81

 

CMYK 0 / 47 / 61 / 23

HEX #C5694D

RGB 197 105 77

HSL 14, 0.51%, 0.54%

LAB 54.56, 34.06, 31.98

 

CMYK 26 / 0 / 61 / 23

HEX #91C54D

RGB 145 197 77

HSL 86, 0.51%, 0.54%

LAB 73.86, -35.97, 53.38

 

CMYK 60 / 15 / 0 / 23

HEX #4EA8C5

RGB 78 168 197

HSL 194.62, 0.51%, 0.54%

LAB 64.69, -18.21, -22.9

 

CMYK 16 / 61 / 0 / 23

HEX #A54DC5

RGB 165 77 197

HSL 284, 0.51%, 0.54%

LAB 48.68, 54.87, -47.45

 

CMYK 0 / 47 / 61 / 23

HEX #C5694D

RGB 197 105 77

HSL 14, 0.51%, 0.54%

LAB 54.56, 34.06, 31.98

 

CMYK 45 / 0 / 61 / 23

HEX #6DC54D

RGB 109 197 77

HSL 104, 0.51%, 0.54%

LAB 72.04, -48.33, 50.84

 

Description

Color code: HEX #4EA8C5 | qconv.com Color code: HEX #4EA8C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 168 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 168 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 15 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 15% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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