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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E9C01 it is the complementary color #B163FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E9C01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E9C01 shade: #539C00, #64AE0F, #75C022, #86D235 and #97E448

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E9C01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E9C01 shade: #4E9C01, #3D8A00, #2C7800, #1B6600 and #0A5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E9C01 shade: #4E9D00, #789D00, #9D9700, #9D6D00 and #9D4300

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E9C01 shade: #4E9D00, #249D00, #009D07, #009D31 and #009D5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E9C01 shade matches the following richer shades: #4E9D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E9C01 shade: #4E9D00, #4E900D, #4E831A, #4E7627 and #4E6A33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E9C01 shade: #9D9800, #789D00, #4F9D00, #259D00 and #009D06

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E9C01 shade: #254B00, #3A7400, #4E9D00, #63C600 and #77EF01

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E9C01 shade: #4E9C01, #009D6E and #9D008D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E9C01 shade: #4E9C01, #004F9D and #9D004F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E9C01 shade: #4E9C01, #009D6E, #4F009D and #9D002F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E9C01 shade: #4E9C01, #009D9D, #4F009D and #9D0000

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 99 / 39

HEX #4E9C01

RGB 78 156 1

HSL 90.19, 0.99%, 0.31%

LAB 57.46, -46.23, 59.41

 

Complementary color

CMYK 30 / 61 / 0 / 0

HEX #B163FE

RGB 177 99 254

HSL 270.19, 0.99%, 0.69%

LAB 57.49, 59.43, -65.43

 

CMYK 47 / 0 / 100 / 39

HEX #539C00

RGB 83 156 0

HSL 88.08, 1%, 0.31%

LAB 57.67, -44.64, 59.82

 

CMYK 43 / 0 / 91 / 32

HEX #64AE0F

RGB 100 174 15

HSL 87.92, 0.84%, 0.37%

LAB 64.17, -45.83, 63.22

 

CMYK 39 / 0 / 82 / 25

HEX #75C022

RGB 117 192 34

HSL 88.48, 0.7%, 0.44%

LAB 70.59, -46.7, 65.02

 

CMYK 36 / 0 / 75 / 18

HEX #86D235

RGB 134 210 53

HSL 89.04, 0.64%, 0.52%

LAB 76.93, -47.31, 65.62

 

CMYK 34 / 0 / 68 / 11

HEX #97E448

RGB 151 228 72

HSL 89.62, 0.74%, 0.59%

LAB 83.2, -47.72, 65.48

 

CMYK 50 / 0 / 99 / 39

HEX #4E9C01

RGB 78 156 1

HSL 90.19, 0.99%, 0.31%

LAB 57.46, -46.23, 59.41

 

CMYK 56 / 0 / 100 / 46

HEX #3D8A00

RGB 61 138 0

HSL 93.48, 1%, 0.27%

LAB 50.88, -44.54, 54.12

 

CMYK 63 / 0 / 100 / 53

HEX #2C7800

RGB 44 120 0

HSL 98, 1%, 0.24%

LAB 44.19, -42.57, 48.59

 

CMYK 74 / 0 / 100 / 60

HEX #1B6600

RGB 27 102 0

HSL 104.12, 1%, 0.2%

LAB 37.36, -40.16, 42.97

 

CMYK 88 / 0 / 100 / 67

HEX #0A5400

RGB 10 84 0

HSL 112.86, 1%, 0.16%

LAB 30.41, -37.01, 37.28

 

CMYK 50 / 0 / 100 / 38

HEX #4E9D00

RGB 78 157 0

HSL 90.19, 1%, 0.31%

LAB 57.78, -46.64, 59.82

 

CMYK 24 / 0 / 100 / 38

HEX #789D00

RGB 120 157 0

HSL 74.14, 1%, 0.31%

LAB 59.99, -31.11, 62.47

 

CMYK 0 / 4 / 100 / 38

HEX #9D9700

RGB 157 151 0

HSL 57.71, 1%, 0.31%

LAB 61.05, -11.86, 64.52

 

CMYK 0 / 31 / 100 / 38

HEX #9D6D00

RGB 157 109 0

HSL 41.66, 1%, 0.31%

LAB 49.62, 11.4, 56.5

 

CMYK 0 / 57 / 100 / 38

HEX #9D4300

RGB 157 67 0

HSL 25.61, 1%, 0.31%

LAB 39.89, 34.68, 50.41

 

CMYK 50 / 0 / 100 / 38

HEX #4E9D00

RGB 78 157 0

HSL 90.19, 1%, 0.31%

LAB 57.78, -46.64, 59.82

 

CMYK 77 / 0 / 100 / 38

HEX #249D00

RGB 36 157 0

HSL 106.24, 1%, 0.31%

LAB 56.57, -56.64, 58.35

 

CMYK 100 / 0 / 96 / 38

HEX #009D07

RGB 0 157 7

HSL 122.68, 1%, 0.31%

LAB 56.22, -59.78, 56.82

 

CMYK 100 / 0 / 69 / 38

HEX #009D31

RGB 0 157 49

HSL 138.73, 1%, 0.31%

LAB 56.42, -57.14, 44.98

 

CMYK 100 / 0 / 42 / 38

HEX #009D5B

RGB 0 157 91

HSL 154.78, 1%, 0.31%

LAB 56.95, -50.72, 24.92

 

CMYK 50 / 0 / 100 / 38

HEX #4E9D00

RGB 78 157 0

HSL 90.19, 1%, 0.31%

LAB 57.78, -46.64, 59.82

 

CMYK 50 / 0 / 100 / 38

HEX #4E9D00

RGB 78 157 0

HSL 90.19, 1%, 0.31%

LAB 57.78, -46.64, 59.82

 

CMYK 46 / 0 / 91 / 44

HEX #4E900D

RGB 78 144 13

HSL 90.23, 0.83%, 0.31%

LAB 53.59, -41.13, 54.32

 

CMYK 40 / 0 / 80 / 49

HEX #4E831A

RGB 78 131 26

HSL 90.29, 0.67%, 0.31%

LAB 49.41, -35.03, 47.22

 

CMYK 34 / 0 / 67 / 54

HEX #4E7627

RGB 78 118 39

HSL 90.38, 0.5%, 0.31%

LAB 45.25, -28.08, 37.84

 

CMYK 26 / 0 / 52 / 58

HEX #4E6A33

RGB 78 106 51

HSL 90.55, 0.35%, 0.31%

LAB 41.48, -20.76, 27.43

 

CMYK 0 / 3 / 100 / 38

HEX #9D9800

RGB 157 152 0

HSL 58.09, 1%, 0.31%

LAB 61.33, -12.39, 64.73

 

CMYK 24 / 0 / 100 / 38

HEX #789D00

RGB 120 157 0

HSL 74.14, 1%, 0.31%

LAB 59.99, -31.11, 62.47

 

CMYK 50 / 0 / 100 / 38

HEX #4F9D00

RGB 79 157 0

HSL 89.81, 1%, 0.31%

LAB 57.82, -46.33, 59.87

 

CMYK 76 / 0 / 100 / 38

HEX #259D00

RGB 37 157 0

HSL 105.86, 1%, 0.31%

LAB 56.59, -56.48, 58.37

 

CMYK 100 / 0 / 96 / 38

HEX #009D06

RGB 0 157 6

HSL 122.29, 1%, 0.31%

LAB 56.21, -59.81, 56.97

 

CMYK 51 / 0 / 100 / 71

HEX #254B00

RGB 37 75 0

HSL 90.4, 1%, 0.15%

LAB 27.91, -26.52, 35.62

 

CMYK 50 / 0 / 100 / 55

HEX #3A7400

RGB 58 116 0

HSL 90, 1%, 0.23%

LAB 43.35, -36.77, 48.15

 

CMYK 50 / 0 / 100 / 38

HEX #4E9D00

RGB 78 157 0

HSL 90.19, 1%, 0.31%

LAB 57.78, -46.64, 59.82

 

CMYK 50 / 0 / 100 / 22

HEX #63C600

RGB 99 198 0

HSL 90, 1%, 0.39%

LAB 71.58, -55.71, 70.99

 

CMYK 50 / 0 / 100 / 6

HEX #77EF01

RGB 119 239 1

HSL 90.25, 0.99%, 0.47%

LAB 84.82, -64.69, 81.61

 

CMYK 50 / 0 / 99 / 39

HEX #4E9C01

RGB 78 156 1

HSL 90.19, 0.99%, 0.31%

LAB 57.46, -46.23, 59.41

 

CMYK 100 / 0 / 30 / 38

HEX #009D6E

RGB 0 157 110

HSL 162.04, 1%, 0.31%

LAB 57.31, -46.56, 14.95

 

CMYK 0 / 100 / 10 / 38

HEX #9D008D

RGB 157 0 141

HSL 306.11, 1%, 0.31%

LAB 36.16, 66.05, -34.1

 

CMYK 50 / 0 / 99 / 39

HEX #4E9C01

RGB 78 156 1

HSL 90.19, 0.99%, 0.31%

LAB 57.46, -46.23, 59.41

 

CMYK 100 / 50 / 0 / 38

HEX #004F9D

RGB 0 79 157

HSL 209.81, 1%, 0.31%

LAB 34.04, 11.22, -48.04

 

CMYK 0 / 100 / 50 / 38

HEX #9D004F

RGB 157 0 79

HSL 329.81, 1%, 0.31%

LAB 33.42, 59.07, 1.15

 

CMYK 50 / 0 / 99 / 39

HEX #4E9C01

RGB 78 156 1

HSL 90.19, 0.99%, 0.31%

LAB 57.46, -46.23, 59.41

 

CMYK 100 / 0 / 30 / 38

HEX #009D6E

RGB 0 157 110

HSL 162.04, 1%, 0.31%

LAB 57.31, -46.56, 14.95

 

CMYK 50 / 100 / 0 / 38

HEX #4F009D

RGB 79 0 157

HSL 270.19, 1%, 0.31%

LAB 23.99, 58.12, -64.3

 

CMYK 0 / 100 / 70 / 38

HEX #9D002F

RGB 157 0 47

HSL 342.04, 1%, 0.31%

LAB 32.64, 56.99, 21.18

 

CMYK 50 / 0 / 99 / 39

HEX #4E9C01

RGB 78 156 1

HSL 90.19, 0.99%, 0.31%

LAB 57.46, -46.23, 59.41

 

CMYK 100 / 0 / 0 / 38

HEX #009D9D

RGB 0 157 157

HSL 180, 1%, 0.31%

LAB 58.55, -33.46, -9.84

 

CMYK 50 / 100 / 0 / 38

HEX #4F009D

RGB 79 0 157

HSL 270.19, 1%, 0.31%

LAB 23.99, 58.12, -64.3

 

CMYK 0 / 100 / 100 / 38

HEX #9D0000

RGB 157 0 0

HSL 0, 1%, 0.31%

LAB 32.19, 55.76, 46.19

 

Description

Color code: HEX #4E9C01 | qconv.com Color code: HEX #4E9C01 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 156 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 156 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 99 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 99% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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