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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E4E5F it is the complementary color #B1B1A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E4E5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E4E5F shade: #534E5A, #64606D, #757280, #868493 and #9796A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E4E5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E4E5F shade: #4E4E5F, #3D3C4C, #2C2A39, #1B1826 and #0A0613

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E4E5F shade: #4E4E5F, #524E5F, #574E5F, #5C4E5F and #5F4E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E4E5F shade: #4E4E5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E4E5F shade matches the following richer shades: #4E4E5F, #40406D, #31317B, #232389 and #151597

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E4E5F shade: #4E4E5F, #5C5C51, #6A6A43, #787835 and #868627

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E4E5F shade: #4E575F, #4E525F, #4E4E5F, #524E5F and #574E5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E4E5F shade: #282831, #3B3B48, #4E4E5F, #606076 and #73738C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E4E5F shade: #4E4E5F, #5F4E5B and #545F4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E4E5F shade: #4E4E5F, #5F4E4E and #4E5F4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E4E5F shade: #4E4E5F, #5F4E5B, #5F5F4E and #4E5F51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E4E5F shade: #4E4E5F, #5F4E56, #5F5F4E and #4E5F56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

Complementary color

CMYK 0 / 0 / 10 / 31

HEX #B1B1A0

RGB 177 177 160

HSL 60, 0.1%, 0.66%

LAB 71.78, -3.04, 8.7

 

CMYK 8 / 13 / 0 / 65

HEX #534E5A

RGB 83 78 90

HSL 265, 0.07%, 0.33%

LAB 34.04, 4.69, -6.29

 

CMYK 8 / 12 / 0 / 57

HEX #64606D

RGB 100 96 109

HSL 258.46, 0.06%, 0.4%

LAB 41.5, 4.37, -6.79

 

CMYK 9 / 11 / 0 / 50

HEX #757280

RGB 117 114 128

HSL 252.86, 0.06%, 0.47%

LAB 48.73, 4.08, -7.28

 

CMYK 9 / 10 / 0 / 42

HEX #868493

RGB 134 132 147

HSL 248, 0.06%, 0.55%

LAB 55.76, 3.82, -7.76

 

CMYK 9 / 10 / 0 / 35

HEX #9796A6

RGB 151 150 166

HSL 243.75, 0.08%, 0.62%

LAB 62.63, 3.58, -8.24

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 20 / 21 / 0 / 70

HEX #3D3C4C

RGB 61 60 76

HSL 243.75, 0.12%, 0.27%

LAB 26, 4.37, -9.57

 

CMYK 23 / 26 / 0 / 78

HEX #2C2A39

RGB 44 42 57

HSL 248, 0.15%, 0.19%

LAB 17.86, 4.81, -9.27

 

CMYK 29 / 37 / 0 / 85

HEX #1B1826

RGB 27 24 38

HSL 252.86, 0.23%, 0.12%

LAB 9.21, 5.41, -9.06

 

CMYK 47 / 68 / 0 / 93

HEX #0A0613

RGB 10 6 19

HSL 258.46, 0.52%, 0.05%

LAB 2.18, 3.2, -5.48

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 14 / 18 / 0 / 63

HEX #524E5F

RGB 82 78 95

HSL 254.12, 0.1%, 0.34%

LAB 34.13, 5.5, -9.33

 

CMYK 8 / 18 / 0 / 63

HEX #574E5F

RGB 87 78 95

HSL 271.76, 0.1%, 0.34%

LAB 34.6, 7.4, -8.56

 

CMYK 3 / 18 / 0 / 63

HEX #5C4E5F

RGB 92 78 95

HSL 289.41, 0.1%, 0.34%

LAB 35.1, 9.33, -7.76

 

CMYK 0 / 18 / 1 / 63

HEX #5F4E5E

RGB 95 78 94

HSL 303.53, 0.1%, 0.34%

LAB 35.38, 10.28, -6.68

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 41 / 41 / 0 / 57

HEX #40406D

RGB 64 64 109

HSL 240, 0.26%, 0.34%

LAB 29.06, 12.41, -26.17

 

CMYK 60 / 60 / 0 / 52

HEX #31317B

RGB 49 49 123

HSL 240, 0.43%, 0.34%

LAB 24.58, 23.53, -42.3

 

CMYK 74 / 74 / 0 / 46

HEX #232389

RGB 35 35 137

HSL 240, 0.59%, 0.34%

LAB 21.45, 35.53, -56.26

 

CMYK 86 / 86 / 0 / 41

HEX #151597

RGB 21 21 151

HSL 240, 0.76%, 0.34%

LAB 19.76, 46.73, -67.78

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 0 / 0 / 12 / 64

HEX #5C5C51

RGB 92 92 81

HSL 60, 0.06%, 0.34%

LAB 38.77, -2.2, 6.34

 

CMYK 0 / 0 / 37 / 58

HEX #6A6A43

RGB 106 106 67

HSL 60, 0.23%, 0.34%

LAB 43.91, -6.64, 21.93

 

CMYK 0 / 0 / 56 / 53

HEX #787835

RGB 120 120 53

HSL 60, 0.39%, 0.34%

LAB 49.11, -9.81, 36.21

 

CMYK 0 / 0 / 71 / 47

HEX #868627

RGB 134 134 39

HSL 60, 0.55%, 0.34%

LAB 54.31, -12.12, 48.52

 

CMYK 18 / 8 / 0 / 63

HEX #4E575F

RGB 78 87 95

HSL 208.24, 0.1%, 0.34%

LAB 36.48, -1.62, -5.82

 

CMYK 18 / 14 / 0 / 63

HEX #4E525F

RGB 78 82 95

HSL 225.88, 0.1%, 0.34%

LAB 34.96, 1.48, -8.1

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 14 / 18 / 0 / 63

HEX #524E5F

RGB 82 78 95

HSL 254.12, 0.1%, 0.34%

LAB 34.13, 5.5, -9.33

 

CMYK 8 / 18 / 0 / 63

HEX #574E5F

RGB 87 78 95

HSL 271.76, 0.1%, 0.34%

LAB 34.6, 7.4, -8.56

 

CMYK 18 / 18 / 0 / 81

HEX #282831

RGB 40 40 49

HSL 240, 0.1%, 0.17%

LAB 16.46, 2.34, -5.85

 

CMYK 18 / 18 / 0 / 72

HEX #3B3B48

RGB 59 59 72

HSL 240, 0.1%, 0.26%

LAB 25.34, 3.2, -7.94

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 19 / 19 / 0 / 54

HEX #606076

RGB 96 96 118

HSL 240, 0.1%, 0.42%

LAB 41.47, 5.03, -12.36

 

CMYK 18 / 18 / 0 / 45

HEX #73738C

RGB 115 115 140

HSL 240, 0.1%, 0.5%

LAB 49.25, 5.52, -13.61

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 0 / 18 / 4 / 63

HEX #5F4E5B

RGB 95 78 91

HSL 314.12, 0.1%, 0.34%

LAB 35.28, 9.65, -4.95

 

CMYK 12 / 0 / 18 / 63

HEX #545F4E

RGB 84 95 78

HSL 98.82, 0.1%, 0.34%

LAB 38.93, -7.84, 8.32

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 0 / 18 / 18 / 63

HEX #5F4E4E

RGB 95 78 78

HSL 0, 0.1%, 0.34%

LAB 34.87, 7.11, 2.66

 

CMYK 18 / 0 / 18 / 63

HEX #4E5F4E

RGB 78 95 78

HSL 120, 0.1%, 0.34%

LAB 38.47, -10.24, 7.6

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 0 / 18 / 4 / 63

HEX #5F4E5B

RGB 95 78 91

HSL 314.12, 0.1%, 0.34%

LAB 35.28, 9.65, -4.95

 

CMYK 0 / 0 / 18 / 63

HEX #5F5F4E

RGB 95 95 78

HSL 60, 0.1%, 0.34%

LAB 39.86, -3.28, 9.75

 

CMYK 18 / 0 / 15 / 63

HEX #4E5F51

RGB 78 95 81

HSL 130.59, 0.1%, 0.34%

LAB 38.55, -9.62, 5.87

 

CMYK 18 / 18 / 0 / 63

HEX #4E4E5F

RGB 78 78 95

HSL 240, 0.1%, 0.34%

LAB 33.76, 4, -9.91

 

CMYK 0 / 18 / 9 / 63

HEX #5F4E56

RGB 95 78 86

HSL 331.76, 0.1%, 0.34%

LAB 35.11, 8.63, -2.04

 

CMYK 0 / 0 / 18 / 63

HEX #5F5F4E

RGB 95 95 78

HSL 60, 0.1%, 0.34%

LAB 39.86, -3.28, 9.75

 

CMYK 18 / 0 / 9 / 63

HEX #4E5F56

RGB 78 95 86

HSL 148.24, 0.1%, 0.34%

LAB 38.68, -8.54, 2.99

 

Description

Color code: HEX #4E4E5F | qconv.com Color code: HEX #4E4E5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 78 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 78 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 18 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 18% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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