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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E4DDE it is the complementary color #B1B221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E4DDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E4DDE shade: #534DD9, #645FEC, #7571FF, #8683FF and #9795FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E4DDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E4DDE shade: #4E4DDE, #3D3BCB, #2C29B8, #1B17A5 and #0A0592

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E4DDE shade: #4F4EDE, #764EDE, #9D4EDE, #C44EDE and #DE4ED2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E4DDE shade: #4F4EDE and #4E4EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E4DDE shade matches the following richer shades: #4F4EDE and #3E3DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E4DDE shade: #4F4EDE, #5F5FCD, #7070BC, #8181AB and #92919A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E4DDE shade: #4E9BDE, #4E74DE, #4E4EDE, #744EDE and #9B4EDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E4DDE shade: #2221B8, #2C2BD8, #4F4EDE, #7171E4 and #9494EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E4DDE shade: #4E4DDE, #DE4EC1 and #88DE4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E4DDE shade: #4E4DDE, #DE4E4E and #4EDE4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E4DDE shade: #4E4DDE, #DE4EC1, #DEDE4E and #4EDE6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E4DDE shade: #4E4DDE, #DE4E96, #DEDE4E and #4EDE96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 65 / 0 / 13

HEX #4E4DDE

RGB 78 77 222

HSL 240.41, 0.69%, 0.59%

LAB 41.53, 44.26, -73.8

 

Complementary color

CMYK 1 / 0 / 81 / 30

HEX #B1B221

RGB 177 178 33

HSL 60.41, 0.69%, 0.41%

LAB 70.38, -16.28, 66.59

 

CMYK 62 / 65 / 0 / 15

HEX #534DD9

RGB 83 77 217

HSL 242.57, 0.65%, 0.58%

LAB 41.46, 43.35, -71.04

 

CMYK 58 / 60 / 0 / 7

HEX #645FEC

RGB 100 95 236

HSL 242.13, 0.79%, 0.65%

LAB 48.2, 41.45, -70.79

 

CMYK 54 / 56 / 0 / 0

HEX #7571FF

RGB 117 113 255

HSL 241.69, 1%, 0.72%

LAB 54.88, 39.74, -70.48

 

CMYK 47 / 49 / 0 / 0

HEX #8683FF

RGB 134 131 255

HSL 241.45, 1%, 0.76%

LAB 60.36, 32.63, -61.59

 

CMYK 41 / 42 / 0 / 0

HEX #9795FF

RGB 151 149 255

HSL 241.13, 1%, 0.79%

LAB 65.98, 26.15, -52.57

 

CMYK 65 / 65 / 0 / 13

HEX #4E4DDE

RGB 78 77 222

HSL 240.41, 0.69%, 0.59%

LAB 41.53, 44.26, -73.8

 

CMYK 70 / 71 / 0 / 20

HEX #3D3BCB

RGB 61 59 203

HSL 240.83, 0.58%, 0.51%

LAB 34.87, 46.48, -73.84

 

CMYK 76 / 78 / 0 / 28

HEX #2C29B8

RGB 44 41 184

HSL 241.26, 0.64%, 0.44%

LAB 28.33, 48.7, -73.5

 

CMYK 84 / 86 / 0 / 35

HEX #1B17A5

RGB 27 23 165

HSL 241.69, 0.76%, 0.37%

LAB 22.17, 50.41, -72.34

 

CMYK 93 / 97 / 0 / 43

HEX #0A0592

RGB 10 5 146

HSL 242.13, 0.93%, 0.3%

LAB 16.74, 50.71, -69.74

 

CMYK 64 / 65 / 0 / 13

HEX #4F4EDE

RGB 79 78 222

HSL 240.42, 0.69%, 0.59%

LAB 41.82, 43.81, -73.32

 

CMYK 47 / 65 / 0 / 13

HEX #764EDE

RGB 118 78 222

HSL 256.67, 0.69%, 0.59%

LAB 45.05, 50.16, -67.93

 

CMYK 29 / 65 / 0 / 13

HEX #9D4EDE

RGB 157 78 222

HSL 272.92, 0.69%, 0.59%

LAB 49.36, 57.99, -60.73

 

CMYK 12 / 65 / 0 / 13

HEX #C44EDE

RGB 196 78 222

HSL 289.17, 0.69%, 0.59%

LAB 54.51, 66.59, -52.19

 

CMYK 0 / 65 / 5 / 13

HEX #DE4ED2

RGB 222 78 210

HSL 305, 0.69%, 0.59%

LAB 57.69, 70.58, -40.12

 

CMYK 64 / 65 / 0 / 13

HEX #4F4EDE

RGB 79 78 222

HSL 240.42, 0.69%, 0.59%

LAB 41.82, 43.81, -73.32

 

CMYK 65 / 65 / 0 / 13

HEX #4E4EDE

RGB 78 78 222

HSL 240, 0.69%, 0.59%

LAB 41.76, 43.67, -73.43

 

CMYK 64 / 65 / 0 / 13

HEX #4F4EDE

RGB 79 78 222

HSL 240.42, 0.69%, 0.59%

LAB 41.82, 43.81, -73.32

 

CMYK 74 / 74 / 0 / 6

HEX #3E3DEF

RGB 62 61 239

HSL 240.34, 0.85%, 0.59%

LAB 38.89, 56.97, -87.84

 

CMYK 64 / 65 / 0 / 13

HEX #4F4EDE

RGB 79 78 222

HSL 240.42, 0.69%, 0.59%

LAB 41.82, 43.81, -73.32

 

CMYK 54 / 54 / 0 / 20

HEX #5F5FCD

RGB 95 95 205

HSL 240, 0.52%, 0.59%

LAB 45.67, 30.74, -57.29

 

CMYK 40 / 40 / 0 / 26

HEX #7070BC

RGB 112 112 188

HSL 240, 0.36%, 0.59%

LAB 50.29, 19.16, -40.05

 

CMYK 25 / 25 / 0 / 33

HEX #8181AB

RGB 129 129 171

HSL 240, 0.2%, 0.59%

LAB 55.39, 9.43, -22.21

 

CMYK 5 / 6 / 0 / 40

HEX #92919A

RGB 146 145 154

HSL 246.67, 0.04%, 0.59%

LAB 60.51, 2.16, -4.62

 

CMYK 65 / 30 / 0 / 13

HEX #4E9BDE

RGB 78 155 222

HSL 207.92, 0.69%, 0.59%

LAB 61.94, -3.08, -41.05

 

CMYK 65 / 48 / 0 / 13

HEX #4E74DE

RGB 78 116 222

HSL 224.17, 0.69%, 0.59%

LAB 51.13, 20.26, -58.22

 

CMYK 65 / 65 / 0 / 13

HEX #4E4EDE

RGB 78 78 222

HSL 240, 0.69%, 0.59%

LAB 41.76, 43.67, -73.43

 

CMYK 48 / 65 / 0 / 13

HEX #744EDE

RGB 116 78 222

HSL 255.83, 0.69%, 0.59%

LAB 44.85, 49.79, -68.25

 

CMYK 30 / 65 / 0 / 13

HEX #9B4EDE

RGB 155 78 222

HSL 272.08, 0.69%, 0.59%

LAB 49.12, 57.56, -61.13

 

CMYK 82 / 82 / 0 / 28

HEX #2221B8

RGB 34 33 184

HSL 240.4, 0.7%, 0.43%

LAB 26.41, 52.08, -76.69

 

CMYK 80 / 80 / 0 / 15

HEX #2C2BD8

RGB 44 43 216

HSL 240.35, 0.69%, 0.51%

LAB 32.31, 57.7, -85.64

 

CMYK 64 / 65 / 0 / 13

HEX #4F4EDE

RGB 79 78 222

HSL 240.42, 0.69%, 0.59%

LAB 41.82, 43.81, -73.32

 

CMYK 50 / 50 / 0 / 11

HEX #7171E4

RGB 113 113 228

HSL 240, 0.68%, 0.67%

LAB 52.86, 30.71, -58.7

 

CMYK 37 / 37 / 0 / 8

HEX #9494EB

RGB 148 148 235

HSL 240, 0.69%, 0.75%

LAB 64.54, 20.52, -43.88

 

CMYK 65 / 65 / 0 / 13

HEX #4E4DDE

RGB 78 77 222

HSL 240.41, 0.69%, 0.59%

LAB 41.53, 44.26, -73.8

 

CMYK 0 / 65 / 13 / 13

HEX #DE4EC1

RGB 222 78 193

HSL 312.08, 0.69%, 0.59%

LAB 56.91, 68.01, -31.63

 

CMYK 39 / 0 / 65 / 13

HEX #88DE4E

RGB 136 222 78

HSL 95.83, 0.69%, 0.59%

LAB 80.75, -49.83, 60.35

 

CMYK 65 / 65 / 0 / 13

HEX #4E4DDE

RGB 78 77 222

HSL 240.41, 0.69%, 0.59%

LAB 41.53, 44.26, -73.8

 

CMYK 0 / 65 / 65 / 13

HEX #DE4E4E

RGB 222 78 78

HSL 0, 0.69%, 0.59%

LAB 53.52, 56.04, 30.98

 

CMYK 65 / 0 / 65 / 13

HEX #4EDE4E

RGB 78 222 78

HSL 120, 0.69%, 0.59%

LAB 78.7, -65.37, 57.53

 

CMYK 65 / 65 / 0 / 13

HEX #4E4DDE

RGB 78 77 222

HSL 240.41, 0.69%, 0.59%

LAB 41.53, 44.26, -73.8

 

CMYK 0 / 65 / 13 / 13

HEX #DE4EC1

RGB 222 78 193

HSL 312.08, 0.69%, 0.59%

LAB 56.91, 68.01, -31.63

 

CMYK 0 / 0 / 65 / 13

HEX #DEDE4E

RGB 222 222 78

HSL 60, 0.69%, 0.59%

LAB 86.17, -17.2, 67.7

 

CMYK 65 / 0 / 52 / 13

HEX #4EDE6B

RGB 78 222 107

HSL 132.08, 0.69%, 0.59%

LAB 79, -61.94, 44.97

 

CMYK 65 / 65 / 0 / 13

HEX #4E4DDE

RGB 78 77 222

HSL 240.41, 0.69%, 0.59%

LAB 41.53, 44.26, -73.8

 

CMYK 0 / 65 / 32 / 13

HEX #DE4E96

RGB 222 78 150

HSL 330, 0.69%, 0.59%

LAB 55.26, 62.34, -9.15

 

CMYK 0 / 0 / 65 / 13

HEX #DEDE4E

RGB 222 222 78

HSL 60, 0.69%, 0.59%

LAB 86.17, -17.2, 67.7

 

CMYK 65 / 0 / 32 / 13

HEX #4EDE96

RGB 78 222 150

HSL 150, 0.69%, 0.59%

LAB 79.65, -54.7, 24.3

 

Description

Color code: HEX #4E4DDE | qconv.com Color code: HEX #4E4DDE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 77 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 77 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 65 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 65% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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