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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E4B65 it is the complementary color #B1B49A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E4B65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E4B65 shade: #534B60, #645D73, #756F86, #868199 and #9793AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E4B65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E4B65 shade: #4E4B65, #3D3952, #2C273F, #1B152C and #0A0319

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E4B65 shade: #4E4B66, #564B66, #5D4B66, #644B66 and #664B61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E4B65 shade: #4E4B66 and #4B4B66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E4B65 shade matches the following richer shades: #4E4B66, #433D75, #382E83, #2D2091 and #2212A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E4B65 shade: #4E4B66, #5A5A58, #656849, #70773B and #7B852C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E4B65 shade: #4B5766, #4B5066, #4E4B66, #554B66 and #5C4B66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E4B65 shade: #2A2837, #3C3A4E, #4E4B66, #615D7E and #746F95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E4B65 shade: #4E4B65, #664B5E and #53664B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E4B65 shade: #4E4B65, #664E4B and #4B664E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E4B65 shade: #4E4B65, #664B5E, #63664B and #4B6653

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E4B65 shade: #4E4B65, #664B56, #63664B and #4B665B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 26 / 0 / 60

HEX #4E4B65

RGB 78 75 101

HSL 246.92, 0.15%, 0.35%

LAB 33.12, 7.47, -14.69

 

Complementary color

CMYK 2 / 0 / 14 / 29

HEX #B1B49A

RGB 177 180 154

HSL 66.92, 0.15%, 0.65%

LAB 72.44, -5.64, 12.92

 

CMYK 14 / 22 / 0 / 62

HEX #534B60

RGB 83 75 96

HSL 262.86, 0.12%, 0.34%

LAB 33.38, 8.03, -11.07

 

CMYK 13 / 19 / 0 / 55

HEX #645D73

RGB 100 93 115

HSL 259.09, 0.11%, 0.41%

LAB 40.86, 7.59, -11.42

 

CMYK 13 / 17 / 0 / 47

HEX #756F86

RGB 117 111 134

HSL 255.65, 0.09%, 0.48%

LAB 48.1, 7.2, -11.79

 

CMYK 12 / 16 / 0 / 40

HEX #868199

RGB 134 129 153

HSL 252.5, 0.11%, 0.55%

LAB 55.14, 6.86, -12.16

 

CMYK 12 / 15 / 0 / 33

HEX #9793AC

RGB 151 147 172

HSL 249.6, 0.13%, 0.63%

LAB 62.02, 6.56, -12.54

 

CMYK 23 / 26 / 0 / 60

HEX #4E4B65

RGB 78 75 101

HSL 246.92, 0.15%, 0.35%

LAB 33.12, 7.47, -14.69

 

CMYK 26 / 30 / 0 / 68

HEX #3D3952

RGB 61 57 82

HSL 249.6, 0.18%, 0.27%

LAB 25.34, 8.02, -14.52

 

CMYK 30 / 38 / 0 / 75

HEX #2C273F

RGB 44 39 63

HSL 252.5, 0.24%, 0.2%

LAB 17.2, 8.71, -14.44

 

CMYK 39 / 52 / 0 / 83

HEX #1B152C

RGB 27 21 44

HSL 255.65, 0.35%, 0.13%

LAB 8.58, 9.67, -14.5

 

CMYK 60 / 88 / 0 / 90

HEX #0A0319

RGB 10 3 25

HSL 259.09, 0.79%, 0.05%

LAB 1.81, 5.87, -10.34

 

CMYK 24 / 26 / 0 / 60

HEX #4E4B66

RGB 78 75 102

HSL 246.67, 0.15%, 0.35%

LAB 33.16, 7.74, -15.25

 

CMYK 16 / 26 / 0 / 60

HEX #564B66

RGB 86 75 102

HSL 264.44, 0.15%, 0.35%

LAB 33.92, 10.61, -14.02

 

CMYK 9 / 26 / 0 / 60

HEX #5D4B66

RGB 93 75 102

HSL 280, 0.15%, 0.35%

LAB 34.64, 13.19, -12.86

 

CMYK 2 / 26 / 0 / 60

HEX #644B66

RGB 100 75 102

HSL 295.56, 0.15%, 0.35%

LAB 35.4, 15.81, -11.63

 

CMYK 0 / 26 / 5 / 60

HEX #664B61

RGB 102 75 97

HSL 311.11, 0.15%, 0.35%

LAB 35.44, 15.52, -8.4

 

CMYK 24 / 26 / 0 / 60

HEX #4E4B66

RGB 78 75 102

HSL 246.67, 0.15%, 0.35%

LAB 33.16, 7.74, -15.25

 

CMYK 26 / 26 / 0 / 60

HEX #4B4B66

RGB 75 75 102

HSL 240, 0.15%, 0.35%

LAB 32.89, 6.69, -15.69

 

CMYK 24 / 26 / 0 / 60

HEX #4E4B66

RGB 78 75 102

HSL 246.67, 0.15%, 0.35%

LAB 33.16, 7.74, -15.25

 

CMYK 43 / 48 / 0 / 54

HEX #433D75

RGB 67 61 117

HSL 246.43, 0.31%, 0.35%

LAB 28.94, 17.79, -31.41

 

CMYK 57 / 65 / 0 / 49

HEX #382E83

RGB 56 46 131

HSL 247.06, 0.48%, 0.35%

LAB 25.06, 29.63, -46.53

 

CMYK 69 / 78 / 0 / 43

HEX #2D2091

RGB 45 32 145

HSL 246.9, 0.64%, 0.35%

LAB 22.43, 41.01, -59.61

 

CMYK 79 / 89 / 0 / 37

HEX #2212A0

RGB 34 18 160

HSL 246.76, 0.8%, 0.35%

LAB 21.25, 51.22, -70.82

 

CMYK 24 / 26 / 0 / 60

HEX #4E4B66

RGB 78 75 102

HSL 246.67, 0.15%, 0.35%

LAB 33.16, 7.74, -15.25

 

CMYK 0 / 0 / 2 / 65

HEX #5A5A58

RGB 90 90 88

HSL 60, 0.01%, 0.35%

LAB 38.18, -0.42, 1.15

 

CMYK 3 / 0 / 30 / 59

HEX #656849

RGB 101 104 73

HSL 65.81, 0.18%, 0.35%

LAB 42.99, -6.81, 17.12

 

CMYK 6 / 0 / 50 / 53

HEX #70773B

RGB 112 119 59

HSL 67, 0.34%, 0.35%

LAB 48.2, -12.25, 31.86

 

CMYK 8 / 0 / 67 / 48

HEX #7B852C

RGB 123 133 44

HSL 66.74, 0.5%, 0.35%

LAB 53.13, -16.21, 44.94

 

CMYK 26 / 15 / 0 / 60

HEX #4B5766

RGB 75 87 102

HSL 213.33, 0.15%, 0.35%

LAB 36.5, -0.9, -10.19

 

CMYK 26 / 22 / 0 / 60

HEX #4B5066

RGB 75 80 102

HSL 228.89, 0.15%, 0.35%

LAB 34.38, 3.49, -13.41

 

CMYK 24 / 26 / 0 / 60

HEX #4E4B66

RGB 78 75 102

HSL 246.67, 0.15%, 0.35%

LAB 33.16, 7.74, -15.25

 

CMYK 17 / 26 / 0 / 60

HEX #554B66

RGB 85 75 102

HSL 262.22, 0.15%, 0.35%

LAB 33.82, 10.25, -14.18

 

CMYK 10 / 26 / 0 / 60

HEX #5C4B66

RGB 92 75 102

HSL 277.78, 0.15%, 0.35%

LAB 34.53, 12.82, -13.03

 

CMYK 24 / 27 / 0 / 78

HEX #2A2837

RGB 42 40 55

HSL 248, 0.16%, 0.19%

LAB 16.92, 4.86, -9.33

 

CMYK 23 / 26 / 0 / 69

HEX #3C3A4E

RGB 60 58 78

HSL 246, 0.15%, 0.27%

LAB 25.37, 5.86, -11.85

 

CMYK 24 / 26 / 0 / 60

HEX #4E4B66

RGB 78 75 102

HSL 246.67, 0.15%, 0.35%

LAB 33.16, 7.74, -15.25

 

CMYK 23 / 26 / 0 / 51

HEX #615D7E

RGB 97 93 126

HSL 247.27, 0.15%, 0.43%

LAB 41.02, 9.24, -17.91

 

CMYK 22 / 26 / 0 / 42

HEX #746F95

RGB 116 111 149

HSL 247.89, 0.15%, 0.51%

LAB 48.58, 10.44, -19.95

 

CMYK 23 / 26 / 0 / 60

HEX #4E4B65

RGB 78 75 101

HSL 246.92, 0.15%, 0.35%

LAB 33.12, 7.47, -14.69

 

CMYK 0 / 26 / 8 / 60

HEX #664B5E

RGB 102 75 94

HSL 317.78, 0.15%, 0.35%

LAB 35.33, 14.91, -6.67

 

CMYK 19 / 0 / 26 / 60

HEX #53664B

RGB 83 102 75

HSL 102.22, 0.15%, 0.35%

LAB 40.98, -12.83, 12.96

 

CMYK 23 / 26 / 0 / 60

HEX #4E4B65

RGB 78 75 101

HSL 246.92, 0.15%, 0.35%

LAB 33.12, 7.47, -14.69

 

CMYK 0 / 24 / 26 / 60

HEX #664E4B

RGB 102 78 75

HSL 6.67, 0.15%, 0.35%

LAB 35.56, 9.59, 5.65

 

CMYK 26 / 0 / 24 / 60

HEX #4B664E

RGB 75 102 78

HSL 126.67, 0.15%, 0.35%

LAB 40.49, -15.36, 10.4

 

CMYK 23 / 26 / 0 / 60

HEX #4E4B65

RGB 78 75 101

HSL 246.92, 0.15%, 0.35%

LAB 33.12, 7.47, -14.69

 

CMYK 0 / 26 / 8 / 60

HEX #664B5E

RGB 102 75 94

HSL 317.78, 0.15%, 0.35%

LAB 35.33, 14.91, -6.67

 

CMYK 3 / 0 / 26 / 60

HEX #63664B

RGB 99 102 75

HSL 66.67, 0.15%, 0.35%

LAB 42.25, -6.2, 14.92

 

CMYK 26 / 0 / 19 / 60

HEX #4B6653

RGB 75 102 83

HSL 137.78, 0.15%, 0.35%

LAB 40.61, -14.32, 7.55

 

CMYK 23 / 26 / 0 / 60

HEX #4E4B65

RGB 78 75 101

HSL 246.92, 0.15%, 0.35%

LAB 33.12, 7.47, -14.69

 

CMYK 0 / 26 / 16 / 60

HEX #664B56

RGB 102 75 86

HSL 335.56, 0.15%, 0.35%

LAB 35.06, 13.37, -2.02

 

CMYK 3 / 0 / 26 / 60

HEX #63664B

RGB 99 102 75

HSL 66.67, 0.15%, 0.35%

LAB 42.25, -6.2, 14.92

 

CMYK 26 / 0 / 11 / 60

HEX #4B665B

RGB 75 102 91

HSL 155.56, 0.15%, 0.35%

LAB 40.82, -12.55, 2.99

 

Description

Color code: HEX #4E4B65 | qconv.com Color code: HEX #4E4B65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 75 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 75 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 26 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 26% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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