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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E484B it is the complementary color #B1B7B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E484B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E484B shade: #534846, #645A59, #756C6C, #867E7F and #979092

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E484B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E484B shade: #4E484B, #3D3638, #2C2425, #1B1212 and #0A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E484B shade: #4C4649, #4C4648 and #4C4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E484B shade: #4C4649, #4C464B, #4C464C, #4B464C and #49464C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E484B shade matches the following richer shades: #4C4649, #583B49, #642F49, #702349 and #7C1749

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E484B shade: #4C4649, #405249, #345E49, #296A49 and #1D7649

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E484B shade: #4C464C, #4C464B, #4C4649, #4C4648 and #4C4746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E484B shade: #211F20, #373335, #4C4649, #625A5E and #776E73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E484B shade: #4E484B, #4C4B46 and #464C4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E484B shade: #4E484B, #494C46 and #46494C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E484B shade: #4E484B, #4C4B46, #464C49 and #46484C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E484B shade: #4E484B, #4C4C46, #464C49 and #46464C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 4 / 69

HEX #4E484B

RGB 78 72 75

HSL 330, 0.04%, 0.29%

LAB 31.26, 3.14, -0.89

 

Complementary color

CMYK 3 / 0 / 2 / 28

HEX #B1B7B4

RGB 177 183 180

HSL 150, 0.04%, 0.71%

LAB 73.87, -2.65, 0.79

 

CMYK 0 / 13 / 16 / 67

HEX #534846

RGB 83 72 70

HSL 9.23, 0.08%, 0.3%

LAB 31.61, 4.25, 2.9

 

CMYK 0 / 10 / 11 / 61

HEX #645A59

RGB 100 90 89

HSL 5.45, 0.06%, 0.37%

LAB 39.14, 3.85, 2.04

 

CMYK 0 / 8 / 8 / 54

HEX #756C6C

RGB 117 108 108

HSL 0, 0.04%, 0.44%

LAB 46.43, 3.51, 1.26

 

CMYK 0 / 6 / 5 / 47

HEX #867E7F

RGB 134 126 127

HSL 352.5, 0.03%, 0.51%

LAB 53.52, 3.22, 0.54

 

CMYK 0 / 5 / 3 / 41

HEX #979092

RGB 151 144 146

HSL 342.86, 0.03%, 0.58%

LAB 60.43, 2.96, -0.14

 

CMYK 0 / 8 / 4 / 69

HEX #4E484B

RGB 78 72 75

HSL 330, 0.04%, 0.29%

LAB 31.26, 3.14, -0.89

 

CMYK 0 / 11 / 8 / 76

HEX #3D3638

RGB 61 54 56

HSL 342.86, 0.06%, 0.23%

LAB 23.39, 3.51, -0.13

 

CMYK 0 / 18 / 16 / 83

HEX #2C2425

RGB 44 36 37

HSL 352.5, 0.1%, 0.16%

LAB 15.12, 3.98, 0.73

 

CMYK 0 / 33 / 33 / 89

HEX #1B1212

RGB 27 18 18

HSL 0, 0.2%, 0.09%

LAB 6.41, 4.23, 1.49

 

CMYK 0 / 100 / 100 / 96

HEX #0A0000

RGB 10 0 0

HSL 0, 1%, 0.02%

LAB 0.58, 2.62, 0.92

 

CMYK 0 / 8 / 4 / 70

HEX #4C4649

RGB 76 70 73

HSL 330, 0.04%, 0.29%

LAB 30.39, 3.15, -0.89

 

CMYK 0 / 8 / 5 / 70

HEX #4C4648

RGB 76 70 72

HSL 340, 0.04%, 0.29%

LAB 30.36, 2.94, -0.29

 

CMYK 0 / 8 / 8 / 70

HEX #4C4646

RGB 76 70 70

HSL 0, 0.04%, 0.29%

LAB 30.3, 2.52, 0.91

 

CMYK 0 / 8 / 4 / 70

HEX #4C4649

RGB 76 70 73

HSL 330, 0.04%, 0.29%

LAB 30.39, 3.15, -0.89

 

CMYK 0 / 8 / 1 / 70

HEX #4C464B

RGB 76 70 75

HSL 310, 0.04%, 0.29%

LAB 30.46, 3.59, -2.09

 

CMYK 0 / 8 / 0 / 70

HEX #4C464C

RGB 76 70 76

HSL 300, 0.04%, 0.29%

LAB 30.49, 3.81, -2.69

 

CMYK 1 / 8 / 0 / 70

HEX #4B464C

RGB 75 70 76

HSL 290, 0.04%, 0.29%

LAB 30.4, 3.4, -2.84

 

CMYK 4 / 8 / 0 / 70

HEX #49464C

RGB 73 70 76

HSL 270, 0.04%, 0.29%

LAB 30.2, 2.58, -3.15

 

CMYK 0 / 8 / 4 / 70

HEX #4C4649

RGB 76 70 73

HSL 330, 0.04%, 0.29%

LAB 30.39, 3.15, -0.89

 

CMYK 0 / 33 / 17 / 65

HEX #583B49

RGB 88 59 73

HSL 331.03, 0.2%, 0.29%

LAB 28.6, 15.24, -3.39

 

CMYK 0 / 53 / 27 / 61

HEX #642F49

RGB 100 47 73

HSL 330.57, 0.36%, 0.29%

LAB 27.36, 27.31, -5.04

 

CMYK 0 / 69 / 35 / 56

HEX #702349

RGB 112 35 73

HSL 330.39, 0.52%, 0.29%

LAB 27.1, 37.71, -5.22

 

CMYK 0 / 81 / 41 / 51

HEX #7C1749

RGB 124 23 73

HSL 330.3, 0.69%, 0.29%

LAB 27.79, 45.89, -3.95

 

CMYK 0 / 8 / 4 / 70

HEX #4C4649

RGB 76 70 73

HSL 330, 0.04%, 0.29%

LAB 30.39, 3.15, -0.89

 

CMYK 22 / 0 / 11 / 68

HEX #405249

RGB 64 82 73

HSL 150, 0.12%, 0.29%

LAB 33.15, -9.13, 2.98

 

CMYK 45 / 0 / 22 / 63

HEX #345E49

RGB 52 94 73

HSL 150, 0.29%, 0.29%

LAB 36.4, -20.12, 7.52

 

CMYK 61 / 0 / 31 / 58

HEX #296A49

RGB 41 106 73

HSL 149.54, 0.44%, 0.29%

LAB 40.02, -29.19, 12.49

 

CMYK 75 / 0 / 38 / 54

HEX #1D7649

RGB 29 118 73

HSL 149.66, 0.61%, 0.29%

LAB 43.8, -36.93, 17.57

 

CMYK 0 / 8 / 0 / 70

HEX #4C464C

RGB 76 70 76

HSL 300, 0.04%, 0.29%

LAB 30.49, 3.81, -2.69

 

CMYK 0 / 8 / 1 / 70

HEX #4C464B

RGB 76 70 75

HSL 310, 0.04%, 0.29%

LAB 30.46, 3.59, -2.09

 

CMYK 0 / 8 / 4 / 70

HEX #4C4649

RGB 76 70 73

HSL 330, 0.04%, 0.29%

LAB 30.39, 3.15, -0.89

 

CMYK 0 / 8 / 5 / 70

HEX #4C4648

RGB 76 70 72

HSL 340, 0.04%, 0.29%

LAB 30.36, 2.94, -0.29

 

CMYK 0 / 7 / 8 / 70

HEX #4C4746

RGB 76 71 70

HSL 10, 0.04%, 0.29%

LAB 30.6, 1.89, 1.35

 

CMYK 0 / 6 / 3 / 87

HEX #211F20

RGB 33 31 32

HSL 330, 0.03%, 0.13%

LAB 12.01, 1.19, -0.34

 

CMYK 0 / 7 / 4 / 78

HEX #373335

RGB 55 51 53

HSL 330, 0.04%, 0.21%

LAB 21.72, 2.21, -0.63

 

CMYK 0 / 8 / 4 / 70

HEX #4C4649

RGB 76 70 73

HSL 330, 0.04%, 0.29%

LAB 30.39, 3.15, -0.89

 

CMYK 0 / 8 / 4 / 62

HEX #625A5E

RGB 98 90 94

HSL 330, 0.04%, 0.37%

LAB 39.1, 4.03, -1.14

 

CMYK 0 / 8 / 3 / 53

HEX #776E73

RGB 119 110 115

HSL 326.67, 0.04%, 0.45%

LAB 47.38, 4.48, -1.52

 

CMYK 0 / 8 / 4 / 69

HEX #4E484B

RGB 78 72 75

HSL 330, 0.04%, 0.29%

LAB 31.26, 3.14, -0.89

 

CMYK 0 / 1 / 8 / 70

HEX #4C4B46

RGB 76 75 70

HSL 50, 0.04%, 0.29%

LAB 31.83, -0.64, 3.12

 

CMYK 8 / 0 / 0 / 70

HEX #464C4C

RGB 70 76 76

HSL 180, 0.04%, 0.29%

LAB 31.79, -2.42, -0.84

 

CMYK 0 / 8 / 4 / 69

HEX #4E484B

RGB 78 72 75

HSL 330, 0.04%, 0.29%

LAB 31.26, 3.14, -0.89

 

CMYK 4 / 0 / 8 / 70

HEX #494C46

RGB 73 76 70

HSL 90, 0.04%, 0.29%

LAB 31.87, -2.52, 3.14

 

CMYK 8 / 4 / 0 / 70

HEX #46494C

RGB 70 73 76

HSL 210, 0.04%, 0.29%

LAB 30.85, -0.54, -2.22

 

CMYK 0 / 8 / 4 / 69

HEX #4E484B

RGB 78 72 75

HSL 330, 0.04%, 0.29%

LAB 31.26, 3.14, -0.89

 

CMYK 0 / 1 / 8 / 70

HEX #4C4B46

RGB 76 75 70

HSL 50, 0.04%, 0.29%

LAB 31.83, -0.64, 3.12

 

CMYK 8 / 0 / 4 / 70

HEX #464C49

RGB 70 76 73

HSL 150, 0.04%, 0.29%

LAB 31.7, -3.1, 0.94

 

CMYK 8 / 5 / 0 / 70

HEX #46484C

RGB 70 72 76

HSL 220, 0.04%, 0.29%

LAB 30.54, 0.1, -2.68

 

CMYK 0 / 8 / 4 / 69

HEX #4E484B

RGB 78 72 75

HSL 330, 0.04%, 0.29%

LAB 31.26, 3.14, -0.89

 

CMYK 0 / 0 / 8 / 70

HEX #4C4C46

RGB 76 76 70

HSL 60, 0.04%, 0.29%

LAB 32.14, -1.26, 3.56

 

CMYK 8 / 0 / 4 / 70

HEX #464C49

RGB 70 76 73

HSL 150, 0.04%, 0.29%

LAB 31.7, -3.1, 0.94

 

CMYK 8 / 8 / 0 / 70

HEX #46464C

RGB 70 70 76

HSL 240, 0.04%, 0.29%

LAB 29.92, 1.37, -3.59

 

Description

Color code: HEX #4E484B | qconv.com Color code: HEX #4E484B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 72 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 72 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 4 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 4% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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