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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E3BAB it is the complementary color #B1C454. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E3BAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E3BAB shade: #533BA6, #644DB9, #755FCC, #8671DF and #9783F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E3BAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E3BAB shade: #4E3BAB, #3D2998, #2C1785, #1B0572 and #0A005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E3BAB shade: #4D3AAA, #6B3AAA, #8A3AAA, #A83AAA and #AA3A8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E3BAB shade: #4D3AAA and #3A3AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E3BAB shade matches the following richer shades: #4D3AAA, #4127BD, #3515D0 and #2802E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E3BAB shade: #4D3AAA, #594D98, #665F85, #727273 and #7E8460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E3BAB shade: #3A63AA, #3A45AA, #4D3AAA, #6B3AAA and #893AAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E3BAB shade: #31256D, #3F308C, #4D3AAA, #604CC1 and #7B6BCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E3BAB shade: #4E3BAB, #AA3A81 and #54AA3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E3BAB shade: #4E3BAB, #AA4D3A and #3AAA4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E3BAB shade: #4E3BAB, #AA3A81, #98AA3A and #3AAA63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E3BAB shade: #4E3BAB, #AA3A60, #98AA3A and #3AAA85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 65 / 0 / 33

HEX #4E3BAB

RGB 78 59 171

HSL 250.18, 0.49%, 0.45%

LAB 33.32, 38.62, -57.45

 

Complementary color

CMYK 10 / 0 / 57 / 23

HEX #B1C454

RGB 177 196 84

HSL 70.18, 0.49%, 0.55%

LAB 75.74, -22.4, 52.95

 

CMYK 50 / 64 / 0 / 35

HEX #533BA6

RGB 83 59 166

HSL 253.46, 0.48%, 0.44%

LAB 33.39, 38.03, -54.32

 

CMYK 46 / 58 / 0 / 27

HEX #644DB9

RGB 100 77 185

HSL 252.78, 0.44%, 0.51%

LAB 40.44, 36.57, -54.1

 

CMYK 43 / 53 / 0 / 20

HEX #755FCC

RGB 117 95 204

HSL 252.11, 0.52%, 0.59%

LAB 47.4, 35.24, -53.84

 

CMYK 40 / 49 / 0 / 13

HEX #8671DF

RGB 134 113 223

HSL 251.45, 0.63%, 0.66%

LAB 54.25, 34.04, -53.59

 

CMYK 38 / 46 / 0 / 5

HEX #9783F2

RGB 151 131 242

HSL 250.81, 0.81%, 0.73%

LAB 60.98, 32.97, -53.36

 

CMYK 54 / 65 / 0 / 33

HEX #4E3BAB

RGB 78 59 171

HSL 250.18, 0.49%, 0.45%

LAB 33.32, 38.62, -57.45

 

CMYK 60 / 73 / 0 / 40

HEX #3D2998

RGB 61 41 152

HSL 250.81, 0.58%, 0.38%

LAB 26.29, 40.3, -57.52

 

CMYK 67 / 83 / 0 / 48

HEX #2C1785

RGB 44 23 133

HSL 251.45, 0.71%, 0.31%

LAB 19.4, 41.73, -57.11

 

CMYK 76 / 96 / 0 / 55

HEX #1B0572

RGB 27 5 114

HSL 252.11, 0.92%, 0.23%

LAB 12.96, 42.19, -55.68

 

CMYK 89 / 100 / 0 / 63

HEX #0A005F

RGB 10 0 95

HSL 246.32, 1%, 0.19%

LAB 8.05, 38.65, -51.36

 

CMYK 55 / 66 / 0 / 33

HEX #4D3AAA

RGB 77 58 170

HSL 250.18, 0.49%, 0.45%

LAB 32.93, 38.72, -57.49

 

CMYK 37 / 66 / 0 / 33

HEX #6B3AAA

RGB 107 58 170

HSL 266.25, 0.49%, 0.45%

LAB 36.09, 44.67, -52.22

 

CMYK 19 / 66 / 0 / 33

HEX #8A3AAA

RGB 138 58 170

HSL 282.86, 0.49%, 0.45%

LAB 40.13, 51.68, -45.5

 

CMYK 1 / 66 / 0 / 33

HEX #A83AAA

RGB 168 58 170

HSL 298.93, 0.49%, 0.45%

LAB 44.59, 58.82, -38.13

 

CMYK 0 / 66 / 16 / 33

HEX #AA3A8F

RGB 170 58 143

HSL 314.46, 0.49%, 0.45%

LAB 43.59, 54.95, -23.51

 

CMYK 55 / 66 / 0 / 33

HEX #4D3AAA

RGB 77 58 170

HSL 250.18, 0.49%, 0.45%

LAB 32.93, 38.72, -57.49

 

CMYK 66 / 66 / 0 / 33

HEX #3A3AAA

RGB 58 58 170

HSL 240, 0.49%, 0.45%

LAB 31.41, 35.66, -60.04

 

CMYK 55 / 66 / 0 / 33

HEX #4D3AAA

RGB 77 58 170

HSL 250.18, 0.49%, 0.45%

LAB 32.93, 38.72, -57.49

 

CMYK 66 / 79 / 0 / 26

HEX #4127BD

RGB 65 39 189

HSL 250.4, 0.66%, 0.45%

LAB 30.03, 53.05, -73.6

 

CMYK 75 / 90 / 0 / 18

HEX #3515D0

RGB 53 21 208

HSL 250.27, 0.82%, 0.45%

LAB 29.02, 64.35, -86.44

 

CMYK 82 / 99 / 0 / 11

HEX #2802E2

RGB 40 2 226

HSL 250.18, 0.98%, 0.45%

LAB 29.38, 72.34, -96.28

 

CMYK 55 / 66 / 0 / 33

HEX #4D3AAA

RGB 77 58 170

HSL 250.18, 0.49%, 0.45%

LAB 32.93, 38.72, -57.49

 

CMYK 41 / 49 / 0 / 40

HEX #594D98

RGB 89 77 152

HSL 249.6, 0.33%, 0.45%

LAB 37.3, 24.15, -39.57

 

CMYK 23 / 29 / 0 / 48

HEX #665F85

RGB 102 95 133

HSL 251.05, 0.17%, 0.45%

LAB 42.31, 11.48, -20.13

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 5 / 0 / 27 / 48

HEX #7E8460

RGB 126 132 96

HSL 70, 0.16%, 0.45%

LAB 53.8, -8.66, 18.74

 

CMYK 66 / 42 / 0 / 33

HEX #3A63AA

RGB 58 99 170

HSL 218.04, 0.49%, 0.45%

LAB 42.35, 9.14, -42.38

 

CMYK 66 / 59 / 0 / 33

HEX #3A45AA

RGB 58 69 170

HSL 234.11, 0.49%, 0.45%

LAB 34.1, 28.65, -55.65

 

CMYK 55 / 66 / 0 / 33

HEX #4D3AAA

RGB 77 58 170

HSL 250.18, 0.49%, 0.45%

LAB 32.93, 38.72, -57.49

 

CMYK 37 / 66 / 0 / 33

HEX #6B3AAA

RGB 107 58 170

HSL 266.25, 0.49%, 0.45%

LAB 36.09, 44.67, -52.22

 

CMYK 19 / 66 / 0 / 33

HEX #893AAA

RGB 137 58 170

HSL 282.32, 0.49%, 0.45%

LAB 39.99, 51.44, -45.73

 

CMYK 55 / 66 / 0 / 57

HEX #31256D

RGB 49 37 109

HSL 250, 0.49%, 0.29%

LAB 20.36, 26.64, -40.17

 

CMYK 55 / 66 / 0 / 45

HEX #3F308C

RGB 63 48 140

HSL 249.78, 0.49%, 0.37%

LAB 26.92, 32.67, -49.08

 

CMYK 55 / 66 / 0 / 33

HEX #4D3AAA

RGB 77 58 170

HSL 250.18, 0.49%, 0.45%

LAB 32.93, 38.72, -57.49

 

CMYK 50 / 61 / 0 / 24

HEX #604CC1

RGB 96 76 193

HSL 250.26, 0.49%, 0.53%

LAB 40.42, 38.71, -58.83

 

CMYK 40 / 48 / 0 / 20

HEX #7B6BCC

RGB 123 107 204

HSL 249.9, 0.49%, 0.61%

LAB 50.79, 29.57, -48.39

 

CMYK 54 / 65 / 0 / 33

HEX #4E3BAB

RGB 78 59 171

HSL 250.18, 0.49%, 0.45%

LAB 33.32, 38.62, -57.45

 

CMYK 0 / 66 / 24 / 33

HEX #AA3A81

RGB 170 58 129

HSL 321.96, 0.49%, 0.45%

LAB 43, 52.94, -15.9

 

CMYK 51 / 0 / 66 / 33

HEX #54AA3A

RGB 84 170 58

HSL 106.07, 0.49%, 0.45%

LAB 62.46, -46.88, 48.2

 

CMYK 54 / 65 / 0 / 33

HEX #4E3BAB

RGB 78 59 171

HSL 250.18, 0.49%, 0.45%

LAB 33.32, 38.62, -57.45

 

CMYK 0 / 55 / 66 / 33

HEX #AA4D3A

RGB 170 77 58

HSL 10.18, 0.49%, 0.45%

LAB 44.46, 36.77, 29.5

 

CMYK 66 / 0 / 55 / 33

HEX #3AAA4D

RGB 58 170 77

HSL 130.18, 0.49%, 0.45%

LAB 61.81, -51.18, 38.47

 

CMYK 54 / 65 / 0 / 33

HEX #4E3BAB

RGB 78 59 171

HSL 250.18, 0.49%, 0.45%

LAB 33.32, 38.62, -57.45

 

CMYK 0 / 66 / 24 / 33

HEX #AA3A81

RGB 170 58 129

HSL 321.96, 0.49%, 0.45%

LAB 43, 52.94, -15.9

 

CMYK 11 / 0 / 66 / 33

HEX #98AA3A

RGB 152 170 58

HSL 69.64, 0.49%, 0.45%

LAB 66.31, -21.76, 53.47

 

CMYK 66 / 0 / 42 / 33

HEX #3AAA63

RGB 58 170 99

HSL 141.96, 0.49%, 0.45%

LAB 62.13, -47.65, 27.57

 

CMYK 54 / 65 / 0 / 33

HEX #4E3BAB

RGB 78 59 171

HSL 250.18, 0.49%, 0.45%

LAB 33.32, 38.62, -57.45

 

CMYK 0 / 66 / 44 / 33

HEX #AA3A60

RGB 170 58 96

HSL 339.64, 0.49%, 0.45%

LAB 41.87, 48.95, 2.84

 

CMYK 11 / 0 / 66 / 33

HEX #98AA3A

RGB 152 170 58

HSL 69.64, 0.49%, 0.45%

LAB 66.31, -21.76, 53.47

 

CMYK 66 / 0 / 22 / 33

HEX #3AAA85

RGB 58 170 133

HSL 160.18, 0.49%, 0.45%

LAB 62.8, -40.5, 9.95

 

Description

Color code: HEX #4E3BAB | qconv.com Color code: HEX #4E3BAB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 59 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 59 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 65 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 65% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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