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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E275D it is the complementary color #B1D8A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E275D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E275D shade: #532758, #64396B, #754B7E, #865D91 and #976FA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E275D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E275D shade: #4E275D, #3D154A, #2C0337, #1B0024 and #0A0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E275D shade: #4E275D, #5D275D, #5D274F, #5D2740 and #5D2731

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E275D shade: #4E275D, #3F275D, #31275D and #27275D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E275D shade matches the following richer shades: #4E275D, #531C68, #571172 and #5C067D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E275D shade: #4E275D, #493152, #443C48, #40473D and #3B5232

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E275D shade: #31275D, #3F275D, #4E275D, #5C275D and #5D274F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E275D shade: #1D0E23, #351A40, #4E275D, #66337A and #7F3F97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E275D shade: #4E275D, #5D272B and #275D38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E275D shade: #4E275D, #5D4E27 and #275D4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E275D shade: #4E275D, #5D272B, #365D27 and #275D58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E275D shade: #4E275D, #5D3227, #365D27 and #27515D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

Complementary color

CMYK 18 / 0 / 25 / 15

HEX #B1D8A2

RGB 177 216 162

HSL 103.33, 0.41%, 0.74%

LAB 82.42, -22.72, 22.52

 

CMYK 6 / 56 / 0 / 65

HEX #532758

RGB 83 39 88

HSL 293.88, 0.39%, 0.25%

LAB 23.65, 28.76, -20.91

 

CMYK 7 / 47 / 0 / 58

HEX #64396B

RGB 100 57 107

HSL 291.6, 0.3%, 0.32%

LAB 31.11, 27.95, -21.4

 

CMYK 7 / 40 / 0 / 51

HEX #754B7E

RGB 117 75 126

HSL 289.41, 0.25%, 0.39%

LAB 38.41, 27.1, -21.76

 

CMYK 8 / 36 / 0 / 43

HEX #865D91

RGB 134 93 145

HSL 287.31, 0.22%, 0.47%

LAB 45.55, 26.3, -22.07

 

CMYK 8 / 32 / 0 / 36

HEX #976FA4

RGB 151 111 164

HSL 285.28, 0.23%, 0.54%

LAB 52.54, 25.56, -22.36

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 18 / 72 / 0 / 71

HEX #3D154A

RGB 61 21 74

HSL 285.28, 0.56%, 0.19%

LAB 15.61, 28.97, -24.42

 

CMYK 20 / 95 / 0 / 78

HEX #2C0337

RGB 44 3 55

HSL 287.31, 0.9%, 0.11%

LAB 7.92, 29.21, -23.49

 

CMYK 25 / 100 / 0 / 86

HEX #1B0024

RGB 27 0 36

HSL 285, 1%, 0.07%

LAB 3.26, 17.53, -16.77

 

CMYK 41 / 100 / 0 / 93

HEX #0A0011

RGB 10 0 17

HSL 275.29, 1%, 0.03%

LAB 0.95, 5.18, -6.07

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 0 / 58 / 0 / 64

HEX #5D275D

RGB 93 39 93

HSL 300, 0.41%, 0.26%

LAB 25.47, 32.97, -21.25

 

CMYK 0 / 58 / 15 / 64

HEX #5D274F

RGB 93 39 79

HSL 315.56, 0.41%, 0.26%

LAB 24.77, 30.29, -13.06

 

CMYK 0 / 58 / 31 / 64

HEX #5D2740

RGB 93 39 64

HSL 332.22, 0.41%, 0.26%

LAB 24.16, 27.81, -3.91

 

CMYK 0 / 58 / 47 / 64

HEX #5D2731

RGB 93 39 49

HSL 348.89, 0.41%, 0.26%

LAB 23.67, 25.79, 5.59

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 32 / 58 / 0 / 64

HEX #3F275D

RGB 63 39 93

HSL 266.67, 0.41%, 0.26%

LAB 21.2, 23.84, -28.28

 

CMYK 47 / 58 / 0 / 64

HEX #31275D

RGB 49 39 93

HSL 251.11, 0.41%, 0.26%

LAB 19.62, 19.94, -30.9

 

CMYK 58 / 58 / 0 / 64

HEX #27275D

RGB 39 39 93

HSL 240, 0.41%, 0.26%

LAB 18.68, 17.45, -32.45

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 20 / 73 / 0 / 59

HEX #531C68

RGB 83 28 104

HSL 283.42, 0.58%, 0.26%

LAB 22.55, 38.13, -33.18

 

CMYK 24 / 85 / 0 / 55

HEX #571172

RGB 87 17 114

HSL 283.3, 0.74%, 0.26%

LAB 22.45, 45.51, -39.78

 

CMYK 26 / 95 / 0 / 51

HEX #5C067D

RGB 92 6 125

HSL 283.36, 0.91%, 0.26%

LAB 23.29, 51.4, -45.41

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 11 / 40 / 0 / 68

HEX #493152

RGB 73 49 82

HSL 283.64, 0.25%, 0.26%

LAB 24.39, 17.74, -15.88

 

CMYK 6 / 17 / 0 / 72

HEX #443C48

RGB 68 60 72

HSL 280, 0.09%, 0.26%

LAB 26.53, 6.12, -6.06

 

CMYK 10 / 0 / 14 / 72

HEX #40473D

RGB 64 71 61

HSL 102, 0.08%, 0.26%

LAB 29.24, -5.08, 5.05

 

CMYK 28 / 0 / 39 / 68

HEX #3B5232

RGB 59 82 50

HSL 103.13, 0.24%, 0.26%

LAB 32.25, -15.78, 16.03

 

CMYK 47 / 58 / 0 / 64

HEX #31275D

RGB 49 39 93

HSL 251.11, 0.41%, 0.26%

LAB 19.62, 19.94, -30.9

 

CMYK 32 / 58 / 0 / 64

HEX #3F275D

RGB 63 39 93

HSL 266.67, 0.41%, 0.26%

LAB 21.2, 23.84, -28.28

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 1 / 58 / 0 / 64

HEX #5C275D

RGB 92 39 93

HSL 298.89, 0.41%, 0.26%

LAB 25.31, 32.66, -21.51

 

CMYK 0 / 58 / 15 / 64

HEX #5D274F

RGB 93 39 79

HSL 315.56, 0.41%, 0.26%

LAB 24.77, 30.29, -13.06

 

CMYK 17 / 60 / 0 / 86

HEX #1D0E23

RGB 29 14 35

HSL 282.86, 0.43%, 0.1%

LAB 6.29, 12.26, -11.29

 

CMYK 17 / 59 / 0 / 75

HEX #351A40

RGB 53 26 64

HSL 282.63, 0.42%, 0.18%

LAB 14.77, 21.12, -18.88

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 16 / 58 / 0 / 52

HEX #66337A

RGB 102 51 122

HSL 283.1, 0.41%, 0.34%

LAB 30.87, 35.38, -31.24

 

CMYK 16 / 58 / 0 / 41

HEX #7F3F97

RGB 127 63 151

HSL 283.64, 0.41%, 0.42%

LAB 38.38, 42.35, -36.99

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 0 / 58 / 54 / 64

HEX #5D272B

RGB 93 39 43

HSL 355.56, 0.41%, 0.26%

LAB 23.51, 25.11, 9.45

 

CMYK 58 / 0 / 40 / 64

HEX #275D38

RGB 39 93 56

HSL 138.89, 0.41%, 0.26%

LAB 35.09, -27.25, 15.99

HEX #275D38

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 0 / 16 / 58 / 64

HEX #5D4E27

RGB 93 78 39

HSL 43.33, 0.41%, 0.26%

LAB 33.82, 0.71, 25.17

 

CMYK 58 / 0 / 16 / 64

HEX #275D4E

RGB 39 93 78

HSL 163.33, 0.41%, 0.26%

LAB 35.62, -22.01, 3.23

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 0 / 58 / 54 / 64

HEX #5D272B

RGB 93 39 43

HSL 355.56, 0.41%, 0.26%

LAB 23.51, 25.11, 9.45

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 58 / 0 / 5 / 64

HEX #275D58

RGB 39 93 88

HSL 174.44, 0.41%, 0.26%

LAB 35.92, -19.18, -2.55

 

CMYK 16 / 58 / 0 / 64

HEX #4E275D

RGB 78 39 93

HSL 283.33, 0.41%, 0.26%

LAB 23.21, 28.34, -24.96

 

CMYK 0 / 46 / 58 / 64

HEX #5D3227

RGB 93 50 39

HSL 12.22, 0.41%, 0.26%

LAB 26.02, 18.18, 15.46

 

CMYK 42 / 0 / 58 / 64

HEX #365D27

RGB 54 93 39

HSL 103.33, 0.41%, 0.26%

LAB 35.52, -25.19, 26.44

 

CMYK 58 / 13 / 0 / 64

HEX #27515D

RGB 39 81 93

HSL 193.33, 0.41%, 0.26%

LAB 32.05, -10.77, -11.49

 

Description

Color code: HEX #4E275D | qconv.com Color code: HEX #4E275D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 39 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 39 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 58 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 58% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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