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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E2653 it is the complementary color #B1D9AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E2653. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E2653 shade: #53264E, #643861, #754A74, #865C87 and #976E9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E2653. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E2653 shade: #4E2653, #3D1440, #2C022D, #1B001A and #0A0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E2653 shade: #4E2653, #53264C, #532640, #532634 and #532628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E2653 shade: #4E2653, #422653, #362653, #2A2653 and #262653

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E2653 shade matches the following richer shades: #4E2653, #561C5D, #5E1267 and #650871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E2653 shade: #4E2653, #473049, #3F3A40, #374436 and #304E2C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E2653 shade: #362653, #422653, #4E2653, #53264D and #532640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E2653 shade: #190C1B, #341937, #4E2653, #693370 and #83408C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E2653 shade: #4E2653, #532A26 and #26533C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E2653 shade: #4E2653, #534E26 and #26534E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E2653 shade: #4E2653, #532A26, #2B5326 and #265053

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E2653 shade: #4E2653, #533726, #2B5326 and #264253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

Complementary color

CMYK 18 / 0 / 21 / 15

HEX #B1D9AC

RGB 177 217 172

HSL 113.33, 0.37%, 0.76%

LAB 82.89, -21.56, 17.93

 

CMYK 0 / 54 / 6 / 67

HEX #53264E

RGB 83 38 78

HSL 306.67, 0.37%, 0.24%

LAB 22.91, 27.24, -15.4

 

CMYK 0 / 44 / 3 / 61

HEX #643861

RGB 100 56 97

HSL 304.09, 0.28%, 0.31%

LAB 30.4, 26.42, -16.1

 

CMYK 0 / 37 / 1 / 54

HEX #754A74

RGB 117 74 116

HSL 301.4, 0.23%, 0.37%

LAB 37.74, 25.58, -16.63

 

CMYK 1 / 32 / 0 / 47

HEX #865C87

RGB 134 92 135

HSL 298.6, 0.19%, 0.45%

LAB 44.9, 24.79, -17.08

 

CMYK 2 / 29 / 0 / 40

HEX #976E9A

RGB 151 110 154

HSL 295.91, 0.18%, 0.52%

LAB 51.91, 24.06, -17.49

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 5 / 69 / 0 / 75

HEX #3D1440

RGB 61 20 64

HSL 295.91, 0.52%, 0.16%

LAB 14.75, 27.21, -18.83

 

CMYK 2 / 96 / 0 / 82

HEX #2C022D

RGB 44 2 45

HSL 298.6, 0.91%, 0.09%

LAB 6.94, 27.48, -17.67

 

CMYK 0 / 100 / 4 / 89

HEX #1B001A

RGB 27 0 26

HSL 302.22, 1%, 0.05%

LAB 2.78, 14.18, -9.55

 

CMYK 0 / 100 / 30 / 96

HEX #0A0007

RGB 10 0 7

HSL 318, 1%, 0.02%

LAB 0.72, 3.59, -1.73

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 0 / 54 / 8 / 67

HEX #53264C

RGB 83 38 76

HSL 309.33, 0.37%, 0.24%

LAB 22.82, 26.84, -14.2

 

CMYK 0 / 54 / 23 / 67

HEX #532640

RGB 83 38 64

HSL 325.33, 0.37%, 0.24%

LAB 22.29, 24.61, -6.88

 

CMYK 0 / 54 / 37 / 67

HEX #532634

RGB 83 38 52

HSL 341.33, 0.37%, 0.24%

LAB 21.85, 22.7, 0.7

 

CMYK 0 / 54 / 52 / 67

HEX #532628

RGB 83 38 40

HSL 357.33, 0.37%, 0.24%

LAB 21.5, 21.15, 8.46

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 20 / 54 / 0 / 67

HEX #422653

RGB 66 38 83

HSL 277.33, 0.37%, 0.24%

LAB 20.71, 22.67, -22.38

 

CMYK 35 / 54 / 0 / 67

HEX #362653

RGB 54 38 83

HSL 261.33, 0.37%, 0.24%

LAB 19.2, 18.87, -24.86

 

CMYK 49 / 54 / 0 / 67

HEX #2A2653

RGB 42 38 83

HSL 245.33, 0.37%, 0.24%

LAB 17.93, 15.35, -26.97

 

CMYK 54 / 54 / 0 / 67

HEX #262653

RGB 38 38 83

HSL 240, 0.37%, 0.24%

LAB 17.57, 14.27, -27.57

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 8 / 70 / 0 / 64

HEX #561C5D

RGB 86 28 93

HSL 293.54, 0.54%, 0.24%

LAB 22.3, 36.5, -26.32

 

CMYK 9 / 83 / 0 / 60

HEX #5E1267

RGB 94 18 103

HSL 293.65, 0.7%, 0.24%

LAB 22.97, 44.37, -31.75

 

CMYK 11 / 93 / 0 / 56

HEX #650871

RGB 101 8 113

HSL 293.14, 0.87%, 0.24%

LAB 24.11, 50.15, -36.34

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 3 / 34 / 0 / 71

HEX #473049

RGB 71 48 73

HSL 295.2, 0.21%, 0.24%

LAB 23.45, 15.5, -11.35

 

CMYK 2 / 9 / 0 / 75

HEX #3F3A40

RGB 63 58 64

HSL 290, 0.05%, 0.24%

LAB 25.12, 3.5, -2.92

 

CMYK 19 / 0 / 21 / 73

HEX #374436

RGB 55 68 54

HSL 115.71, 0.11%, 0.24%

LAB 27.33, -8.5, 6.77

 

CMYK 38 / 0 / 44 / 69

HEX #304E2C

RGB 48 78 44

HSL 112.94, 0.28%, 0.24%

LAB 30.06, -19.02, 16.68

 

CMYK 35 / 54 / 0 / 67

HEX #362653

RGB 54 38 83

HSL 261.33, 0.37%, 0.24%

LAB 19.2, 18.87, -24.86

 

CMYK 20 / 54 / 0 / 67

HEX #422653

RGB 66 38 83

HSL 277.33, 0.37%, 0.24%

LAB 20.71, 22.67, -22.38

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 0 / 54 / 7 / 67

HEX #53264D

RGB 83 38 77

HSL 308, 0.37%, 0.24%

LAB 22.87, 27.04, -14.8

 

CMYK 0 / 54 / 23 / 67

HEX #532640

RGB 83 38 64

HSL 325.33, 0.37%, 0.24%

LAB 22.29, 24.61, -6.88

 

CMYK 7 / 56 / 0 / 89

HEX #190C1B

RGB 25 12 27

HSL 292, 0.38%, 0.08%

LAB 4.96, 8.55, -7.16

 

CMYK 5 / 55 / 0 / 78

HEX #341937

RGB 52 25 55

HSL 294, 0.38%, 0.16%

LAB 13.83, 19.17, -14

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 6 / 54 / 0 / 56

HEX #693370

RGB 105 51 112

HSL 293.11, 0.37%, 0.32%

LAB 30.74, 34.07, -25.11

 

CMYK 6 / 54 / 0 / 45

HEX #83408C

RGB 131 64 140

HSL 292.89, 0.37%, 0.4%

LAB 38.53, 40.63, -30.03

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 0 / 49 / 54 / 67

HEX #532A26

RGB 83 42 38

HSL 5.33, 0.37%, 0.24%

LAB 22.43, 18.48, 11.08

 

CMYK 54 / 0 / 28 / 67

HEX #26533C

RGB 38 83 60

HSL 149.33, 0.37%, 0.24%

LAB 31.64, -21.69, 8.81

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 0 / 6 / 54 / 67

HEX #534E26

RGB 83 78 38

HSL 53.33, 0.37%, 0.24%

LAB 32.76, -4.24, 24.22

 

CMYK 54 / 0 / 6 / 67

HEX #26534E

RGB 38 83 78

HSL 173.33, 0.37%, 0.24%

LAB 32.14, -16.88, -1.83

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 0 / 49 / 54 / 67

HEX #532A26

RGB 83 42 38

HSL 5.33, 0.37%, 0.24%

LAB 22.43, 18.48, 11.08

 

CMYK 48 / 0 / 54 / 67

HEX #2B5326

RGB 43 83 38

HSL 113.33, 0.37%, 0.24%

LAB 31.44, -24.42, 21.93

 

CMYK 54 / 4 / 0 / 67

HEX #265053

RGB 38 80 83

HSL 184, 0.37%, 0.24%

LAB 31.29, -13.65, -6.28

 

CMYK 6 / 54 / 0 / 67

HEX #4E2653

RGB 78 38 83

HSL 293.33, 0.37%, 0.24%

LAB 22.41, 26.61, -19.59

 

CMYK 0 / 34 / 54 / 67

HEX #533726

RGB 83 55 38

HSL 22.67, 0.37%, 0.24%

LAB 25.9, 10.23, 15.66

 

CMYK 48 / 0 / 54 / 67

HEX #2B5326

RGB 43 83 38

HSL 113.33, 0.37%, 0.24%

LAB 31.44, -24.42, 21.93

 

CMYK 54 / 20 / 0 / 67

HEX #264253

RGB 38 66 83

HSL 202.67, 0.37%, 0.24%

LAB 26.54, -5.09, -13.48

 

Description

Color code: HEX #4E2653 | qconv.com Color code: HEX #4E2653 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 38 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 38 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 54 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 54% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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