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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E256E it is the complementary color #B1DA91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E256E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E256E shade: #532569, #64377C, #75498F, #865BA2 and #976DB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E256E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E256E shade: #4E256E, #3D135B, #2C0148, #1B0035 and #0A0022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E256E shade: #4E246E, #62246E, #6E2467, #6E2453 and #6E243F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E256E shade: #4E246E, #3A246E, #26246E and #24246E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E256E shade matches the following richer shades: #4E246E, #4F197A, #510D86 and #520192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E256E shade: #4E246E, #4D3062, #4B3C56, #4A484B and #48543F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E256E shade: #26246E, #39246E, #4D246E, #61246E and #6E2468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E256E shade: #221031, #381A4F, #4E246E, #642F8D and #7A39AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E256E shade: #4E256E, #6E2437 and #246E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E256E shade: #4E256E, #6E4D24 and #246E4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E256E shade: #4E256E, #6E2437, #466E24 and #246E5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E256E shade: #4E256E, #6E2824, #466E24 and #246B6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 66 / 0 / 57

HEX #4E256E

RGB 78 37 110

HSL 273.7, 0.5%, 0.29%

LAB 23.9, 33.73, -34.94

 

Complementary color

CMYK 19 / 0 / 33 / 15

HEX #B1DA91

RGB 177 218 145

HSL 93.7, 0.5%, 0.71%

LAB 82.67, -26.24, 31.66

 

CMYK 21 / 65 / 0 / 59

HEX #532569

RGB 83 37 105

HSL 280.59, 0.48%, 0.28%

LAB 24.26, 33.8, -31.08

 

CMYK 19 / 56 / 0 / 51

HEX #64377C

RGB 100 55 124

HSL 279.13, 0.39%, 0.35%

LAB 31.57, 33.02, -31.4

 

CMYK 18 / 49 / 0 / 44

HEX #75498F

RGB 117 73 143

HSL 277.71, 0.32%, 0.42%

LAB 38.78, 32.13, -31.59

 

CMYK 17 / 44 / 0 / 36

HEX #865BA2

RGB 134 91 162

HSL 276.34, 0.28%, 0.5%

LAB 45.85, 31.26, -31.72

 

CMYK 17 / 40 / 0 / 29

HEX #976DB5

RGB 151 109 181

HSL 275, 0.33%, 0.57%

LAB 52.79, 30.44, -31.84

 

CMYK 29 / 66 / 0 / 57

HEX #4E256E

RGB 78 37 110

HSL 273.7, 0.5%, 0.29%

LAB 23.9, 33.73, -34.94

 

CMYK 33 / 79 / 0 / 64

HEX #3D135B

RGB 61 19 91

HSL 275, 0.65%, 0.22%

LAB 16.57, 34.2, -34.42

 

CMYK 39 / 99 / 0 / 72

HEX #2C0148

RGB 44 1 72

HSL 276.34, 0.97%, 0.14%

LAB 9.2, 34.29, -33.55

 

CMYK 49 / 100 / 0 / 79

HEX #1B0035

RGB 27 0 53

HSL 270.57, 1%, 0.1%

LAB 4.43, 24.87, -27.79

 

CMYK 71 / 100 / 0 / 87

HEX #0A0022

RGB 10 0 34

HSL 257.65, 1%, 0.07%

LAB 1.63, 9.95, -17.83

 

CMYK 29 / 67 / 0 / 57

HEX #4E246E

RGB 78 36 110

HSL 274.05, 0.51%, 0.29%

LAB 23.7, 34.28, -35.26

 

CMYK 11 / 67 / 0 / 57

HEX #62246E

RGB 98 36 110

HSL 290.27, 0.51%, 0.29%

LAB 26.69, 39.43, -30.3

 

CMYK 0 / 67 / 6 / 57

HEX #6E2467

RGB 110 36 103

HSL 305.68, 0.51%, 0.29%

LAB 28.26, 41.33, -23.17

 

CMYK 0 / 67 / 25 / 57

HEX #6E2453

RGB 110 36 83

HSL 321.89, 0.51%, 0.29%

LAB 27.3, 38.02, -11.6

 

CMYK 0 / 67 / 43 / 57

HEX #6E243F

RGB 110 36 63

HSL 338.11, 0.51%, 0.29%

LAB 26.55, 35.34, 0.63

 

CMYK 29 / 67 / 0 / 57

HEX #4E246E

RGB 78 36 110

HSL 274.05, 0.51%, 0.29%

LAB 23.7, 34.28, -35.26

 

CMYK 47 / 67 / 0 / 57

HEX #3A246E

RGB 58 36 110

HSL 257.84, 0.51%, 0.29%

LAB 21.16, 29.53, -39.48

 

CMYK 65 / 67 / 0 / 57

HEX #26246E

RGB 38 36 110

HSL 241.62, 0.51%, 0.29%

LAB 19.22, 25.57, -42.72

 

CMYK 67 / 67 / 0 / 57

HEX #24246E

RGB 36 36 110

HSL 240, 0.51%, 0.29%

LAB 19.07, 25.24, -42.98

 

CMYK 29 / 67 / 0 / 57

HEX #4E246E

RGB 78 36 110

HSL 274.05, 0.51%, 0.29%

LAB 23.7, 34.28, -35.26

 

CMYK 35 / 80 / 0 / 52

HEX #4F197A

RGB 79 25 122

HSL 273.4, 0.66%, 0.29%

LAB 22.87, 42.88, -44.28

 

CMYK 40 / 90 / 0 / 47

HEX #510D86

RGB 81 13 134

HSL 273.72, 0.82%, 0.29%

LAB 22.86, 50.17, -51.89

 

CMYK 44 / 99 / 0 / 43

HEX #520192

RGB 82 1 146

HSL 273.52, 0.99%, 0.29%

LAB 23.31, 55.72, -58.63

 

CMYK 29 / 67 / 0 / 57

HEX #4E246E

RGB 78 36 110

HSL 274.05, 0.51%, 0.29%

LAB 23.7, 34.28, -35.26

 

CMYK 21 / 51 / 0 / 62

HEX #4D3062

RGB 77 48 98

HSL 274.8, 0.34%, 0.29%

LAB 25.48, 23.78, -24.64

 

CMYK 13 / 30 / 0 / 66

HEX #4B3C56

RGB 75 60 86

HSL 274.62, 0.18%, 0.29%

LAB 27.84, 12.26, -13.17

 

CMYK 1 / 4 / 0 / 71

HEX #4A484B

RGB 74 72 75

HSL 280, 0.02%, 0.29%

LAB 30.88, 1.49, -1.5

 

CMYK 14 / 0 / 25 / 67

HEX #48543F

RGB 72 84 63

HSL 94.29, 0.14%, 0.29%

LAB 34.14, -9.18, 10.74

 

CMYK 65 / 67 / 0 / 57

HEX #26246E

RGB 38 36 110

HSL 241.62, 0.51%, 0.29%

LAB 19.22, 25.57, -42.72

 

CMYK 48 / 67 / 0 / 57

HEX #39246E

RGB 57 36 110

HSL 257.03, 0.51%, 0.29%

LAB 21.05, 29.31, -39.67

 

CMYK 30 / 67 / 0 / 57

HEX #4D246E

RGB 77 36 110

HSL 273.24, 0.51%, 0.29%

LAB 23.56, 34.03, -35.49

 

CMYK 12 / 67 / 0 / 57

HEX #61246E

RGB 97 36 110

HSL 289.46, 0.51%, 0.29%

LAB 26.53, 39.17, -30.56

 

CMYK 0 / 67 / 5 / 57

HEX #6E2468

RGB 110 36 104

HSL 304.86, 0.51%, 0.29%

LAB 28.32, 41.51, -23.73

 

CMYK 31 / 67 / 0 / 81

HEX #221031

RGB 34 16 49

HSL 272.73, 0.51%, 0.13%

LAB 8.42, 17.31, -18.39

 

CMYK 29 / 67 / 0 / 69

HEX #381A4F

RGB 56 26 79

HSL 273.96, 0.5%, 0.21%

LAB 16.23, 26.03, -26.9

 

CMYK 29 / 67 / 0 / 57

HEX #4E246E

RGB 78 36 110

HSL 274.05, 0.51%, 0.29%

LAB 23.7, 34.28, -35.26

 

CMYK 29 / 67 / 0 / 45

HEX #642F8D

RGB 100 47 141

HSL 273.83, 0.5%, 0.37%

LAB 31.03, 41.52, -42.83

 

CMYK 29 / 67 / 0 / 33

HEX #7A39AC

RGB 122 57 172

HSL 273.91, 0.5%, 0.45%

LAB 37.92, 48.95, -50.37

 

CMYK 29 / 66 / 0 / 57

HEX #4E256E

RGB 78 37 110

HSL 273.7, 0.5%, 0.29%

LAB 23.9, 33.73, -34.94

 

CMYK 0 / 67 / 50 / 57

HEX #6E2437

RGB 110 36 55

HSL 344.59, 0.51%, 0.29%

LAB 26.31, 34.45, 5.68

 

CMYK 67 / 0 / 56 / 57

HEX #246E30

RGB 36 110 48

HSL 129.73, 0.51%, 0.29%

LAB 40.8, -36.89, 27.76

 

CMYK 29 / 66 / 0 / 57

HEX #4E256E

RGB 78 37 110

HSL 273.7, 0.5%, 0.29%

LAB 23.9, 33.73, -34.94

 

CMYK 0 / 30 / 67 / 57

HEX #6E4D24

RGB 110 77 36

HSL 33.24, 0.51%, 0.29%

LAB 35.5, 9.27, 29.32

 

CMYK 67 / 0 / 30 / 57

HEX #246E4D

RGB 36 110 77

HSL 153.24, 0.51%, 0.29%

LAB 41.32, -31.24, 11.87

 

CMYK 29 / 66 / 0 / 57

HEX #4E256E

RGB 78 37 110

HSL 273.7, 0.5%, 0.29%

LAB 23.9, 33.73, -34.94

 

CMYK 0 / 67 / 50 / 57

HEX #6E2437

RGB 110 36 55

HSL 344.59, 0.51%, 0.29%

LAB 26.31, 34.45, 5.68

 

CMYK 36 / 0 / 67 / 57

HEX #466E24

RGB 70 110 36

HSL 92.43, 0.51%, 0.29%

LAB 42.13, -27.65, 35.71

 

CMYK 67 / 0 / 16 / 57

HEX #246E5C

RGB 36 110 92

HSL 165.41, 0.51%, 0.29%

LAB 41.69, -27.41, 3.4

 

CMYK 29 / 66 / 0 / 57

HEX #4E256E

RGB 78 37 110

HSL 273.7, 0.5%, 0.29%

LAB 23.9, 33.73, -34.94

 

CMYK 0 / 64 / 67 / 57

HEX #6E2824

RGB 110 40 36

HSL 3.24, 0.51%, 0.29%

LAB 26.62, 30.82, 18.76

 

CMYK 36 / 0 / 67 / 57

HEX #466E24

RGB 70 110 36

HSL 92.43, 0.51%, 0.29%

LAB 42.13, -27.65, 35.71

 

CMYK 67 / 3 / 0 / 57

HEX #246B6E

RGB 36 107 110

HSL 182.43, 0.51%, 0.29%

LAB 41.24, -20.54, -8.17

 

Description

Color code: HEX #4E256E | qconv.com Color code: HEX #4E256E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 37 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 37 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 66 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 66% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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