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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4E03C2 it is the complementary color #B1FC3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4E03C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4E03C2 shade: #5303BD, #6415D0, #7527E3, #8639F6 and #974BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4E03C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4E03C2 shade: #4E03C2, #3D00AF, #2C009C, #1B0089 and #0A0076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4E03C2 shade: #4E02C3, #8202C3, #B602C3, #C3029D and #C30268

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4E03C2 shade: #4E02C3, #1A02C3 and #0202C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4E03C2 shade matches the following richer shades: #4E02C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4E03C2 shade: #4E02C3, #5213B3, #5523A3, #593393 and #5C4383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4E03C2 shade: #021FC3, #1902C3, #4C02C3, #8002C3 and #B302C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4E03C2 shade: #2E0172, #3E029B, #4E02C3, #5F03EC and #741DFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4E03C2 shade: #4E03C2, #C30253 and #06C302

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4E03C2 shade: #4E03C2, #C34C02 and #02C34C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4E03C2 shade: #4E03C2, #C30253, #79C302 and #02C373

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4E03C2 shade: #4E03C2, #C30219, #79C302 and #02C3AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 98 / 0 / 24

HEX #4E03C2

RGB 78 3 194

HSL 263.56, 0.97%, 0.39%

LAB 28.33, 65.97, -79.34

 

Complementary color

CMYK 30 / 0 / 76 / 1

HEX #B1FC3D

RGB 177 252 61

HSL 83.56, 0.97%, 0.61%

LAB 91.37, -49.25, 77.67

 

CMYK 56 / 98 / 0 / 26

HEX #5303BD

RGB 83 3 189

HSL 265.81, 0.97%, 0.38%

LAB 28.32, 65.14, -76.37

 

CMYK 52 / 90 / 0 / 18

HEX #6415D0

RGB 100 21 208

HSL 265.35, 0.82%, 0.45%

LAB 33.56, 67.58, -78.78

 

CMYK 48 / 83 / 0 / 11

HEX #7527E3

RGB 117 39 227

HSL 264.89, 0.77%, 0.52%

LAB 39.21, 68.7, -80.34

 

CMYK 46 / 77 / 0 / 4

HEX #8639F6

RGB 134 57 246

HSL 264.44, 0.91%, 0.59%

LAB 45.15, 68.84, -81.25

 

CMYK 41 / 71 / 0 / 0

HEX #974BFF

RGB 151 75 255

HSL 265.33, 1%, 0.65%

LAB 50.49, 65.99, -77.46

 

CMYK 60 / 98 / 0 / 24

HEX #4E03C2

RGB 78 3 194

HSL 263.56, 0.97%, 0.39%

LAB 28.33, 65.97, -79.34

 

CMYK 65 / 100 / 0 / 31

HEX #3D00AF

RGB 61 0 175

HSL 260.91, 1%, 0.34%

LAB 23.96, 61.12, -75.34

 

CMYK 72 / 100 / 0 / 39

HEX #2C009C

RGB 44 0 156

HSL 256.92, 1%, 0.31%

LAB 19.78, 55.73, -70.78

 

CMYK 80 / 100 / 0 / 46

HEX #1B0089

RGB 27 0 137

HSL 251.82, 1%, 0.27%

LAB 15.69, 50.34, -65.83

 

CMYK 92 / 100 / 0 / 54

HEX #0A0076

RGB 10 0 118

HSL 245.08, 1%, 0.23%

LAB 11.77, 44.96, -60.28

 

CMYK 60 / 99 / 0 / 24

HEX #4E02C3

RGB 78 2 195

HSL 263.63, 0.98%, 0.39%

LAB 28.39, 66.38, -79.82

 

CMYK 33 / 99 / 0 / 24

HEX #8202C3

RGB 130 2 195

HSL 279.79, 0.98%, 0.39%

LAB 35.46, 70.95, -67.92

 

CMYK 7 / 99 / 0 / 24

HEX #B602C3

RGB 182 2 195

HSL 295.96, 0.98%, 0.39%

LAB 44.13, 78.06, -53.44

 

CMYK 0 / 99 / 19 / 24

HEX #C3029D

RGB 195 2 157

HSL 311.81, 0.98%, 0.39%

LAB 44.35, 74.99, -30.44

 

CMYK 0 / 99 / 47 / 24

HEX #C30268

RGB 195 2 104

HSL 328.29, 0.98%, 0.39%

LAB 42.22, 69.51, -1.08

 

CMYK 60 / 99 / 0 / 24

HEX #4E02C3

RGB 78 2 195

HSL 263.63, 0.98%, 0.39%

LAB 28.39, 66.38, -79.82

 

CMYK 87 / 99 / 0 / 24

HEX #1A02C3

RGB 26 2 195

HSL 247.46, 0.98%, 0.39%

LAB 24.33, 64.52, -86.69

 

CMYK 99 / 99 / 0 / 24

HEX #0202C3

RGB 2 2 195

HSL 240, 0.98%, 0.39%

LAB 23.66, 64.28, -87.83

 

CMYK 60 / 99 / 0 / 24

HEX #4E02C3

RGB 78 2 195

HSL 263.63, 0.98%, 0.39%

LAB 28.39, 66.38, -79.82

 

CMYK 60 / 99 / 0 / 24

HEX #4E02C3

RGB 78 2 195

HSL 263.63, 0.98%, 0.39%

LAB 28.39, 66.38, -79.82

 

CMYK 54 / 89 / 0 / 30

HEX #5213B3

RGB 82 19 179

HSL 263.63, 0.81%, 0.39%

LAB 28.15, 59.47, -70.71

 

CMYK 48 / 79 / 0 / 36

HEX #5523A3

RGB 85 35 163

HSL 263.44, 0.65%, 0.39%

LAB 28.84, 50.06, -59.93

 

CMYK 39 / 65 / 0 / 42

HEX #593393

RGB 89 51 147

HSL 263.75, 0.48%, 0.39%

LAB 30.87, 38.4, -46.85

 

CMYK 30 / 49 / 0 / 49

HEX #5C4383

RGB 92 67 131

HSL 263.44, 0.32%, 0.39%

LAB 33.83, 25.25, -32.23

 

CMYK 99 / 84 / 0 / 24

HEX #021FC3

RGB 2 31 195

HSL 230.98, 0.98%, 0.39%

LAB 26.54, 55.51, -83.02

 

CMYK 87 / 99 / 0 / 24

HEX #1902C3

RGB 25 2 195

HSL 247.15, 0.98%, 0.39%

LAB 24.29, 64.5, -86.76

 

CMYK 61 / 99 / 0 / 24

HEX #4C02C3

RGB 76 2 195

HSL 263.01, 0.98%, 0.39%

LAB 28.17, 66.26, -80.2

 

CMYK 34 / 99 / 0 / 24

HEX #8002C3

RGB 128 2 195

HSL 279.17, 0.98%, 0.39%

LAB 35.15, 70.72, -68.44

 

CMYK 8 / 99 / 0 / 24

HEX #B302C3

RGB 179 2 195

HSL 295.03, 0.98%, 0.39%

LAB 43.61, 77.59, -54.31

 

CMYK 60 / 99 / 0 / 55

HEX #2E0172

RGB 46 1 114

HSL 263.89, 0.98%, 0.23%

LAB 14.5, 44.96, -53.07

 

CMYK 60 / 99 / 0 / 39

HEX #3E029B

RGB 62 2 155

HSL 263.53, 0.97%, 0.31%

LAB 21.7, 55.91, -66.92

 

CMYK 60 / 99 / 0 / 24

HEX #4E02C3

RGB 78 2 195

HSL 263.63, 0.98%, 0.39%

LAB 28.39, 66.38, -79.82

 

CMYK 60 / 99 / 0 / 7

HEX #5F03EC

RGB 95 3 236

HSL 263.69, 0.97%, 0.47%

LAB 35.11, 76.55, -92.32

 

CMYK 54 / 88 / 0 / 2

HEX #741DFB

RGB 116 29 251

HSL 263.51, 0.97%, 0.55%

LAB 40.5, 77.04, -91.78

 

CMYK 60 / 98 / 0 / 24

HEX #4E03C2

RGB 78 3 194

HSL 263.56, 0.97%, 0.39%

LAB 28.33, 65.97, -79.34

 

CMYK 0 / 99 / 57 / 24

HEX #C30253

RGB 195 2 83

HSL 334.82, 0.98%, 0.39%

LAB 41.64, 67.96, 11.36

 

CMYK 97 / 0 / 99 / 24

HEX #06C302

RGB 6 195 2

HSL 118.76, 0.98%, 0.39%

LAB 68.8, -70.13, 67.78

 

CMYK 60 / 98 / 0 / 24

HEX #4E03C2

RGB 78 3 194

HSL 263.56, 0.97%, 0.39%

LAB 28.33, 65.97, -79.34

 

CMYK 0 / 61 / 99 / 24

HEX #C34C02

RGB 195 76 2

HSL 23.01, 0.98%, 0.39%

LAB 47.98, 45.03, 57.78

 

CMYK 99 / 0 / 61 / 24

HEX #02C34C

RGB 2 195 76

HSL 143.01, 0.98%, 0.39%

LAB 69.16, -65.54, 47.4

 

CMYK 60 / 98 / 0 / 24

HEX #4E03C2

RGB 78 3 194

HSL 263.56, 0.97%, 0.39%

LAB 28.33, 65.97, -79.34

 

CMYK 0 / 99 / 57 / 24

HEX #C30253

RGB 195 2 83

HSL 334.82, 0.98%, 0.39%

LAB 41.64, 67.96, 11.36

 

CMYK 38 / 0 / 99 / 24

HEX #79C302

RGB 121 195 2

HSL 83.01, 0.98%, 0.39%

LAB 71.62, -47.34, 71.21

 

CMYK 99 / 0 / 41 / 24

HEX #02C373

RGB 2 195 115

HSL 155.13, 0.98%, 0.39%

LAB 69.67, -59.34, 28.94

 

CMYK 60 / 98 / 0 / 24

HEX #4E03C2

RGB 78 3 194

HSL 263.56, 0.97%, 0.39%

LAB 28.33, 65.97, -79.34

 

CMYK 0 / 99 / 87 / 24

HEX #C30219

RGB 195 2 25

HSL 352.85, 0.98%, 0.39%

LAB 40.76, 65.57, 45.23

 

CMYK 38 / 0 / 99 / 24

HEX #79C302

RGB 121 195 2

HSL 83.01, 0.98%, 0.39%

LAB 71.62, -47.34, 71.21

 

CMYK 99 / 0 / 11 / 24

HEX #02C3AD

RGB 2 195 173

HSL 173.16, 0.98%, 0.39%

LAB 70.91, -45.6, -0.47

 

Description

Color code: HEX #4E03C2 | qconv.com Color code: HEX #4E03C2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 3 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 3 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 98 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 98% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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