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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DDE3F it is the complementary color #B221C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DDE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DDE3F shade: #52DE3A, #63F04D, #74FF60, #85FF73 and #96FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DDE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DDE3F shade: #4DDE3F, #3CCC2C, #2BBA19, #1AA806 and #099600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DDE3F shade: #4DDE3F, #78DE3F, #A3DE3F, #CEDE3F and #DEC33F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DDE3F shade: #4DDE3F, #3FDE5C, #3FDE87, #3FDEB2 and #3FDEDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DDE3F shade matches the following richer shades: #4DDE3F and #3EF02C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DDE3F shade: #4DDE3F, #5CCC51, #6BBA63, #7AA875 and #889587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DDE3F shade: #A4DE3F, #79DE3F, #4FDE3F, #3FDE59 and #3FDE84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DDE3F shade: #2AAD1D, #32D023, #4DDE3F, #6DE462 and #8EEA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DDE3F shade: #4DDE3F, #3FCEDE and #DE3F8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DDE3F shade: #4DDE3F, #3F4FDE and #DE3F4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DDE3F shade: #4DDE3F, #3FCEDE, #CE3FDE and #DE4F3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DDE3F shade: #4DDE3F, #3F9EDE, #CE3FDE and #DE7E3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

Complementary color

CMYK 7 / 83 / 0 / 25

HEX #B221C0

RGB 178 33 192

HSL 294.72, 0.71%, 0.44%

LAB 44.74, 72.52, -50.74

 

CMYK 63 / 0 / 74 / 13

HEX #52DE3A

RGB 82 222 58

HSL 111.22, 0.71%, 0.55%

LAB 78.66, -66.21, 65

 

CMYK 59 / 0 / 68 / 6

HEX #63F04D

RGB 99 240 77

HSL 111.9, 0.84%, 0.62%

LAB 84.75, -67.05, 64.58

 

CMYK 55 / 0 / 62 / 0

HEX #74FF60

RGB 116 255 96

HSL 112.45, 1%, 0.69%

LAB 89.9, -66.53, 62.82

 

CMYK 48 / 0 / 55 / 0

HEX #85FF73

RGB 133 255 115

HSL 112.29, 1%, 0.73%

LAB 90.66, -60.13, 55.72

 

CMYK 41 / 0 / 47 / 0

HEX #96FF86

RGB 150 255 134

HSL 112.07, 1%, 0.76%

LAB 91.56, -53.02, 48.23

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 71 / 0 / 78 / 20

HEX #3CCC2C

RGB 60 204 44

HSL 114, 0.65%, 0.49%

LAB 72.45, -65.6, 63.24

 

CMYK 77 / 0 / 87 / 27

HEX #2BBA19

RGB 43 186 25

HSL 113.29, 0.76%, 0.41%

LAB 66.29, -63.74, 62.44

 

CMYK 85 / 0 / 96 / 34

HEX #1AA806

RGB 26 168 6

HSL 112.59, 0.93%, 0.34%

LAB 60.1, -61.1, 60.26

 

CMYK 94 / 0 / 100 / 41

HEX #099600

RGB 9 150 0

HSL 116.4, 1%, 0.29%

LAB 53.89, -57.45, 56.07

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 46 / 0 / 72 / 13

HEX #78DE3F

RGB 120 222 63

HSL 98.49, 0.71%, 0.56%

LAB 79.95, -56.01, 64.98

 

CMYK 27 / 0 / 72 / 13

HEX #A3DE3F

RGB 163 222 63

HSL 82.26, 0.71%, 0.56%

LAB 82.05, -41.41, 67.77

 

CMYK 7 / 0 / 72 / 13

HEX #CEDE3F

RGB 206 222 63

HSL 66.04, 0.71%, 0.56%

LAB 84.86, -24.55, 71.47

 

CMYK 0 / 12 / 72 / 13

HEX #DEC33F

RGB 222 195 63

HSL 49.81, 0.71%, 0.56%

LAB 78.99, -4.39, 66.22

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 72 / 0 / 59 / 13

HEX #3FDE5C

RGB 63 222 92

HSL 130.94, 0.71%, 0.56%

LAB 78.5, -66.52, 51.22

 

CMYK 72 / 0 / 39 / 13

HEX #3FDE87

RGB 63 222 135

HSL 147.17, 0.71%, 0.56%

LAB 79.07, -59.98, 31.17

 

CMYK 72 / 0 / 20 / 13

HEX #3FDEB2

RGB 63 222 178

HSL 163.4, 0.71%, 0.56%

LAB 79.91, -50.93, 9.91

 

CMYK 72 / 0 / 1 / 13

HEX #3FDEDC

RGB 63 222 220

HSL 179.25, 0.71%, 0.56%

LAB 81, -40.03, -10.82

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 74 / 0 / 82 / 6

HEX #3EF02C

RGB 62 240 44

HSL 114.49, 0.87%, 0.56%

LAB 83.72, -76.28, 73.77

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 55 / 0 / 60 / 20

HEX #5CCC51

RGB 92 204 81

HSL 114.63, 0.55%, 0.56%

LAB 73.58, -55.46, 50.64

 

CMYK 42 / 0 / 47 / 27

HEX #6BBA63

RGB 107 186 99

HSL 114.48, 0.39%, 0.56%

LAB 68.86, -41.71, 36.54

 

CMYK 27 / 0 / 30 / 34

HEX #7AA875

RGB 122 168 117

HSL 114.12, 0.23%, 0.56%

LAB 64.51, -25.63, 21.53

 

CMYK 9 / 0 / 9 / 42

HEX #889587

RGB 136 149 135

HSL 115.71, 0.06%, 0.56%

LAB 60.32, -7.43, 5.8

 

CMYK 26 / 0 / 72 / 13

HEX #A4DE3F

RGB 164 222 63

HSL 81.89, 0.71%, 0.56%

LAB 82.11, -41.04, 67.85

 

CMYK 45 / 0 / 72 / 13

HEX #79DE3F

RGB 121 222 63

HSL 98.11, 0.71%, 0.56%

LAB 79.99, -55.7, 65.04

 

CMYK 64 / 0 / 72 / 13

HEX #4FDE3F

RGB 79 222 63

HSL 113.96, 0.71%, 0.56%

LAB 78.62, -66.48, 63.2

 

CMYK 72 / 0 / 60 / 13

HEX #3FDE59

RGB 63 222 89

HSL 129.81, 0.71%, 0.56%

LAB 78.47, -66.88, 52.52

 

CMYK 72 / 0 / 41 / 13

HEX #3FDE84

RGB 63 222 132

HSL 146.04, 0.71%, 0.56%

LAB 79.02, -60.53, 32.63

 

CMYK 76 / 0 / 83 / 32

HEX #2AAD1D

RGB 42 173 29

HSL 114.58, 0.71%, 0.4%

LAB 62.06, -59.68, 57.66

 

CMYK 76 / 0 / 83 / 18

HEX #32D023

RGB 50 208 35

HSL 114.8, 0.71%, 0.48%

LAB 73.49, -68.93, 66.6

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 52 / 0 / 57 / 11

HEX #6DE462

RGB 109 228 98

HSL 114.92, 0.71%, 0.64%

LAB 81.63, -58.21, 52.5

 

CMYK 39 / 0 / 43 / 8

HEX #8EEA85

RGB 142 234 133

HSL 114.65, 0.71%, 0.72%

LAB 85.14, -46.81, 40.56

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 72 / 7 / 0 / 13

HEX #3FCEDE

RGB 63 206 222

HSL 186.04, 0.71%, 0.56%

LAB 76.36, -32.01, -18.86

 

CMYK 0 / 72 / 36 / 13

HEX #DE3F8E

RGB 222 63 142

HSL 330.19, 0.71%, 0.56%

LAB 52.99, 67, -7.8

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 72 / 64 / 0 / 13

HEX #3F4FDE

RGB 63 79 222

HSL 233.96, 0.71%, 0.56%

LAB 41.09, 41.2, -74.55

 

CMYK 0 / 72 / 64 / 13

HEX #DE3F4F

RGB 222 63 79

HSL 353.96, 0.71%, 0.56%

LAB 51.44, 61.85, 27.77

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 72 / 7 / 0 / 13

HEX #3FCEDE

RGB 63 206 222

HSL 186.04, 0.71%, 0.56%

LAB 76.36, -32.01, -18.86

 

CMYK 7 / 72 / 0 / 13

HEX #CE3FDE

RGB 206 63 222

HSL 293.96, 0.71%, 0.56%

LAB 53.97, 74.37, -52.96

 

CMYK 0 / 64 / 72 / 13

HEX #DE4F3F

RGB 222 79 63

HSL 6.04, 0.71%, 0.56%

LAB 53.47, 54.85, 39.41

 

CMYK 65 / 0 / 72 / 13

HEX #4DDE3F

RGB 77 222 63

HSL 114.72, 0.71%, 0.56%

LAB 78.57, -66.88, 63.13

 

CMYK 72 / 29 / 0 / 13

HEX #3F9EDE

RGB 63 158 222

HSL 204.15, 0.71%, 0.56%

LAB 62.33, -7.06, -40.48

 

CMYK 7 / 72 / 0 / 13

HEX #CE3FDE

RGB 206 63 222

HSL 293.96, 0.71%, 0.56%

LAB 53.97, 74.37, -52.96

 

CMYK 0 / 43 / 72 / 13

HEX #DE7E3F

RGB 222 126 63

HSL 23.77, 0.71%, 0.56%

LAB 62.35, 32.19, 49.2

 

Description

Color code: HEX #4DDE3F | qconv.com Color code: HEX #4DDE3F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 222 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 222 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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