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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DD765 it is the complementary color #B2289A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DD765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DD765 shade: #52D760, #63E973, #74FB86, #85FF99 and #96FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DD765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DD765 shade: #4DD765, #3CC552, #2BB33F, #1AA12C and #098F19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DD765 shade: #4CD664, #59D64C, #7ED64C, #A4D64C and #C9D64C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DD765 shade: #4CD664, #4CD689, #4CD6AE, #4CD6D4 and #4CB3D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DD765 shade matches the following richer shades: #4CD664, #3AE858 and #28F94D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DD765 shade: #4CD664, #5EC46F, #6FB27B, #81A187 and #938F92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DD765 shade: #7ED64C, #5AD64C, #4CD663, #4CD688 and #4CD6AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DD765 shade: #26A93D, #2ECB49, #4CD664, #6DDE81 and #8FE59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DD765 shade: #4DD765, #4CA3D6 and #D64C6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DD765 shade: #4DD765, #634CD6 and #D6634C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DD765 shade: #4DD765, #4CA3D6, #D64CBF and #D67E4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DD765 shade: #4DD765, #4C7AD6, #D64CBF and #D6A84C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 53 / 16

HEX #4DD765

RGB 77 215 101

HSL 130.43, 0.63%, 0.57%

LAB 76.75, -60.46, 45.08

 

Complementary color

CMYK 0 / 78 / 13 / 30

HEX #B2289A

RGB 178 40 154

HSL 310.43, 0.63%, 0.43%

LAB 43.24, 64.83, -30.6

 

CMYK 62 / 0 / 55 / 16

HEX #52D760

RGB 82 215 96

HSL 126.32, 0.62%, 0.58%

LAB 76.82, -60.08, 47.54

 

CMYK 58 / 0 / 51 / 9

HEX #63E973

RGB 99 233 115

HSL 127.16, 0.75%, 0.65%

LAB 83, -60.41, 46.22

 

CMYK 54 / 0 / 47 / 2

HEX #74FB86

RGB 116 251 134

HSL 128, 0.94%, 0.72%

LAB 89.12, -60.55, 44.91

 

CMYK 48 / 0 / 40 / 0

HEX #85FF99

RGB 133 255 153

HSL 129.84, 1%, 0.76%

LAB 91.15, -55.05, 38.4

 

CMYK 41 / 0 / 33 / 0

HEX #96FFAC

RGB 150 255 172

HSL 132.57, 1%, 0.79%

LAB 92.12, -47.42, 30.37

 

CMYK 64 / 0 / 53 / 16

HEX #4DD765

RGB 77 215 101

HSL 130.43, 0.63%, 0.57%

LAB 76.75, -60.46, 45.08

 

CMYK 70 / 0 / 58 / 23

HEX #3CC552

RGB 60 197 82

HSL 129.64, 0.54%, 0.5%

LAB 70.53, -59.8, 46.44

 

CMYK 76 / 0 / 65 / 30

HEX #2BB33F

RGB 43 179 63

HSL 128.82, 0.61%, 0.44%

LAB 64.25, -58.71, 47.7

 

CMYK 84 / 0 / 73 / 37

HEX #1AA12C

RGB 26 161 44

HSL 128, 0.72%, 0.37%

LAB 57.93, -57, 48.66

 

CMYK 94 / 0 / 83 / 44

HEX #098F19

RGB 9 143 25

HSL 127.16, 0.88%, 0.3%

LAB 51.58, -54.38, 48.92

 

CMYK 64 / 0 / 53 / 16

HEX #4CD664

RGB 76 214 100

HSL 130.43, 0.63%, 0.57%

LAB 76.41, -60.43, 45.12

 

CMYK 58 / 0 / 64 / 16

HEX #59D64C

RGB 89 214 76

HSL 114.35, 0.63%, 0.57%

LAB 76.52, -60.38, 56.05

 

CMYK 41 / 0 / 64 / 16

HEX #7ED64C

RGB 126 214 76

HSL 98.26, 0.63%, 0.57%

LAB 77.9, -49.98, 57.96

 

CMYK 23 / 0 / 64 / 16

HEX #A4D64C

RGB 164 214 76

HSL 81.74, 0.63%, 0.57%

LAB 79.9, -36.62, 60.69

 

CMYK 6 / 0 / 64 / 16

HEX #C9D64C

RGB 201 214 76

HSL 65.65, 0.63%, 0.57%

LAB 82.4, -22.01, 64.08

 

CMYK 64 / 0 / 53 / 16

HEX #4CD664

RGB 76 214 100

HSL 130.43, 0.63%, 0.57%

LAB 76.41, -60.43, 45.12

 

CMYK 64 / 0 / 36 / 16

HEX #4CD689

RGB 76 214 137

HSL 146.52, 0.63%, 0.57%

LAB 76.94, -54.44, 27.37

 

CMYK 64 / 0 / 19 / 16

HEX #4CD6AE

RGB 76 214 174

HSL 162.61, 0.63%, 0.57%

LAB 77.69, -46.59, 8.91

 

CMYK 64 / 0 / 1 / 16

HEX #4CD6D4

RGB 76 214 212

HSL 179.13, 0.63%, 0.57%

LAB 78.68, -36.86, -9.97

 

CMYK 64 / 16 / 0 / 16

HEX #4CB3D6

RGB 76 179 214

HSL 195.22, 0.63%, 0.57%

LAB 68.48, -19.1, -26.48

 

CMYK 64 / 0 / 53 / 16

HEX #4CD664

RGB 76 214 100

HSL 130.43, 0.63%, 0.57%

LAB 76.41, -60.43, 45.12

 

CMYK 75 / 0 / 62 / 9

HEX #3AE858

RGB 58 232 88

HSL 130.34, 0.79%, 0.57%

LAB 81.47, -70.97, 56.33

 

CMYK 84 / 0 / 69 / 2

HEX #28F94D

RGB 40 249 77

HSL 130.62, 0.95%, 0.57%

LAB 86.37, -79.2, 65.96

 

CMYK 64 / 0 / 53 / 16

HEX #4CD664

RGB 76 214 100

HSL 130.43, 0.63%, 0.57%

LAB 76.41, -60.43, 45.12

 

CMYK 52 / 0 / 43 / 23

HEX #5EC46F

RGB 94 196 111

HSL 130, 0.46%, 0.57%

LAB 71.56, -47.82, 33.77

 

CMYK 38 / 0 / 31 / 30

HEX #6FB27B

RGB 111 178 123

HSL 130.75, 0.3%, 0.57%

LAB 67.01, -33.03, 21.58

 

CMYK 20 / 0 / 16 / 37

HEX #81A187

RGB 129 161 135

HSL 131.25, 0.15%, 0.57%

LAB 63.27, -16.37, 9.94

 

CMYK 0 / 3 / 1 / 42

HEX #938F92

RGB 147 143 146

HSL 315, 0.02%, 0.57%

LAB 59.82, 2.05, -1.07

 

CMYK 41 / 0 / 64 / 16

HEX #7ED64C

RGB 126 214 76

HSL 98.26, 0.63%, 0.57%

LAB 77.9, -49.98, 57.96

 

CMYK 58 / 0 / 64 / 16

HEX #5AD64C

RGB 90 214 76

HSL 113.91, 0.63%, 0.57%

LAB 76.55, -60.14, 56.09

 

CMYK 64 / 0 / 54 / 16

HEX #4CD663

RGB 76 214 99

HSL 130, 0.63%, 0.57%

LAB 76.39, -60.57, 45.58

 

CMYK 64 / 0 / 36 / 16

HEX #4CD688

RGB 76 214 136

HSL 146.09, 0.63%, 0.57%

LAB 76.93, -54.63, 27.86

 

CMYK 64 / 0 / 20 / 16

HEX #4CD6AC

RGB 76 214 172

HSL 161.74, 0.63%, 0.57%

LAB 77.64, -47.06, 9.91

 

CMYK 78 / 0 / 64 / 34

HEX #26A93D

RGB 38 169 61

HSL 130.53, 0.63%, 0.41%

LAB 60.89, -56.34, 44.8

 

CMYK 77 / 0 / 64 / 20

HEX #2ECB49

RGB 46 203 73

HSL 130.32, 0.63%, 0.49%

LAB 72.08, -65, 52.12

 

CMYK 64 / 0 / 53 / 16

HEX #4CD664

RGB 76 214 100

HSL 130.43, 0.63%, 0.57%

LAB 76.41, -60.43, 45.12

 

CMYK 51 / 0 / 42 / 13

HEX #6DDE81

RGB 109 222 129

HSL 130.62, 0.63%, 0.65%

LAB 80.22, -51.69, 35.95

 

CMYK 38 / 0 / 31 / 10

HEX #8FE59E

RGB 143 229 158

HSL 130.47, 0.62%, 0.73%

LAB 84.15, -40.47, 26.65

 

CMYK 64 / 0 / 53 / 16

HEX #4DD765

RGB 77 215 101

HSL 130.43, 0.63%, 0.57%

LAB 76.75, -60.46, 45.08

 

CMYK 64 / 24 / 0 / 16

HEX #4CA3D6

RGB 76 163 214

HSL 202.17, 0.63%, 0.57%

LAB 63.82, -10.53, -33.68

 

CMYK 0 / 64 / 50 / 16

HEX #D64C6C

RGB 214 76 108

HSL 346.09, 0.63%, 0.57%

LAB 52.45, 56.46, 11.58

 

CMYK 64 / 0 / 53 / 16

HEX #4DD765

RGB 77 215 101

HSL 130.43, 0.63%, 0.57%

LAB 76.75, -60.46, 45.08

 

CMYK 54 / 64 / 0 / 16

HEX #634CD6

RGB 99 76 214

HSL 250, 0.63%, 0.57%

LAB 42.27, 45.57, -67.95

 

CMYK 0 / 54 / 64 / 16

HEX #D6634C

RGB 214 99 76

HSL 10, 0.63%, 0.57%

LAB 55.83, 43.58, 34.66

 

CMYK 64 / 0 / 53 / 16

HEX #4DD765

RGB 77 215 101

HSL 130.43, 0.63%, 0.57%

LAB 76.75, -60.46, 45.08

 

CMYK 64 / 24 / 0 / 16

HEX #4CA3D6

RGB 76 163 214

HSL 202.17, 0.63%, 0.57%

LAB 63.82, -10.53, -33.68

 

CMYK 0 / 64 / 11 / 16

HEX #D64CBF

RGB 214 76 191

HSL 310, 0.63%, 0.57%

LAB 55.3, 66.47, -33.07

 

CMYK 0 / 41 / 64 / 16

HEX #D67E4C

RGB 214 126 76

HSL 21.74, 0.63%, 0.57%

LAB 61.43, 29.67, 41.34

 

CMYK 64 / 0 / 53 / 16

HEX #4DD765

RGB 77 215 101

HSL 130.43, 0.63%, 0.57%

LAB 76.75, -60.46, 45.08

 

CMYK 64 / 43 / 0 / 16

HEX #4C7AD6

RGB 76 122 214

HSL 220, 0.63%, 0.57%

LAB 52.19, 13.45, -52.02

 

CMYK 0 / 64 / 11 / 16

HEX #D64CBF

RGB 214 76 191

HSL 310, 0.63%, 0.57%

LAB 55.3, 66.47, -33.07

 

CMYK 0 / 21 / 64 / 16

HEX #D6A84C

RGB 214 168 76

HSL 40, 0.63%, 0.57%

LAB 71.43, 7.08, 52.69

 

Description

Color code: HEX #4DD765 | qconv.com Color code: HEX #4DD765 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 215 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 215 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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