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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DCA6F it is the complementary color #B23590. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DCA6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DCA6F shade: #52CA6A, #63DC7D, #74EE90, #85FFA3 and #96FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DCA6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DCA6F shade: #4DCA6F, #3CB85C, #2BA649, #1A9436 and #098223

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DCA6F shade: #4ECA6F, #4ECA4E, #6FCA4E, #90CA4E and #B2CA4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DCA6F shade: #4ECA6F, #4ECA91, #4ECAB2, #4EC0CA and #4E9ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DCA6F shade matches the following richer shades: #4ECA6F, #3BDC67 and #29EF5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DCA6F shade: #4ECA6F, #60B778, #73A580, #859289 and #987F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DCA6F shade: #6FCA4E, #4ECA4E, #4ECA6F, #4ECA90 and #4ECAB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DCA6F shade: #2D984A, #37B85A, #4ECA6F, #6ED389 and #8DDDA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DCA6F shade: #4DCA6F, #4E90CA and #CA4E5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DCA6F shade: #4DCA6F, #6F4ECA and #CA6F4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DCA6F shade: #4DCA6F, #4E90CA, #CA4EA9 and #CA884E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DCA6F shade: #4DCA6F, #4E6BCA, #CA4EA9 and #CAAD4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 45 / 21

HEX #4DCA6F

RGB 77 202 111

HSL 136.32, 0.54%, 0.55%

LAB 72.87, -54.17, 35.35

 

Complementary color

CMYK 0 / 70 / 19 / 30

HEX #B23590

RGB 178 53 144

HSL 316.32, 0.54%, 0.45%

LAB 44.27, 59.15, -22.96

 

CMYK 59 / 0 / 48 / 21

HEX #52CA6A

RGB 82 202 106

HSL 132, 0.53%, 0.56%

LAB 72.94, -53.87, 37.97

 

CMYK 55 / 0 / 43 / 14

HEX #63DC7D

RGB 99 220 125

HSL 132.89, 0.63%, 0.63%

LAB 79.23, -53.99, 36.6

 

CMYK 51 / 0 / 39 / 7

HEX #74EE90

RGB 116 238 144

HSL 133.77, 0.78%, 0.69%

LAB 85.44, -53.97, 35.29

 

CMYK 48 / 0 / 36 / 0

HEX #85FFA3

RGB 133 255 163

HSL 134.75, 1%, 0.76%

LAB 91.3, -53.46, 33.66

 

CMYK 41 / 0 / 29 / 0

HEX #96FFB6

RGB 150 255 182

HSL 138.29, 1%, 0.79%

LAB 92.3, -45.71, 25.56

 

CMYK 62 / 0 / 45 / 21

HEX #4DCA6F

RGB 77 202 111

HSL 136.32, 0.54%, 0.55%

LAB 72.87, -54.17, 35.35

 

CMYK 67 / 0 / 50 / 28

HEX #3CB85C

RGB 60 184 92

HSL 135.48, 0.51%, 0.48%

LAB 66.53, -53.77, 36.81

 

CMYK 74 / 0 / 56 / 35

HEX #2BA649

RGB 43 166 73

HSL 134.63, 0.59%, 0.41%

LAB 60.13, -53.02, 38.32

 

CMYK 82 / 0 / 64 / 42

HEX #1A9436

RGB 26 148 54

HSL 133.77, 0.7%, 0.34%

LAB 53.67, -51.71, 39.79

 

CMYK 93 / 0 / 73 / 49

HEX #098223

RGB 9 130 35

HSL 132.89, 0.87%, 0.27%

LAB 47.16, -49.55, 40.99

 

CMYK 61 / 0 / 45 / 21

HEX #4ECA6F

RGB 78 202 111

HSL 135.97, 0.54%, 0.55%

LAB 72.9, -53.96, 35.39

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 45 / 0 / 61 / 21

HEX #6FCA4E

RGB 111 202 78

HSL 104.03, 0.54%, 0.55%

LAB 73.66, -49.64, 52.24

 

CMYK 29 / 0 / 61 / 21

HEX #90CA4E

RGB 144 202 78

HSL 88.06, 0.54%, 0.55%

LAB 75.28, -38.51, 54.5

 

CMYK 12 / 0 / 61 / 21

HEX #B2CA4E

RGB 178 202 78

HSL 71.61, 0.54%, 0.55%

LAB 77.43, -25.38, 57.48

 

CMYK 61 / 0 / 45 / 21

HEX #4ECA6F

RGB 78 202 111

HSL 135.97, 0.54%, 0.55%

LAB 72.9, -53.96, 35.39

 

CMYK 61 / 0 / 28 / 21

HEX #4ECA91

RGB 78 202 145

HSL 152.42, 0.54%, 0.55%

LAB 73.48, -47.66, 18.46

 

CMYK 61 / 0 / 12 / 21

HEX #4ECAB2

RGB 78 202 178

HSL 168.39, 0.54%, 0.55%

LAB 74.24, -40.04, 1.79

 

CMYK 61 / 5 / 0 / 21

HEX #4EC0CA

RGB 78 192 202

HSL 184.84, 0.54%, 0.55%

LAB 71.95, -28.91, -14.64

 

CMYK 61 / 22 / 0 / 21

HEX #4E9ECA

RGB 78 158 202

HSL 201.29, 0.54%, 0.55%

LAB 61.94, -11.27, -29.91

 

CMYK 61 / 0 / 45 / 21

HEX #4ECA6F

RGB 78 202 111

HSL 135.97, 0.54%, 0.55%

LAB 72.9, -53.96, 35.39

 

CMYK 73 / 0 / 53 / 14

HEX #3BDC67

RGB 59 220 103

HSL 136.4, 0.7%, 0.55%

LAB 77.93, -65.03, 45.47

 

CMYK 83 / 0 / 60 / 6

HEX #29EF5F

RGB 41 239 95

HSL 136.36, 0.86%, 0.55%

LAB 83.46, -74.3, 55.55

 

CMYK 61 / 0 / 45 / 21

HEX #4ECA6F

RGB 78 202 111

HSL 135.97, 0.54%, 0.55%

LAB 72.9, -53.96, 35.39

 

CMYK 48 / 0 / 34 / 28

HEX #60B778

RGB 96 183 120

HSL 136.55, 0.38%, 0.55%

LAB 67.81, -40.25, 24.15

 

CMYK 30 / 0 / 22 / 35

HEX #73A580

RGB 115 165 128

HSL 135.6, 0.22%, 0.55%

LAB 63.44, -24.53, 13.95

 

CMYK 9 / 0 / 6 / 43

HEX #859289

RGB 133 146 137

HSL 138.46, 0.06%, 0.55%

LAB 59.3, -6.49, 3.16

 

CMYK 0 / 16 / 5 / 40

HEX #987F91

RGB 152 127 145

HSL 316.8, 0.11%, 0.55%

LAB 55.99, 12.82, -6.1

 

CMYK 45 / 0 / 61 / 21

HEX #6FCA4E

RGB 111 202 78

HSL 104.03, 0.54%, 0.55%

LAB 73.66, -49.64, 52.24

 

CMYK 61 / 0 / 61 / 21

HEX #4ECA4E

RGB 78 202 78

HSL 120, 0.54%, 0.55%

LAB 72.5, -58.42, 50.62

 

CMYK 61 / 0 / 45 / 21

HEX #4ECA6F

RGB 78 202 111

HSL 135.97, 0.54%, 0.55%

LAB 72.9, -53.96, 35.39

 

CMYK 61 / 0 / 29 / 21

HEX #4ECA90

RGB 78 202 144

HSL 151.94, 0.54%, 0.55%

LAB 73.46, -47.87, 18.97

 

CMYK 61 / 0 / 12 / 21

HEX #4ECAB1

RGB 78 202 177

HSL 167.9, 0.54%, 0.55%

LAB 74.21, -40.29, 2.3

 

CMYK 70 / 0 / 51 / 40

HEX #2D984A

RGB 45 152 74

HSL 136.26, 0.54%, 0.39%

LAB 55.59, -47.41, 32.3

 

CMYK 70 / 0 / 51 / 28

HEX #37B85A

RGB 55 184 90

HSL 136.28, 0.54%, 0.47%

LAB 66.39, -54.98, 37.61

 

CMYK 61 / 0 / 45 / 21

HEX #4ECA6F

RGB 78 202 111

HSL 135.97, 0.54%, 0.55%

LAB 72.9, -53.96, 35.39

 

CMYK 48 / 0 / 35 / 17

HEX #6ED389

RGB 110 211 137

HSL 136.04, 0.53%, 0.63%

LAB 77.11, -45.55, 27.77

 

CMYK 36 / 0 / 26 / 13

HEX #8DDDA3

RGB 141 221 163

HSL 136.5, 0.54%, 0.71%

LAB 81.85, -36.59, 20.9

 

CMYK 62 / 0 / 45 / 21

HEX #4DCA6F

RGB 77 202 111

HSL 136.32, 0.54%, 0.55%

LAB 72.87, -54.17, 35.35

 

CMYK 61 / 29 / 0 / 21

HEX #4E90CA

RGB 78 144 202

HSL 208.06, 0.54%, 0.55%

LAB 57.88, -3.39, -36.24

 

CMYK 0 / 61 / 53 / 21

HEX #CA4E5E

RGB 202 78 94

HSL 352.26, 0.54%, 0.55%

LAB 50.47, 50.5, 16.91

 

CMYK 62 / 0 / 45 / 21

HEX #4DCA6F

RGB 77 202 111

HSL 136.32, 0.54%, 0.55%

LAB 72.87, -54.17, 35.35

 

CMYK 45 / 61 / 0 / 21

HEX #6F4ECA

RGB 111 78 202

HSL 255.97, 0.54%, 0.55%

LAB 42.9, 43.21, -59.97

 

CMYK 0 / 45 / 61 / 21

HEX #CA6F4E

RGB 202 111 78

HSL 15.97, 0.54%, 0.55%

LAB 56.56, 32.95, 34.05

 

CMYK 62 / 0 / 45 / 21

HEX #4DCA6F

RGB 77 202 111

HSL 136.32, 0.54%, 0.55%

LAB 72.87, -54.17, 35.35

 

CMYK 61 / 29 / 0 / 21

HEX #4E90CA

RGB 78 144 202

HSL 208.06, 0.54%, 0.55%

LAB 57.88, -3.39, -36.24

 

CMYK 0 / 61 / 16 / 21

HEX #CA4EA9

RGB 202 78 169

HSL 315.97, 0.54%, 0.55%

LAB 52.81, 59.2, -24.32

 

CMYK 0 / 33 / 61 / 21

HEX #CA884E

RGB 202 136 78

HSL 28.06, 0.54%, 0.55%

LAB 62.27, 19.44, 40.91

 

CMYK 62 / 0 / 45 / 21

HEX #4DCA6F

RGB 77 202 111

HSL 136.32, 0.54%, 0.55%

LAB 72.87, -54.17, 35.35

 

CMYK 61 / 47 / 0 / 21

HEX #4E6BCA

RGB 78 107 202

HSL 225.97, 0.54%, 0.55%

LAB 47.49, 18.98, -52.69

 

CMYK 0 / 61 / 16 / 21

HEX #CA4EA9

RGB 202 78 169

HSL 315.97, 0.54%, 0.55%

LAB 52.81, 59.2, -24.32

 

CMYK 0 / 14 / 61 / 21

HEX #CAAD4E

RGB 202 173 78

HSL 45.97, 0.54%, 0.55%

LAB 71.55, -0.58, 51.56

 

Description

Color code: HEX #4DCA6F | qconv.com Color code: HEX #4DCA6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 202 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 202 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 45 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 45% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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