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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DC0CE it is the complementary color #B23F31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DC0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DC0CE shade: #52C0C9, #63D2DC, #74E4EF, #85F6FF and #96FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DC0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DC0CE shade: #4DC0CE, #3CAEBB, #2B9CA8, #1A8A95 and #097882

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DC0CE shade: #4ABFCD, #4A9CCD, #4A78CD, #4A55CD and #634ACD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DC0CE shade: #4ABFCD, #4A9CCD, #4A78CD, #4A55CD and #4A4ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DC0CE shade matches the following richer shades: #4ABFCD, #38CEE0 and #25DCF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DC0CE shade: #4ABFCD, #5DB0BB, #6FA2A8, #829395 and #958583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DC0CE shade: #4ACD94, #4ACDB7, #4AC0CD, #4A9DCD and #4A7ACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DC0CE shade: #2A8F9B, #33ADBB, #4ABFCD, #6BCAD6 and #8BD6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DC0CE shade: #4DC0CE, #724ACD and #CDA64A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DC0CE shade: #4DC0CE, #CD4AC0 and #C0CD4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DC0CE shade: #4DC0CE, #724ACD, #CD574A and #A6CD4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DC0CE shade: #4DC0CE, #994ACD, #CD574A and #7FCD4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 7 / 0 / 19

HEX #4DC0CE

RGB 77 192 206

HSL 186.51, 0.57%, 0.55%

LAB 72.05, -27.92, -16.67

 

Complementary color

CMYK 0 / 65 / 72 / 30

HEX #B23F31

RGB 178 63 49

HSL 6.51, 0.57%, 0.45%

LAB 43.13, 45.94, 33.46

 

CMYK 59 / 4 / 0 / 21

HEX #52C0C9

RGB 82 192 201

HSL 184.54, 0.52%, 0.55%

LAB 72.03, -28.49, -13.95

 

CMYK 55 / 5 / 0 / 14

HEX #63D2DC

RGB 99 210 220

HSL 184.96, 0.63%, 0.63%

LAB 78.41, -28.81, -14.59

 

CMYK 51 / 5 / 0 / 6

HEX #74E4EF

RGB 116 228 239

HSL 185.37, 0.79%, 0.7%

LAB 84.71, -29.04, -15.19

 

CMYK 48 / 4 / 0 / 0

HEX #85F6FF

RGB 133 246 255

HSL 184.43, 1%, 0.76%

LAB 90.83, -29.96, -14.33

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 63 / 7 / 0 / 19

HEX #4DC0CE

RGB 77 192 206

HSL 186.51, 0.57%, 0.55%

LAB 72.05, -27.92, -16.67

 

CMYK 68 / 7 / 0 / 27

HEX #3CAEBB

RGB 60 174 187

HSL 186.14, 0.51%, 0.48%

LAB 65.61, -27.32, -15.99

 

CMYK 74 / 7 / 0 / 34

HEX #2B9CA8

RGB 43 156 168

HSL 185.76, 0.59%, 0.41%

LAB 59.08, -26.47, -15.24

 

CMYK 83 / 7 / 0 / 42

HEX #1A8A95

RGB 26 138 149

HSL 185.37, 0.7%, 0.34%

LAB 52.47, -25.3, -14.38

 

CMYK 93 / 8 / 0 / 49

HEX #097882

RGB 9 120 130

HSL 184.96, 0.87%, 0.27%

LAB 45.77, -23.66, -13.4

 

CMYK 64 / 7 / 0 / 20

HEX #4ABFCD

RGB 74 191 205

HSL 186.41, 0.57%, 0.55%

LAB 71.64, -28.21, -16.75

 

CMYK 64 / 24 / 0 / 20

HEX #4A9CCD

RGB 74 156 205

HSL 202.44, 0.57%, 0.55%

LAB 61.34, -9.92, -32.53

 

CMYK 64 / 41 / 0 / 20

HEX #4A78CD

RGB 74 120 205

HSL 218.93, 0.57%, 0.55%

LAB 51.03, 11.21, -48.76

 

CMYK 64 / 59 / 0 / 20

HEX #4A55CD

RGB 74 85 205

HSL 234.96, 0.57%, 0.55%

LAB 41.78, 33.15, -63.65

 

CMYK 52 / 64 / 0 / 20

HEX #634ACD

RGB 99 74 205

HSL 251.45, 0.57%, 0.55%

LAB 41.15, 44.03, -64.6

 

CMYK 64 / 7 / 0 / 20

HEX #4ABFCD

RGB 74 191 205

HSL 186.41, 0.57%, 0.55%

LAB 71.64, -28.21, -16.75

 

CMYK 64 / 24 / 0 / 20

HEX #4A9CCD

RGB 74 156 205

HSL 202.44, 0.57%, 0.55%

LAB 61.34, -9.92, -32.53

 

CMYK 64 / 41 / 0 / 20

HEX #4A78CD

RGB 74 120 205

HSL 218.93, 0.57%, 0.55%

LAB 51.03, 11.21, -48.76

 

CMYK 64 / 59 / 0 / 20

HEX #4A55CD

RGB 74 85 205

HSL 234.96, 0.57%, 0.55%

LAB 41.78, 33.15, -63.65

 

CMYK 64 / 64 / 0 / 20

HEX #4A4ACD

RGB 74 74 205

HSL 240, 0.57%, 0.55%

LAB 39.18, 39.92, -67.9

 

CMYK 64 / 7 / 0 / 20

HEX #4ABFCD

RGB 74 191 205

HSL 186.41, 0.57%, 0.55%

LAB 71.64, -28.21, -16.75

 

CMYK 75 / 8 / 0 / 12

HEX #38CEE0

RGB 56 206 224

HSL 186.43, 0.73%, 0.55%

LAB 76.29, -32.22, -20.05

 

CMYK 85 / 9 / 0 / 5

HEX #25DCF2

RGB 37 220 242

HSL 186.44, 0.89%, 0.55%

LAB 80.73, -34.96, -22.95

 

CMYK 64 / 7 / 0 / 20

HEX #4ABFCD

RGB 74 191 205

HSL 186.41, 0.57%, 0.55%

LAB 71.64, -28.21, -16.75

 

CMYK 50 / 6 / 0 / 27

HEX #5DB0BB

RGB 93 176 187

HSL 187.02, 0.41%, 0.55%

LAB 67.25, -22.2, -13.41

 

CMYK 34 / 4 / 0 / 34

HEX #6FA2A8

RGB 111 162 168

HSL 186.32, 0.25%, 0.55%

LAB 63.38, -15.34, -8.53

 

CMYK 13 / 1 / 0 / 42

HEX #829395

RGB 130 147 149

HSL 186.32, 0.08%, 0.55%

LAB 59.69, -5.63, -3.12

 

CMYK 0 / 11 / 12 / 42

HEX #958583

RGB 149 133 131

HSL 6.67, 0.08%, 0.55%

LAB 56.88, 5.69, 3.28

 

CMYK 64 / 0 / 28 / 20

HEX #4ACD94

RGB 74 205 148

HSL 153.89, 0.57%, 0.55%

LAB 74.35, -49.02, 18.06

 

CMYK 64 / 0 / 11 / 20

HEX #4ACDB7

RGB 74 205 183

HSL 169.92, 0.57%, 0.55%

LAB 75.16, -40.8, 0.43

 

CMYK 64 / 6 / 0 / 20

HEX #4AC0CD

RGB 74 192 205

HSL 185.95, 0.57%, 0.55%

LAB 71.94, -28.7, -16.31

 

CMYK 64 / 23 / 0 / 20

HEX #4A9DCD

RGB 74 157 205

HSL 201.98, 0.57%, 0.55%

LAB 61.63, -10.47, -32.08

 

CMYK 64 / 40 / 0 / 20

HEX #4A7ACD

RGB 74 122 205

HSL 218.02, 0.57%, 0.55%

LAB 51.59, 9.98, -47.87

 

CMYK 73 / 8 / 0 / 39

HEX #2A8F9B

RGB 42 143 155

HSL 186.37, 0.57%, 0.39%

LAB 54.56, -24.12, -14.66

 

CMYK 73 / 7 / 0 / 27

HEX #33ADBB

RGB 51 173 187

HSL 186.18, 0.57%, 0.47%

LAB 65.1, -28.04, -16.77

 

CMYK 64 / 7 / 0 / 20

HEX #4ABFCD

RGB 74 191 205

HSL 186.41, 0.57%, 0.55%

LAB 71.64, -28.21, -16.75

 

CMYK 50 / 6 / 0 / 16

HEX #6BCAD6

RGB 107 202 214

HSL 186.73, 0.57%, 0.63%

LAB 76.21, -24.87, -14.65

 

CMYK 38 / 4 / 0 / 13

HEX #8BD6DF

RGB 139 214 223

HSL 186.43, 0.57%, 0.71%

LAB 81.24, -20.94, -11.79

 

CMYK 63 / 7 / 0 / 19

HEX #4DC0CE

RGB 77 192 206

HSL 186.51, 0.57%, 0.55%

LAB 72.05, -27.92, -16.67

 

CMYK 44 / 64 / 0 / 20

HEX #724ACD

RGB 114 74 205

HSL 258.32, 0.57%, 0.55%

LAB 42.59, 46.88, -62.2

 

CMYK 0 / 19 / 64 / 20

HEX #CDA64A

RGB 205 166 74

HSL 42.14, 0.57%, 0.55%

LAB 70, 4.17, 51.77

 

CMYK 63 / 7 / 0 / 19

HEX #4DC0CE

RGB 77 192 206

HSL 186.51, 0.57%, 0.55%

LAB 72.05, -27.92, -16.67

 

CMYK 0 / 64 / 6 / 20

HEX #CD4AC0

RGB 205 74 192

HSL 305.95, 0.57%, 0.55%

LAB 53.69, 65.16, -36.28

 

CMYK 6 / 0 / 64 / 20

HEX #C0CD4A

RGB 192 205 74

HSL 65.95, 0.57%, 0.55%

LAB 79.25, -21.43, 61.38

 

CMYK 63 / 7 / 0 / 19

HEX #4DC0CE

RGB 77 192 206

HSL 186.51, 0.57%, 0.55%

LAB 72.05, -27.92, -16.67

 

CMYK 44 / 64 / 0 / 20

HEX #724ACD

RGB 114 74 205

HSL 258.32, 0.57%, 0.55%

LAB 42.59, 46.88, -62.2

 

CMYK 0 / 58 / 64 / 20

HEX #CD574A

RGB 205 87 74

HSL 5.95, 0.57%, 0.55%

LAB 52.16, 45.95, 30.98

 

CMYK 19 / 0 / 64 / 20

HEX #A6CD4A

RGB 166 205 74

HSL 77.86, 0.57%, 0.55%

LAB 77.44, -31.86, 58.92

 

CMYK 63 / 7 / 0 / 19

HEX #4DC0CE

RGB 77 192 206

HSL 186.51, 0.57%, 0.55%

LAB 72.05, -27.92, -16.67

 

CMYK 25 / 64 / 0 / 20

HEX #994ACD

RGB 153 74 205

HSL 276.18, 0.57%, 0.55%

LAB 47.08, 55.19, -54.72

 

CMYK 0 / 58 / 64 / 20

HEX #CD574A

RGB 205 87 74

HSL 5.95, 0.57%, 0.55%

LAB 52.16, 45.95, 30.98

 

CMYK 38 / 0 / 64 / 20

HEX #7FCD4A

RGB 127 205 74

HSL 95.73, 0.57%, 0.55%

LAB 75.24, -46.12, 55.91

 

Description

Color code: HEX #4DC0CE | qconv.com Color code: HEX #4DC0CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 192 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 192 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 7 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 7% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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