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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DBD5E it is the complementary color #B242A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DBD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DBD5E shade: #52BD59, #63CF6C, #74E17F, #85F392 and #96FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DBD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DBD5E shade: #4DBD5E, #3CAB4B, #2B9938, #1A8725 and #097512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DBD5E shade: #4CBC5D, #59BC4C, #77BC4C, #96BC4C and #B4BC4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DBD5E shade: #4CBC5D, #4CBC7B, #4CBC9A, #4CBCB8 and #4CA2BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DBD5E shade matches the following richer shades: #4CBC5D, #38D04F, #24E441 and #10F834

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DBD5E shade: #4CBC5D, #60A96B, #739578, #878186 and #9B6D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DBD5E shade: #77BC4C, #59BC4C, #4CBC5D, #4CBC7B and #4CBC99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DBD5E shade: #31853E, #3CA34C, #4CBC5D, #6AC878 and #88D393

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DBD5E shade: #4DBD5E, #4C95BC and #BC4C68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DBD5E shade: #4DBD5E, #5D4CBC and #BC5D4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DBD5E shade: #4DBD5E, #4C95BC, #BC4CAC and #BC734C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DBD5E shade: #4DBD5E, #4C73BC, #BC4CAC and #BC954C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 50 / 26

HEX #4DBD5E

RGB 77 189 94

HSL 129.11, 0.46%, 0.52%

LAB 68.59, -51.79, 38.48

 

Complementary color

CMYK 0 / 63 / 10 / 30

HEX #B242A1

RGB 178 66 161

HSL 309.11, 0.46%, 0.48%

LAB 46.89, 56.56, -29.08

 

CMYK 57 / 0 / 53 / 26

HEX #52BD59

RGB 82 189 89

HSL 123.93, 0.45%, 0.53%

LAB 68.69, -51.29, 41.08

 

CMYK 52 / 0 / 48 / 19

HEX #63CF6C

RGB 99 207 108

HSL 125, 0.53%, 0.6%

LAB 75.05, -51.41, 39.75

 

CMYK 48 / 0 / 44 / 12

HEX #74E17F

RGB 116 225 127

HSL 126.06, 0.64%, 0.67%

LAB 81.34, -51.38, 38.44

 

CMYK 45 / 0 / 40 / 5

HEX #85F392

RGB 133 243 146

HSL 127.09, 0.82%, 0.74%

LAB 87.56, -51.26, 37.18

 

CMYK 41 / 0 / 35 / 0

HEX #96FFA5

RGB 150 255 165

HSL 128.57, 1%, 0.79%

LAB 92.01, -48.57, 33.72

 

CMYK 59 / 0 / 50 / 26

HEX #4DBD5E

RGB 77 189 94

HSL 129.11, 0.46%, 0.52%

LAB 68.59, -51.79, 38.48

 

CMYK 65 / 0 / 56 / 33

HEX #3CAB4B

RGB 60 171 75

HSL 128.11, 0.48%, 0.45%

LAB 62.16, -51.4, 39.87

 

CMYK 72 / 0 / 63 / 40

HEX #2B9938

RGB 43 153 56

HSL 127.09, 0.56%, 0.38%

LAB 55.67, -50.62, 41.21

 

CMYK 81 / 0 / 73 / 47

HEX #1A8725

RGB 26 135 37

HSL 126.06, 0.68%, 0.32%

LAB 49.11, -49.21, 42.26

 

CMYK 92 / 0 / 85 / 54

HEX #097512

RGB 9 117 18

HSL 125, 0.86%, 0.25%

LAB 42.5, -46.81, 42.53

 

CMYK 60 / 0 / 51 / 26

HEX #4CBC5D

RGB 76 188 93

HSL 129.11, 0.46%, 0.52%

LAB 68.24, -51.78, 38.52

 

CMYK 53 / 0 / 60 / 26

HEX #59BC4C

RGB 89 188 76

HSL 113.04, 0.46%, 0.52%

LAB 68.47, -50.68, 47.01

 

CMYK 37 / 0 / 60 / 26

HEX #77BC4C

RGB 119 188 76

HSL 96.96, 0.46%, 0.52%

LAB 69.76, -41.4, 48.83

 

CMYK 20 / 0 / 60 / 26

HEX #96BC4C

RGB 150 188 76

HSL 80.36, 0.46%, 0.52%

LAB 71.54, -29.96, 51.31

 

CMYK 4 / 0 / 60 / 26

HEX #B4BC4C

RGB 180 188 76

HSL 64.29, 0.46%, 0.52%

LAB 73.67, -17.81, 54.27

 

CMYK 60 / 0 / 51 / 26

HEX #4CBC5D

RGB 76 188 93

HSL 129.11, 0.46%, 0.52%

LAB 68.24, -51.78, 38.52

 

CMYK 60 / 0 / 35 / 26

HEX #4CBC7B

RGB 76 188 123

HSL 145.18, 0.46%, 0.52%

LAB 68.7, -46.72, 23.64

 

CMYK 60 / 0 / 18 / 26

HEX #4CBC9A

RGB 76 188 154

HSL 161.79, 0.46%, 0.52%

LAB 69.35, -40.04, 7.78

 

CMYK 60 / 0 / 2 / 26

HEX #4CBCB8

RGB 76 188 184

HSL 177.86, 0.46%, 0.52%

LAB 70.15, -32.37, -7.49

 

CMYK 60 / 14 / 0 / 26

HEX #4CA2BC

RGB 76 162 188

HSL 193.93, 0.46%, 0.52%

LAB 62.51, -18.16, -21.21

 

CMYK 60 / 0 / 51 / 26

HEX #4CBC5D

RGB 76 188 93

HSL 129.11, 0.46%, 0.52%

LAB 68.24, -51.78, 38.52

 

CMYK 73 / 0 / 62 / 18

HEX #38D04F

RGB 56 208 79

HSL 129.08, 0.62%, 0.52%

LAB 73.88, -64.52, 51.61

 

CMYK 84 / 0 / 71 / 11

HEX #24E441

RGB 36 228 65

HSL 129.06, 0.78%, 0.52%

LAB 79.75, -74.48, 63.41

 

CMYK 94 / 0 / 79 / 3

HEX #10F834

RGB 16 248 52

HSL 129.31, 0.94%, 0.52%

LAB 85.75, -82.26, 73.39

 

CMYK 60 / 0 / 51 / 26

HEX #4CBC5D

RGB 76 188 93

HSL 129.11, 0.46%, 0.52%

LAB 68.24, -51.78, 38.52

 

CMYK 43 / 0 / 37 / 34

HEX #60A96B

RGB 96 169 107

HSL 129.04, 0.3%, 0.52%

LAB 63.28, -36.29, 25.07

 

CMYK 23 / 0 / 19 / 42

HEX #739578

RGB 115 149 120

HSL 128.82, 0.14%, 0.52%

LAB 58.5, -17.88, 11.52

 

CMYK 0 / 4 / 1 / 47

HEX #878186

RGB 135 129 134

HSL 310, 0.02%, 0.52%

LAB 54.63, 3.23, -1.9

 

CMYK 0 / 30 / 5 / 39

HEX #9B6D94

RGB 155 109 148

HSL 309.13, 0.19%, 0.52%

LAB 51.89, 24.86, -13.96

 

CMYK 37 / 0 / 60 / 26

HEX #77BC4C

RGB 119 188 76

HSL 96.96, 0.46%, 0.52%

LAB 69.76, -41.4, 48.83

 

CMYK 53 / 0 / 60 / 26

HEX #59BC4C

RGB 89 188 76

HSL 113.04, 0.46%, 0.52%

LAB 68.47, -50.68, 47.01

 

CMYK 60 / 0 / 51 / 26

HEX #4CBC5D

RGB 76 188 93

HSL 129.11, 0.46%, 0.52%

LAB 68.24, -51.78, 38.52

 

CMYK 60 / 0 / 35 / 26

HEX #4CBC7B

RGB 76 188 123

HSL 145.18, 0.46%, 0.52%

LAB 68.7, -46.72, 23.64

 

CMYK 60 / 0 / 19 / 26

HEX #4CBC99

RGB 76 188 153

HSL 161.25, 0.46%, 0.52%

LAB 69.33, -40.28, 8.3

 

CMYK 63 / 0 / 53 / 48

HEX #31853E

RGB 49 133 62

HSL 129.29, 0.46%, 0.36%

LAB 49.22, -41.04, 30.71

 

CMYK 63 / 0 / 53 / 36

HEX #3CA34C

RGB 60 163 76

HSL 129.32, 0.46%, 0.44%

LAB 59.6, -48.25, 36.29

 

CMYK 60 / 0 / 51 / 26

HEX #4CBC5D

RGB 76 188 93

HSL 129.11, 0.46%, 0.52%

LAB 68.24, -51.78, 38.52

 

CMYK 47 / 0 / 40 / 22

HEX #6AC878

RGB 106 200 120

HSL 128.94, 0.46%, 0.6%

LAB 73.37, -44.82, 31.59

 

CMYK 36 / 0 / 30 / 17

HEX #88D393

RGB 136 211 147

HSL 128.8, 0.46%, 0.68%

LAB 78.42, -36.35, 24.53

 

CMYK 59 / 0 / 50 / 26

HEX #4DBD5E

RGB 77 189 94

HSL 129.11, 0.46%, 0.52%

LAB 68.59, -51.79, 38.48

 

CMYK 60 / 21 / 0 / 26

HEX #4C95BC

RGB 76 149 188

HSL 200.89, 0.46%, 0.52%

LAB 58.66, -11.12, -27.12

 

CMYK 0 / 60 / 45 / 26

HEX #BC4C68

RGB 188 76 104

HSL 345, 0.46%, 0.52%

LAB 48.08, 47.61, 7.22

 

CMYK 59 / 0 / 50 / 26

HEX #4DBD5E

RGB 77 189 94

HSL 129.11, 0.46%, 0.52%

LAB 68.59, -51.79, 38.48

 

CMYK 51 / 60 / 0 / 26

HEX #5D4CBC

RGB 93 76 188

HSL 249.11, 0.46%, 0.52%

LAB 39.79, 36.6, -56.94

 

CMYK 0 / 51 / 60 / 26

HEX #BC5D4C

RGB 188 93 76

HSL 9.11, 0.46%, 0.52%

LAB 50.74, 36.74, 27.48

 

CMYK 59 / 0 / 50 / 26

HEX #4DBD5E

RGB 77 189 94

HSL 129.11, 0.46%, 0.52%

LAB 68.59, -51.79, 38.48

 

CMYK 60 / 21 / 0 / 26

HEX #4C95BC

RGB 76 149 188

HSL 200.89, 0.46%, 0.52%

LAB 58.66, -11.12, -27.12

 

CMYK 0 / 60 / 9 / 26

HEX #BC4CAC

RGB 188 76 172

HSL 308.57, 0.46%, 0.52%

LAB 50.5, 56.69, -29.82

 

CMYK 0 / 39 / 60 / 26

HEX #BC734C

RGB 188 115 76

HSL 20.89, 0.46%, 0.52%

LAB 55.56, 24.94, 33.49

 

CMYK 59 / 0 / 50 / 26

HEX #4DBD5E

RGB 77 189 94

HSL 129.11, 0.46%, 0.52%

LAB 68.59, -51.79, 38.48

 

CMYK 60 / 39 / 0 / 26

HEX #4C73BC

RGB 76 115 188

HSL 219.11, 0.46%, 0.52%

LAB 48.8, 8.84, -42.57

 

CMYK 0 / 60 / 9 / 26

HEX #BC4CAC

RGB 188 76 172

HSL 308.57, 0.46%, 0.52%

LAB 50.5, 56.69, -29.82

 

CMYK 0 / 21 / 60 / 26

HEX #BC954C

RGB 188 149 76

HSL 39.11, 0.46%, 0.52%

LAB 63.92, 6.18, 43.47

 

Description

Color code: HEX #4DBD5E | qconv.com Color code: HEX #4DBD5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 189 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 189 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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