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Color name
HEX #4D911C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D911C it is the complementary color #B26EE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D911C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D911C shade: #529117, #63A32A, #74B53D, #85C750 and #96D963

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D911C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D911C shade: #4D911C, #3C7F09, #2B6D00, #1A5B00 and #094900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D911C shade: #4D911B, #6C911B, #8C911B, #91761B and #91561B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D911C shade: #4D911B, #2D911B, #1B9129, #1B9149 and #1B9169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D911C shade matches the following richer shades: #4D911B and #4A9F0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D911C shade: #4D911B, #4F8329, #517537, #536745 and #565953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D911C shade: #8D911B, #6E911B, #4E911B, #2F911B and #1B9127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D911C shade: #284C0E, #3A6E15, #4D911B, #5FB422 and #71D629

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D911C shade: #4D911C, #1B9176 and #911B7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D911C shade: #4D911C, #1B4E91 and #911B4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D911C shade: #4D911C, #1B9176, #5E1B91 and #911B37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D911C shade: #4D911C, #1B8991, #5E1B91 and #91231B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 81 / 43

HEX #4D911C

RGB 77 145 28

HSL 94.87, 0.68%, 0.34%

LAB 53.93, -41.24, 50.81

 

Complementary color

CMYK 22 / 52 / 0 / 11

HEX #B26EE3

RGB 178 110 227

HSL 274.87, 0.68%, 0.66%

LAB 58.19, 47.91, -49.29

 

CMYK 43 / 0 / 84 / 43

HEX #529117

RGB 82 145 23

HSL 90.98, 0.73%, 0.33%

LAB 54.14, -39.79, 52.55

 

CMYK 39 / 0 / 74 / 36

HEX #63A32A

RGB 99 163 42

HSL 91.74, 0.59%, 0.4%

LAB 60.79, -40.41, 53.03

 

CMYK 36 / 0 / 66 / 29

HEX #74B53D

RGB 116 181 61

HSL 92.5, 0.5%, 0.47%

LAB 67.35, -40.76, 52.64

 

CMYK 33 / 0 / 60 / 22

HEX #85C750

RGB 133 199 80

HSL 93.28, 0.52%, 0.55%

LAB 73.81, -40.95, 51.82

 

CMYK 31 / 0 / 54 / 15

HEX #96D963

RGB 150 217 99

HSL 94.07, 0.61%, 0.62%

LAB 80.19, -41.02, 50.8

 

CMYK 47 / 0 / 81 / 43

HEX #4D911C

RGB 77 145 28

HSL 94.87, 0.68%, 0.34%

LAB 53.93, -41.24, 50.81

 

CMYK 53 / 0 / 93 / 50

HEX #3C7F09

RGB 60 127 9

HSL 94.07, 0.87%, 0.27%

LAB 47.18, -40.28, 49.37

 

CMYK 61 / 0 / 100 / 57

HEX #2B6D00

RGB 43 109 0

HSL 96.33, 1%, 0.21%

LAB 40.33, -38.7, 45.52

 

CMYK 71 / 0 / 100 / 64

HEX #1A5B00

RGB 26 91 0

HSL 102.86, 1%, 0.18%

LAB 33.35, -36.43, 39.77

 

CMYK 88 / 0 / 100 / 71

HEX #094900

RGB 9 73 0

HSL 112.6, 1%, 0.14%

LAB 26.22, -33.4, 33.78

 

CMYK 47 / 0 / 81 / 43

HEX #4D911B

RGB 77 145 27

HSL 94.58, 0.69%, 0.34%

LAB 53.93, -41.29, 51.11

 

CMYK 26 / 0 / 81 / 43

HEX #6C911B

RGB 108 145 27

HSL 78.81, 0.69%, 0.34%

LAB 55.6, -29.66, 53.26

 

CMYK 3 / 0 / 81 / 43

HEX #8C911B

RGB 140 145 27

HSL 62.54, 0.69%, 0.34%

LAB 57.95, -15.8, 56.24

 

CMYK 0 / 19 / 81 / 43

HEX #91761B

RGB 145 118 27

HSL 46.27, 0.69%, 0.34%

LAB 50.75, 1.27, 50.03

 

CMYK 0 / 41 / 81 / 43

HEX #91561B

RGB 145 86 27

HSL 30, 0.69%, 0.34%

LAB 42.39, 19.73, 42.37

 

CMYK 47 / 0 / 81 / 43

HEX #4D911B

RGB 77 145 27

HSL 94.58, 0.69%, 0.34%

LAB 53.93, -41.29, 51.11

 

CMYK 69 / 0 / 81 / 43

HEX #2D911B

RGB 45 145 27

HSL 110.85, 0.69%, 0.34%

LAB 52.83, -50.05, 49.68

 

CMYK 81 / 0 / 72 / 43

HEX #1B9129

RGB 27 145 41

HSL 127.12, 0.69%, 0.34%

LAB 52.56, -52.01, 44.25

 

CMYK 81 / 0 / 50 / 43

HEX #1B9149

RGB 27 145 73

HSL 143.39, 0.69%, 0.34%

LAB 52.91, -47.74, 29.4

 

CMYK 81 / 0 / 28 / 43

HEX #1B9169

RGB 27 145 105

HSL 159.66, 0.69%, 0.34%

LAB 53.5, -41.1, 12.5

 

CMYK 47 / 0 / 81 / 43

HEX #4D911B

RGB 77 145 27

HSL 94.58, 0.69%, 0.34%

LAB 53.93, -41.29, 51.11

 

CMYK 53 / 0 / 92 / 38

HEX #4A9F0D

RGB 74 159 13

HSL 94.93, 0.85%, 0.34%

LAB 58.3, -48.31, 58.21

 

CMYK 47 / 0 / 81 / 43

HEX #4D911B

RGB 77 145 27

HSL 94.58, 0.69%, 0.34%

LAB 53.93, -41.29, 51.11

 

CMYK 40 / 0 / 69 / 49

HEX #4F8329

RGB 79 131 41

HSL 94.67, 0.52%, 0.34%

LAB 49.56, -33.58, 41.59

 

CMYK 31 / 0 / 53 / 54

HEX #517537

RGB 81 117 55

HSL 94.84, 0.36%, 0.34%

LAB 45.29, -24.68, 29.94

 

CMYK 19 / 0 / 33 / 60

HEX #536745

RGB 83 103 69

HSL 95.29, 0.2%, 0.34%

LAB 41.17, -14.44, 16.8

 

CMYK 3 / 0 / 7 / 65

HEX #565953

RGB 86 89 83

HSL 90, 0.03%, 0.34%

LAB 37.39, -2.46, 3.05

 

CMYK 3 / 0 / 81 / 43

HEX #8D911B

RGB 141 145 27

HSL 62.03, 0.69%, 0.34%

LAB 58.03, -15.35, 56.35

 

CMYK 24 / 0 / 81 / 43

HEX #6E911B

RGB 110 145 27

HSL 77.8, 0.69%, 0.34%

LAB 55.73, -28.84, 53.43

 

CMYK 46 / 0 / 81 / 43

HEX #4E911B

RGB 78 145 27

HSL 94.07, 0.69%, 0.34%

LAB 53.97, -40.96, 51.17

 

CMYK 68 / 0 / 81 / 43

HEX #2F911B

RGB 47 145 27

HSL 109.83, 0.69%, 0.34%

LAB 52.88, -49.62, 49.75

 

CMYK 81 / 0 / 73 / 43

HEX #1B9127

RGB 27 145 39

HSL 126.1, 0.69%, 0.34%

LAB 52.54, -52.2, 45.04

 

CMYK 47 / 0 / 82 / 70

HEX #284C0E

RGB 40 76 14

HSL 94.84, 0.69%, 0.18%

LAB 28.52, -24.92, 30.81

 

CMYK 47 / 0 / 81 / 57

HEX #3A6E15

RGB 58 110 21

HSL 95.06, 0.68%, 0.26%

LAB 41.38, -33.3, 40.95

 

CMYK 47 / 0 / 81 / 43

HEX #4D911B

RGB 77 145 27

HSL 94.58, 0.69%, 0.34%

LAB 53.93, -41.29, 51.11

 

CMYK 47 / 0 / 81 / 29

HEX #5FB422

RGB 95 180 34

HSL 94.93, 0.68%, 0.42%

LAB 65.9, -49.16, 60.39

 

CMYK 47 / 0 / 81 / 16

HEX #71D629

RGB 113 214 41

HSL 95.03, 0.68%, 0.5%

LAB 77.14, -56.34, 69.04

 

CMYK 47 / 0 / 81 / 43

HEX #4D911C

RGB 77 145 28

HSL 94.87, 0.68%, 0.34%

LAB 53.93, -41.24, 50.81

 

CMYK 81 / 0 / 19 / 43

HEX #1B9176

RGB 27 145 118

HSL 166.27, 0.69%, 0.34%

LAB 53.81, -37.79, 5.51

 

CMYK 0 / 81 / 13 / 43

HEX #911B7E

RGB 145 27 126

HSL 309.66, 0.69%, 0.34%

LAB 34.62, 56.93, -27.37

 

CMYK 47 / 0 / 81 / 43

HEX #4D911C

RGB 77 145 28

HSL 94.87, 0.68%, 0.34%

LAB 53.93, -41.24, 50.81

 

CMYK 81 / 46 / 0 / 43

HEX #1B4E91

RGB 27 78 145

HSL 214.07, 0.69%, 0.34%

LAB 33.41, 8.76, -41.76

 

CMYK 0 / 81 / 46 / 43

HEX #911B4E

RGB 145 27 78

HSL 334.07, 0.69%, 0.34%

LAB 32.6, 51.04, 0.31

 

CMYK 47 / 0 / 81 / 43

HEX #4D911C

RGB 77 145 28

HSL 94.87, 0.68%, 0.34%

LAB 53.93, -41.24, 50.81

 

CMYK 81 / 0 / 19 / 43

HEX #1B9176

RGB 27 145 118

HSL 166.27, 0.69%, 0.34%

LAB 53.81, -37.79, 5.51

 

CMYK 35 / 81 / 0 / 43

HEX #5E1B91

RGB 94 27 145

HSL 274.07, 0.69%, 0.34%

LAB 27.32, 50.25, -51.36

 

CMYK 0 / 81 / 62 / 43

HEX #911B37

RGB 145 27 55

HSL 345.76, 0.69%, 0.34%

LAB 31.99, 49.17, 14.58

 

CMYK 47 / 0 / 81 / 43

HEX #4D911C

RGB 77 145 28

HSL 94.87, 0.68%, 0.34%

LAB 53.93, -41.24, 50.81

 

CMYK 81 / 6 / 0 / 43

HEX #1B8991

RGB 27 137 145

HSL 184.07, 0.69%, 0.34%

LAB 52.03, -26, -12.73

 

CMYK 35 / 81 / 0 / 43

HEX #5E1B91

RGB 94 27 145

HSL 274.07, 0.69%, 0.34%

LAB 27.32, 50.25, -51.36

 

CMYK 0 / 76 / 81 / 43

HEX #91231B

RGB 145 35 27

HSL 4.07, 0.69%, 0.34%

LAB 32.48, 45.13, 32.75

 

Description

Color code: HEX #4D911C | qconv.com Color code: HEX #4D911C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 145 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 145 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 81 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 81% 43% C M Y K

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Provide designers and agencies with accurate color values.

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