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Color name
HEX #4D6E10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D6E10 it is the complementary color #B291EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D6E10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D6E10 shade: #526E0B, #63801E, #749231, #85A444 and #96B657

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D6E10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D6E10 shade: #4D6E10, #3C5C00, #2B4A00, #1A3800 and #092600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D6E10 shade: #4D6F0F, #676F0F, #6F5D0F, #6F430F and #6F290F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D6E10 shade: #4D6F0F, #346F0F, #1A6F0F, #0F6F1F and #0F6F39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D6E10 shade matches the following richer shades: #4D6F0F and #517905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D6E10 shade: #4D6F0F, #4A651A, #475A24, #44502E and #414639

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D6E10 shade: #6F5E0F, #676F0F, #4E6F0F, #346F0F and #1B6F0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D6E10 shade: #1B2705, #344B0A, #4D6F0F, #679315 and #80B71A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D6E10 shade: #4D6E10, #0F6F44 and #6A0F6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D6E10 shade: #4D6E10, #0F4E6F and #6F0F4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D6E10 shade: #4D6E10, #0F6F44, #310F6F and #6F0F3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D6E10 shade: #4D6E10, #0F6F61, #310F6F and #6F0F1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 85 / 57

HEX #4D6E10

RGB 77 110 16

HSL 81.06, 0.75%, 0.25%

LAB 42.41, -26.17, 43.91

 

Complementary color

CMYK 26 / 39 / 0 / 6

HEX #B291EF

RGB 178 145 239

HSL 261.06, 0.75%, 0.75%

LAB 66.48, 31.46, -42.87

 

CMYK 25 / 0 / 90 / 57

HEX #526E0B

RGB 82 110 11

HSL 76.97, 0.82%, 0.24%

LAB 42.72, -24.22, 45.64

 

CMYK 23 / 0 / 77 / 50

HEX #63801E

RGB 99 128 30

HSL 77.76, 0.62%, 0.31%

LAB 49.72, -25.01, 46.56

 

CMYK 21 / 0 / 66 / 43

HEX #749231

RGB 116 146 49

HSL 78.56, 0.5%, 0.38%

LAB 56.58, -25.51, 46.24

 

CMYK 19 / 0 / 59 / 36

HEX #85A444

RGB 133 164 68

HSL 79.38, 0.41%, 0.45%

LAB 63.31, -25.84, 45.39

 

CMYK 18 / 0 / 52 / 29

HEX #96B657

RGB 150 182 87

HSL 80.21, 0.39%, 0.53%

LAB 69.91, -26.05, 44.32

 

CMYK 30 / 0 / 85 / 57

HEX #4D6E10

RGB 77 110 16

HSL 81.06, 0.75%, 0.25%

LAB 42.41, -26.17, 43.91

 

CMYK 35 / 0 / 100 / 64

HEX #3C5C00

RGB 60 92 0

HSL 80.87, 1%, 0.18%

LAB 35.23, -25.22, 41.89

 

CMYK 42 / 0 / 100 / 71

HEX #2B4A00

RGB 43 74 0

HSL 85.14, 1%, 0.15%

LAB 27.88, -23.65, 35.72

 

CMYK 54 / 0 / 100 / 78

HEX #1A3800

RGB 26 56 0

HSL 92.14, 1%, 0.11%

LAB 20.23, -21.93, 27.86

 

CMYK 76 / 0 / 100 / 85

HEX #092600

RGB 9 38 0

HSL 105.79, 1%, 0.07%

LAB 12.25, -19.79, 17.74

 

CMYK 31 / 0 / 86 / 56

HEX #4D6F0F

RGB 77 111 15

HSL 81.25, 0.76%, 0.25%

LAB 42.73, -26.7, 44.48

 

CMYK 7 / 0 / 86 / 56

HEX #676F0F

RGB 103 111 15

HSL 65, 0.76%, 0.25%

LAB 44.64, -15.06, 46.88

 

CMYK 0 / 16 / 86 / 56

HEX #6F5D0F

RGB 111 93 15

HSL 48.75, 0.76%, 0.25%

LAB 39.99, -0.98, 43.19

 

CMYK 0 / 40 / 86 / 56

HEX #6F430F

RGB 111 67 15

HSL 32.5, 0.76%, 0.25%

LAB 32.76, 14.71, 36.89

 

CMYK 0 / 63 / 86 / 56

HEX #6F290F

RGB 111 41 15

HSL 16.25, 0.76%, 0.25%

LAB 26.73, 29.63, 31.45

 

CMYK 31 / 0 / 86 / 56

HEX #4D6F0F

RGB 77 111 15

HSL 81.25, 0.76%, 0.25%

LAB 42.73, -26.7, 44.48

 

CMYK 53 / 0 / 86 / 56

HEX #346F0F

RGB 52 111 15

HSL 96.88, 0.76%, 0.25%

LAB 41.43, -36.1, 42.82

 

CMYK 77 / 0 / 86 / 56

HEX #1A6F0F

RGB 26 111 15

HSL 113.13, 0.76%, 0.25%

LAB 40.61, -42.77, 41.77

 

CMYK 86 / 0 / 72 / 56

HEX #0F6F1F

RGB 15 111 31

HSL 130, 0.76%, 0.25%

LAB 40.52, -43.13, 35.69

 

CMYK 86 / 0 / 49 / 56

HEX #0F6F39

RGB 15 111 57

HSL 146.25, 0.76%, 0.25%

LAB 40.84, -39.29, 22.78

 

CMYK 31 / 0 / 86 / 56

HEX #4D6F0F

RGB 77 111 15

HSL 81.25, 0.76%, 0.25%

LAB 42.73, -26.7, 44.48

 

CMYK 33 / 0 / 96 / 53

HEX #517905

RGB 81 121 5

HSL 80.69, 0.92%, 0.25%

LAB 46.22, -30.15, 49.82

 

CMYK 31 / 0 / 86 / 56

HEX #4D6F0F

RGB 77 111 15

HSL 81.25, 0.76%, 0.25%

LAB 42.73, -26.7, 44.48

 

CMYK 27 / 0 / 74 / 60

HEX #4A651A

RGB 74 101 26

HSL 81.6, 0.59%, 0.25%

LAB 39.31, -22.37, 37.28

 

CMYK 21 / 0 / 60 / 65

HEX #475A24

RGB 71 90 36

HSL 81.11, 0.43%, 0.25%

LAB 35.56, -16.99, 28.37

 

CMYK 15 / 0 / 43 / 69

HEX #44502E

RGB 68 80 46

HSL 81.18, 0.27%, 0.25%

LAB 32.18, -11.42, 18.49

 

CMYK 7 / 0 / 19 / 73

HEX #414639

RGB 65 70 57

HSL 83.08, 0.1%, 0.25%

LAB 28.9, -4.84, 7.15

 

CMYK 0 / 15 / 86 / 56

HEX #6F5E0F

RGB 111 94 15

HSL 49.38, 0.76%, 0.25%

LAB 40.28, -1.57, 43.44

 

CMYK 7 / 0 / 86 / 56

HEX #676F0F

RGB 103 111 15

HSL 65, 0.76%, 0.25%

LAB 44.64, -15.06, 46.88

 

CMYK 30 / 0 / 86 / 56

HEX #4E6F0F

RGB 78 111 15

HSL 80.63, 0.76%, 0.25%

LAB 42.8, -26.28, 44.56

 

CMYK 53 / 0 / 86 / 56

HEX #346F0F

RGB 52 111 15

HSL 96.88, 0.76%, 0.25%

LAB 41.43, -36.1, 42.82

 

CMYK 76 / 0 / 86 / 56

HEX #1B6F0F

RGB 27 111 15

HSL 112.5, 0.76%, 0.25%

LAB 40.63, -42.59, 41.8

 

CMYK 31 / 0 / 87 / 85

HEX #1B2705

RGB 27 39 5

HSL 81.18, 0.77%, 0.09%

LAB 13.8, -11.85, 17.96

 

CMYK 31 / 0 / 87 / 71

HEX #344B0A

RGB 52 75 10

HSL 81.23, 0.76%, 0.17%

LAB 28.86, -19.64, 32.92

 

CMYK 31 / 0 / 86 / 56

HEX #4D6F0F

RGB 77 111 15

HSL 81.25, 0.76%, 0.25%

LAB 42.73, -26.7, 44.48

 

CMYK 30 / 0 / 86 / 42

HEX #679315

RGB 103 147 21

HSL 80.95, 0.75%, 0.33%

LAB 55.89, -32.87, 55.05

 

CMYK 30 / 0 / 86 / 28

HEX #80B71A

RGB 128 183 26

HSL 81.02, 0.75%, 0.41%

LAB 68.41, -39.17, 65.25

 

CMYK 30 / 0 / 85 / 57

HEX #4D6E10

RGB 77 110 16

HSL 81.06, 0.75%, 0.25%

LAB 42.41, -26.17, 43.91

 

CMYK 86 / 0 / 39 / 56

HEX #0F6F44

RGB 15 111 68

HSL 153.13, 0.76%, 0.25%

LAB 41.04, -37.02, 16.73

 

CMYK 5 / 86 / 0 / 56

HEX #6A0F6F

RGB 106 15 111

HSL 296.88, 0.76%, 0.25%

LAB 25.42, 49.21, -32.88

 

CMYK 30 / 0 / 85 / 57

HEX #4D6E10

RGB 77 110 16

HSL 81.06, 0.75%, 0.25%

LAB 42.41, -26.17, 43.91

 

CMYK 86 / 30 / 0 / 56

HEX #0F4E6F

RGB 15 78 111

HSL 200.63, 0.76%, 0.25%

LAB 31.11, -6.31, -24.38

 

CMYK 0 / 86 / 30 / 56

HEX #6F0F4E

RGB 111 15 78

HSL 320.63, 0.76%, 0.25%

LAB 24.55, 45.27, -12.45

 

CMYK 30 / 0 / 85 / 57

HEX #4D6E10

RGB 77 110 16

HSL 81.06, 0.75%, 0.25%

LAB 42.41, -26.17, 43.91

 

CMYK 86 / 0 / 39 / 56

HEX #0F6F44

RGB 15 111 68

HSL 153.13, 0.76%, 0.25%

LAB 41.04, -37.02, 16.73

 

CMYK 56 / 86 / 0 / 56

HEX #310F6F

RGB 49 15 111

HSL 261.25, 0.76%, 0.25%

LAB 16.22, 39.39, -48.26

 

CMYK 0 / 86 / 48 / 56

HEX #6F0F3A

RGB 111 15 58

HSL 333.13, 0.76%, 0.25%

LAB 23.76, 42.99, -0.01

 

CMYK 30 / 0 / 85 / 57

HEX #4D6E10

RGB 77 110 16

HSL 81.06, 0.75%, 0.25%

LAB 42.41, -26.17, 43.91

 

CMYK 86 / 0 / 13 / 56

HEX #0F6F61

RGB 15 111 97

HSL 171.25, 0.76%, 0.25%

LAB 41.74, -29.41, 0.4

 

CMYK 56 / 86 / 0 / 56

HEX #310F6F

RGB 49 15 111

HSL 261.25, 0.76%, 0.25%

LAB 16.22, 39.39, -48.26

 

CMYK 0 / 86 / 73 / 56

HEX #6F0F1E

RGB 111 15 30

HSL 350.63, 0.76%, 0.25%

LAB 23.05, 40.87, 18.36

 

Description

Color code: HEX #4D6E10 | qconv.com Color code: HEX #4D6E10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 110 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 110 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 85 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 85% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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