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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D6670 it is the complementary color #B2998F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D6670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D6670 shade: #52666B, #63787E, #748A91, #859CA4 and #96AEB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D6670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D6670 shade: #4D6670, #3C545D, #2B424A, #1A3037 and #091E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D6670 shade: #4C6670, #4C5C70, #4C5270, #4F4C70 and #594C70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D6670 shade: #4C6670, #4C5C70, #4C5270 and #4C4C70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D6670 shade matches the following richer shades: #4C6670, #3D6C7F, #2D738E, #1E799E and #0F80AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D6670 shade: #4C6670, #5B5F61, #6A5851, #7A5242 and #894B33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D6670 shade: #4C7067, #4C6F70, #4C6670, #4C5C70 and #4C5270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D6670 shade: #2B393F, #3B4F57, #4C6670, #5D7C88 and #70919E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D6670 shade: #4D6670, #5D4C70 and #706C4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D6670 shade: #4D6670, #704C66 and #66704C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D6670 shade: #4D6670, #5D4C70, #70564C and #5E704C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D6670 shade: #4D6670, #684C70, #70564C and #54704C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 9 / 0 / 56

HEX #4D6670

RGB 77 102 112

HSL 197.14, 0.19%, 0.37%

LAB 41.61, -6.62, -8.63

 

Complementary color

CMYK 0 / 14 / 20 / 30

HEX #B2998F

RGB 178 153 143

HSL 17.14, 0.19%, 0.63%

LAB 65.15, 7.62, 8.67

 

CMYK 23 / 5 / 0 / 58

HEX #52666B

RGB 82 102 107

HSL 192, 0.13%, 0.37%

LAB 41.78, -6.24, -5.3

 

CMYK 21 / 5 / 0 / 51

HEX #63787E

RGB 99 120 126

HSL 193.33, 0.12%, 0.44%

LAB 49, -6.24, -5.84

 

CMYK 20 / 5 / 0 / 43

HEX #748A91

RGB 116 138 145

HSL 194.48, 0.12%, 0.51%

LAB 56.02, -6.25, -6.37

 

CMYK 19 / 5 / 0 / 36

HEX #859CA4

RGB 133 156 164

HSL 195.48, 0.15%, 0.58%

LAB 62.88, -6.27, -6.88

 

CMYK 18 / 5 / 0 / 28

HEX #96AEB7

RGB 150 174 183

HSL 196.36, 0.19%, 0.65%

LAB 69.59, -6.3, -7.38

 

CMYK 31 / 9 / 0 / 56

HEX #4D6670

RGB 77 102 112

HSL 197.14, 0.19%, 0.37%

LAB 41.61, -6.62, -8.63

 

CMYK 35 / 10 / 0 / 64

HEX #3C545D

RGB 60 84 93

HSL 196.36, 0.22%, 0.3%

LAB 34.17, -6.58, -8.17

 

CMYK 42 / 11 / 0 / 71

HEX #2B424A

RGB 43 66 74

HSL 195.48, 0.26%, 0.23%

LAB 26.46, -6.53, -7.69

 

CMYK 53 / 13 / 0 / 78

HEX #1A3037

RGB 26 48 55

HSL 194.48, 0.36%, 0.16%

LAB 18.41, -6.4, -7.18

 

CMYK 75 / 17 / 0 / 86

HEX #091E24

RGB 9 30 36

HSL 193.33, 0.6%, 0.09%

LAB 9.91, -6.07, -6.63

 

CMYK 32 / 9 / 0 / 56

HEX #4C6670

RGB 76 102 112

HSL 196.67, 0.19%, 0.37%

LAB 41.55, -6.95, -8.74

 

CMYK 32 / 18 / 0 / 56

HEX #4C5C70

RGB 76 92 112

HSL 213.33, 0.19%, 0.37%

LAB 38.48, -0.92, -13.37

 

CMYK 32 / 27 / 0 / 56

HEX #4C5270

RGB 76 82 112

HSL 230, 0.19%, 0.37%

LAB 35.48, 5.34, -17.97

 

CMYK 29 / 32 / 0 / 56

HEX #4F4C70

RGB 79 76 112

HSL 245, 0.19%, 0.37%

LAB 33.98, 10.17, -20.26

 

CMYK 21 / 32 / 0 / 56

HEX #594C70

RGB 89 76 112

HSL 261.67, 0.19%, 0.37%

LAB 34.93, 13.57, -18.72

 

CMYK 32 / 9 / 0 / 56

HEX #4C6670

RGB 76 102 112

HSL 196.67, 0.19%, 0.37%

LAB 41.55, -6.95, -8.74

 

CMYK 32 / 18 / 0 / 56

HEX #4C5C70

RGB 76 92 112

HSL 213.33, 0.19%, 0.37%

LAB 38.48, -0.92, -13.37

 

CMYK 32 / 27 / 0 / 56

HEX #4C5270

RGB 76 82 112

HSL 230, 0.19%, 0.37%

LAB 35.48, 5.34, -17.97

 

CMYK 32 / 32 / 0 / 56

HEX #4C4C70

RGB 76 76 112

HSL 240, 0.19%, 0.37%

LAB 33.72, 9.19, -20.69

 

CMYK 32 / 9 / 0 / 56

HEX #4C6670

RGB 76 102 112

HSL 196.67, 0.19%, 0.37%

LAB 41.55, -6.95, -8.74

 

CMYK 52 / 15 / 0 / 50

HEX #3D6C7F

RGB 61 108 127

HSL 197.27, 0.35%, 0.37%

LAB 43.14, -10.37, -15.49

 

CMYK 68 / 19 / 0 / 44

HEX #2D738E

RGB 45 115 142

HSL 196.7, 0.52%, 0.37%

LAB 45.32, -12.82, -21.16

 

CMYK 81 / 23 / 0 / 38

HEX #1E799E

RGB 30 121 158

HSL 197.34, 0.68%, 0.37%

LAB 47.52, -12.63, -27.23

 

CMYK 91 / 26 / 0 / 32

HEX #0F80AD

RGB 15 128 173

HSL 197.09, 0.84%, 0.37%

LAB 50.16, -12.26, -31.86

 

CMYK 32 / 9 / 0 / 56

HEX #4C6670

RGB 76 102 112

HSL 196.67, 0.19%, 0.37%

LAB 41.55, -6.95, -8.74

 

CMYK 6 / 2 / 0 / 62

HEX #5B5F61

RGB 91 95 97

HSL 200, 0.03%, 0.37%

LAB 40.03, -1.13, -1.69

 

CMYK 0 / 17 / 24 / 58

HEX #6A5851

RGB 106 88 81

HSL 16.8, 0.13%, 0.37%

LAB 38.96, 6.15, 6.8

 

CMYK 0 / 33 / 46 / 52

HEX #7A5242

RGB 122 82 66

HSL 17.14, 0.3%, 0.37%

LAB 38.84, 14.64, 16.15

 

CMYK 0 / 45 / 63 / 46

HEX #894B33

RGB 137 75 51

HSL 16.74, 0.46%, 0.37%

LAB 38.88, 23.87, 25.64

 

CMYK 32 / 0 / 8 / 56

HEX #4C7067

RGB 76 112 103

HSL 165, 0.19%, 0.37%

LAB 44.38, -14.97, 0.9

 

CMYK 32 / 1 / 0 / 56

HEX #4C6F70

RGB 76 111 112

HSL 181.67, 0.19%, 0.37%

LAB 44.34, -12.15, -4.57

 

CMYK 32 / 9 / 0 / 56

HEX #4C6670

RGB 76 102 112

HSL 196.67, 0.19%, 0.37%

LAB 41.55, -6.95, -8.74

 

CMYK 32 / 18 / 0 / 56

HEX #4C5C70

RGB 76 92 112

HSL 213.33, 0.19%, 0.37%

LAB 38.48, -0.92, -13.37

 

CMYK 32 / 27 / 0 / 56

HEX #4C5270

RGB 76 82 112

HSL 230, 0.19%, 0.37%

LAB 35.48, 5.34, -17.97

 

CMYK 32 / 10 / 0 / 75

HEX #2B393F

RGB 43 57 63

HSL 198, 0.19%, 0.21%

LAB 22.99, -4.04, -5.6

 

CMYK 32 / 9 / 0 / 66

HEX #3B4F57

RGB 59 79 87

HSL 197.14, 0.19%, 0.29%

LAB 32.28, -5.54, -7.22

 

CMYK 32 / 9 / 0 / 56

HEX #4C6670

RGB 76 102 112

HSL 196.67, 0.19%, 0.37%

LAB 41.55, -6.95, -8.74

 

CMYK 32 / 9 / 0 / 47

HEX #5D7C88

RGB 93 124 136

HSL 196.74, 0.19%, 0.45%

LAB 50.12, -7.98, -10.1

 

CMYK 29 / 8 / 0 / 38

HEX #70919E

RGB 112 145 158

HSL 196.96, 0.19%, 0.53%

LAB 58.19, -8.31, -10.62

 

CMYK 31 / 9 / 0 / 56

HEX #4D6670

RGB 77 102 112

HSL 197.14, 0.19%, 0.37%

LAB 41.61, -6.62, -8.63

 

CMYK 17 / 32 / 0 / 56

HEX #5D4C70

RGB 93 76 112

HSL 268.33, 0.19%, 0.37%

LAB 35.33, 14.96, -18.07

 

CMYK 0 / 4 / 32 / 56

HEX #706C4C

RGB 112 108 76

HSL 53.33, 0.19%, 0.37%

LAB 45.21, -3.93, 18.51

 

CMYK 31 / 9 / 0 / 56

HEX #4D6670

RGB 77 102 112

HSL 197.14, 0.19%, 0.37%

LAB 41.61, -6.62, -8.63

 

CMYK 0 / 32 / 9 / 56

HEX #704C66

RGB 112 76 102

HSL 316.67, 0.19%, 0.37%

LAB 37.06, 19.75, -8.98

 

CMYK 9 / 0 / 32 / 56

HEX #66704C

RGB 102 112 76

HSL 76.67, 0.19%, 0.37%

LAB 45.54, -10.48, 18.81

 

CMYK 31 / 9 / 0 / 56

HEX #4D6670

RGB 77 102 112

HSL 197.14, 0.19%, 0.37%

LAB 41.61, -6.62, -8.63

 

CMYK 17 / 32 / 0 / 56

HEX #5D4C70

RGB 93 76 112

HSL 268.33, 0.19%, 0.37%

LAB 35.33, 14.96, -18.07

 

CMYK 0 / 23 / 32 / 56

HEX #70564C

RGB 112 86 76

HSL 16.67, 0.19%, 0.37%

LAB 38.94, 9.17, 9.95

 

CMYK 16 / 0 / 32 / 56

HEX #5E704C

RGB 94 112 76

HSL 90, 0.19%, 0.37%

LAB 44.93, -13.79, 17.87

 

CMYK 31 / 9 / 0 / 56

HEX #4D6670

RGB 77 102 112

HSL 197.14, 0.19%, 0.37%

LAB 41.61, -6.62, -8.63

 

CMYK 7 / 32 / 0 / 56

HEX #684C70

RGB 104 76 112

HSL 286.67, 0.19%, 0.37%

LAB 36.52, 18.88, -16.14

 

CMYK 0 / 23 / 32 / 56

HEX #70564C

RGB 112 86 76

HSL 16.67, 0.19%, 0.37%

LAB 38.94, 9.17, 9.95

 

CMYK 25 / 0 / 32 / 56

HEX #54704C

RGB 84 112 76

HSL 106.67, 0.19%, 0.37%

LAB 44.23, -17.76, 16.81

 

Description

Color code: HEX #4D6670 | qconv.com Color code: HEX #4D6670 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 102 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 102 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 9 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 9% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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