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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D406D it is the complementary color #B2BF92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D406D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D406D shade: #524068, #63527B, #74648E, #8576A1 and #9688B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D406D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D406D shade: #4D406D, #3C2E5A, #2B1C47, #1A0A34 and #090021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D406D shade: #4D406D, #59406D, #65406D, #6D4068 and #6D405C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D406D shade: #4D406D, #41406D and #40406D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D406D shade matches the following richer shades: #4D406D, #47327B, #412489, #3B1697 and #3508A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D406D shade: #4D406D, #534E5F, #595C51, #5E6A43 and #647835

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D406D shade: #404B6D, #40406D, #4C406D, #58406D and #64406D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D406D shade: #282139, #3A3053, #4D406D, #5F4F87 and #725EA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D406D shade: #4D406D, #6D4057 and #456D40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D406D shade: #4D406D, #6D4C40 and #406D4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D406D shade: #4D406D, #6D4057, #606D40 and #406D55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D406D shade: #4D406D, #6D4049, #606D40 and #406D63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

Complementary color

CMYK 7 / 0 / 24 / 25

HEX #B2BF92

RGB 178 191 146

HSL 77.33, 0.26%, 0.66%

LAB 75.33, -12.28, 21.26

 

CMYK 21 / 38 / 0 / 59

HEX #524068

RGB 82 64 104

HSL 267, 0.24%, 0.33%

LAB 30.54, 16.77, -20.53

 

CMYK 20 / 33 / 0 / 52

HEX #63527B

RGB 99 82 123

HSL 264.88, 0.2%, 0.4%

LAB 38.05, 16.01, -20.63

 

CMYK 18 / 30 / 0 / 44

HEX #74648E

RGB 116 100 142

HSL 262.86, 0.17%, 0.47%

LAB 45.33, 15.36, -20.78

 

CMYK 17 / 27 / 0 / 37

HEX #8576A1

RGB 133 118 161

HSL 260.93, 0.19%, 0.55%

LAB 52.42, 14.79, -20.96

 

CMYK 17 / 24 / 0 / 29

HEX #9688B4

RGB 150 136 180

HSL 259.09, 0.23%, 0.62%

LAB 59.33, 14.28, -21.17

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 33 / 49 / 0 / 65

HEX #3C2E5A

RGB 60 46 90

HSL 259.09, 0.32%, 0.27%

LAB 22.49, 17.44, -24.27

 

CMYK 39 / 61 / 0 / 72

HEX #2B1C47

RGB 43 28 71

HSL 260.93, 0.43%, 0.19%

LAB 14.4, 18.65, -24.43

 

CMYK 50 / 81 / 0 / 80

HEX #1A0A34

RGB 26 10 52

HSL 262.86, 0.68%, 0.12%

LAB 6.18, 19.31, -24.23

 

CMYK 73 / 100 / 0 / 87

HEX #090021

RGB 9 0 33

HSL 256.36, 1%, 0.06%

LAB 1.52, 9.32, -17.21

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 18 / 41 / 0 / 57

HEX #59406D

RGB 89 64 109

HSL 273.33, 0.26%, 0.34%

LAB 31.57, 20.43, -22.06

 

CMYK 7 / 41 / 0 / 57

HEX #65406D

RGB 101 64 109

HSL 289.33, 0.26%, 0.34%

LAB 33, 24.52, -19.72

 

CMYK 0 / 41 / 5 / 57

HEX #6D4068

RGB 109 64 104

HSL 306.67, 0.26%, 0.34%

LAB 33.81, 26.27, -15.22

 

CMYK 0 / 41 / 16 / 57

HEX #6D405C

RGB 109 64 92

HSL 322.67, 0.26%, 0.34%

LAB 33.33, 23.98, -8.32

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 40 / 41 / 0 / 57

HEX #41406D

RGB 65 64 109

HSL 241.33, 0.26%, 0.34%

LAB 29.15, 12.71, -26.02

 

CMYK 41 / 41 / 0 / 57

HEX #40406D

RGB 64 64 109

HSL 240, 0.26%, 0.34%

LAB 29.06, 12.41, -26.17

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 42 / 59 / 0 / 52

HEX #47327B

RGB 71 50 123

HSL 257.26, 0.42%, 0.34%

LAB 26.88, 27.85, -38.47

 

CMYK 53 / 74 / 0 / 46

HEX #412489

RGB 65 36 137

HSL 257.23, 0.58%, 0.34%

LAB 24.3, 39.1, -51.49

 

CMYK 61 / 85 / 0 / 41

HEX #3B1697

RGB 59 22 151

HSL 257.21, 0.75%, 0.34%

LAB 22.79, 48.95, -62.68

 

CMYK 68 / 95 / 0 / 35

HEX #3508A5

RGB 53 8 165

HSL 257.2, 0.91%, 0.34%

LAB 22.47, 56.43, -71.79

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 13 / 18 / 0 / 63

HEX #534E5F

RGB 83 78 95

HSL 257.65, 0.1%, 0.34%

LAB 34.22, 5.87, -9.18

 

CMYK 3 / 0 / 12 / 64

HEX #595C51

RGB 89 92 81

HSL 76.36, 0.06%, 0.34%

LAB 38.5, -3.44, 5.92

 

CMYK 11 / 0 / 37 / 58

HEX #5E6A43

RGB 94 106 67

HSL 78.46, 0.23%, 0.34%

LAB 42.9, -11.84, 20.42

 

CMYK 17 / 0 / 56 / 53

HEX #647835

RGB 100 120 53

HSL 77.91, 0.39%, 0.34%

LAB 47.49, -18.64, 33.92

 

CMYK 41 / 31 / 0 / 57

HEX #404B6D

RGB 64 75 109

HSL 225.33, 0.26%, 0.34%

LAB 32.32, 5.15, -21.06

 

CMYK 41 / 41 / 0 / 57

HEX #40406D

RGB 64 64 109

HSL 240, 0.26%, 0.34%

LAB 29.06, 12.41, -26.17

 

CMYK 30 / 41 / 0 / 57

HEX #4C406D

RGB 76 64 109

HSL 256, 0.26%, 0.34%

LAB 30.18, 16.13, -24.33

 

CMYK 19 / 41 / 0 / 57

HEX #58406D

RGB 88 64 109

HSL 272, 0.26%, 0.34%

LAB 31.45, 20.09, -22.24

 

CMYK 8 / 41 / 0 / 57

HEX #64406D

RGB 100 64 109

HSL 288, 0.26%, 0.34%

LAB 32.88, 24.18, -19.92

 

CMYK 30 / 42 / 0 / 78

HEX #282139

RGB 40 33 57

HSL 257.5, 0.27%, 0.18%

LAB 14.59, 9.71, -14.35

 

CMYK 30 / 42 / 0 / 67

HEX #3A3053

RGB 58 48 83

HSL 257.14, 0.27%, 0.26%

LAB 22.44, 13.36, -19.73

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 30 / 41 / 0 / 47

HEX #5F4F87

RGB 95 79 135

HSL 257.14, 0.26%, 0.42%

LAB 37.43, 19.73, -28.99

 

CMYK 29 / 41 / 0 / 37

HEX #725EA0

RGB 114 94 160

HSL 258.18, 0.26%, 0.5%

LAB 44.41, 22.92, -32.95

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 0 / 41 / 20 / 57

HEX #6D4057

RGB 109 64 87

HSL 329.33, 0.26%, 0.34%

LAB 33.15, 23.09, -5.39

 

CMYK 37 / 0 / 41 / 57

HEX #456D40

RGB 69 109 64

HSL 113.33, 0.26%, 0.34%

LAB 42.11, -23.87, 20.8

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 0 / 30 / 41 / 57

HEX #6D4C40

RGB 109 76 64

HSL 16, 0.26%, 0.34%

LAB 35.58, 12.27, 12.69

 

CMYK 41 / 0 / 30 / 57

HEX #406D4C

RGB 64 109 76

HSL 136, 0.26%, 0.34%

LAB 42.08, -23.38, 13.69

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 0 / 41 / 20 / 57

HEX #6D4057

RGB 109 64 87

HSL 329.33, 0.26%, 0.34%

LAB 33.15, 23.09, -5.39

 

CMYK 12 / 0 / 41 / 57

HEX #606D40

RGB 96 109 64

HSL 77.33, 0.26%, 0.34%

LAB 43.94, -13.09, 23.52

 

CMYK 41 / 0 / 22 / 57

HEX #406D55

RGB 64 109 85

HSL 148, 0.26%, 0.34%

LAB 42.28, -21.45, 8.61

 

CMYK 29 / 41 / 0 / 57

HEX #4D406D

RGB 77 64 109

HSL 257.33, 0.26%, 0.34%

LAB 30.28, 16.46, -24.17

 

CMYK 0 / 41 / 33 / 57

HEX #6D4049

RGB 109 64 73

HSL 348, 0.26%, 0.34%

LAB 32.7, 20.85, 2.94

 

CMYK 12 / 0 / 41 / 57

HEX #606D40

RGB 96 109 64

HSL 77.33, 0.26%, 0.34%

LAB 43.94, -13.09, 23.52

 

CMYK 41 / 0 / 9 / 57

HEX #406D63

RGB 64 109 99

HSL 166.67, 0.26%, 0.34%

LAB 42.65, -18.08, 0.71

 

Description

Color code: HEX #4D406D | qconv.com Color code: HEX #4D406D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 64 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 64 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 41 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 41% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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