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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D3CE0 it is the complementary color #B2C31F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D3CE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D3CE0 shade: #523CDB, #634EEE, #7460FF, #8572FF and #9684FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D3CE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D3CE0 shade: #4D3CE0, #3C2ACD, #2B18BA, #1A06A7 and #090094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D3CE0 shade: #4D3CE0, #7A3CE0, #A63CE0, #D23CE0 and #E03CC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D3CE0 shade: #4D3CE0 and #3C3CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D3CE0 shade matches the following richer shades: #4D3CE0 and #3F2AF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D3CE0 shade: #4D3CE0, #5C4FCE, #6A61BC, #7973AA and #878598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D3CE0 shade: #3C83E0, #3C58E0, #4D3CE0, #783CE0 and #A43CE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D3CE0 shade: #2A1BAF, #3320D3, #4D3CE0, #6E60E6 and #8F84EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D3CE0 shade: #4D3CE0, #E03CAF and #6EE03C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D3CE0 shade: #4D3CE0, #E04D3C and #3CE04D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D3CE0 shade: #4D3CE0, #E03CAF, #D0E03C and #3CE06E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D3CE0 shade: #4D3CE0, #E03C7E, #D0E03C and #3CE09F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

Complementary color

CMYK 9 / 0 / 84 / 24

HEX #B2C31F

RGB 178 195 31

HSL 66.22, 0.73%, 0.44%

LAB 75.2, -24.36, 71.21

 

CMYK 63 / 73 / 0 / 14

HEX #523CDB

RGB 82 60 219

HSL 248.3, 0.69%, 0.55%

LAB 38.09, 53.34, -77.72

 

CMYK 58 / 67 / 0 / 7

HEX #634EEE

RGB 99 78 238

HSL 247.88, 0.82%, 0.62%

LAB 44.62, 51.63, -77.75

 

CMYK 55 / 62 / 0 / 0

HEX #7460FF

RGB 116 96 255

HSL 247.55, 1%, 0.69%

LAB 51.03, 49.34, -76.72

 

CMYK 48 / 55 / 0 / 0

HEX #8572FF

RGB 133 114 255

HSL 248.09, 1%, 0.72%

LAB 56.33, 42.27, -68.07

 

CMYK 41 / 48 / 0 / 0

HEX #9684FF

RGB 150 132 255

HSL 248.78, 1%, 0.76%

LAB 61.83, 35.68, -59.16

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 71 / 80 / 0 / 20

HEX #3C2ACD

RGB 60 42 205

HSL 246.63, 0.66%, 0.48%

LAB 31.86, 55.92, -79.97

 

CMYK 77 / 87 / 0 / 27

HEX #2B18BA

RGB 43 24 186

HSL 247.04, 0.77%, 0.41%

LAB 25.9, 56.9, -78.73

 

CMYK 84 / 96 / 0 / 35

HEX #1A06A7

RGB 26 6 167

HSL 247.45, 0.93%, 0.34%

LAB 20.6, 56.4, -76.18

 

CMYK 94 / 100 / 0 / 42

HEX #090094

RGB 9 0 148

HSL 243.65, 1%, 0.29%

LAB 16.48, 52.88, -71.41

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 46 / 73 / 0 / 12

HEX #7A3CE0

RGB 122 60 224

HSL 262.68, 0.73%, 0.56%

LAB 42.39, 60.35, -73.39

 

CMYK 26 / 73 / 0 / 12

HEX #A63CE0

RGB 166 60 224

HSL 278.78, 0.73%, 0.56%

LAB 47.91, 67.96, -64.16

 

CMYK 6 / 73 / 0 / 12

HEX #D23CE0

RGB 210 60 224

HSL 294.88, 0.73%, 0.56%

LAB 54.36, 76.5, -53.44

 

CMYK 0 / 73 / 13 / 12

HEX #E03CC2

RGB 224 60 194

HSL 310.98, 0.73%, 0.56%

LAB 55.05, 74.89, -35.09

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 73 / 73 / 0 / 12

HEX #3C3CE0

RGB 60 60 224

HSL 240, 0.73%, 0.56%

LAB 37.07, 52.61, -82.32

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 74 / 83 / 0 / 5

HEX #3F2AF2

RGB 63 42 242

HSL 246.3, 0.88%, 0.56%

LAB 36.22, 66.77, -93.95

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 55 / 62 / 0 / 19

HEX #5C4FCE

RGB 92 79 206

HSL 246.14, 0.56%, 0.56%

LAB 41.73, 40.16, -64.26

 

CMYK 44 / 48 / 0 / 26

HEX #6A61BC

RGB 106 97 188

HSL 245.93, 0.4%, 0.56%

LAB 45.97, 26.76, -46.95

 

CMYK 29 / 32 / 0 / 33

HEX #7973AA

RGB 121 115 170

HSL 246.55, 0.24%, 0.56%

LAB 50.95, 14.98, -28.54

 

CMYK 11 / 13 / 0 / 40

HEX #878598

RGB 135 133 152

HSL 246.32, 0.08%, 0.56%

LAB 56.28, 4.68, -9.87

 

CMYK 73 / 42 / 0 / 12

HEX #3C83E0

RGB 60 131 224

HSL 214.02, 0.73%, 0.56%

LAB 54.63, 9.08, -53.78

 

CMYK 73 / 61 / 0 / 12

HEX #3C58E0

RGB 60 88 224

HSL 229.76, 0.73%, 0.56%

LAB 43.24, 36, -72.18

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 46 / 73 / 0 / 12

HEX #783CE0

RGB 120 60 224

HSL 261.95, 0.73%, 0.56%

LAB 42.16, 60.04, -73.76

 

CMYK 27 / 73 / 0 / 12

HEX #A43CE0

RGB 164 60 224

HSL 278.05, 0.73%, 0.56%

LAB 47.63, 67.59, -64.62

 

CMYK 76 / 85 / 0 / 31

HEX #2A1BAF

RGB 42 27 175

HSL 246.08, 0.73%, 0.4%

LAB 24.86, 52.48, -73.88

 

CMYK 76 / 85 / 0 / 17

HEX #3320D3

RGB 51 32 211

HSL 246.37, 0.74%, 0.48%

LAB 30.5, 61.36, -85.74

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 52 / 58 / 0 / 10

HEX #6E60E6

RGB 110 96 230

HSL 246.27, 0.73%, 0.64%

LAB 48.75, 40.81, -66.47

 

CMYK 39 / 44 / 0 / 8

HEX #8F84EB

RGB 143 132 235

HSL 246.41, 0.72%, 0.72%

LAB 60.19, 28.5, -50.77

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 0 / 73 / 22 / 12

HEX #E03CAF

RGB 224 60 175

HSL 317.93, 0.73%, 0.56%

LAB 54.21, 72.35, -25.37

 

CMYK 51 / 0 / 73 / 12

HEX #6EE03C

RGB 110 224 60

HSL 101.71, 0.73%, 0.56%

LAB 80.15, -59.86, 66.1

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 0 / 66 / 73 / 12

HEX #E04D3C

RGB 224 77 60

HSL 6.22, 0.73%, 0.56%

LAB 53.47, 56.22, 41.14

 

CMYK 73 / 0 / 66 / 12

HEX #3CE04D

RGB 60 224 77

HSL 126.22, 0.73%, 0.56%

LAB 78.93, -69.29, 58.08

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 0 / 73 / 22 / 12

HEX #E03CAF

RGB 224 60 175

HSL 317.93, 0.73%, 0.56%

LAB 54.21, 72.35, -25.37

 

CMYK 7 / 0 / 73 / 12

HEX #D0E03C

RGB 208 224 60

HSL 65.85, 0.73%, 0.56%

LAB 85.53, -24.83, 73.16

 

CMYK 73 / 0 / 51 / 12

HEX #3CE06E

RGB 60 224 110

HSL 138.29, 0.73%, 0.56%

LAB 79.27, -65.24, 43.79

 

CMYK 66 / 73 / 0 / 12

HEX #4D3CE0

RGB 77 60 224

HSL 246.22, 0.73%, 0.56%

LAB 38.18, 54.28, -80.44

 

CMYK 0 / 73 / 44 / 12

HEX #E03C7E

RGB 224 60 126

HSL 335.85, 0.73%, 0.56%

LAB 52.49, 66.95, 1.07

 

CMYK 7 / 0 / 73 / 12

HEX #D0E03C

RGB 208 224 60

HSL 65.85, 0.73%, 0.56%

LAB 85.53, -24.83, 73.16

 

CMYK 73 / 0 / 29 / 12

HEX #3CE09F

RGB 60 224 159

HSL 156.22, 0.73%, 0.56%

LAB 80.05, -56.4, 20.11

 

Description

Color code: HEX #4D3CE0 | qconv.com Color code: HEX #4D3CE0 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 60 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 60 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 73 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 73% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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