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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D3A54 it is the complementary color #B2C5AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D3A54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D3A54 shade: #523A4F, #634C62, #745E75, #857088 and #96829B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D3A54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D3A54 shade: #4D3A54, #3C2841, #2B162E, #1A041B and #090008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D3A54 shade: #4D3A54, #543A54, #543A4D, #543A46 and #543A3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D3A54 shade: #4D3A54, #463A54, #3F3A54 and #3A3A54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D3A54 shade matches the following richer shades: #4D3A54, #522E5F, #58236B, #5D1776 and #620C82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D3A54 shade: #4D3A54, #474648, #42513D, #3D5D31 and #376826

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D3A54 shade: #3F3A54, #463A54, #4C3A54, #533A54 and #543A4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D3A54 shade: #201823, #36293B, #4D3A54, #634B6C and #7A5C84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D3A54 shade: #4D3A54, #543A3C and #3A5442

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D3A54 shade: #4D3A54, #544C3A and #3A544C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D3A54 shade: #4D3A54, #543A3C, #41543A and #3A5452

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D3A54 shade: #4D3A54, #54403A, #41543A and #3A4E54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

Complementary color

CMYK 10 / 0 / 13 / 23

HEX #B2C5AB

RGB 178 197 171

HSL 103.85, 0.18%, 0.72%

LAB 77.48, -11.3, 10.86

 

CMYK 0 / 29 / 4 / 68

HEX #523A4F

RGB 82 58 79

HSL 307.5, 0.17%, 0.27%

LAB 27.8, 14.65, -8.59

 

CMYK 0 / 23 / 1 / 61

HEX #634C62

RGB 99 76 98

HSL 302.61, 0.13%, 0.34%

LAB 35.41, 13.95, -9.12

 

CMYK 1 / 20 / 0 / 54

HEX #745E75

RGB 116 94 117

HSL 297.39, 0.11%, 0.41%

LAB 42.77, 13.34, -9.61

 

CMYK 2 / 18 / 0 / 47

HEX #857088

RGB 133 112 136

HSL 292.5, 0.1%, 0.49%

LAB 49.92, 12.81, -10.08

 

CMYK 3 / 16 / 0 / 39

HEX #96829B

RGB 150 130 155

HSL 288, 0.11%, 0.56%

LAB 56.9, 12.34, -10.54

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 8 / 38 / 0 / 75

HEX #3C2841

RGB 60 40 65

HSL 288, 0.24%, 0.21%

LAB 19.47, 14.64, -12.16

 

CMYK 7 / 52 / 0 / 82

HEX #2B162E

RGB 43 22 46

HSL 292.5, 0.35%, 0.13%

LAB 11.17, 15.58, -11.76

 

CMYK 4 / 85 / 0 / 89

HEX #1A041B

RGB 26 4 27

HSL 297.39, 0.74%, 0.06%

LAB 3.48, 12.32, -9.33

 

CMYK 0 / 100 / 11 / 96

HEX #090008

RGB 9 0 8

HSL 306.67, 1%, 0.02%

LAB 0.68, 3.47, -2.2

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 0 / 31 / 0 / 67

HEX #543A54

RGB 84 58 84

HSL 300, 0.18%, 0.28%

LAB 28.25, 16.52, -11.16

 

CMYK 0 / 31 / 8 / 67

HEX #543A4D

RGB 84 58 77

HSL 316.15, 0.18%, 0.28%

LAB 27.97, 15.03, -7

 

CMYK 0 / 31 / 17 / 67

HEX #543A46

RGB 84 58 70

HSL 332.31, 0.18%, 0.28%

LAB 27.72, 13.64, -2.78

 

CMYK 0 / 31 / 25 / 67

HEX #543A3F

RGB 84 58 63

HSL 348.46, 0.18%, 0.28%

LAB 27.49, 12.36, 1.5

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 17 / 31 / 0 / 67

HEX #463A54

RGB 70 58 84

HSL 267.69, 0.18%, 0.28%

LAB 26.64, 11.2, -13.76

 

CMYK 25 / 31 / 0 / 67

HEX #3F3A54

RGB 63 58 84

HSL 251.54, 0.18%, 0.28%

LAB 25.93, 8.63, -14.91

 

CMYK 31 / 31 / 0 / 67

HEX #3A3A54

RGB 58 58 84

HSL 240, 0.18%, 0.28%

LAB 25.46, 6.85, -15.68

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 14 / 52 / 0 / 63

HEX #522E5F

RGB 82 46 95

HSL 284.08, 0.35%, 0.28%

LAB 25.49, 25.89, -22.64

 

CMYK 18 / 67 / 0 / 58

HEX #58236B

RGB 88 35 107

HSL 284.17, 0.51%, 0.28%

LAB 24.76, 36.65, -31.54

 

CMYK 21 / 81 / 0 / 54

HEX #5D1776

RGB 93 23 118

HSL 284.21, 0.67%, 0.28%

LAB 24.47, 45.49, -39.02

 

CMYK 25 / 91 / 0 / 49

HEX #620C82

RGB 98 12 130

HSL 283.73, 0.83%, 0.28%

LAB 25.17, 52.09, -45.47

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 1 / 3 / 0 / 72

HEX #474648

RGB 71 70 72

HSL 270, 0.01%, 0.28%

LAB 29.88, 0.86, -1.06

 

CMYK 19 / 0 / 25 / 68

HEX #42513D

RGB 66 81 61

HSL 105, 0.14%, 0.28%

LAB 32.66, -10.29, 9.86

 

CMYK 34 / 0 / 47 / 64

HEX #3D5D31

RGB 61 93 49

HSL 103.64, 0.31%, 0.28%

LAB 36.07, -21.08, 21.59

 

CMYK 47 / 0 / 63 / 59

HEX #376826

RGB 55 104 38

HSL 104.55, 0.46%, 0.28%

LAB 39.33, -30.16, 31.41

 

CMYK 25 / 31 / 0 / 67

HEX #3F3A54

RGB 63 58 84

HSL 251.54, 0.18%, 0.28%

LAB 25.93, 8.63, -14.91

 

CMYK 17 / 31 / 0 / 67

HEX #463A54

RGB 70 58 84

HSL 267.69, 0.18%, 0.28%

LAB 26.64, 11.2, -13.76

 

CMYK 10 / 31 / 0 / 67

HEX #4C3A54

RGB 76 58 84

HSL 281.54, 0.18%, 0.28%

LAB 27.3, 13.46, -12.69

 

CMYK 1 / 31 / 0 / 67

HEX #533A54

RGB 83 58 84

HSL 297.69, 0.18%, 0.28%

LAB 28.13, 16.14, -11.35

 

CMYK 0 / 31 / 8 / 67

HEX #543A4D

RGB 84 58 77

HSL 316.15, 0.18%, 0.28%

LAB 27.97, 15.03, -7

 

CMYK 9 / 31 / 0 / 86

HEX #201823

RGB 32 24 35

HSL 283.64, 0.19%, 0.12%

LAB 9.65, 6.67, -6.09

 

CMYK 8 / 31 / 0 / 77

HEX #36293B

RGB 54 41 59

HSL 283.33, 0.18%, 0.2%

LAB 18.74, 10.08, -9.21

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 8 / 31 / 0 / 58

HEX #634B6C

RGB 99 75 108

HSL 283.64, 0.18%, 0.36%

LAB 35.53, 16.78, -15.2

 

CMYK 8 / 30 / 0 / 48

HEX #7A5C84

RGB 122 92 132

HSL 285, 0.18%, 0.44%

LAB 43.45, 19.95, -17.62

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 0 / 31 / 29 / 67

HEX #543A3C

RGB 84 58 60

HSL 355.38, 0.18%, 0.28%

LAB 27.4, 11.85, 3.35

 

CMYK 31 / 0 / 21 / 67

HEX #3A5442

RGB 58 84 66

HSL 138.46, 0.18%, 0.28%

LAB 33.21, -14.14, 7.42

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 0 / 10 / 31 / 67

HEX #544C3A

RGB 84 76 58

HSL 41.54, 0.18%, 0.28%

LAB 32.61, 0.1, 11.93

 

CMYK 31 / 0 / 10 / 67

HEX #3A544C

RGB 58 84 76

HSL 161.54, 0.18%, 0.28%

LAB 33.48, -11.8, 1.52

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 0 / 31 / 29 / 67

HEX #543A3C

RGB 84 58 60

HSL 355.38, 0.18%, 0.28%

LAB 27.4, 11.85, 3.35

 

CMYK 23 / 0 / 31 / 67

HEX #41543A

RGB 65 84 58

HSL 103.85, 0.18%, 0.28%

LAB 33.5, -13.02, 12.87

 

CMYK 31 / 0 / 2 / 67

HEX #3A5452

RGB 58 84 82

HSL 175.38, 0.18%, 0.28%

LAB 33.67, -10.26, -2

 

CMYK 8 / 31 / 0 / 67

HEX #4D3A54

RGB 77 58 84

HSL 283.85, 0.18%, 0.28%

LAB 27.42, 13.84, -12.5

 

CMYK 0 / 24 / 31 / 67

HEX #54403A

RGB 84 64 58

HSL 13.85, 0.18%, 0.28%

LAB 29.05, 7.67, 7

 

CMYK 23 / 0 / 31 / 67

HEX #41543A

RGB 65 84 58

HSL 103.85, 0.18%, 0.28%

LAB 33.5, -13.02, 12.87

 

CMYK 31 / 7 / 0 / 67

HEX #3A4E54

RGB 58 78 84

HSL 193.85, 0.18%, 0.28%

LAB 31.78, -6.1, -6.06

 

Description

Color code: HEX #4D3A54 | qconv.com Color code: HEX #4D3A54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 58 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 58 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 31 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 31% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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