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Color name
HEX #4D3397

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D3397 it is the complementary color #B2CC68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D3397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D3397 shade: #523392, #6345A5, #7457B8, #8569CB and #967BDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D3397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D3397 shade: #4D3397, #3C2184, #2B0F71, #1A005E and #09004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D3397 shade: #4D3399, #693399, #843399, #993391 and #993376

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D3397 shade: #4D3399 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D3397 shade matches the following richer shades: #4D3399, #4522A9, #3D11BA and #3501CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D3397 shade: #4D3399, #554388, #5D5477, #656467 and #6D7556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D3397 shade: #334F99, #333499, #4C3399, #673399 and #823399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D3397 shade: #2E1E5B, #3D287A, #4D3399, #5D3DB7 and #7457C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D3397 shade: #4D3397, #99336B and #429933

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D3397 shade: #4D3397, #994C33 and #33994C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D3397 shade: #4D3397, #99336B, #7F9933 and #339960

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D3397 shade: #4D3397, #99334C, #7F9933 and #33997F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 66 / 0 / 41

HEX #4D3397

RGB 77 51 151

HSL 255.6, 0.5%, 0.4%

LAB 29.86, 37.02, -51

 

Complementary color

CMYK 13 / 0 / 49 / 20

HEX #B2CC68

RGB 178 204 104

HSL 75.6, 0.5%, 0.6%

LAB 78.26, -24.08, 46.57

 

CMYK 44 / 65 / 0 / 43

HEX #523392

RGB 82 51 146

HSL 259.58, 0.48%, 0.39%

LAB 30, 36.59, -47.68

 

CMYK 40 / 58 / 0 / 35

HEX #6345A5

RGB 99 69 165

HSL 258.75, 0.41%, 0.46%

LAB 37.16, 35.32, -47.55

 

CMYK 37 / 53 / 0 / 28

HEX #7457B8

RGB 116 87 184

HSL 257.94, 0.41%, 0.53%

LAB 44.22, 34.13, -47.36

 

CMYK 34 / 48 / 0 / 20

HEX #8569CB

RGB 133 105 203

HSL 257.14, 0.49%, 0.6%

LAB 51.15, 33.04, -47.18

 

CMYK 32 / 45 / 0 / 13

HEX #967BDE

RGB 150 123 222

HSL 256.36, 0.6%, 0.68%

LAB 57.96, 32.06, -47.02

 

CMYK 49 / 66 / 0 / 41

HEX #4D3397

RGB 77 51 151

HSL 255.6, 0.5%, 0.4%

LAB 29.86, 37.02, -51

 

CMYK 55 / 75 / 0 / 48

HEX #3C2184

RGB 60 33 132

HSL 256.36, 0.6%, 0.32%

LAB 22.7, 38.4, -50.98

 

CMYK 62 / 87 / 0 / 56

HEX #2B0F71

RGB 43 15 113

HSL 257.14, 0.77%, 0.25%

LAB 15.73, 39.25, -50.38

 

CMYK 72 / 100 / 0 / 63

HEX #1A005E

RGB 26 0 94

HSL 256.6, 1%, 0.18%

LAB 9.22, 38.92, -48.69

 

CMYK 88 / 100 / 0 / 71

HEX #09004B

RGB 9 0 75

HSL 247.2, 1%, 0.15%

LAB 5.11, 31.05, -42.53

 

CMYK 50 / 67 / 0 / 40

HEX #4D3399

RGB 77 51 153

HSL 255.29, 0.5%, 0.4%

LAB 30.02, 37.62, -51.96

 

CMYK 31 / 67 / 0 / 40

HEX #693399

RGB 105 51 153

HSL 271.76, 0.5%, 0.4%

LAB 33.29, 43.57, -46.52

 

CMYK 14 / 67 / 0 / 40

HEX #843399

RGB 132 51 153

HSL 287.65, 0.5%, 0.4%

LAB 37.07, 49.91, -40.25

 

CMYK 0 / 67 / 5 / 40

HEX #993391

RGB 153 51 145

HSL 304.71, 0.5%, 0.4%

LAB 39.89, 53.65, -30.71

 

CMYK 0 / 67 / 23 / 40

HEX #993376

RGB 153 51 118

HSL 320.59, 0.5%, 0.4%

LAB 38.63, 49.44, -16.03

 

CMYK 50 / 67 / 0 / 40

HEX #4D3399

RGB 77 51 153

HSL 255.29, 0.5%, 0.4%

LAB 30.02, 37.62, -51.96

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 50 / 67 / 0 / 40

HEX #4D3399

RGB 77 51 153

HSL 255.29, 0.5%, 0.4%

LAB 30.02, 37.62, -51.96

 

CMYK 59 / 80 / 0 / 34

HEX #4522A9

RGB 69 34 169

HSL 255.56, 0.67%, 0.4%

LAB 27.5, 50.01, -65.83

 

CMYK 67 / 91 / 0 / 27

HEX #3D11BA

RGB 61 17 186

HSL 255.62, 0.83%, 0.4%

LAB 26.56, 60.13, -77.59

 

CMYK 74 / 100 / 0 / 21

HEX #3501CA

RGB 53 1 202

HSL 255.52, 0.99%, 0.4%

LAB 26.86, 67.08, -86.55

 

CMYK 50 / 67 / 0 / 40

HEX #4D3399

RGB 77 51 153

HSL 255.29, 0.5%, 0.4%

LAB 30.02, 37.62, -51.96

 

CMYK 38 / 51 / 0 / 47

HEX #554388

RGB 85 67 136

HSL 255.65, 0.34%, 0.4%

LAB 33.4, 24.66, -36.05

 

CMYK 22 / 29 / 0 / 53

HEX #5D5477

RGB 93 84 119

HSL 255.43, 0.17%, 0.4%

LAB 37.84, 11.69, -18.54

 

CMYK 2 / 3 / 0 / 60

HEX #656467

RGB 101 100 103

HSL 260, 0.01%, 0.4%

LAB 42.55, 1.02, -1.56

 

CMYK 7 / 0 / 26 / 54

HEX #6D7556

RGB 109 117 86

HSL 75.48, 0.15%, 0.4%

LAB 47.81, -8.82, 16.14

 

CMYK 67 / 48 / 0 / 40

HEX #334F99

RGB 51 79 153

HSL 223.53, 0.5%, 0.4%

LAB 35.19, 14.68, -43.69

 

CMYK 67 / 66 / 0 / 40

HEX #333499

RGB 51 52 153

HSL 239.41, 0.5%, 0.4%

LAB 28.01, 32.53, -55.35

 

CMYK 50 / 67 / 0 / 40

HEX #4C3399

RGB 76 51 153

HSL 254.71, 0.5%, 0.4%

LAB 29.92, 37.43, -52.13

 

CMYK 33 / 67 / 0 / 40

HEX #673399

RGB 103 51 153

HSL 270.59, 0.5%, 0.4%

LAB 33.03, 43.12, -46.94

 

CMYK 15 / 67 / 0 / 40

HEX #823399

RGB 130 51 153

HSL 286.47, 0.5%, 0.4%

LAB 36.77, 49.43, -40.74

 

CMYK 49 / 67 / 0 / 64

HEX #2E1E5B

RGB 46 30 91

HSL 255.74, 0.5%, 0.24%

LAB 16.82, 24.56, -34.1

 

CMYK 50 / 67 / 0 / 52

HEX #3D287A

RGB 61 40 122

HSL 255.37, 0.51%, 0.32%

LAB 23.39, 31.46, -43.54

 

CMYK 50 / 67 / 0 / 40

HEX #4D3399

RGB 77 51 153

HSL 255.29, 0.5%, 0.4%

LAB 30.02, 37.62, -51.96

 

CMYK 49 / 67 / 0 / 28

HEX #5D3DB7

RGB 93 61 183

HSL 255.74, 0.5%, 0.48%

LAB 36.14, 43.81, -59.92

 

CMYK 42 / 56 / 0 / 22

HEX #7457C7

RGB 116 87 199

HSL 255.54, 0.5%, 0.56%

LAB 45.16, 38.28, -54.57

 

CMYK 49 / 66 / 0 / 41

HEX #4D3397

RGB 77 51 151

HSL 255.6, 0.5%, 0.4%

LAB 29.86, 37.02, -51

 

CMYK 0 / 67 / 30 / 40

HEX #99336B

RGB 153 51 107

HSL 327.06, 0.5%, 0.4%

LAB 38.2, 47.94, -9.81

 

CMYK 57 / 0 / 67 / 40

HEX #429933

RGB 66 153 51

HSL 111.18, 0.5%, 0.4%

LAB 56.27, -45.97, 44.29

 

CMYK 49 / 66 / 0 / 41

HEX #4D3397

RGB 77 51 151

HSL 255.6, 0.5%, 0.4%

LAB 29.86, 37.02, -51

 

CMYK 0 / 50 / 67 / 40

HEX #994C33

RGB 153 76 51

HSL 14.71, 0.5%, 0.4%

LAB 41.5, 30.05, 29.37

 

CMYK 67 / 0 / 50 / 40

HEX #33994C

RGB 51 153 76

HSL 134.71, 0.5%, 0.4%

LAB 56.1, -46.32, 31.92

 

CMYK 49 / 66 / 0 / 41

HEX #4D3397

RGB 77 51 151

HSL 255.6, 0.5%, 0.4%

LAB 29.86, 37.02, -51

 

CMYK 0 / 67 / 30 / 40

HEX #99336B

RGB 153 51 107

HSL 327.06, 0.5%, 0.4%

LAB 38.2, 47.94, -9.81

 

CMYK 17 / 0 / 67 / 40

HEX #7F9933

RGB 127 153 51

HSL 75.29, 0.5%, 0.4%

LAB 59.46, -24.26, 48.67

 

CMYK 67 / 0 / 37 / 40

HEX #339960

RGB 51 153 96

HSL 146.47, 0.5%, 0.4%

LAB 56.42, -42.74, 21.61

 

CMYK 49 / 66 / 0 / 41

HEX #4D3397

RGB 77 51 151

HSL 255.6, 0.5%, 0.4%

LAB 29.86, 37.02, -51

 

CMYK 0 / 67 / 50 / 40

HEX #99334C

RGB 153 51 76

HSL 345.29, 0.5%, 0.4%

LAB 37.23, 44.47, 8.43

 

CMYK 17 / 0 / 67 / 40

HEX #7F9933

RGB 127 153 51

HSL 75.29, 0.5%, 0.4%

LAB 59.46, -24.26, 48.67

 

CMYK 67 / 0 / 17 / 40

HEX #33997F

RGB 51 153 127

HSL 164.71, 0.5%, 0.4%

LAB 57.09, -35.64, 5.15

 

Description

Color code: HEX #4D3397 | qconv.com Color code: HEX #4D3397 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 51 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 51 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 66 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 66% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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