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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C90F4 it is the complementary color #B36F0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C90F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C90F4 shade: #5190EF, #62A2FF, #73B4FF, #84C6FF and #95D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C90F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C90F4 shade: #4C90F4, #3B7EE1, #2A6CCE, #195ABB and #0848A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C90F4 shade: #4D90F3, #4D64F3, #634DF3, #904DF3 and #BD4DF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C90F4 shade: #4D90F3, #4D64F3 and #4D4DF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C90F4 shade matches the following richer shades: #4D90F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C90F4 shade: #4D90F3, #5C93E4, #6C96D5, #7B99C5 and #8A9CB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C90F4 shade: #4DEBF3, #4DBFF3, #4D92F3, #4D66F3 and #604DF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C90F4 shade: #0E63E0, #2678F1, #4D90F3, #74A8F6 and #9BC1F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C90F4 shade: #4C90F4, #CF4DF3 and #D5F34D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C90F4 shade: #4C90F4, #F34D92 and #92F34D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C90F4 shade: #4C90F4, #CF4DF3, #F3AE4D and #71F34D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C90F4 shade: #4C90F4, #F34DE5, #F3AE4D and #4DF35B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 41 / 0 / 4

HEX #4C90F4

RGB 76 144 244

HSL 215.71, 0.88%, 0.63%

LAB 59.9, 10.53, -56.45

 

Complementary color

CMYK 0 / 38 / 94 / 30

HEX #B36F0B

RGB 179 111 11

HSL 35.71, 0.88%, 0.37%

LAB 52.92, 20.41, 57.88

 

CMYK 66 / 40 / 0 / 6

HEX #5190EF

RGB 81 144 239

HSL 216.08, 0.83%, 0.63%

LAB 59.82, 9.57, -53.8

 

CMYK 62 / 36 / 0 / 0

HEX #62A2FF

RGB 98 162 255

HSL 215.54, 1%, 0.69%

LAB 66.26, 7.23, -52.32

 

CMYK 55 / 29 / 0 / 0

HEX #73B4FF

RGB 115 180 255

HSL 212.14, 1%, 0.73%

LAB 71.9, 0.27, -43.39

 

CMYK 48 / 22 / 0 / 0

HEX #84C6FF

RGB 132 198 255

HSL 207.8, 1%, 0.76%

LAB 77.59, -5.89, -34.48

 

CMYK 42 / 15 / 0 / 0

HEX #95D8FF

RGB 149 216 255

HSL 202.08, 1%, 0.79%

LAB 83.3, -11.34, -25.65

 

CMYK 69 / 41 / 0 / 4

HEX #4C90F4

RGB 76 144 244

HSL 215.71, 0.88%, 0.63%

LAB 59.9, 10.53, -56.45

 

CMYK 74 / 44 / 0 / 12

HEX #3B7EE1

RGB 59 126 225

HSL 215.78, 0.73%, 0.56%

LAB 53.26, 12.37, -56.53

 

CMYK 80 / 48 / 0 / 19

HEX #2A6CCE

RGB 42 108 206

HSL 215.85, 0.66%, 0.49%

LAB 46.54, 14.64, -56.59

 

CMYK 87 / 52 / 0 / 27

HEX #195ABB

RGB 25 90 187

HSL 215.93, 0.76%, 0.42%

LAB 39.76, 17.45, -56.57

 

CMYK 95 / 57 / 0 / 34

HEX #0848A8

RGB 8 72 168

HSL 216, 0.91%, 0.35%

LAB 32.95, 20.94, -56.41

 

CMYK 68 / 41 / 0 / 5

HEX #4D90F3

RGB 77 144 243

HSL 215.78, 0.87%, 0.63%

LAB 59.88, 10.33, -55.92

 

CMYK 68 / 59 / 0 / 5

HEX #4D64F3

RGB 77 100 243

HSL 231.69, 0.87%, 0.63%

LAB 48.46, 37.26, -74.34

 

CMYK 59 / 68 / 0 / 5

HEX #634DF3

RGB 99 77 243

HSL 247.95, 0.87%, 0.63%

LAB 44.85, 53.66, -80.19

 

CMYK 41 / 68 / 0 / 5

HEX #904DF3

RGB 144 77 243

HSL 264.22, 0.87%, 0.63%

LAB 49.14, 60.91, -73

 

CMYK 22 / 68 / 0 / 5

HEX #BD4DF3

RGB 189 77 243

HSL 280.48, 0.87%, 0.63%

LAB 54.66, 69.58, -63.81

 

CMYK 68 / 41 / 0 / 5

HEX #4D90F3

RGB 77 144 243

HSL 215.78, 0.87%, 0.63%

LAB 59.88, 10.33, -55.92

 

CMYK 68 / 59 / 0 / 5

HEX #4D64F3

RGB 77 100 243

HSL 231.69, 0.87%, 0.63%

LAB 48.46, 37.26, -74.34

 

CMYK 68 / 68 / 0 / 5

HEX #4D4DF3

RGB 77 77 243

HSL 240, 0.87%, 0.63%

LAB 43.3, 50.91, -82.8

 

CMYK 68 / 41 / 0 / 5

HEX #4D90F3

RGB 77 144 243

HSL 215.78, 0.87%, 0.63%

LAB 59.88, 10.33, -55.92

 

CMYK 68 / 41 / 0 / 5

HEX #4D90F3

RGB 77 144 243

HSL 215.78, 0.87%, 0.63%

LAB 59.88, 10.33, -55.92

 

CMYK 60 / 36 / 0 / 11

HEX #5C93E4

RGB 92 147 228

HSL 215.74, 0.72%, 0.63%

LAB 60.56, 6.05, -46.52

 

CMYK 49 / 30 / 0 / 16

HEX #6C96D5

RGB 108 150 213

HSL 216, 0.56%, 0.63%

LAB 61.49, 3.01, -36.66

 

CMYK 38 / 22 / 0 / 23

HEX #7B99C5

RGB 123 153 197

HSL 215.68, 0.39%, 0.63%

LAB 62.53, 0.57, -26.03

 

CMYK 24 / 14 / 0 / 29

HEX #8A9CB6

RGB 138 156 182

HSL 215.45, 0.23%, 0.63%

LAB 63.8, -0.49, -15.59

 

CMYK 68 / 3 / 0 / 5

HEX #4DEBF3

RGB 77 235 243

HSL 182.89, 0.87%, 0.63%

LAB 85.74, -37.76, -15.86

 

CMYK 68 / 21 / 0 / 5

HEX #4DBFF3

RGB 77 191 243

HSL 198.8, 0.87%, 0.63%

LAB 73.1, -16.12, -35.15

 

CMYK 68 / 40 / 0 / 5

HEX #4D92F3

RGB 77 146 243

HSL 215.06, 0.87%, 0.63%

LAB 60.43, 9.14, -55.05

 

CMYK 68 / 58 / 0 / 5

HEX #4D66F3

RGB 77 102 243

HSL 230.96, 0.87%, 0.63%

LAB 48.95, 36.04, -73.55

 

CMYK 60 / 68 / 0 / 5

HEX #604DF3

RGB 96 77 243

HSL 246.87, 0.87%, 0.63%

LAB 44.61, 53.25, -80.59

 

CMYK 94 / 56 / 0 / 12

HEX #0E63E0

RGB 14 99 224

HSL 215.71, 0.88%, 0.47%

LAB 44.8, 25.58, -69.69

 

CMYK 84 / 50 / 0 / 5

HEX #2678F1

RGB 38 120 241

HSL 215.76, 0.88%, 0.55%

LAB 52.06, 19.99, -67.45

 

CMYK 68 / 41 / 0 / 5

HEX #4D90F3

RGB 77 144 243

HSL 215.78, 0.87%, 0.63%

LAB 59.88, 10.33, -55.92

 

CMYK 53 / 32 / 0 / 4

HEX #74A8F6

RGB 116 168 246

HSL 216, 0.88%, 0.71%

LAB 68.29, 4.49, -44.15

 

CMYK 38 / 22 / 0 / 3

HEX #9BC1F8

RGB 155 193 248

HSL 215.48, 0.87%, 0.79%

LAB 77.21, 0.58, -31.21

 

CMYK 69 / 41 / 0 / 4

HEX #4C90F4

RGB 76 144 244

HSL 215.71, 0.88%, 0.63%

LAB 59.9, 10.53, -56.45

 

CMYK 15 / 68 / 0 / 5

HEX #CF4DF3

RGB 207 77 243

HSL 286.99, 0.87%, 0.63%

LAB 57.12, 73.27, -59.72

 

CMYK 12 / 0 / 68 / 5

HEX #D5F34D

RGB 213 243 77

HSL 70.84, 0.87%, 0.63%

LAB 91.14, -30.91, 72.91

 

CMYK 69 / 41 / 0 / 4

HEX #4C90F4

RGB 76 144 244

HSL 215.71, 0.88%, 0.63%

LAB 59.9, 10.53, -56.45

 

CMYK 0 / 68 / 40 / 5

HEX #F34D92

RGB 243 77 146

HSL 335.06, 0.87%, 0.63%

LAB 58.45, 68.23, -1.69

 

CMYK 40 / 0 / 68 / 5

HEX #92F34D

RGB 146 243 77

HSL 95.06, 0.87%, 0.63%

LAB 87.36, -55.13, 67.85

 

CMYK 69 / 41 / 0 / 4

HEX #4C90F4

RGB 76 144 244

HSL 215.71, 0.88%, 0.63%

LAB 59.9, 10.53, -56.45

 

CMYK 15 / 68 / 0 / 5

HEX #CF4DF3

RGB 207 77 243

HSL 286.99, 0.87%, 0.63%

LAB 57.12, 73.27, -59.72

 

CMYK 0 / 28 / 68 / 5

HEX #F3AE4D

RGB 243 174 77

HSL 35.06, 0.87%, 0.63%

LAB 75.98, 16.19, 58.06

 

CMYK 53 / 0 / 68 / 5

HEX #71F34D

RGB 113 243 77

HSL 106.99, 0.87%, 0.63%

LAB 86.08, -64.68, 66.12

 

CMYK 69 / 41 / 0 / 4

HEX #4C90F4

RGB 76 144 244

HSL 215.71, 0.88%, 0.63%

LAB 59.9, 10.53, -56.45

 

CMYK 0 / 68 / 6 / 5

HEX #F34DE5

RGB 243 77 229

HSL 305.06, 0.87%, 0.63%

LAB 61.67, 78.71, -44.34

 

CMYK 0 / 28 / 68 / 5

HEX #F3AE4D

RGB 243 174 77

HSL 35.06, 0.87%, 0.63%

LAB 75.98, 16.19, 58.06

 

CMYK 68 / 0 / 63 / 5

HEX #4DF35B

RGB 77 243 91

HSL 125.06, 0.87%, 0.63%

LAB 85.22, -71.2, 59.38

 

Description

Color code: HEX #4C90F4 | qconv.com Color code: HEX #4C90F4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 144 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 144 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 41 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 41% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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