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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C9913 it is the complementary color #B366EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C9913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C9913 shade: #51990E, #62AB21, #73BD34, #84CF47 and #95E15A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C9913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C9913 shade: #4C9913, #3B8700, #2A7500, #196300 and #085100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C9913 shade: #4C9A13, #719A13, #959A13, #9A7A13 and #9A5613

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C9913 shade: #4C9A13, #289A13, #139A22, #139A46 and #139A6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C9913 shade matches the following richer shades: #4C9A13 and #4AA805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C9913 shade: #4C9A13, #4E8C21, #507E2F, #52703D and #54624B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C9913 shade: #959A13, #719A13, #4D9A13, #299A13 and #139A20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C9913 shade: #285009, #3A750E, #4C9A13, #5EBF17 and #71E31C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C9913 shade: #4C9913, #139A7A and #9A1383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C9913 shade: #4C9913, #134D9A and #9A134D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C9913 shade: #4C9913, #139A7A, #5F139A and #9A1332

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C9913 shade: #4C9913, #13919A, #5F139A and #9A1C13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 88 / 40

HEX #4C9913

RGB 76 153 19

HSL 94.48, 0.78%, 0.34%

LAB 56.45, -45.2, 55.49

 

Complementary color

CMYK 24 / 57 / 0 / 7

HEX #B366EC

RGB 179 102 236

HSL 274.48, 0.78%, 0.66%

LAB 57.21, 54.32, -55.87

 

CMYK 47 / 0 / 91 / 40

HEX #51990E

RGB 81 153 14

HSL 91.08, 0.83%, 0.33%

LAB 56.65, -43.75, 56.76

 

CMYK 43 / 0 / 81 / 33

HEX #62AB21

RGB 98 171 33

HSL 91.74, 0.68%, 0.4%

LAB 63.2, -44.63, 58.25

 

CMYK 39 / 0 / 72 / 26

HEX #73BD34

RGB 115 189 52

HSL 92.41, 0.57%, 0.47%

LAB 69.67, -45.18, 58.51

 

CMYK 36 / 0 / 66 / 19

HEX #84CF47

RGB 132 207 71

HSL 93.09, 0.59%, 0.55%

LAB 76.06, -45.51, 58.09

 

CMYK 34 / 0 / 60 / 12

HEX #95E15A

RGB 149 225 90

HSL 93.78, 0.69%, 0.62%

LAB 82.37, -45.7, 57.3

 

CMYK 50 / 0 / 88 / 40

HEX #4C9913

RGB 76 153 19

HSL 94.48, 0.78%, 0.34%

LAB 56.45, -45.2, 55.49

 

CMYK 56 / 0 / 100 / 47

HEX #3B8700

RGB 59 135 0

HSL 93.78, 1%, 0.26%

LAB 49.81, -43.99, 53.24

 

CMYK 64 / 0 / 100 / 54

HEX #2A7500

RGB 42 117 0

HSL 98.46, 1%, 0.23%

LAB 43.09, -41.99, 47.69

 

CMYK 75 / 0 / 100 / 61

HEX #196300

RGB 25 99 0

HSL 104.85, 1%, 0.19%

LAB 36.23, -39.53, 42.05

 

CMYK 90 / 0 / 100 / 68

HEX #085100

RGB 8 81 0

HSL 114.07, 1%, 0.16%

LAB 29.25, -36.29, 36.34

 

CMYK 51 / 0 / 88 / 40

HEX #4C9A13

RGB 76 154 19

HSL 94.67, 0.78%, 0.34%

LAB 56.78, -45.59, 55.77

 

CMYK 27 / 0 / 88 / 40

HEX #719A13

RGB 113 154 19

HSL 78.22, 0.78%, 0.34%

LAB 58.67, -32.16, 58.14

 

CMYK 3 / 0 / 88 / 40

HEX #959A13

RGB 149 154 19

HSL 62.22, 0.78%, 0.34%

LAB 61.26, -16.7, 61.35

 

CMYK 0 / 21 / 88 / 40

HEX #9A7A13

RGB 154 122 19

HSL 45.78, 0.78%, 0.34%

LAB 52.77, 2.96, 54.6

 

CMYK 0 / 44 / 88 / 40

HEX #9A5613

RGB 154 86 19

HSL 29.78, 0.78%, 0.34%

LAB 43.61, 23.49, 47.08

 

CMYK 51 / 0 / 88 / 40

HEX #4C9A13

RGB 76 154 19

HSL 94.67, 0.78%, 0.34%

LAB 56.78, -45.59, 55.77

 

CMYK 74 / 0 / 88 / 40

HEX #289A13

RGB 40 154 19

HSL 110.67, 0.78%, 0.34%

LAB 55.69, -54.43, 54.4

 

CMYK 88 / 0 / 78 / 40

HEX #139A22

RGB 19 154 34

HSL 126.67, 0.78%, 0.34%

LAB 55.45, -56.34, 49.77

 

CMYK 88 / 0 / 55 / 40

HEX #139A46

RGB 19 154 70

HSL 142.67, 0.78%, 0.34%

LAB 55.78, -52.24, 34.47

 

CMYK 88 / 0 / 31 / 40

HEX #139A6B

RGB 19 154 107

HSL 159.11, 0.78%, 0.34%

LAB 56.4, -45.03, 15.39

 

CMYK 51 / 0 / 88 / 40

HEX #4C9A13

RGB 76 154 19

HSL 94.67, 0.78%, 0.34%

LAB 56.78, -45.59, 55.77

 

CMYK 56 / 0 / 97 / 34

HEX #4AA805

RGB 74 168 5

HSL 94.6, 0.94%, 0.34%

LAB 61.2, -51.84, 61.75

 

CMYK 51 / 0 / 88 / 40

HEX #4C9A13

RGB 76 154 19

HSL 94.67, 0.78%, 0.34%

LAB 56.78, -45.59, 55.77

 

CMYK 44 / 0 / 76 / 45

HEX #4E8C21

RGB 78 140 33

HSL 94.77, 0.62%, 0.34%

LAB 52.38, -38.5, 47.65

 

CMYK 37 / 0 / 63 / 51

HEX #507E2F

RGB 80 126 47

HSL 94.94, 0.46%, 0.34%

LAB 48.05, -30.34, 37.2

 

CMYK 27 / 0 / 46 / 56

HEX #52703D

RGB 82 112 61

HSL 95.29, 0.29%, 0.34%

LAB 43.83, -20.92, 24.87

 

CMYK 14 / 0 / 23 / 62

HEX #54624B

RGB 84 98 75

HSL 96.52, 0.13%, 0.34%

LAB 39.8, -10.15, 11.35

 

CMYK 3 / 0 / 88 / 40

HEX #959A13

RGB 149 154 19

HSL 62.22, 0.78%, 0.34%

LAB 61.26, -16.7, 61.35

 

CMYK 27 / 0 / 88 / 40

HEX #719A13

RGB 113 154 19

HSL 78.22, 0.78%, 0.34%

LAB 58.67, -32.16, 58.14

 

CMYK 50 / 0 / 88 / 40

HEX #4D9A13

RGB 77 154 19

HSL 94.22, 0.78%, 0.34%

LAB 56.82, -45.27, 55.82

 

CMYK 73 / 0 / 88 / 40

HEX #299A13

RGB 41 154 19

HSL 110.22, 0.78%, 0.34%

LAB 55.72, -54.25, 54.43

 

CMYK 88 / 0 / 79 / 40

HEX #139A20

RGB 19 154 32

HSL 125.78, 0.78%, 0.34%

LAB 55.44, -56.49, 50.43

 

CMYK 50 / 0 / 89 / 69

HEX #285009

RGB 40 80 9

HSL 93.8, 0.8%, 0.17%

LAB 29.93, -27.12, 33.99

 

CMYK 50 / 0 / 88 / 54

HEX #3A750E

RGB 58 117 14

HSL 94.37, 0.79%, 0.26%

LAB 43.73, -36.66, 45.25

 

CMYK 51 / 0 / 88 / 40

HEX #4C9A13

RGB 76 154 19

HSL 94.67, 0.78%, 0.34%

LAB 56.78, -45.59, 55.77

 

CMYK 51 / 0 / 88 / 25

HEX #5EBF17

RGB 94 191 23

HSL 94.64, 0.79%, 0.42%

LAB 69.26, -54.11, 65.97

 

CMYK 50 / 0 / 88 / 11

HEX #71E31C

RGB 113 227 28

HSL 94.37, 0.78%, 0.5%

LAB 81.03, -61.62, 75.36

 

CMYK 50 / 0 / 88 / 40

HEX #4C9913

RGB 76 153 19

HSL 94.48, 0.78%, 0.34%

LAB 56.45, -45.2, 55.49

 

CMYK 88 / 0 / 21 / 40

HEX #139A7A

RGB 19 154 122

HSL 165.78, 0.78%, 0.34%

LAB 56.74, -41.31, 7.41

 

CMYK 0 / 88 / 15 / 40

HEX #9A1383

RGB 154 19 131

HSL 310.22, 0.78%, 0.34%

LAB 35.94, 61.43, -28.3

 

CMYK 50 / 0 / 88 / 40

HEX #4C9913

RGB 76 153 19

HSL 94.48, 0.78%, 0.34%

LAB 56.45, -45.2, 55.49

 

CMYK 88 / 50 / 0 / 40

HEX #134D9A

RGB 19 77 154

HSL 214.22, 0.78%, 0.34%

LAB 33.52, 12.37, -47.05

 

CMYK 0 / 88 / 50 / 40

HEX #9A134D

RGB 154 19 77

HSL 334.22, 0.78%, 0.34%

LAB 33.71, 55.31, 2.81

 

CMYK 50 / 0 / 88 / 40

HEX #4C9913

RGB 76 153 19

HSL 94.48, 0.78%, 0.34%

LAB 56.45, -45.2, 55.49

 

CMYK 88 / 0 / 21 / 40

HEX #139A7A

RGB 19 154 122

HSL 165.78, 0.78%, 0.34%

LAB 56.74, -41.31, 7.41

 

CMYK 38 / 88 / 0 / 40

HEX #5F139A

RGB 95 19 154

HSL 273.78, 0.78%, 0.34%

LAB 27.39, 55.06, -56.79

 

CMYK 0 / 88 / 68 / 40

HEX #9A1332

RGB 154 19 50

HSL 346.22, 0.78%, 0.34%

LAB 33.06, 53.43, 19.62

 

CMYK 50 / 0 / 88 / 40

HEX #4C9913

RGB 76 153 19

HSL 94.48, 0.78%, 0.34%

LAB 56.45, -45.2, 55.49

 

CMYK 88 / 6 / 0 / 40

HEX #13919A

RGB 19 145 154

HSL 184, 0.78%, 0.34%

LAB 54.79, -27.73, -13.78

 

CMYK 38 / 88 / 0 / 40

HEX #5F139A

RGB 95 19 154

HSL 273.78, 0.78%, 0.34%

LAB 27.39, 55.06, -56.79

 

CMYK 0 / 82 / 88 / 40

HEX #9A1C13

RGB 154 28 19

HSL 4, 0.78%, 0.34%

LAB 33.45, 50.02, 38.62

 

Description

Color code: HEX #4C9913 | qconv.com Color code: HEX #4C9913 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 153 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 153 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 88 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 88% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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